Figure Studies: The Arrest of Christ?, Christ and the Canaanite Woman, Seated Male Figures, and Head of a Child (recto); Studies of an Arm, and of the Heads of an Old Man and Young Woman…

Two eagles, one devouring a lamb, from 'Eagles' (Les aigles), ca. 1651, Etching, Plate: 4 5/8 × 6 in. (11.8 × 15.3 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence)

View of Naples: Musée Borbonio, 19th century, Pen and black ink, graphite. Framing lines in pen and brown ink, brush and brown wash., sheet: 10 3/16 x 14 1/4 in. (25.8 x 36.2 cm), Drawings,…

The Post Office, Middle Dutch Church (from Scenes of Old New York), 1870, Etching, plate: 8 3/4 x 5 3/8 in. (22.3 x 13.7 cm), Prints, Henry Farrer (American, London 1844–1903 New York)

One Half Design for a Ceiling with Floral and Strapwork Motifs (recto); Slight Scribbles (verso)., 1709–30, Pen and brown ink over leadpoint or graphite (recto); leadpoint or graphite (verso),…

Seated Woman in Profile after Antique Bas Relief, ca. 1660, Etching, Plate: 6 1/16 × 5 3/16 in. (15.4 × 13.1 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence)

Apollo and Clytie, 1606, Etching; second state of two (Robert-Dumesnil), sheet: 6 9/16 x 9 7/16 in. (16.6 x 24 cm), Prints, Laurent de La Hyre (French, Paris 1606–1656 Paris)

Two Women and a Winged Boy on Clouds, 1696–1770, Pen and brown ink, brush and yellow and dark brown wash, over black chalk, 8-1/16 x 11-1/16 in. (20.5 x 28.1 cm), Drawings, Giovanni Battista…

A design for the painted decoration of a ceiling or walls, 1830–97, graphite, pen and ink, watercolor, and gold paint on laid paper mounted on blue wove paper, Overall: 10 3/8 x 14 13/16 in. (26.4…

War Scene (A Female Casualty), ca. 1870–72, Pen and black ink, brush and gray wash, with touches of red ink; heavy off-white wove paper, 7 13/16 x 13 3/4 in. (19.8 x 35cm), Drawings,…

Head of a Woman in Three Quarter View, from 'Various heads and figures' (Diverses tétes et figures), 1650, Etching, Sheet (trimmed): 3 5/16 × 2 5/8 in. (8.4 × 6.6 cm), Prints, Stefano della…

John Morrell, 1st Baseman, Boston, from World's Champions, Second Series (N43) for Allen & Ginter Cigarettes, 1888, Commercial lithograph, Sheet: 2 15/16 x 3 1/4 in. (7.4 x 8.3 cm), Trade cards…

Design for a Ewer with Alternative Ideas for Fluted Decoration, a Handle in the Form of a Swan Attacking a Serpent, and a Spout in the Form of a Swan, 17th century, Pen and brown ink, blue wash,…

The Copernican System, ca. 1639, Engraving, Sheet: 13 7/16 × 17 1/16 in. (34.2 × 43.4 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence), J. Girardin

Venus Disguised as a Huntress Appears to Aeneas (Aeneid I: 305 ff.), 1699–1768, Black chalk, highlighted with white chalk, on blue paper, overall: 12-3/8 x 16-9/16 in. (31.5 x 42.1 cm),…

Jael Killing Sisera, ornamental frame, ca. 1517, Woodcut; second state, sheet: 13 1/2 x 9 1/8 in. (34.3 x 23.2 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

La Belle Dame Endormie, 1894, Transfer lithograph, drawn on thin, transparent transfer paper; only state (Chicago); printed in black ink on machine made off-white smooth wove paper, Image: 7 15/16…

Ostrich hunt, from 'Animal hunts' (Chasses à différents animaux), ca. 1654, Etching, Sheet (trimmed to plate): 6 5/16 × 8 5/8 in. (16.1 × 21.9 cm), Prints, Stefano della Bella (Italian,…

Four decorative motifs, 1830–97, graphite and pen and ink on various papers; mounted on cardboard, Overall: 11 3/8 x 7 3/16 in. (28.9 x 18.3 cm), Drawings, Jules-Edmond-Charles Lachaise…

