The Art Connoisseurs, 1823–28, Lithograph with hand-coloring, Sheet: 12 3/8 x 10 1/16 in. (31.4 x 25.5 cm), Prints, Louis Léopold Boilly (French, La Bassée 1761–1845 Paris), With great…

Design for Bathroom Ceiling, Hôtel Cahen d'Anvers, second half 19th century, Pen and black and brown ink, watercolor, 9 x 8 1/2 in. (22.9 x 21.6 cm), Drawings, Jules-Edmond-Charles Lachaise…

Domus Aurea, unidentified, grotteschi, details (recto) blank (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 8 5/16 x 2 7/16 in. (21.1 x 6.2 cm)

Les Danseurs a la Flute et au Tambourin (Two Dancers Playing the Flute and the Tambourine), from Les Caprices Series B, The Nancy Set, 1617–20, Etching; first state of two (Lieure), Sheet: 7 5/16…

Two Tables with a Purple Finish, One with a Red Vase, the Other with Three Vases, 19th century, Pen and ink and gouache, Overall: 14 1/8 x 18 3/8 in. (35.9 x 46.7 cm), Drawings, Anonymous,…

Design for an Altar, 18th century, Pen and black ink, brush and gray wash. Scale in pieds at left., sheet: 11 9/16 x 8 13/16 in. (29.4 x 22.4 cm), Anonymous, French, 18th century

The Great Exhibition 'Wot is to Be', Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done,…

Drawing of Capital from the Vatican, 18th century, Pen and black ink, brush and gray wash, 7 13/16 x 6 7/8 in. (19.9 x 17.5 cm), Drawings, Anonymous, French, 18th century

In the Zoological Garden, 1850–1914, Etching; first state of two, sheet: 11 3/8 x 14 15/16 in. (28.9 x 38 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres)

The Holy Trinity (recto); Studies of Seated Female Figures (the Virgin and another Saint?) (verso), 1634–1705, Red chalk (recto); faint red chalk (verso), 10 1/2 x 15 1/8in. (26.6 x 38.4cm),…

Winged Putto Holding the Base of a Cross, 1477–1510, Red chalk, highlighted with white, on blue-gray paper, 7 1/16 x 5 13/16in. (17.9 x 14.8cm), Drawings, Circle of Titian (Tiziano Vecellio)…

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 11 5/16 x 8 5/8 in. (28.7 x 21.9 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Les Jocrisses de L'Amour, 1897, Pen and black ink, brush and black and blue wash, blue crayon, graphite, corrected with white on tracing paper, 16 5/16 x 12 1/8in. (41.5 x 30.8cm), Drawings,…

The Temptation of St. Anthony, 1509, Engraving, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

The Dead Christ Mourned by Saint Mary Magdalen (recto); The Holy Family with an Attendant (verso), 1778–87, Pen and brown ink, on beige paper (recto); black chalk (verso), 5 3/16 x 6 5/16in. (13.2…

Harbour with a Large Tower, ca. 1641, Etching; third state of six (Mannocci), sheet: 5 1/16 x 7 11/16 in. (12.8 x 19.5 cm), Prints, Claude Lorrain (Claude Gellée) (French, Chamagne…

Nocturne: Shipping, 1879–80, Drypoint; first state of five (Glasgow); printed in black ink on pale buff laid paper, Plate: 6 × 8 9/16 in. (15.3 × 21.7 cm), Prints, James McNeill Whistler…

Elevation of a wall design, possibly for a chapel, second half 19th century, graphite and pen and ink on wove paper, sheet: 13 x 11 9/16 in. (33 x 29.4 cm), Drawings, Jules-Edmond-Charles…

Study for Ex-voto Picture, 1597–1646, Pen and brown ink, brush and brown wash with faint lavender, 8 1/8 x 12 1/8in. (20.6 x 30.8cm), Drawings, attributed to Ludovico Lana (Italian, Codigoro…

Head of a Man, 1837–1911, Red chalk, 16 7/8 x 12 7/8 in. (42.9 x 32.7 cm), Drawings, Alphonse Legros (French, Dijon 1837–1911 Watford, Hertfordshire)

