The Pope's Advance Guard or the 'Incroyable' in Rome (Avant garde du pape, ou l'Incroyable à Rome), late 18th century, Etching, sheet: 8 9/16 x 13 1/8 in. (21.7 x 33.3 cm), Prints, Anonymous,…

Design for Three Chairs with Green Upholstery, early 19th century, Ink, watercolor and wash, sheet: 8 11/16 x 12 1/4 in. (22 x 31.1 cm), Anonymous, British, 19th century

Medieval or Tudor Chimneypiece Design, 19th century, Brown ink and wash, Anonymous, British, 19th century

Plate 45 from 'The Disasters of War' (Los Desastres de la Guerra): 'And this too.' (Y esto tambien.), 1810 (published 1863), Etching, aquatint or lavis, drypoint and burin, Plate: 6 7/16 × 8 9/16…

Design for a Chalice, 1855, Pen and black ink, brush and blue wash, heightened with white, over graphite, sheet: 12 1/2 x 10 in. (31.7 x 25.4 cm), Drawings, Anonymous, French, 19th century

Design for a Vignette with a Nymph Surprised by a Satyr, second half 17th century, Pen and brown ink, brush and brown wash, graphite, 2 5/8 x 4 in. (6.7 x 10.2 cm) - oval shape, Drawings,…

“The Fifth Knot”. Interlaced Roundel with Seven Six-pointed Stars, 1521 before, Woodcut, sheet: 10 3/4 x 8 3/16 in. (27.3 x 20.8 cm), Albrecht Dürer (German, Nuremberg 1471–1528…

Two Children Embrace, ca. 1662, Etching, Sheet (trimmed to plate): 2 5/16 × 3 9/16 in. (5.8 × 9 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence)

Procession of Monstrous Figures, 1615, Etching, frieze 1 of 8 plates, sheet: 3 11/16 x 12 1/2 in. (9.4 x 31.8 cm), Prints, Wendel Dietterlin, the Younger (German, active Strasbourg ca. 1614–69)

The Beast with Seven Heads and the Beast with Lamb's Horns, n.d., Woodcut, sheet: 15 x 11 1/16 in. (38.2 x 28.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Two satyrs brining Silenus King Midas standing at the left, 1531–76, Engraving, sheet: 5 1/2 x 8 9/16 in. (13.9 x 21.8 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna,…

Design for Two Sèvres Porcelain Flower Pots, 19th century, Graphite, watercolor, gouache, and gold gilt, sheet: 11 1/4 x 16 5/8 in. (28.6 x 42.2 cm), Drawings, Anonymous, French, 19th century

The Rhinoceros, n.d., Woodcut, sheet: 9 3/16 x 11 1/2 in. (23.3 x 29.2 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Cocks and Hens, Hôtel Colbert, 1891, Transfer lithograph, drawn on fine-grained transfer paper; only state (Chicago), Image: 6 5/8 × 5 1/16 in. (16.9 × 12.8 cm), Prints, James McNeill…

Alexander the Great and King Poros, n.d., Pen and brown ink, brown and brown-gray wash, sheet: 5 1/4 x 6 1/2 in. (13.3 x 16.5 cm), Drawings, Martin Altomonte (Italian, 1657–1745)

Portrait of Duncan Macdonald, 1928–29, Etching, drypoint and roulette; second state of three, trial proof, sheet: 10 3/16 x 7 3/8 in. (25.9 x 18.7 cm (cut within plate line), Prints, Walter…

Design for wallpaper featuring rampant lions and crowns, 1830–97, gouache on wove paper, Overall: 12 3/8 x 9 5/16 in. (31.4 x 23.6 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died…

Moses, 1828–71, Graphite, sheet: 4 7/16 x 5 11/16 in. (11.3 x 14.4 cm), Drawings, Gustav Jäger (German, Leipzig 1808–1871 Leipzig)

The Archangel Gabriel Kneeling to the Right; Small Study of Head at Lower Left., late 16th century, Black chalk, small traces of white chalk highlights, on ochre brown prepared paper; some…