One of the Seven Falls of Christ (Schr. 655), 15th century, Woodcut, hand-colored, sheet: 4 x 3 7/16 in. (10.2 x 8.7 cm), Prints, Anonymous, German, 15th century

Bust of a Gentleman in an Oval Field, n.d., Black and white chalk, stumped, brush and gray wash, white gouache, on gray-green paper. Squared in black chalk., 12 1/4 x 9 13/16 in. (31.1 x 24.9…

Reseller, 1737, Etching with some engraving, Sheet: 9 3/16 x 7 1/16 in. (23.3 x 17.9 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After…

Young Man in a Velvet Cap (Ferdinand Bol), 1637, Etching, sheet: 3 3/4 x 3 1/16 in. (9.5 x 7.7 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

The Admiralty, Paris, 1865, Etching on laid paper, Plate: 6 5/8 x 5 3/4 in. (16.8 x 14.6 cm), Prints, Charles Meryon (French, 1821–1868)

Saint Anthony of Padua Healing a Sick Man (recto); Partial Figural Studies Based on the Composition on the Recto (verso), 1590–1600, Pen and light brown ink, over black chalk; some reworking…

Design for a Stage Set at the Opéra, Paris, 1830–90, Watercolor over graphite, Irregular sheet: 11 5/8 x 18 7/8 in. (29.6 x 48 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890…

Christ Receiving the Virgin into Heaven, 1554–1627, Pen and brown ink, brush and brown wash, highlighted with white and light pink, over black chalk, on blue-green paper, 12 5/16 x 9 1/16in. (31.3…

Simone Resting Her Head on the Back of a Chair, 1923, Drypoint; second state, restrike, plate: 5 11/16 x 6 15/16 in. (14.4 x 17.7 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania…

The Patron Saints of Austria, 1515–17, Woodcut, sheet: 7 1/8 x 14 5/16 in. (18 x 36.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

The Reader, ca. 1870, Etching on wove paper, sheet: 12 1/2 x 9 1/4 in. (31.7 x 23.5 cm), Prints, Henri Jean Augustin de Braekeleer (Belgian, Antwerp 1840–1888 Antwerp)

Head of a young man in profile, from 'Various portraits' (Recueil de Diverses Piéces Servant à l'Art de Portraiture), ca. 1647, Etching, Plate: 3 3/8 × 2 9/16 in. (8.5 × 6.5 cm), Prints, Etched…

La Vieille aux Loques, 1858, Etching and drypoint; fourth state of four (Glasgow); a late impression printed in black ink on cream wove paper, Plate: 8 3/16 × 5 13/16 in. (20.8 × 14.8 cm),…

Death's Door, from The Grave, a Poem by Robert Blair, March 1, 1813, Engraving, plate: 9 1/2 x 5 7/16 in. (24.1 x 13.8 cm), Prints, Luigi Schiavonetti (Italian, Bassano del Grappa 1765–1810…

Head of a Man plunged in Shadow, Etching, Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664 Mantua)

Plate 58 from 'The Disasters of War' (Los Desastres de la Guerra): 'It's no use crying out' (Ho hay que dar voces.), 1811–12, Etching, burnished aquatint, burin and burnisher, Plate: 6 in. × 8…

Wiliam Henry Cavendish Bentinck, 3rd Duke of Portland, 1764–1802, Black and red chalk, varnished, on thin laid paper. Oval., 7-1/16 x 5-9/16 in. (17.9 x 14.1 cm), Drawings, Francesco…

Plate 13 from the 'Disparates':Clear Folly, ca. 1816–23 (published 1864), Etching, burnished aquatint and lavis, Plate: 9 5/8 x 13 7/8 in. (24.5 x 35.3 cm), Prints, Goya (Francisco de Goya y…

Sabrina's Silvery Flood, from Thornton's Pastorals of Virgil, 1821, Wood engraving; second state, block: 1 1/4 x 2 7/8 in. (3.2 x 7.3 cm), Prints, William Blake (British, London 1757–1827 London)

