Reclining Nude Figure (recto); unidentifiable sketches (verso), n.d., Red, black, and white chalks, 5 5/16 x 8 11/16 in. (13.5 x 22.0 cm), Drawings, Attributed to Antoine Watteau (French,…

Allegory of Abundance, 17th century, Pen and brown ink, brush and gray wash., 10 9/16 x 8 3/16 in. (26.9 x 20.8 cm), Drawings, Anonymous, French, 17th century

Nicolas Chrystin, bourgeois d'Anvers, Etching, sheet: 12 5/8 x 9 3/4 in. (32 x 24.7 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Anthony van Dyck (Flemish, Antwerp…

Saint John the Baptist in a Landscape, 1600–1625, Pen and brown ink, over a sketch in red chalk., sheet: 7 5/16 x 5 3/16 in. (18.5 x 13.2 cm), Drawings, Hans Stutte (German, active Lübeck,…

Design for a Cartouche with garlands and antique vase, 18th century, Graphite or leadpoint with ruled and compass construction, 10 3/8 x 5 11/16 in. (26.4 x 14.4 cm), Drawings, Workshop of…

Faust, ca. 1652, Etching, drypoint, and burin, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Design for a Stage Set at the Opéra, Paris, 1830–90, Watercolor and gouache over graphite, Irregular sheet: 11 x 21 in. (27.9 x 53.3 cm), Drawings, Eugène Cicéri (French, Paris…

Virgin Standing on Clouds Holding a Scapular in Her Left Hand, 1675–1741, Pen and brown ink, brush and gray wash, over black chalk, 9 3/8 x 6 5/16in. (23.8 x 16.1cm), Drawings, attributed to…

Medea: or The Marriage of Jason and Creusa, 1648, Etching with touches of drypoint, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Title to the French Set, 1858, Etching; only state (Glasgow); black ink on gray chine on off-white wove paper (chine collé), Plate: 4 3/8 × 5 3/4 in. (11.1 × 14.6 cm), Prints, James McNeill…

The Mast (The Venetian Mast), 1879–80, Etching and drypoint; sixth state of twelve (Glasgow); printed in black ink on , Plate: 13 3/8 × 6 in. (34 × 15.3 cm), Prints, James McNeill Whistler…

Grossmonger, in Low Cast of Malabar, from Indian Trades and Castes, ca. 1840, Watercolor and gouache, sheet: 14 3/8 x 10 3/8 in. (36.5 x 26.4 cm), Drawings, Anonymous, Indian, 19th century

Design for a Stage Set at the Opéra, Paris, 1828–90, Graphite, brush and brown wash, Irregular sheet: 9 3/16 x 6 1/16 in. (23.4 x 15.4 cm), Drawings, Eugène Cicéri (French, Paris…

The Apotheosis of a Saint, Project for a Ceiling, 18th century, Pen and black ink, brush and grey ink, over black chalk, on greyish prepared paper, sheet: 16 9/16 x 11 3/4 in. (42.1 x 29.9…

Saint Sebastian pierced with arrows and tied to a tree, ca. 1639, Etching, Sheet: 7 3/4 × 5 3/16 in. (19.7 × 13.1 cm), Prints, Simone Cantarini (Italian, Pesaro 1612–1648 Verona)

Design for Ceiling, 18th century, Brush with brown, yellow, and red watercolor over leadpoint or graphite, with ruled and compass construction, 8 3/8 x 7 15/16 in. (21.3 x 20.1 cm), Drawings,…

Little Court, [1880–81], Etching and drypoint; first state of two (Glasgow); printed in black ink on ivory laid paper, Plate: 4 15/16 × 6 7/8 in. (12.5 × 17.4 cm), Prints, James McNeill…

The Adoration of the Lamb, from The Apocalypse, n.d., Woodcut, sheet: 17 3/8 x 12 in. (44.1 x 30.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

La Loi Solaire, 19th century, Etching, Prints, Charles Meryon (French, 1821–1868)

Young Lady's Reply to the Captain's Letter, ca. 1636, Etching; second state of two, Sheet: 18 3/8 × 12 3/8 in. (46.7 × 31.4 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Design for a Festival Display of Fireworks (recto); Small Figures by a different hand (verso), 18th century, Black chalk with touches of red chalk (recto); red chalk and graphite (verso), 11 x 18…