Charity, 1636, Etching, Sheet (trimmed): 2 7/8 × 1 7/8 in. (7.3 × 4.7 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Three designs for painted decorative motifs featuring griffins and scrollwork, 1830–97, pen and ink, wash and watercolor over graphite on wove paper, Overall: 19 3/8 x 13 3/8 in. (49.2 x 34…

Holy Family with Christ Child Stepping on Serpent, 1639, Etching; second state of two (Robert-Dumesnil), sheet: 12 1/16 x 16 3/8 in. (30.6 x 41.6 cm), Prints, Laurent de La Hyre (French, Paris…

Triumphal Scene, 1511–87, Pen and brown ink, brush and brown wash, highlighted with white gouache, over traces of black chalk, 5 5/16 x 12 1/16in. (13.5 x 30.6cm), Drawings, Lelio Orsi (called…

Illustrations for an Allegorical Pattern Book, late 18th–early 19th century, Pen and gray ink, red chalk, 19 3/16 x 12 13/16 in. (48.8 x 32.6 cm), Drawings, Antoine Borel (French, Paris…

Design for a Stage Set at the Opéra, Paris, 1828–90, Graphite, black chalk, watercolor, sheet: 9 3/4 x 12 1/2 in. (24.7 x 31.8 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890…

The Reading of Lottery Winners, 1746, Etching with some engraving, Sheet: 9 1/2 x 7 3/8 in. (24.1 x 18.8 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris…

Frontispiece for Catalogue of the second portion of the important collection of modern etchings, engravings, and lithographs, to property of Monsieur Philippe Burty, of Paris (London, June…

Studies of Standing Men, ca. 1891–92, Graphite, sheet: 10 5/8 x 8 1/4 in. (27 x 21 cm), Drawings, Mihály Munkácsy (Hungarian, Mukachevo (Munkács) 1844–1900 Endenich)

Arch of Septimius Severus, pilaster capital, elevation; impost and arch elevation; detail (recto) blank (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet:…

Public Characters, April 1, 1801, Etching, hand colored, sheet: 17 5/8 x 13 1/8 in. (44.8 x 33.3 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London), After George Moutard…

Floral Design, n.d., Pastel on gray paper, 11 5/8 x 9 in. (29.5 x 22.9 cm), Drawings, Jean François Bony (French, Givors 1760–1825 Paris)

Frederick the Wise, Elector of Saxony, 1524, Engraving, Sheet: 7 1/2 × 4 15/16 in. (19.1 × 12.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Design for a Chair, ca. 1820, Ink, watercolor and wash, sheet: 7 5/16 x 4 7/16 in. (18.5 x 11.3 cm), Attributed to Gillows (British, 19th century)

Study for the modeling stand of the Ugolino group, 19th century, Pen and brown ink, 6 3/4 x 4 7/8 in. (17.1 x 12.4 cm), Drawings, Jean-Baptiste Carpeaux (French, Valenciennes 1827–1875…

Design for a Stage Set at the Opéra, Paris: Balustrade, 1830–90, Graphite, Irregular sheet: 1 5/8 x 7 13/16 in. (4.2 x 19.9 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Winged Putto Crowning a Seated Woman Who Looks to the Left, 1696–1770, Pen and brown ink, brush with pale and dark brown wash, over black chalk, 8 7/8 x 6 7/8in. (22.5 x 17.4cm), Drawings,…

Jupiter, Pluto and Neptune Offering their Riches to Fortune, 1624, Etching, 9 15/16 x 6 1/8 in. (25.2 x 15.6 cm) (clipped impression), Prints, Pierre Brebiette (French, Mantes-sur-Seine ca.…

Mask, Etching, Prints, Attributed to Stefano della Bella (Italian, Florence 1610–1664 Florence)

Framed Design for an Altar, ca. 1710–20, Pen and brown ink, brush and brown and gray wash over traces of leadpoint, on cream laid paper. A vertical line in leadpoint trough the center to create…

