Crucifixion with Two Angels, ca. 1540, Engraving and etching, sheet: 12 1/16 x 7 11/16 in. (30.6 x 19.6 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576),…

Landscape with Figures (After The Marriage of Isaac and Rebecca, 1648), published 1830, Etching, sheet: 9 11/16 x 12 3/4 in. (24.6 x 32.4 cm), Prints, Anonymous, After Claude Lorrain (Claude…

Design for Three Sets of Shelves, early 19th century, Ink and wash, sheet: 8 11/16 x 12 5/16 in. (22 x 31.2 cm), Anonymous, British, 19th century

Head of a Man with a feathered Cap (Bernini?), Etching, Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664 Mantua)

Saint Eustace, ca. 1501, Engraving, Sheet: 13 7/8 × 10 1/4 in. (35.3 × 26 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Design for a Firescreen, early 19th century, Ink and gouache, sheet: 7 x 4 1/2 in. (17.8 x 11.4 cm), Attributed to Gillows (British, 19th century)

Saint Paul Preaching, an oval composition, 1547, Engraving, Sheet: 10 in. × 6 13/16 in. (25.4 × 17.3 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), After…

Naval combat, a ship at center, seen from behind, firing at four enemy ships, another ship entering from the right, a rowboat with nine people to left, from 'Peace and War' (Divers desseins tant…

Rembrandt in a Cap, Open Mouthed and Staring: Bust in Outline (copy), 17th century, Etching, Plate: 1 15/16 x 1 3/4 in. (5 x 4.5 cm), Prints, After Rembrandt (Rembrandt van Rijn) (Dutch,…

Bacchus and Ceres Attended by Putti and a Marine Deity, 1676–1741/46, Pen and black ink, brush and gray wash, on beige paper, 9 9/16 x 15 9/16in. (24.3 x 39.5cm), Drawings, Sebastiano…

Coat of Arms of Maximilian I as King of the Romans from Reuelationes sancte Birgitte, 1500, Woodcut; a double-sided sheet, the recto in the first state of two, from the German edition of 1502,…

Allegory of the Arts (Music?), second half 19th century, Graphite, gouache, and watercolor, Overall: 8 3/8 x 10 3/4 in. (21.2 x 27.3 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died…

Fortune Favoring France (La Fortune de la France), ca. 1635–37, Etching; second state of two (Join-Lambert and Préaud), sheet: 10 1/4 x 12 5/16 in. (26 x 31.3 cm), Prints, Abraham Bosse…

Millbank, 1861, Etching and drypoint; fifth state of five; printed in black ink on ivory laid Japan, Plate: 3 7/8 × 4 15/16 in. (9.8 × 12.6 cm), Prints, James McNeill Whistler (American,…

Design for a Crest with Drapery (the Upper Part of a Canopy or Window Treatment), 1698–1765, Pen and brown ink, brush with blue-gray and brown wash, over traces of graphite or black chalk, sheet:…

Frontispiece to The Theological and Cardinal Virtues, 1636, Etching, Sheet (trimmed): 2 7/8 × 1 7/8 in. (7.3 × 4.7 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Designs for Buttons, 18th century, Brush and gray wash on laid paper, sheet: 7 1/16 x 4 7/16 in. (17.9 x 11.3 cm), Drawings, Attributed to Anonymous, French, 18th century

Drapery Study for Sainte-Clotilde (upper register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858), 1830–75, Red chalk, stumped, with traces of black…

Head of a Bearded Man Looking to Upper Right (recto); Head of an Old Man and a Drapery Study (verso), 1577–1660, Black chalk (recto and verso), 6 1/4 x 6 7/16in. (15.8 x 16.4cm), Drawings,…

The Tiber at the Outskirts of Rome, n.d., Pen and brown ink, brush and gray wash over red chalk, 8 7/16 x 12 1/4 in. (21.4 x 31.1 cm), Drawings, Victor Jean Nicolle (French, Paris 1754–1826 Paris)

Allegory in Honor of Pope Benedict XIV, ca. 1745, Red chalk, highlighted with white, on beige paper, 14 3/16 x 9 13/16in. (36 x 24.9cm), Drawings, Pompeo Batoni (Italian, Lucca 1708–1787 Rome)