Design for the Collège de France, Paris: Elevation of Court Front with Traverse Sections Through Side Court Wings, ca. 1772, Pen and black ink, gray, pink, blue and brown wash, 12 13/16 x 19 3/16…

A female figure seated beside a flower vase, 1775, Etching, sheet: 8 3/16 x 6 1/16 in. (20.8 x 15.4 cm), Prints, After Simone Cantarini (Italian, Pesaro 1612–1648 Verona)

Hercules in the Garden of the Hesperides, 1612–56, Red chalk, 10 5/8 x 6 3/4in. (27 x 17.1cm), Drawings, Baldassarre Franceschini (il Volterrano) (Italian, Volterra 1611–1690 Florence)

Portrait of Vigée-Lebrun, Etching, image: 3 1/4 x 2 13/16 in. (8.2 x 7.2 cm), oval, Prints, Jean Philippe Guy Le Gentil, comte de Paroy (French, 1750–1824), After Élisabeth Louise Vigée Le…

Whistler's 'Portrait of Himself', 1888, Roulette, aquatint and etching printed in brown ink; seventh state of seven, plate: 12 7/8 x 8 7/8 in. (32.7 x 22.6 cm), Prints, Henri-Charles Guérard…

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite on blue paper, Irregular sheet: 11 x 6 7/16 in. (28 x 16.3 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Design for a Stage Set at the Opéra, Paris: a Greenhouse, 1828–90, Graphite, Irregular sheet: 11 7/8 x 17 5/16 in. (30.2 x 43.9 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890…

A Domestic Scene: Woman Warming Clothes and Children in Front of a Fire, 1738? or 1744–98, Mixed method engraving and etching, 14 1/8 x 9 7/8in. (35.9 x 25.1cm), Prints, Vincenzio Vangelisti…

Armed Three-master with Daedalus and Icarus in the Sky from The Sailing Vessels, 1561–65, Engraving; first state of three, Sheet: 8 3/4 x 11 5/16 in. (22.2 x 28.7 cm), Prints, After Pieter…

The Persian, 1632, Etching; New Holl.'s second state of three, Sheet: 4 7/16 × 7 1/8 in. (11.2 × 18.1 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Jupiter and Ganymede, from 'Game of Mythology' (Jeu de la Mythologie), 1644, Etching; first state of five, Sheet: 1 7/8 × 2 3/16 in. (4.8 × 5.6 cm), Prints, Etched by Stefano della Bella…

Two Designs for Iron Balconies, 19th century, Pen and brown ink, sheet: 8 5/16 x 11 3/8 in. (21.1 x 28.9 cm), Anonymous, French, 19th century

Design for a Ceiling Decoration (recto); Daphne Pursued by Apollo (verso), 1680–1744, Pen and brown ink, over black chalk (recto); black chalk (verso), 12-3/8 x 8-9/16 in. (31.5 x 21.8 cm),…

Design for a ceiling decoration, 19th century, Graphite, pen, and ink with watercolor and gouache on peach wove paper, sheet: 16 1/4 x 14 1/4 in. (41.3 x 36.2 cm), Drawings, Anonymous, French,…

Christ Crucified Between the Two Thieves (The Three Crosses), 1653, Drypoint, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Danse de satyres, n.d., Etching, first state, sheet: 6 3/16 x 8 3/4 in. (15.7 x 22.3 cm), Prints, Jean Honoré Fragonard (French, Grasse 1732–1806 Paris)

Gentleman with a Sword Before Some Buildings, 1629, Etching; reverse copy, Sheet (trimmed): 5 1/2 × 3 3/4 in. (13.9 × 9.5 cm), Prints, Anonymous, French, 17th century, After Abraham Bosse…

Truth Removing the Blinders from the Eyes of Ignorance (recto); Designs for Frames (verso), 1625–1704, Red chalk and red wash, traces of white highlighting and black chalk on light brown paper,…

Study for the Astor Library, New York, 1843, Watercolor, ink and graphite, Sheet: 20 3/4 x 14 1/2 in. (52.7 x 36.8 cm), Alexander Jackson Davis (American, New York 1803–1892 West Orange, New…