Drawing of an Interior: Salon, 1850, Graphite, pen and brown ink, watercolor. Framing lines in graphite., sheet: 4 3/4 x 8 1/8 in. (12 x 20.7 cm), Drawings, Anonymous, French, 19th century

Plate 12: a cow drinking from a stone trough, other cows to left in background, from 'Diversi capricci', ca. 1644–47, Etching; third state of four, Sheet: 3 1/4 × 4 1/8 in. (8.3 × 10.4…

The Sacrifice of Noah, 1765, Etching, Sheet: 10 3/4 × 16 1/4 in. (27.3 × 41.3 cm) (clipped to picture), Prints, Francesco Bartolozzi (Italian, Florence 1728–1815 Lisbon), After Giovanni…

The Nativity, Black and white chalk on paper, 6 1/2 x 9 3/4 in. (16.5 x 24.8 cm.), Drawings, Louis Licherie de Beurie (French, Houdan 1629–1687 Paris)

Design for a Stage Set at the Opéra, Paris: 'Trattoria di Parigi', 1830–90, Graphite, pen and red ink, sheet: 10 3/4 x 4 1/16 in. (27.3 x 10.3 cm), Drawings, Eugène Cicéri (French, Paris…

Study of Drapery, ca. 1813, Black and white chalk with stumping on blue paper, 10 1/16 x 10 1/4 in. (25.5 x 26 cm), Drawings, Pierre Paul Prud'hon (French, Cluny 1758–1823 Paris)

The Petit Pont, Paris, 1850 and later, Etching and engraving on green laid paper; fourth state (of nine), plate: 10 7/16 x 7 5/16 in. (26.5 x 18.5 cm), Prints, Charles Meryon (French, 1821–1868)

Design for a Stage Set at the Opéra, Paris, 1828–90, Graphite, Irregular sheet: 10 13/16 x 10 in. (27.4 x 25.4 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

The Last Papal Assembly (La dernière assemblée papale), June 1796, Hand-colored etching, sheet: 10 3/8 x 14 5/8 in. (26.3 x 37.2 cm), Prints, Anonymous, French, 18th century

In the Omnibus, 1890–91, Drypoint and aquatint, printed in color from three plates; seventh state of seven (Mathews & Shapiro), plate: 14 5/16 x 10 1/2 in. (36.4 x 26.7 cm), Prints, Mary…

The Wedding Night, May 20, 1797, Hand-colored etching, plate: 12 3/4 x 18 11/16 in. (32.4 x 47.5 cm), Prints, Isaac Cruikshank (British, Edinburgh, Scotland 1764–1811 London)

Lapwings and Teals, 1862, Etching, Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres)

Design for the decoration of aceiling with painted clouds and a pierced border, 1830–97, graphite, pen and ink, wash, and watercolor on wove paper, Drawings, Jules-Edmond-Charles Lachaise…

Saint Thomas holding a square rule, his head turned to the right, ca. 1515–27, Engraving, Sheet (Trimmed): 8 5/16 × 4 15/16 in. (21.1 × 12.6 cm), Prints, Marco Dente (Italian, Ravenna, active…

Portrait of a Man, Charcoal, stumped, black and red chalk, a little black crayon, 11 1/2 x 8 9/16 in. (29.2 x 21.8 cm), Drawings, Anonymous, French, 16th century, Circle of Nicolas Lagneau…

Project for Decoration, 1553–1615, Pen and brown ink, brush and brown wash, 11 x 5 1/2in. (28 x 14cm), Drawings,

The Circumcision, ca. 1520, Woodcut, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Ennui (The Small Plate), 1914–15, Etching and engraving; only state, plate: 8 5/16 x 6 7/16 in. (21.1 x 16.4 cm), Prints, Walter Richard Sickert (British, Munich 1860–1942 Bathampton, Somerset)

Songs of Innocence and of Experience: The Little Girl Found (second plate), ca. 1825, Relief etching printed in orange-brown ink and hand-colored with watercolor and gold, sheet: 6 3/16 x 5 9/16…