Saint Jerome in Penitence and as a Scholar Removing a Thorn from a Lion's Paw, ca. 1470–85, Metalcut, hand-colored, with circle, fleur-de-lis, star, and dot punches; second state, 13-3/4 x…

Plate 38 from 'Los Caprichos': Bravo! (Brabisimo!), 1799, etching, burnished aquatint & drypoint, Plate: 8 7/16 x 5 7/8 in. (21.4 x 15 cm), Prints, Goya (Francisco de Goya y Lucientes)…

Design for Ceiling of the Duchess of Newcastle's Petit Salon, Hôtel Hope, 1867, Pen and black ink, gouache and watercolor, sheet: 7 5/16 x 8 1/8 in. (18.6 x 20.7 cm), Drawings,…

The Representative of the French People in Office, 1794, Etching, sheet: 13 11/16 x 9 7/16 in. (34.8 x 23.9 cm), Prints, After Jacques Louis David (French, Paris 1748–1825 Brussels), baron…

Design for a Panel or a Tablet with an Alternate Design, 16th century, Pen and brown ink, brush and brown and gray wash, sheet: 7 3/4 x 5 11/16 in. (19.7 x 14.5 cm), Drawings, Anonymous, French,…

Centaur Holding Up a Youthful Satyr, 1727–1804, Pen and brown ink, brush and brown wash, over graphite or lead, 7-9/16 x 10-13/16 in. (19.2 x 27.4 cm), Drawings, Giovanni Domenico Tiepolo…

Seated Woman and Other Sketches, ca. 1630–33, Etching; first and only state (Mannocci), sheet: 4 7/16 x 7 in. (11.2 x 17.8 cm), Prints, Claude Lorrain (Claude Gellée) (French, Chamagne…

Alms House Bird, from The Comic Natural History of the Human Race, 1851, Color lithography with watercolor and gum, sheet: 10 13/16 x 7 1/16 in. (27.4 x 18 cm), Prints, Henry Louis Stephens…

The Flagellation, from The Passion, 1512, Engraving, Sheet: 4 1/2 × 2 15/16 in. (11.5 × 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Paltrona e tavolo [Perspective of lounge chair and a U-shape table], 1937, Red-brown pencil and black ink, Drawings, Guglielmo Ulrich (Italian, 1904–1977)

Elevation of a paneled wall with a mural or tapestry and a double doors surmounted by a painting of ducks, 19th century, pen and ink and watercolor on laid paper; inlaid in blue wove paper,…

Christ Taking Leave of His Mother, from The Life of the Virgin, ca. 1504, Woodcut, sheet: 11 3/4 x 8 1/4 in. (29.8 x 21 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Design for an Overdoor with a Bust, 1652–1725, Pen and brown ink, over traces of black chalk, sheet: 1 7/8 x 2 3/16 in. (4.7 x 5.5 cm), Giovanni Battista Foggini (Italian, Florence…

Table with Ornamental Objects, 19th century, Pen and ink and gouache, Overall: 14 1/8 x 18 3/8 in. (35.9 x 46.7 cm), Drawings, Anonymous, Chinese, 19th century

Design for a Painted Ceiling with Strapwork and Foliage on a Rose Background, second half 19th century, Pen and black ink, watercolor, and gouache, 7 3/4 x 11 5/8 in. (19.7 x 29.5 cm),…

The Coronation of Esther, 1510–85, Pen and brown ink, over red chalk. Squared in red chalk, 8 1/4 x 12 1/4in. (20.9 x 31.1cm), Drawings, Carlo Urbino (Italian, Crema ca. 1510/20–after 1585 Crema)

Design for Three Chairs with Arms or Devices on Backs, early 19th century, Graphite, sheet: 10 13/16 x 14 15/16 in. (27.5 x 37.9 cm), Anonymous, British, 19th century

The Model Resting (Draped Model), 1870, Drypoint; ninth state of eleven (Glasgow); Printed in black ink on ivory laid paper with watermark: Arms of Ansterdam, image: 8 1/8 x 5 1/8 in. (20.7 x 13…

Madonna and Child with a bird, copy in reverse after Cantarini, ca. 1635–1636 or after, Etching, Sheet: 8 7/16 in. × 6 in. (21.5 × 15.3 cm), Prints, After Simone Cantarini (Italian, Pesaro…