Saint Francis of Assisi Resuscitating a Dead Youth, 1555–1629, Red chalk, 5 11/16 x 4 7/8in. (14.5 x 12.4cm), Drawings, Camillo Procaccini (Italian, Bologna 1555–1629 Milan), Nancy Ward…

Design for a Certificate(?) sponsored by the French newspaper, La Dépêche, 19th century, graphite, heightened with white on blue paper, sheet: 9 3/16 x 11 1/8 in. (23.3 x 28.3 cm), Drawings

Jan Asselijn, Painter (Krabbetje), ca. 1646, Etching, drypoint, and burin; second state, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Pompeiian Design for Paneling, second half 19th century, Pen and black ink, watercolor, and graphite, 7 x 5 3/16 in. (17.8 x 13.2 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died…

Design for Canopy Bed, 19th century, Pen and brown ink, gouache, gold metallic paint, 8 1/4 x 7 7/8 in. (20.9 x 20 cm), Drawings, Anonymous, French, 19th century

Plate 44 from 'The Disasters of War' (Los Desastres de la Guerra): 'I saw it' (Yo lo vi.), 1810 (published 1863), Etching, drypoint and burin, Plate: 6 1/4 × 9 1/4 in. (15.8 × 23.5 cm), Prints,…

Saint Sebastian Tied to a Tree, ca. 1501, Engraving, Sheet: 4 1/2 × 2 3/4 in. (11.5 × 7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

The Locomotive, 1873, Etching and drypoint, sheet: 11 13/16 x 16 3/4 in. (30 x 42.5 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres), After Joseph Mallord William Turner…

Head of an old Man facing Right, Etching, sheet: 7 3/8 x 5 1/4 in. (18.7 x 13.4 cm), Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664 Mantua)

Design for an Ewer, 1853, Pen and gray ink, watercolor, framing lines in pen and gray ink. Design pasted onto green mounting paper., sheet: 10 7/8 x 7 5/16 in. (27.7 x 18.6 cm), Drawings,…

Design for Ornamented Tile, 19th century, Pen and black ink with wash, and graphite underdrawing, Sheet: 17 1/4 x 17 7/16 in. (43.8 x 44.3 cm), Drawings

The Judgment of Solomon, after Raphael, 1511–51, Charcoal, brush and gray wash, highlighted with white, on blue paper, 9 3/8 x 12 9/16in. (23.8 x 31.9cm), Drawings, Attributed to Biagio…

Portrait of a Young Man, 1802, Black chalk, stumped, heightened with white. Framing line in pen and brown ink., 15 1/8 x 14 13/16 in. (38.4 x 37.7 cm), Drawings, Fulchran Jean Harriet (French,…

Summer (Aestas) from the series The Seasons, 1570, Engraving; first state of two, Sheet: 8 7/8 x 11 5/16 in. (22.5 x 28.7 cm), Prints, Pieter van der Heyden (Netherlandish, ca. 1525–1569),…

The Martyrdom of Saint Peter, 1537–1627, Red chalk; pen, brown ink and wash added for the principal figures, 14 3/16 x 9 1/8in. (36 x 23.2cm), Drawings, Giovanni Battista Ricci (Giovanni Battista…

Design for Four Seventeenth Century Style Chairs, early 19th century, Pen and ink, sheet: 13 x 8 3/16 in. (33 x 20.8 cm), Anonymous, British, 19th century

The Virgin and Child with the Infant Baptist, Saint Elizabeth, a Kneeling Prelate, and Three Attendant Angels, 1595–1632, Pen and black ink, brush and gray wash, highlighted with white on…

The Dismissal of Hagar, 1657–1736, Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on brown paper, 6 7/8 x 9 9/16in. (17.4 x 24.3cm), Drawings, Giuseppe…

Design for a ceiling in rococo style with a trompe l'oeil oculus, 19th century, graphite, pen and ink, wash, watercolor, gouache, and gold paint, Drawings, Jules-Edmond-Charles Lachaise (French,…

Two Saints in Adoration., n.d., Pen and brown ink, brush and brown wash over traces of leadpoint, 6 1/2 x 12 5/8 in. (16.5 x 32.1 cm), Drawings, Ventura Salimbeni (Italian, Siena 1568–1613…

