A Chorus of Singers, or The Oratorio, December 1732, Etching; third state of three, sheet: 6 13/16 x 6 7/16 in. (17.3 x 16.3 cm), Prints, William Hogarth (British, London 1697–1764 London)

Pilate Washing His Hands, from The Small Passion, ca. 1509, Woodcut, sheet: 5 x 3 7/8 in. (12.7 x 9.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Village Road with a Farm and Sheds, from the series, The Small Landscapes (Multifariarum Casularum), 1559–61, Etching; first state of four, Plate (width given; full plate line not visible): 8…

The Triumph of David, 1657–1747, Black chalk (recto); design for a door or window frame (verso), 6 3/8 x 8 3/4in. (16.2 x 22.2cm), Drawings, Francesco Solimena (Italian, Canale di Serino…

John Bull at the Italian Opera, October 2, 1811, Etching, hand colored, Sheet: 13 7/16 × 9 5/8 in. (34.1 × 24.5 cm), Prints

Plate 41 from 'The Disasters of War' (Los Desastres de La Guerra): 'They escape through the flames' (Escapan entre las llamas), 1810, Etching and burin, Plate: 6 1/4 × 9 3/16 in. (15.9 × 23.3…

Hanako, 1908, Graphite, pen and brown ink, gouache-wash and red crayon, 11 3/4 x 8 7/16 in. (29.9 x 21.4 cm), Drawings, Auguste Rodin (French, Paris 1840–1917 Meudon), The Japanese actress Ohta…

Portrait of Théodore Ballu, 1830–75, Graphite, 5 7/8 x 5 1/4 in. (15.0 x 13.3 cm), Drawings, Isidore Pils (French, Paris 1813/15–1875 Douarnenez)

A Scene of Sacrifice, 18th century, Pen and black ink, brown wash, heightened with white on brown paper, 10 13/16 x 14 1/16 in. (27.4 x 35.7 cm), Drawings, Anonymous, French, 18th century

Division of the Bread, n.d., Etching, image: 7 5/16 x 4 11/16 in. (18.6 x 11.9 cm), trimmed to image, Prints, Claude Gillot (French, Langres 1673–1722 Paris), Engraved by Jacques Gabriel…

Illustration for a Book: Figures in Conversation in a Garden, 1696–1770, Black chalk. Horizontal and vertical centering lines ruled in faint black chalk, 2-7/8 x 7-1/8 in. (7.3 x 18.1 cm),…

Mask, Etching, Prints, Attributed to Stefano della Bella (Italian, Florence 1610–1664 Florence)

Plate 16 from 'Los Caprichos':For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre), 1797–98, Etching, aquatint, and drypoint, Plate: 7 7/8 × 5 7/8 in. (20 × 15 cm),…

Melchior, after Three Magi series by Jacques Bellange, ca. 1615, Etching, Sheet: 11 5/16 x 7 3/8 in. (28.7 x 18.8 cm), Prints, Matthäus Merian the Elder (Swiss, Basel 1593–1650 Schwalbach),…

Design for Bedroom Doors, Hôtel de Jagan, second half 19th century, Pen and black ink, watercolor, 12 13/16 x 6 15/16 in. (32.5 x 17.6 cm), Drawings, Jules-Edmond-Charles Lachaise (French,…

Nymphs Bathing, 1586–1630, Brush and brown wash, highlighted with white oil paint, on brown-washed paper, 5-11/16 x 7-9/16 in. (14.5 x 19.2 cm), Drawings, Marcantonio Bassetti (Italian,…

Sultana wearing a pearl necklace and a turban, from 'Several heads in the Persian style' (Plusieurs têtes coiffées à la persienne), 1649–50, Etching; second state of two, Plate: 4 1/16 × 3…

Design for a Chandelier, 19th century, Pen and brown ink, sheet: 9 5/8 x 6 3/4 in. (24.5 x 17.1 cm), Drawings, Anonymous, French, 19th century

An Early Lesson of Marching, December 24, 1794, Etching, sheet: 9 5/16 x 13 1/4 in. (23.6 x 33.6 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London), After George Moutard…