Joseph Telling His Dream to Jacob, 1512, Engraving; first state, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Design for Console Table, 19th century, Graphite, with framing lines in graphite, 8 11/16 x 7 3/16 in. (22 x 18.2 cm), Anonymous, French, 19th century

Beggar with a Wooden Leg, ca. 1630, Etching; New Holl. first state of four, Sheet: 4 1/2 × 2 5/8 in. (11.4 × 6.7 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Toilettes de Mme. L. Massieu, from La Mode Illustrée, 1881, Steel engraving with hand coloring, Sheet: 13 11/16 x 9 13/16 in. (34.8 x 25 cm), Prints, Adèle-Anaïs Toudouze (French, Paris…

A Peasant Yawning, Engraving, sheet: 7 11/16 x 8 1/16 in. (19.5 x 20.4 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels), Anonymous, Flemish, 17th century

Docking the Macaroni–or the Butcher's Revenge, ca. 1773, Etching and engraving, sheet: 20 1/4 x 14 3/16 in. (51.4 x 36 cm), Prints, Anonymous, British, 18th century

Design for a Renaissance Style Carved Cabinet, early 19th century, Ink and wash, sheet: 10 11/16 x 14 15/16 in. (27.2 x 37.9 cm), Anonymous, British, 19th century

The Circle of the Lustful: Paolo and Francesca, from Dante's Inferno, Canto V, ca. 1825–27, Engraving, plate: 9 7/16 x 13 1/4 in. (24 x 33.7 cm), Prints, William Blake (British, London…

Old woman on a swing (Vieja columpiándose), 1824–28, Etching and burnisher (?), Plate: 7 5/16 × 4 3/4 in. (18.5 × 12 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish,…

The entombment of Christ, the crosses on Calvary visble in left background, 1563, Etching and engraving, sheet: 11 7/16 x 7 in. (29.1 x 17.8 cm), Prints, Giulio Bonasone (Italian, active Rome…

The three graces, from 'Game of Mythology' (Jeu de la Mythologie), 1644, Etching; first state of five, Sheet: 2 1/8 × 2 3/16 in. (5.4 × 5.6 cm), Prints, Etched by Stefano della Bella…

Group of Horsemen, 1624–63, Pen and brown ink. Framing lines in pen and brown ink on mount, 3-1/8 x 4-1/2 in. (7.9 x 11.4 cm), Drawings, attributed to Francesco Allegrini (Italian, Cantiano…

The Sojourn of the Holy Family in Egypt, from The Life of the Virgin, after 1511, Woodcut, sheet: 11 7/8 x 8 3/8 in. (30.2 x 21.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 9 5/16 x 5 5/8 in. (23.6 x 14.3 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Medea Kills her Two Children, 1563, Engraving; second state of three, sheet: 7 5/8 x 11 1/2 in. (19.3 x 29.2 cm), Prints, René Boyvin (French, Angers ca. 1525–ca. 1625 Angers (?)), After…

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite and gouache, Irregular sheet: 9 13/16 x 13 5/16 in. (24.9 x 33.8 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890…

The Doorway, 1879–80, Etching, drypoint and roulette; fourteenth state of twenty (Glasgow); printed in brownish-black ink on ivory laid paper, Plate: 11 1/2 x 7 7/8 in. (29.2 x 20 cm), Prints,…

Saint John the Baptist and Saint Bernardo degli Uberti (after Andrea del Sarto's Vallombrosa Altarpiece), 1540/41–1609, Black and red chalk, 7-7/8 x 4-1/4 in. (20 x 10.8 cm), Drawings, After…

Touch, 1635–38, Etching, Sheet: 10 9/16 × 13 5/16 in. (26.8 × 33.8 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

The 'Adam and Eve,' Old Chelsea, 1878–79, Etching and drypoint; third state of three (Glasgow); printed in black ink on cream Japan, Plate: 6 7/8 × 11 3/4 in. (17.4 × 29.9 cm), Prints,…