Design for a Bucket-Like Vessel with a Handle of Strapwork, on a Body Adorned with Dancing and Music-Making Antique-Style Figures., 1540–50, Pen and brown ink, brush and gray-brown wash, over…

The Holy Family with Two Angels in a Vaulted Hall, ca. 1503, Woodcut, sheet: 8 5/8 x 6 in. (21.9 x 15.2 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Plate 23 from the 'Tauromaquia':Mariano Ceballos, alias the Indian, kills the bull from his horse., 1816, Etching and burnished aquatint, Plate: 9 13/16 × 13 7/8 in. (25 × 35.2 cm), Prints,…

Study of a Figure, 1888, Metalpoint, 10 7/8 x 8 1/4 in. (27.7 x 20.9 cm), Drawings, Alphonse Legros (French, Dijon 1837–1911 Watford, Hertfordshire)

Elevation of a Pulpit, Side View, R. Edmundson & Sons, early 19th century, Ink and watercolor, sheet: 9 1/2 x 11 7/8 in. (24.1 x 30.2 cm), Anonymous, British, 19th century

Design for Three Gothic Hat and Umbrella Stands, early 19th century, Graphite, sheet: 10 13/16 x 14 15/16 in. (27.5 x 38 cm), Anonymous, British, 19th century

The Last Trumpet (recto); Two studies of a right eye, a profile of an open-mouthed young man, the head of an eagle, and the head of a lion (verso), ca. 1780–85, Pen and gummed carbon black ink…

The Supper at Emmaus, 1654, Etching, burin and drypoint; second state of two, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

The Presentation of the Virgin in the Temple, from The Life of the Virgin, ca. 1503, Woodcut, sheet: 17 5/16 x 12 in. (44 x 30.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Robert Holding a Cat, ca. 1882, Drypoint; only state, plate: 6 5/8 x 5 in. (16.8 x 12.7 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise)

The Genius of Castiglione, ca. 1645–47 (published 1648), Etching, sheet: 17 13/16 x 14 3/4 in. (45.2 x 37.5 cm), Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa…

Dugler, from Indian Trades and Castes, ca. 1840, Watercolor and gouache, sheet: 14 3/8 x 10 3/8 in. (36.5 x 26.4 cm), Drawings, Anonymous, Indian, 19th century

Plate 16 from 'Los Caprichos':For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre), 1799, Etching, aquatint and drypoint, Plate: 7 3/4 × 5 7/8 in. (19.7 × 15 cm), Prints,…

Peasant on a Donkey, ca. 1783–87, Watercolor, over graphite., 13-7/16 x 17-1/8 in. (34.1 x 43.5 cm), Drawings, Giovanni Battista ('Titta') Lusieri (Italian, Rome 1754–1821 Athens)

The Presentation of The Virgin in the Temple, from The Life of The Virgin, ca. 1503, Woodcut, sheet: 11 3/4 x 8 5/16 in. (29.9 x 21.1 cm), Prints, Albrecht Dürer (German, Nuremberg…

The Fitting, 1890–91, Drypoint and soft-ground, printed in black ink; second state of seven (Mathews & Shapiro), plate: 14 7/8 x 10 1/16 in. (37.8 x 25.6 cm), Prints, Mary Cassatt (American,…

Plate 13: Two pikemen walking towards the right, each with their pikes in their right hands, from 'Various Figures' (Agréable diversité de figures), 1642, Engraving; undescribed state between…

The Ascension, n.d., Woodcut, sheet: 2 1/2 x 2 in. (6.4 x 5.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Fame, 1649–50, Etching; proof for figure of Fame, Sheet: 4 1/8 × 7 1/16 in. (10.5 × 18 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence)

Palazzo dei Conservatori, Ionic capital, elevation (recto) Palazzo dei Conservatori, Ionic capital, plan and projection (verso), early to mid-16th century , Pen and brown ink, sheet: 8 7/8 x 11…

Scarlet Gilia, Gilila aggregata, May 18, 1913, Watercolor and brown ink over graphite, with page design indicated in graphite, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings,…

The Annunciation, from the Small Passion, copy, n.d., Woodcut, Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), Johann Mommard