Hercules and Cacus, n.d., Woodcut, sheet: 15 3/8 x 11 1/8 in. (39 x 28.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Design for a Chandelier, 19th century, Pen and brown ink, sheet: 14 x 9 5/8 in. (35.5 x 24.5 cm) cut into 'I' shape, Drawings, Anonymous, French, 19th century

Alexander and Porus, early 18th century, Brush and brown wash, heightened with white, over black chalk, on blue paper. All four in curved corners have been filled in., 12 5/16 x 17 5/16 in. (31.2…

Tarquin and Lucretia, 1792, Mezzotint, sheet: 14 1/8 x 17 1/4 in. (35.8 x 43.8 cm), Prints, Johann Peter Pichler (Austrian, Bolzano, 1765–1807), After Simone Cantarini (Italian, Pesaro…

Illustration for a Book: Battle by the Sea Coast, 1696–1770, Black chalk. Horizontal and vertical centering lines ruled in faint black chalk, 3 x 6-1/16 in. (7.6 x 15.4 cm), Drawings,…

The Assumption and Coronation of the Virgin, from The Life of the Virgin, 1510, Woodcut, sheet: 11 1/4 x 8 1/8in. (28.6 x 20.7cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Two Putti Seated in Clouds in Circles with Tendrils, 1517, Engraving, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 2 15/16 x 3 7/16 in. (7.5 x 8.7 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Half-Length Study of a Man Standing in Frontal View, Leaning on Armor and Accompanied by a Boy, 1540–1609, Black and red chalk on tan paper, 12-5/16 x 9-1/8 in. (31.3 x 23.2 cm), Drawings,…

Head of a Woman, 1729–50, Charcoal, highlighted with white chalk, on gray-blue paper, 6 3/4 x 5 13/16in. (17.1 x 14.7cm), Drawings, Giovanni Battista Piva (Biva) (Italian, documented Belluno,…

Design for a Stage Set (recto); Fragmentary Sketch of a Stage Set in Elevation (verso), 1698–1765, Pen and brown ink, brush with brown and gray wash (recto); pen and brown ink (verso), 5-3/8 x 4…

Profile of a Lady in a Bonnet, n.d., Black chalk on paper, 4 7/8 x 4 3/16 in. (12.5 x 10.7 cm), Drawings, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris)

Design for a vessel, 19th century, Graphite and brown wash on tan wove paper, sheet: 7 3/16 x 7 3/16 in. (18.2 x 18.2 cm), Drawings, Anonymous, French, 19th century

Little Dorothy, 1896, Transfer lithograph, drawn on white transfer paper with a grained-stone texture; only state (Chicago); printed in black ink on ivory wove proofing paper, Image: 7 5/8 × 5…

Plate 44 from 'The Disasters of War' (Los Desastres de la Guerra): 'I saw it' (Yo lo vi.), 1810, Etching, drypoint and burin, Plate: 6 1/4 × 9 3/16 in. (15.8 × 23.4 cm), Prints, Goya (Francisco…

Rest on the Flight Into Egypt, ca. 1506, Engraving, sheet: 6 1/4 x 5 1/2 in. (15.9 x 14 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Brackets, Caryatids and other Architectural Details (recto and verso), ca. 1690–1710, Pen and black and dark brown ink, brush and dark brown and gray wash, over traces of graphite…

Procession of Musicians, 1624–63, Pen and brown ink, 2-5/8 x 5-11/16 in. (6.7 x 14.4 cm), Drawings, attributed to Francesco Allegrini (Italian, Cantiano (?) 1615/20–after 1679 Gubbio (?))

Design for a Canopy (recto). Design for an Armchair (verso), 1698–1765, Pen and ink, brush and gray wash, 5 3/4 x 8 1/4in. (14.6 x 21cm), Drawings, Giovanni Battista Natali III (Italian,…

Becquet (J. Becquet, Sculptor), 1859, Etching and drypoint; sixth state of six (Glasgow); printed in black ink on ivory tissue-weight Japan, Plate: 10 in. × 7 1/2 in. (25.4 × 19 cm), Prints,…

Plate 10: elephant, from 'Various animals' (Diversi animali), ca. 1641, Etching; third state of three (De Vesme), Plate: 3 5/16 × 4 3/16 in. (8.4 × 10.7 cm), Prints, Stefano della Bella…