Designs for Top and Four Sides of a Snuffbox with Scenes depicting the Ascent of a Hot Air Balloon, ca. 1784–89, Gouache, 1: 1 x 3 5/16 in. (2.5 x 8.4 cm), Anonymous, French, 18th century

A View of Brussels from the South, with the Halle Gate at Center; verso: Landscape Sketch, mid 17th century, Black chalk, grey wash, white chalk, on blue paper, sheet: 8 3/4 x 14 13/16 in. (22.3…

Woodmonger in Culla Caste, from Indian Trades and Castes, ca. 1840, Watercolor and gouache, sheet: 14 3/8 x 10 3/8 in. (36.5 x 26.4 cm), Drawings, Anonymous, Indian, 19th century

Design for Ceiling, 19th century, Graphite, 18 3/4 x 13 11/16in. (47.6 x 34.7cm), Drawings, Charles Monblond (French, 19th century)

Saint Paul Speaking before King Agrippa (Acts 26), 1573, Pen and brown ink, brush and brown wash, over a little black chalk, 12-5/8 x 8-3/8 in. (32 x 21.3 cm), Drawings, Giorgio Vasari…

Design for a Pulpit, n.d., Pen and black ink, black chalk with pink and yellow wash, over graphite underdrawing, 12 1/4 x 11 1/2 in. (31.1 x 29.2 cm), Drawings, Attributed to Augustin Pajou…

Design for a Covered Vase with the Arms of the Aldobrandini and Pamphilj Families, ca. 1647, Pen and brown ink, brush and brown wash., 12-5/16 x 7-7/8 in. (31.3 x 20.0 cm), Alessandro Algardi…

Landscape with a shepherd and a dog, ca. 1653, Etching and drypoint; second state of two, sheet: 5 7/16 x 6 9/16 in. (13.8 x 16.6 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden…

Plate 47 from 'Los Caprichos':A gift for the master (Obsequio á el maestro), 1799, Etching, burnished aquatint and burin, Plate: 8 3/8 × 5 13/16 in. (21.3 × 14.8 cm), Prints, Goya (Francisco…

Mother's Kiss, ca. 1891, Drypoint and soft-ground, printed in color; fifth state of five (Mathews & Shapiro), plate: 13 5/8 x 8 15/16 in. (34.6 x 22.7 cm), Prints, Mary Cassatt (American,…

View of Berlin with the Dome and Castle, 1824, Pen and gray ink, watercolor, sheet: 12 1/16 x 18 1/4 in. (30.6 x 46.4 cm), Drawings, Ludwig Eduard Lütke (German, Berlin 1801–1850 Berlin)

Scene from the Life of Alexander I, 19th century, Watercolor, pen and black ink, brush and brown wash., 26 1/2 x 19 1/2 in. (67.3 x 49.5 cm), Drawings, Franz von Hauslab the Younger (Austrian,…

Design for Stage Set, 1698–1765, Pen and brown ink, brush and gray wash, sheet: 5 7/8 x 4 11/16 in. (15 x 11.9 cm), Drawings, Attributed to Giovanni Battista Natali III (Italian, Pontremoli,…

La Fuite a Dessein, Etching and engraving; second state of three (Portalis), Sheet: 15 11/16 x 11 7/8 in. (39.8 x 30.2 cm), Prints, After Jean Honoré Fragonard (French, Grasse 1732–1806…

Design for a Hanging Chandelier, 19th century, Pen and brown ink, sheet: 10 1/4 x 6 13/16 in. (26 x 17.3 cm), Drawings, Anonymous, French, 19th century

Design for Ceiling with Putti, Hôtel of Doctor Cranchi, 1872, Watercolor and gouache, 14 1/2 x 6 3/8 in. (36.8 x 16.2 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),…

Man Crying Out, Three-Quarters Left: Bust, ca. 1629, Etching; New Holl.'s seventh state of seven, Sheet: 1 5/8 × 1 7/16 in. (4.1 × 3.6 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch,…

The Tyresmith, 1890, Transfer lithograph, drawn on medium-grained transfer paper; printed in black ink on smooth ivory wove paper, Image: 6 11/16 × 6 7/8 in. (17 × 17.5 cm), Prints, James…