The Soul Hovering over the Body, Reluctantly Parting with Life, from The Grave, a Poem by Robert Blair, March 1, 1813, Engraving, plate: 6 3/8 x 8 15/16 in. (16.2 x 22.7 cm), Prints, Luigi…

Plate 2 from 'Los Caprichos' : They say yes and give their hand to the first comer (El si pronuncian y la mano alargen al primero que llega), 1799, Etching and burnished aquatint, Plate: 8 7/16 ×…

Christ appearing to Mary Magdelen, n.d., Etching, image: 7 11/16 x 4 13/16 in. (19.5 x 12.3 cm), trimmed to image, Prints, Claude Gillot (French, Langres 1673–1722 Paris), Engraved by…

Street at Saverne, 1858, Etching; fourth state of four (Glasgow), printed in black ink on machine-made cream laid paper, Plate: 8 3/16 × 6 5/16 in. (20.8 × 16 cm), Prints, James McNeill…

Thenot and Colinet Lead Their Flocks Together, from Thornton's Pastorals of Virgil, 1821, Wood engraving, block: 1 7/16 x 3 1/16 in. (3.7 x 7.8 cm), Prints, William Blake (British, London…

Plate 6: a peasant on horseback in profile facing the right, holding a basket and talking to another man standing behind the horse, from 'Diversi capricci', ca. 1644–47, Etching; third state of…

Atabalipa, Roi du Pérou, ca. 1634–37, Engraving, sheet: 8 11/16 x 7 in. (22 x 17.8 cm), Prints, Jerôme David (1605–after 1670), After Claude Vignon (French, Tours 1593–1670 Paris)

Venus and Cupid in Vulcan's Forge, 1627–1703, Pen and brown ink, brush and brown wash, highlighted with white, over charcoal, 7 1/4 x 10 13/16in. (18.4 x 27.4cm), Drawings, Domenico Piola…

Design for Gothic Tracery and Paneling, early 19th century, Ink and watercolor and wash, sheet: 9 7/16 x 11 7/8 in. (24 x 30.2 cm), Anonymous, British, 19th century

Plate 22: a beggar woman with three children, one child on her shoulders, one child in her arms, and one child who walks in front of her to left, from 'Diversi capricci', ca. 1644–47, Etching;…

Première au Rendez-vous, Lithograph, Sheet: 21 7/8 x 15 9/16 in. (55.6 x 39.6 cm), Prints, Anonymous, French, 19th century

Study for Title-Page, 18th century, Black chalk, brush and gray wash., sheet: 7 5/16 x 4 15/16 in. (18.5 x 12.5 cm), Drawings, Attributed to Anonymous, French, 18th century

Virgin on the Crescent with Scepter and Starry Crown, 1516, Engraving, plate: 4 9/16 x 2 15/16 in. (11.6 x 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Design for a ceiling with trompe l'oeil balustrade and sky, 1869, Graphite, pen and black ink, and watercolor, Overall: 14 11/16 x 10 9/16 in. (37.3 x 26.8 cm), Drawings, Jules-Edmond-Charles…

Château de Verneuil, Touraine, 1888, Etching and drypoint; only state (Glasgow); printed in black ink on heavy ivory colored laid paper, Plate: 6 15/16 × 5 in. (17.6 × 12.7 cm), Prints,…

Curlews and Ducks, 17th century, Red chalk, 8 15/16 x 7 5/16 in. (22.7 x 18.6 cm), Drawings, Nicolas Robert (French, Langres 1614–1685 Paris)

Knight, Death, and the Devil, 1513, Engraving, sheet: 9 5/8 x 7 1/2 in. (24.5 x 19 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Putto Bending a Bow, 1477/78–1510, Red chalk. Original sheet, 15.7 x 6.6 cm.; this has been made up (almost certainly by Pierre-Jean Mariette) to a sheet 23.7 x 15.2 cm. on which a base and…

Plate 34 from 'The Disasters of War' (Los Desastres de La Guerra):'On account of a knife' (Por una navaja.), 1810 (published 1863), Etching, drypoint, burin and burnisher, Plate: 6 1/8 × 8 1/16…