Nude, n.d., Black chalk (fixed) with touches of graphite, 9 11/16 x 7 1/2 in. (24.6 x 19.1 cm), Drawings, Suzanne Valadon (French, Bessines-sur-Gartempe 1865–1938 Paris)

Cutler Street, Houndsditch, [1886–88], Etching; first state of two (Glasgow); printed in dark brown ink on ivory laid paper, Plate: 6 7/8 × 4 7/8 in. (17.5 × 12.4 cm), Prints, James…

The Creation, from Illustrations of the Book of Job, 1825–26, Engraving, plate: 8 1/8 x 6 7/16 in. (20.6 x 16.4 cm), Prints, William Blake (British, London 1757–1827 London)

A Man From Provence, 1737, Etching with some engraving, Sheet: 9 5/16 × 7 1/4 in. (23.7 × 18.4 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765…

Portrait of a Man, 17th century, Red chalk, pen and black ink, touches of brush and gray ink, silhouetted and pasted onto a rectangular sheet of paper tinted buff at back of head and gray at…

Designs for Planters, 19th century, Pen and brown ink, sheet: 2 15/16 x 9 9/16 in. (7.5 x 24.3 cm), Drawings, Anonymous, French, 19th century

Design for Two Caskets, early 19th century, Ink and wash, sheet: 8 9/16 x 12 1/4 in. (21.7 x 31.1 cm), Anonymous, British, 19th century

The Pit Door/ La Porte du Parterre, November 9, 1784, Mezzotint, plate: 13 15/16 x 9 15/16 in. (35.4 x 25.3 cm), Prints, After Robert Dighton the Elder (British, London ca. 1752–1814 London),…

Jean in a Black Hat, 1923–24, Lithograph, image: 10 1/2 x 9 1/4 in. (26.7 x 23.5 cm), Prints, George Bellows (American, Columbus, Ohio 1882–1925 New York)

Elephants by a Pool, 1810–75, Watercolor on wove paper, 13 x 19 5/8 in. (33 x 49.9cm), Drawings, Antoine-Louis Barye (French, Paris 1796–1875 Paris)

Adelphi, from The Comedie of Terence, 19th century reprint, n.d., Woodcut, sheet: 3 1/2 x 5 5/8 in. (8.9 x 14.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Nude Figure, 1720, Black chalk, 10 1/2 x 6in. (26.7 x 15.2cm), Drawings, After Giovanni Battista Piazzetta (Italian, Venice 1682–1754 Venice)

Landscape (recto); Sketch of rocks(?) (verso), n.d., Watercolor over black chalk (recto); black chalk and blue wash (verso), 18 5/8 x 12 5/16 in. (47.3 x 31.3cm), Drawings, Paul Cézanne…

Plate II, from Rules for Drawing Caricaturas, February 26, 1788, Etching, sheet: 5 5/16 x 8 1/2 in. (13.5 x 21.6 cm), Prints

Design for a Sconce, 18th century, Pen and black ink, brush and grey wash., sheet: 10 7/8 x 7 9/16 in. (27.7 x 19.2 cm), Drawings, Anonymous, French, 18th century

Design for a theater costume, 19th century, Graphite with paint on Bristol, sheet: 9 x 6 1/2 in. (22.9 x 16.5 cm), Drawings, Anonymous, French, 19th century

Portrait of the Poet Sigismond Boldoni, 1656, Etching, Sheet: 4 11/16 × 2 13/16 in. (11.9 × 7.1 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence)

The Nativity, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach)

The Artist's Mother: Head and Bust Three Quarters Right, 1628, Etching; New Holl.'s second state of four, Sheet: 2 7/8 × 2 11/16 in. (7.3 × 6.9 cm), Prints, Rembrandt (Rembrandt van Rijn)…

The Virgin and Child, ca. 1641, Etching; second state of three, Plate: 6 1/8 × 4 15/16 in. (15.6 × 12.6 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence)