The Descent of Christ to Limbo (recto); Coats of Arms of Florentine and Sienese Families (verso), ca. 1536, Pen and brown ink, brush and brown wash, over traces of leadpoint or black chalk; squared…

La Chasse aux Canards, Etching, second state, image: 8 7/16 x 12 3/8 in. (21.5 x 31.5 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Jacques Fouquieres (Flemish, 1590/91–1659)

Design for a Curve-backed Settee, early 19th century, Ink, watercolor and wash, sheet: 9 1/16 x 12 in. (23 x 30.5 cm), Anonymous, British, 19th century

Christ Taking Leave of His Mother, from The Life of the Virgin, Latin Edition, 1511, 1511, Woodcut, sheet: 17 x 14 5/8 in. (43.2 x 37.1 cm), Prints, Albrecht Dürer (German, Nuremberg…

Project for the Alexander Palace, Tsarskoe Selo (Section), 1744–1817, Pen and black ink, brush with pink, gray and ocher wash, over ruled construction lines in graphite, 5 7/16 x 9 7/8in. (13.8…

Design for a Man's Tomb, 16th century, Black chalk, pen and brown ink, brush and brown wash, sheet: 17 3/8 x 11 5/8 in. (44.1 x 29.6 cm), Drawings, Anonymous, French, 16th century

The Little Fortune, 1495–96, Engraving, Sheet: 4 5/8 × 2 5/8 in. (11.8 × 6.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Nude Male Figure with Upraised Right Arm., 1550–60, Brush and brown wash, over slight traces of black chalk, 11-5/8 x 6-9/16 in. (29.5 x 16.7 cm), Drawings, Girolamo Romanino (Italian,…

Aged Dignitary Attended by Mercury and Prudence, 1696–1770, Pen and brown ink, brush with pale and dark brown wash, over black chalk, 11-5/8 x 9-3/4 in. (29.6 x 24.8 cm), Drawings, Giovanni…

Clement de Jonghe (?), 1651, Etching, drypoint, and engraving; first state of six, plate: 8 1/8 x 6 5/16 in. (20.7 x 16.1 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669…

Rebecca and Eliezer, ca. 1638–41, Etching; fourth state of seven, sheet: 5 3/8 x 7 7/8 in. (13.7 x 20 cm), Prints, Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome)

Saint Veronica between Saints Peter and Paul, from The Small Passion, 1510, Woodcut, sheet: 5 1/16 x 3 13/16 in. (12.8 x 9.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Indian Hyacinth, Tritelia grandiflora, May 23, 1913, Watercolor and brown ink over graphite, with page design indicated in graphite, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings,…

Design with a Cartouche, 19th century, Graphite, pen and brown ink, 5 1/2 x 7 5/8 in. (13.9 x 19.3 cm), Drawings, Anonymous, French, 19th century

Süleyman the Magnificent, 16th century, Engraving; second state, sheet: 15 7/8 x 11 1/4 in. (40.4 x 28.6 cm), Prints, Engraved by Melchior Lorck (Danish, Flensburg 1526–after 1588 Hamburg (?))

Saint Margaret of Cortona, Saint James of the March, and Saint Didacus, 1734–1802, Pen and brown ink, brush and brown wash, over black chalk, 11 5/8 x 7 3/8in. (29.5 x 18.7cm), Drawings,…

Molière's Tomb, Père-Lachaise Cemetery, Paris, 1854, Etching; first state of two, plate: 2 5/8 x 2 3/4 in. (6.7 x 7cm), Prints, Charles Meryon (French, 1821–1868)

Saint Peter and Saint John at the Gate of the Temple, from The Passion, 1513, Engraving, Sheet: 4 3/4 × 3 1/16 in. (12 × 7.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Design for a Palace Facade, early 18th–mid 18th century, Pen and grey and black ink, brush and grey ink, chalk or graphite, 13 11/16 x 9 5/8 in. (34.7 x 24.4 cm), Drawings, Carl Hårleman…

La Pucelle d'Orléans, 1647, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 13 7/16 x 8 7/16 in. (34.2 x 21.4 cm), Prints, Gilles Rousselet (French, Paris…