Plate 12 from 'Los Caprichos': Out hunting for teeth (A caza des dientes.), 1799, Etching, burnished aquatint and burin, Plate: 8 9/16 x 5 7/8 in. (21.8 x 14.9 cm), Prints, Goya (Francisco de Goya…

Architectural Motifs: Four Rinceaux, ca. 1875, Black chalk, 12 1/2 x 19 3/16 in. (31.7 x 48.7 cm), Drawings, Georges Seurat (French, Paris 1859–1891 Paris)

Design for Two Armchairs with Red and Green Upholstery, early 19th century, Ink, watercolor and wash, sheet: 8 11/16 x 12 1/4 in. (22 x 31.1 cm), Anonymous, British, 19th century

David With the Head of Goliath (recto); Study of Lower Leg and Right Foot (verso), 1682–1754, Charcoal, highlighted with white, on gray-blue paper faded to gray-brown (recto); black chalk (verso),…

Actors at the Hotel de Bourgogne, ca. 1633–34, Etching, Sheet: 11 9/16 × 14 3/4 in. (29.4 × 37.4 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris), This print depicts six…

The Triumph of Mordecai, n.d., Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Giving Drink to the Thirsty (Donner à boire à ceux qui ont soif), Etching; first state of two (Join-Lambert and Préaud), sheet: 10 1/16 x 12 13/16 in. (25.6 x 32.5 cm), Prints, Abraham…

The Nativity, 1654–1714, Pen and brown ink, brush and red wash, highlighted with white, over red chalk, 7 7/16 × 5 1/2 in. (18.9 × 14 cm), Drawings, Giuseppe Passeri (Passari) (Italian,…

Designs for a Picture Frame, ca. 1730–40, Pen and brown ink over traces of black chalk, 15 x 11 9/16 in. (38.1 x 29.4 cm), Gilles-Marie Oppenord (French, Paris 1672–1742 Paris)

Two Women Seated on a Cloud, and Two Putti, 1696–1770, Pen and brown ink, brush with pale (yellow) brown wash, over leadpoint or black chalk, 9-7/16 x 9-5/8 in. (23.9 x 24.4 cm), Drawings,…

Adam and Eve (copy), n.d., Engraving, Sheet: 9 9/16 × 7 3/8 in. (24.3 × 18.7 cm), Prints, Jan (Johannes) Wierix (Netherlandish, Antwerp 1549–1615 Brussels), After Albrecht Dürer (German,…

View of Amsterdam from the Northwest, ca. 1640, Etching, Plate: 4 7/16 x 6 in. (11.2 x 15.2 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Plate 4: two pilgrims observing ruins to right, one pointing towards the right, a shepherd and a herd of cattle in center background, from 'Various landscapes' (Divers paysages), ca. 1641,…

Design for an Over-Mantle Mirror Frame, 19th century, Graphite, sheet: 13 7/8 x 11 in. (35.3 x 27.9 cm), Drawings, Anonymous, French, 19th century

An Old Turk Seated on a Stone, ca. 1662, Etching, Sheet (trimmed to plate): 3 7/8 × 2 7/8 in. (9.8 × 7.3 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence)

Nude Woman Standing, Drying Herself, 1891–92, Lithograph, transfer from monotype, crayon, tusche, and scraping; fifth of six states, image: 13 x 9 5/8 in. (33 x 24.5 cm), Prints, Edgar Degas…

Christ in the Garden of Gethsemane, 1848, Black fabricated crayon (possibly early conté crayon) with touches of brown fabricated crayon and thin brown watercolor wash; framing line in black…

Edouard Manet, Bust-Length Portrait, 1864–65, Etching, drypoint, and aquatint on laid paper; third state of four, Plate: 5 1/8 x 4 1/8 in. (13 x 10.5 cm), Prints, Edgar Degas (French, Paris…

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, sheet: 10 7/16 x 15 13/16 in. (26.5 x 40.2 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

The Forge, Passage du Dragon, 1894, Transfer lithograph with stumping, drawn on thin, transparent transfer paper; , image: 8 3/4 x 6 5/16 in. (22.2 x 16 cm), Prints, James McNeill Whistler…

Peasant Couple Dancing, 1514, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.8 × 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Design for a ceiling with two putti and symbols for the arts, second half 19th century, Graphite, gilt, gouache, and watercolor, Overall: 8 3/4 x 10 5/8 in. (22.2 x 27 cm), Drawings,…