Rocky Landscape with Eight Figures, 1750–80, Pen and dark brown ink, brush and dark brown ink., sheet: 9 11/16 x 16 5/8 in. (24.6 x 42.3 cm), Drawings, Imitator of Guercino (Giovanni…

S. Maria in Domnica, portico, plan; details, profile (recto) blank (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 17 1/4 x 22 13/16 in. (43.8 x 58…

A Woman and Man Sacrificing in the Presence of Cupid, published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Engraved by Anonymous, Italian,…

Erasmus of Rotterdam (copy), n.d., Engraving, Sheet: 9 3/16 × 7 5/16 in. (23.3 × 18.6 cm), Prints, Anonymous, German, 16th century, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Design for a Stage Set (recto); Fragmentary Sketch of a Plan (verso), 1698–1765, Pen and brown ink, brush with brown and gray wash (recto); pen and brown ink (verso), 5 5/16 x 4 in. (13.5 x…

Design for a Compote Dish, a Server and an Urn, 19th century, Pen and brown ink, image: 6 5/8 x 8 7/8 in. (16.9 x 22.6 cm), Drawings, Anonymous, French, 19th century

Design for a Stage Set, 1830–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Ornamental Design for Niche, 18th century, Leadpoint or graphite, 10 11/16 x 15 7/16 in. (27.1 x 39.2 cm), Drawings, Workshop of Leonardo Marini (Italian, Piedmontese documented ca. 1730–after 1797)

Design for a Chandelier, 19th century, Pen and brown ink, sheet: 16 5/16 x 10 1/4 in. (41.5 x 26.1 cm), Drawings, Anonymous, French, 19th century

Gardener, from Hortulanae series, Etching, image: 13 9/16 x 7 13/16 in. (34.4 x 19.8 cm), trimmed to image, Prints, Jacques Bellange (French, Bassigny (?) ca. 1575–1616 Nancy)

Design for Fringed Curtains, early 19th century, Ink and wash, sheet: 8 5/8 x 12 3/16 in. (21.9 x 31 cm), Anonymous, British, 19th century

Winged Infant Riding a Crouching Horse, n.d., Pen and brown ink, sheet: 4 13/16 x 6 3/8 in. (12.2 x 16.2 cm), Drawings, Giulio Romano (Italian, Rome 1499?–1546 Mantua)

Juno, Ceres, and Psyche in the clouds conversing, Juno seated with a peacock at her feet, Ceres wearing a garland of wheat and Psyche partially naked and holding a cloth, ca. 1515–27,…

Design for a Funerary Monument, 18th century, Pen and brown ink over graphite on laid paper, sheet: 5 5/8 x 5 3/8 in. (14.3 x 13.7 cm), Drawings, Attributed to Anonymous, French, 18th century

Long, Low Purple Lacquer Table with Objects, 19th century, Pen and ink and gouache, Overall: 14 1/8 x 18 3/8 in. (35.9 x 46.7 cm), Drawings, Anonymous, Chinese, 19th century

Amphion, from 'Game of Mythology' (Jeu de la Mythologie), 1644, Etching; first state of five, Sheet: 1 3/4 × 2 3/16 in. (4.5 × 5.6 cm), Prints, Etched by Stefano della Bella (Italian,…

Expulsion from Paradise, from the Small Passion, copy, n.d., Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), Johann Mommard

Hélène of Septeuil, ca. 1890, Drypoint; second state of three, plate: 9 1/2 x 6 1/4 in. (24.1 x 15.9 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le…

Pieta under the Cross of Golgatha, 1547, Engraving, sheet: 10 7/8 x 7 3/16 in. (27.6 x 18.3 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), After…

Two lovers on a bed, from 'The Loves of the Gods', ca. 1531–76, Engraving, sheet: 6 1/8 x 4 5/16 in. (15.6 x 11 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576)

The Wife-Beater, ca. 1633, Etching with engraving, Sheet (trimmed): 10 1/16 in. × 13 in. (25.6 × 33 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Design for a Frame or Epitaph (recto); Caryatid Supporting a Frame (verso), 1652–1725, Pen and light brown ink, brush and brown wash over traces of black chalk (recto); Black chalk (verso), sheet:…

Standing Draped Female Figure, 1612–75, Pen and brown ink, 7-1/2 x 4-1/8 in. (19.0 x 10.4 cm), Drawings, Micco Spadaro (Domenico Gargiulo) (Italian, Naples 1609/10–1675 Naples (?))