La sainte Face couronnee d'epines, (petit format), early to mid 17th century, Etching, sheet: 7 9/16 x 5 5/16 in. (19.2 x 13.5 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris)

Mon Bon Dodo, 1915, Etching; only state, plate: 3 3/4 x 4 5/8 in. (9.6 x 11.7 cm), Prints, Walter Richard Sickert (British, Munich 1860–1942 Bathampton, Somerset)

Enthroned Warrior Distributing Crowns, 1624–63, Pen and brown ink, brush and brown wash. Framing lines in pen and brown ink on mount, 3-9/16 x 5-1/16 in. (9.0 x 12.8 cm), Drawings, attributed…

Laughing Man in a Gorget, 1625–40, Etching; first state of two, sheet: 9 3/16 x 7 11/16 in. (23.3 x 19.6 cm), Prints, Jan Georg (Joris) van Vliet (Dutch, Deft ca. 1610–ca. 1635), After…

Beggars Receiving Alms at the Door of a House, 1648, Etching, sheet: 6 1/2 x 5 1/16 in. (16.5 x 12.9 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

View of Naples: Place Royale, 19th century, Pen and black ink, brush and gray wash. Framing lines in pen and brown ink, brush and brown wash., sheet: 10 x 14 1/8 in. (25.4 x 35.9 cm),…

Emperor Maximilian I (copy), n.d., Prints, After Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Design for Elevation of Ceiling and Wall, Château de Deepdene, 1875–79, Watercolor and gouache, 10 1/4 x 12 1/4 in. (26.0 x 31.1 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died…

Illustration for a Book: Saint Luke with a Female Allegorical Figure, 1696–1770, Black chalk. Horizontal and vertical centering lines ruled in faint black chalk, 4-1/2 x 6-15/16 in. (11.4 x…

Two Male Figures, one holding a basket, 18th century, Graphite, pen and black ink, brush and gray wash. Framing lines in brush and gray wash and pen and brown ink., sheet: 7 13/16 x 7 9/16 in. (19.8…

Allegory of the Arts, second half 19th century, Graphite, pen and black ink, gouache, and watercolor, Overall: 8 5/16 x 10 13/16 in. (21.1 x 27.5 cm), Drawings, Jules-Edmond-Charles Lachaise…

Unidentified Corinthian capital, elevation, section, and ceiling plan (recto) blank (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 11 7/16 x 8 11/16…

Standing Nude Seen from the Back, ca. 1920, Red chalk on Montral paper, 13 1/8 x 9 3/8 in. (33.4 x 23.8 cm), Drawings, Aristide Maillol (French, Banyuls-sur-Mer 1861–1944 Perpignan)

Ornamental design of Bacchanalia, 17th century, Pen and red ink, brush and red wash, oval., sheet: 2 1/2 x 3 5/16 in. (6.3 x 8.4 cm), Drawings, Attributed to Anonymous, Dutch, 17th century

Christ and the Woman Taken in Adultery, Black and white pastel, with stumping, 10 1/2 x 17 3/16 in. (26.7 x 43.6 cm), Drawings, François Boucher (French, Paris 1703–1770 Paris)

Illustration for a Book: Soldiers Surrendering to an Emperor, with a City in the Background, 1696–1770, Black chalk. Horizontal and vertical centering lines ruled in faint black chalk, 3 x…

Two Women, One Holding an Anchor, and a Putto on Clouds, 1696–1770, Pen and brown ink, brush with pale (yellow) and dark brown wash, over black chalk, 7-1/2 x 8-11/16 in. (19 x 22 cm),…

The Little Courier, n.d., Engraving, Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Head of an Angel, ca. 1833, Black chalk, stumped, heightened with white, 16 15/16 x 13 7/8 in. (43 x 35.2 cm), Drawings, Alphonse-Henri Périn (French, Paris 1798–1874 Paris)

Design for the painted decoration of a coffered ceiling incorporating initials (G and H) for a house on the rue de Clichy, 1830–97, Watercolor, gouache, pen and black ink, and gilt, sheet: 10…

Ornamental Design with Caryatid Figure Standing on Stool and Holding a Bowl; Puttis on the Sides Hold Drapery and Support Base with an Eagle; on the Right Side Decorative Figures with Acanthus…