Frontispiece for Dialogo di Galileo Galilei, 1632, Etching; fourth state of four, Sheet: 8 in. × 5 9/16 in. (20.3 × 14.2 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence)

Mars, Venus, and Cupid, ca7–1639, Etching, Plate: 10 1/2 × 7 11/16 in. (26.7 × 19.5 cm), Prints, Simone Cantarini (Italian, Pesaro 1612–1648 Verona), After Paolo Veronese (Paolo Caliari)…

Saint Sebastian, 1620–49, Pen and brown ink, brown wash, red chalk, squared and numbered in black chalk., sheet: 10 11/16 x 6 7/8 in. (27.2 x 17.4 cm), Drawings, Hans Friedrich Schorer (German,…

Young Hunter with His Dogs in a Landscape, 1641–1710, Pen and brown ink, brush and watercolor, 8 5/16 x 12 1/16in. (21.1 x 30.6cm), Drawings, Giovanni Francesco Castiglione (Italian, Genoa…

Studies for a Circular Composition of Diana and Her Nymphs Bathing (recto); Studies for the Same Composition (verso), 1529–66, Pen and brown ink, brush and brown wash, sheet: 10 3/4 x 8 1/8…

Three studies on a man on a saddle, late 18th–early 19th century, Black chalk (or graphite?) and white chalk, on blue paper, sheet: 7 1/16 x 10 5/8 in. (18 x 27 cm), Drawings, Wilhelm von…

The Martyrdom of St. Lawrence, ca. 1627, Etching, second state of three (Pacht Bassani), sheet: 7 3/16 x 12 1/16 in. (18.3 x 30.6 cm), Prints, Claude Vignon (French, Tours 1593–1670 Paris)

Design for a Stage Set, 1830–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Old Woman With Grapes, ca. 1523, Engraving, sheet: 4 7/8 x 3 5/8 in. (12.4 x 9.2 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

House with a Turret, rue de la Tixéranderie, Paris, 1852, Etching on laid paper; third state of five, plate: 9 11/16 x 5 3/16 in. (24.6 x 13.1 cm), Prints, Charles Meryon (French, 1821–1868)

Portraits of Jean-Baptiste-Joseph Gobel (1727-1794), Bishop of Paris in 1792-93, and Pierre-Gaspard Chaumette (1763-1794), Procurator of the Commune in 1792, sketched on the way to the…

Allegorical Figures of Religion and Venice Flanking an Empty Cartouche, 1709–87, Graphite. Framing lines in graphite, 3-3/4 x 7-1/4 in. (9.5 x 18.4 cm), Drawings, Francesco Zugno (Italian,…

The Weavers, late 19th–mid-20th century, Pen and black ink, brush and gray wash, over some black chalk, with a touch of white chalk, Whole sheet 13 1/4 x10 1/2 in. (33.7 x 26.7 cm), Drawings,…

Les Demoiselles de village, after Courbet, 1850–1914, Etching on laid paper; third and final state, sheet: 11 7/16 x 14 3/4 in. (29 x 37.5 cm), Prints, Félix Bracquemond (French, Paris…

Partial design for a circular ceiling decoration, 1830–97, graphite and watercolor on tracing paper; mounted on cardboard, Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),…

Design for a Frieze with a Censer, Sphinxes and Acanthus Scrolls, ca. 1760–80, Pen and brown and gray ink, with colored wash, heightened with white, 1 11/16 x 11 13/16 in. (4.3 x 30. cm),…

Christ Crowned with Thorns, from The Passion, 1512, Engraving, Sheet: 4 9/16 × 2 15/16 in. (11.6 × 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Elevation of a salon decorated in Louis XV style, 19th century, graphite, watercolor, wash, and gold paint on wove paper; inlaid in blue wove paper, Drawings, Jules-Edmond-Charles Lachaise…

Two Partially Draped Male Figures in a Pendentive, 1603–84, Pen and brown ink, brush and pale gray wash, over black chalk, 11 5/16 x 8 7/8in. (28.7 x 22.5cm), Drawings, attributed to…