Landscape with a Haybarn and a Flock of Sheep, 1652, Etching and drypoint on japan paper, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Seaport with Sailors Loading Merchandise, 1774, Mezzotint, sheet: 10 7/8 x 13 11/16 in. (27.6 x 34.8 cm), Prints, Richard Earlom (British, London 1743–1822 London), After Claude Lorrain…

Arrivée en Alsace du commissaire extraordinaire Coco Romieu, published in Le Charivari, February 28, 1850, Lithograph, sheet: 10 x 12 15/16 in. (25.4 x 32.8 cm), Prints, Honoré Daumier…

Harvest Trophy, 19th century, Pen and brown ink, brush and brown wash, black chalk, heightened with white. Pricked for transfer., 13 1/16 x 11 5/8in. (33.2 x 29.6cm), Drawings, Charles…

Pont-neuf, Paris, 1853, Etching and drypoint on laid paper (Hudelist); tenth state of eleven, plate: 7 1/4 x 7 3/16 in. (18.4 x 18.3 cm), Prints, Charles Meryon (French, 1821–1868)

Design for Choir Stalls Showing the Entrance to the Choir through the Rood Screen, 16th century, Pen and brown ink, brush and brown wash, sheet: 10 7/8 x 7 5/8 in. (27.6 x 19.4 cm), Drawings,…

Virgin and Child Seated by the Wall, 1514, Engraving, Sheet: 6 in. × 4 1/8 in. (15.2 × 10.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

The Adoration of the Lamb, from the Apocalypse series, n.d., Woodcut, Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Alternative designs for the painted decoration of a ceiling, 19th century, pen and ink, watercolor, and gold paint on laid paper; inlaid in blue wove paper, Drawings, Jules-Edmond-Charles…

Design for a sepulchral monument with an allegory of Time; verso: Design for a sepulchral monument, late 17th–early 18th century, Pen and brown ink, over red chalk and black chalk or graphite,…

Kneeling, Seated and Standing Figures (recto); Seated, Kneeling and Reclining Figures (verso), 1501–47, Pen and brown ink, reworked with black ink (recto); pen and brown and black ink (verso), 6…

Allegorical Figure of Religion (recto); Study of a Griffon and of a Seated Figure (verso), 1553–1615, Red chalk with some black chalk, 7-13/16 x 5-1/8 in. (19.8 x 13.0 cm), Drawings, attributed…

Portrait of Tommaso Salini (ca. 1578-1630), 1620, Black chalk and charcoal, red chalk, white chalk on brown paper (faded from blue?). Framing lines in pen and brown ink, 8 7/8 x 6 7/16 in. (22.6…

Designs for Three Candelabras, Two Fruit Dishes and a Server, 19th century, Pen and brown ink, image: 14 7/16 x 11 in. (36.6 x 27.9 cm), Drawings, Anonymous, French, 19th century

Satyr Leading a Centauress Who Holds a Satyr Child, 1727–1804, Pen and dark brown ink, brush and dark brown wash, 7 1/2 x 10 3/4in. (19 x 27.3cm), Drawings, Giovanni Domenico Tiepolo…

Design for a Stage Set, 1830–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

The Clown: M. Joret, 1885, Pen and black ink (faded to brown), 5 x 4 in. (12.7 x 10.21cm), Drawings, Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois)

Design for a Ceiling Decoration., 1709–20, Pen and brown ink, brush and gray-brown wash, over graphite or leadpoint with ruled and compass construction, Sheet: 8 5/16 x 11 9/16 in. (21.1 x 29.4…

Ram, published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Engraved by Anonymous, Italian, 16th century, After Battista Franco (Italian, Venice…

Virgin and Child with Angels, 1639, Etching; second state (?) of three (Robert-Dumesnil), sheet: 10 13/16 x 8 1/2 in. (27.5 x 21.6 cm), Prints, Laurent de La Hyre (French, Paris 1606–1656 Paris)