Landscape with an Old Woman Holding a Spindle, 1500–1564, Pen and brown ink, 10-1/16 x 14-9/16 in. (25.5 x 37.0 cm), Drawings, Domenico Campagnola (Italian, Venice (?) 1500–1564 Padua)

Draped Man Running; Cartouche Supported by Two Winged Victories, 18th century, Pen and brown ink, brush and brown wash, over traces of black chalk, 6 7/8 x 4 11/16 in. (17.5 x 11.9 cm),…

Two Women and Three Men Playing Cards, 18th–early 19th century, Pen and black ink, grey wash, watercolor, over a sketch in black chalk or graphite, sheet: 15 1/16 x 11 3/4 in. (38.3 x 29.9…

Dance Under the Trees (Landscape with Rural Dance), 1742, Etching and engraving, sheet: 14 3/16 x 17 15/16 in. (36 x 45.5 cm), Prints, After Claude Lorrain (Claude Gellée) (French, Chamagne…

Four Goats (Left Section of The Goats), ca. 1630–33, Etching; second state of four (Mannocci), sheet: 8 x 5 5/16 in. (20.3 x 13.5 cm), Prints, Claude Lorrain (Claude Gellée) (French,…

Six Music-Making Figures, 1610–62, Pen and brown ink, brush and blue wash, 2-1/16 x 4-9/16 in. (5.3 x 11.6 cm), Drawings, Giovanni Francesco Romanelli (Italian, Viterbo ca. 1610–1662 Viterbo)

Porta Pia, elevation (recto) Porta Pia, window, elevation; section (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 21 15/16 x 16 7/16 in. (55.8 x 41.8…

Design for the painted decoration of a ceiling, 1830–97, pen and ink and watercolor on wove paper; mounted on blue wove paper, Overall: 14 3/4 x 10 7/16 in. (37.5 x 26.5 cm), Drawings,…

St Peter's apse, exterior niche section and details (recto) St Peter's apse, exterior niche elevation and profiles of details (verso), early to mid-16th century , Dark brown ink, black chalk,…

The Palace of Neptune (Water Palace), 19th century, Pen and black and gray ink, 5 3/8 x 7 in. (13.7 x 17.8 cm), Drawings, Joseph Lemercier (French, 1803–1887)

Two Pilaster with White Putti on Tan Ground, 1575–1640, Pen and brown ink, brush and brown wash, highlighted with white, over traces of black chalk, on beige paper, Sheet: 15 1/2 x 2 3/4 in. (39.4…

Design for double doors in a house at 18 rue Matignon, second half 19th century, Graphite and pen and ink on laid paper, sheet: 14 1/2 x 9 7/8 in. (36.8 x 25.1 cm), Drawings,…

Medallion with putti holding a cello, second half 19th century, Graphite and watercolor, Overall: 10 13/16 x 8 9/16 in. (27.4 x 21.8 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died…

Design for a ceiling with trompe l'oeil balustrade, second half 19th century, Graphite, pen and black ink, gouache, and water color, Overall: 14 13/16 x 10 9/16 in. (37.6 x 26.8 cm), Drawings,…

Embroidery Pattern with an Amazon Shield in its Center, 1521 before, Woodcut, sheet: 10 13/16 x 8 3/8 in. (27.5 x 21.3 cm), Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), After Leonardo…

Le Bois de Boulogne, 1850–1914, Etching; third and final state, Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres)

Hunting Trophy with Stag Heads at Bottom, ca. 1653, Etching, Prints

Oddities, January 1792, Hand-colored etching, Sheet: 7 3/8 × 10 1/4 in. (18.8 × 26.1 cm), Prints, After Henry Wigstead (British, 1745?–1800 Margate)

Penstemon Parryi, 1909–14, Watercolor and brown ink over graphite, with page design indicated in graphite, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings, Margaret Neilson…

The Nativity, ca. 1470, Woodcut, hand-colored, 14-7/8 x 10-1/8 in.; 16 x 10-5/8 in., Prints, Wolfgang (German, Nuremberg, late 15th century)