A Peasant Replying: 'Dats niet', 1634, Etching, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Design for a Chinese Style Bed, 19th century, Pen and black ink, brush and blue, brown and gray wash, and graphite, 15 7/8 x 22 1/8 in. (40.3 x 56.2 cm), Drawings, Anonymous, French, 19th century

The Assumption of the Virgin, n.d., Black chalk, heightened with white, 10 3/8 x 8 in. (26.3 x 20.3 cm), Drawings, Nicolas de Plattemontagne (French, Paris 1631–1706 Paris)

View of the Palazza Madama, Rome (?), mid-18th century, Black chalk, stumped, with white chalk on gray paper, 11 x 16 1/8 in. (28.0 x 40.9 cm), Drawings, Attributed to Charles Michel Ange…

United States Military Academy: Song of the Graduates, 1852, Lithograph printed in black ink on cream wove paper, sheet: 13 1/16 x 10 1/16 in. (33.2 x 25.6 cm), Prints, After James McNeill…

Mars and Rhea Silvia: in the centre Mars holds a shield and sword, Rhea Silvia sleeping, Apollo in his chariot upper left, 1520–50, Engraving, sheet: 11 1/4 x 16 7/8 in. (28.6 x 42.8 cm),…

Plate 5: four ears, from 'The Book for Learning to Draw' (Livre pour apprendre à dessiner), ca. 1649, Etching, Plate: 3 3/8 × 2 5/8 in. (8.6 × 6.6 cm), Prints, Stefano della Bella (Italian,…

Modes de Mme. Antonie Lalanne, No. 791, from Le Moniteur de la Mode, 1848, Steel engraving with hand coloring, Sheet: 12 3/8 x 7 3/8 in. (31.5 x 18.7 cm), Prints, Jules David (French,…

Historical Scene, 1499–1543, Pen and brown ink, brush and brown wash, 8-3/8 x 11 in. (21.3 x 27.9 cm), Drawings, After Polidoro da Caravaggio (Italian, Caravaggio ca. 1499–ca. 1543 Messina)

'La Colere de Neptune,' fontaine, 1767, Etching, before first state, sheet: 4 5/16 x 3 7/16 in. (11 x 8.7 cm), Prints, Gabriel de Saint-Aubin (French, Paris 1724–1780 Paris)

Port of Livorno with Statue of Ferdinand I, from 'Views of the port of Livorno' (Vues du port de Livourne), 1655, Etching; first state of two, Sheet: 10 1/8 × 14 5/8 in. (25.7 × 37.2 cm),…

Don Quixote, after Goya, 1860, Etching; second and final state, sheet: 13 x 9 15/16 in. (33 x 25.3 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres), After Goya (Francisco de Goya…

Courtier Following Edict Against Superfluity in Dress (Le Courtisan suivant le dernier édit), mid-17th century, Etching, sheet: 9 13/16 x 7 13/16 in. (24.9 x 19.8 cm), Prints, Abraham Bosse…

La Belle Jardinière, 1894, Transfer lithograph with stumping and scraping, drawn on thin, transparent transfer paper; only state (Chicago); printed in black ink on medium weight cream laid…

Four Designs for Tiered Serving Dishes, 19th century, Graphite, brush and gray and green wash, and gouache, sheet: 11 1/4 x 16 5/8 in. (28.5 x 42.2 cm), Drawings, Anonymous, French, 19th century

Red House, Paimpol, 1893, Transfer lithograph with scraping, drawn on fine-grained transfer paper (keystone) and thin, transparent transfer paper (color stones);listed as third state of three…

Diogenes searching for a honest man, ca. 1645–47, Etching, sheet: 11 3/4 x 8 1/4 in. (29.8 x 20.9 cm), Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664 Mantua)

Caricature Showing Marie Antoinette as a Dragon, 18th century, Etching, sheet: 4 5/8 x 3 7/8 in. (11.7 x 9.8 cm), Prints, Anonymous, French, 18th century

Design for a Stage Set, 1830–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

The Head of Pompey Presented to Caesar, Pen and gray ink, brush and pale gray wash. Framing line in dark green wash., Diameter: 13.6 cm., Drawings, Anonymous, French, 16th century