Walter Sickert, 1895, printed 1903, Transfer lithograph, drawn on thin, transparent transfer paper; only state (Chicago); printed on black ink on fine cream laid Japan, Image: 7 1/2 × 5 1/2 in.…

Design for Red Fringed and Tasseled Curtains with a Gold Pelmet, early 19th century, Ink, watercolor and wash, sheet: 9 7/16 x 11 15/16 in. (24 x 30.3 cm), Anonymous, British, 19th century

Study for a Festival Machine, 18th century, Black and red chalk, rubbed at top, and watermark traced in graphite on verso, 12 9/16 x 17 9/16 in. (31.9 x 44.6 cm), Drawings, Attributed to…

Design for a Cabinet with Classical Ornament and Bookshelves, early 19th century, Ink and wash and graphite, sheet: 8 9/16 x 12 5/16 in. (21.8 x 31.2 cm), Anonymous, British, 19th century

Design for the Corner of a Decoration (recto); Sketch of Monumental Building with Four Temple-Front Entrances (verso), ca. 1730, Pen and dark gray ink, brush and gray wash, with parallel…

Head of a Young Woman, 1522, Black chalk highlighted with white chalk (abraded) on green prepared paper., 7 7/8 x 5 15/16 in. (20 x 15.1 cm), Drawings, Albrecht Dürer (German, Nuremberg…

Standing Male Draped Figure With His Hands Raised., 1565–71, Black chalk, brush and brown wash, highlighted with white gouache, on blue-green paper, sheet: 10 x 6 5/16 in. (25.4 x 16.1 cm),…

Comme ils en étaient là, arrive l'oncle, ca. 1778, Pen and black ink, brush and gray wash, heightened with white gouache, 11 5/8 x 8 3/4 in. (29.6 x 22.3 cm), Drawings, Jean Michel Moreau…

Barbarous Entertainment (Barbara dibersion), 1800–1804, Etching, aquatint and drypoint printed in black ink on medium weight, laid paper, Plate: 6 15/16 × 8 5/8 in. (17.7 × 21.9 cm), Prints,…

Well Cleaner, 1746, Etching with some engraving, Sheet: 9 7/16 x 7 5/16 in. (24 x 18.5 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After…

Nine Studies of the Moses in Santa Maria della Steccata, Parma (recto); Nine Studies for the Eve in Santa Maria della Steccata, Parma (verso), 1503–40, Pen and brown ink, brush and brown wash,…

Moorish horseman in profile facing right, a black slave holding a fur at right, another horseman to left in the background, from 'Figures on Horseback' (Cavaliers nègres, polonais et hongrois),…

The Bench, 1758–64, Etching and engraving; fifth state of five, sheet: 12 3/4 x 8 9/16 in. (32.4 x 21.7 cm), Prints, William Hogarth (British, London 1697–1764 London)

Bust of Hercules and Dejanira, ca. 1531–76, Engraving, sheet: 6 1/16 x 4 7/16 in. (15.4 x 11.2 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576)

Horses, 1624–63, Pen and brown ink. Framing lines in pen and brown ink on mount, 2-5/8 x 2- 7/8 in. (6.7 x 7.3 cm), Drawings, attributed to Francesco Allegrini (Italian, Cantiano (?)…

The Thin Kitchen, 1563, Engraving; first state, plate: 8 3/4 x 11 1/2 in. (22.2 x 29.2 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels), Pieter van…

Jason, from 'Game of Mythology' (Jeu de la Mythologie), 1644, Etching; first state of five, Sheet: 1 3/4 × 2 3/16 in. (4.5 × 5.5 cm), Prints, Etched by Stefano della Bella (Italian, Florence…

Soupe à trois sous, 1859, Etching; only state (Glasgow); printed in black ink on medium weight ivory laid paper, plate: 5 15/16 x 8 15/16 in. (15.1 x 22.7 cm), Prints, James McNeill Whistler…

The State Cerberus, A Leaf Out of the Ænead, Freely Translated, December 11, 1834, Lithograph, sheet: 11 1/2 x 16 3/16 in. (29.2 x 41.1 cm), Prints, John Doyle (Irish, Dublin 1797–1868 London)