The Rat Catcher, second half 18th century, Etching, Sheet: 5 9/16 × 4 15/16 in. (14.2 × 12.5 cm), Prints, James Bretherton (British, active 1750–99), After Rembrandt (Rembrandt van Rijn)…

Plate 13 from the 'Disparates':Clear Folly, ca. 1816–23 (published 1864), Etching, burnished aquatint and lavis, Plate: 9 3/4 × 13 7/8 in. (24.8 × 35.2 cm), Prints, Goya (Francisco de Goya…

Poet Virgil Suspended in a Basket, detail (copy), n.d., sheet: 4 1/8 x 3 in. (10.5 x 7.6 cm), Prints, After Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Fragment of a Capital, 18th century, Pen and black ink, brush and gray wash, 6 11/16 x 6 5/16 in. (17 x 16.1 cm), Anonymous, French, 18th century, Fragment of a capital in the Composite order.…

Design for the Decoration of a Cupola with a Prophet, King David and Two Putti, Red chalk, pen and brown ink and red wash, sheet: 10 1/16 x 7 11/16 in. (25.5 x 19.5 cm), Drawings, Mattia Preti…

Head of a Bearded Man in Profile to Left, early 18th century, Pastel on brown paper, 16 15/16 x 12 13/16 in. (43 x 32.5 cm), Drawings, François Le Moyne (French, Paris 1688–1737 Paris)

Outline of a Desin for a Vase with Two Handles, 1652–1725, Pen and brown ink, over traces of black chalk; glued onto secondary paper support, framed in black chalk or graphite., sheet: 2 5/8 x 1…

Design for a Gothic Settee, early 19th century, Ink, watercolor and wash, sheet: 9 1/16 x 11 7/8 in. (23 x 30.2 cm), Anonymous, British, 19th century

Design for Suspended Censer, 1652–1725, Pen and brown ink, brush and brown wash, over traces of black chalk or graphite, sheet: 4 1/2 x 3 3/8 in. (11.4 x 8.5 cm), Attributed to Giovanni…

Design for a panel painted with a pastoral scene and rococco motifs, 1830–97, graphite on tracing paper; mounted on wove paper, Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),…

Plate 50 from 'Los Caprichos': The Chinchillas (Los Chinchillas.), 1799, Etching, burnished aquatint and burin, Plate: 8 x 5 13/16 in. (20.3 x 14.8 cm), Prints, Goya (Francisco de Goya y…

The Annunciation, ca. 1731, Pen and brown ink, brush and brown wash, over traces of black chalk, 10-1/4 x 7-3/4 in. (26 x 19.7 cm), Drawings, Antonio Gionima (Italian, Venice 1697–1732 Bologna)

The Annunciation, from The Life of the Virgin, ca. 1503, Woodcut, sheet: 11 11/16 x 8 1/4 in. (29.7 x 21 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Cumean Sibyl, from the series of Sibyls, ca. 1530, Woodcut, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Remember Me! New Year's Gift or Christmas Present, 1826, Engraving, sheet: 4 9/16 x 2 5/8 in. (11.6 x 6.7 cm), Prints, Fenner (British, early 19th century)

Pottery Peddler, 1738, Etching with some engraving, image: 8 11/16 x 7 3/16 in. (22.1 x 18.2 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris),…

Design for a Cabinet with Renaissance Ornament and Lamps, early 19th century, Ink and wash, sheet: 10 13/16 x 14 15/16 in. (27.5 x 38 cm), Drawings, Anonymous, British, 19th century

St. Jerome in his Study, 1521, Engraving; first state, sheet: 3 7/8 x 5 3/4 in. (9.8 x 14.6 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Dead Man, 1830–91, Black chalk, Drawings, Ernest Meissonier (French, Lyons 1815–1891 Paris)

Embroidery, ca. 1855 (?), Etching and engraving, Plate: 13 1/2 × 9 13/16 in. (34.3 × 24.9 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres)

Design for a Vase with Handles, Decorated with a Festoon, 1652–1725, Pen and brown ink, brush and brown wash, over traces of graphite, sheet: 13 1/16 x 8 5/16 in. (33.2 x 21.1 cm), Giovanni…