The Crucifixion, n.d., Engraving, Sheet: 12 7/16 × 8 7/8 in. (31.6 × 22.5 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Design for a vessel, 19th century, Pen and ink and watercolor, sheet (irregular): 4 1/8 x 3 3/4 in. (10.5 x 9.5 cm), Drawings, Anonymous, French, 19th century

Clément-François-Victor-Gabriel Prunelle, published in La Caricature no. 138, June 27, 1833, June 27, 1833, Lithograph, Sheet: 13 5/8 × 9 13/16 in. (34.6 × 25 cm), Prints, Honoré Daumier…

Christ Carrying the Cross, from The Small Passion, ca. 1509, Woodcut, sheet: 5 1/16 x 3 13/16 in. (12.8 x 9.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Saint Jerome by the Pollard Willow, 1512, Drypoint; second state of three, sheet: 8 1/4 x 7 1/16 in. (21 x 17.9 cm) trimmed to plate line, Prints, Albrecht Dürer (German, Nuremberg…

Allegorical Figures of the Four Continents, 1783, Pen and brown ink, with brush and brown wash, sheet: 10 3/8 x 7 1/4 in. (26.4 x 18.4 cm), Drawings, Teodoro Viero (Italian, 1740–1819)

Wall Elevation with Three Arches, Pen and brown ink, 7 3/8 x 9 5/8 in. (18.7 x 24.4 cm), Drawings, Anonymous, French, 18th century

Adoration of the Magi, 1688–1765, Black chalk, stumped, highlighted with white, on beige paper, 8-15/16 x 12-11/16 in. (22.7 x 32.2 cm), Drawings, Ercole Graziani the Younger (Italian,…

The Monstrous Pig of Landser, ca. 1496, Engraving, Sheet: 4 1/4 in. × 5 in. (10.8 × 12.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Design for a tomb, late 17th–early 18th century, Pen and brown ink, over red chalk, brown and grey wash, sheet: 8 1/16 x 6 1/2 in. (20.5 x 16.5 cm), Drawings, Pieter Verbruggen the Younger…

The Circumcision in the Stable, 1654, Etching, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Design for Fringed Curtains Surrounding Two WIndows, early 19th century, Graphite, sheet: 9 x 15 1/16 in. (22.8 x 38.2 cm), Anonymous, British, 19th century

Scherzo di Fantasia: Standing Warrior and King with Five Attendants, 1696–1770, Pen and brown ink, brush with pale and dark brown wash, over leadpoint or black chalk, 13-7/8 x 10-15/16 in. (35.2…

Steamboats off the Tower, 1875, Drypoint, third state of four (Glasgow); printed in black ink on ivory laid paper, Plate: 6 1/16 × 8 7/8 in. (15.4 × 22.5 cm), Prints, James McNeill Whistler…

Le Pont-au-Change, vers 1784 (Pont-au-Change, Paris, circa 1784, after Nicolle), 1855, Etching on laid paper, plate: 5 5/16 x 9 3/8 in. (13.5 x 23.8 cm), Prints, Charles Meryon (French,…

The River Elbe Downstream of Hamburg by Moonlight, ca. 1828, Black chalk, brush and gray ink, heightened with white, orange and yellow gouache, sheet: 15 3/4 x 23 1/16 in. (40 x 58.5 cm),…

Head of an Old Woman, 1620–40, Etching, sheet: 2 7/16 x 2 13/16 in. (6.2 x 7.2 cm), Prints, Jan Georg (Joris) van Vliet (Dutch, Deft ca. 1610–ca. 1635)

Terrace of a Building in Rome, 1913, Gouache, 11 3/4 x 9 7/8 in. (29.9 x 25.1 cm), Drawings, Jacques-Émile Blanche (French, Paris 1861–1942)

A Parisienne Outside the Moulin de la Galette, 1844–1907, Watercolor, graphite, pen and ink, sheet: 8 1/2 x 6 1/4 in. (21.6 x 15.9 cm), Drawings, Henri Somm (French, Rouen 1844–1907 Paris)

Measured Drawing of a Horse Facing Left (recto)., ca. 1480–88, Pen and dark brown ink, over traces of black chalk, Overall: 9 13/16 x 11 11/16 in. (24.9 x 29.7 cm) maximum, Drawings, Andrea…

Design for Cartouche, 18th century, Graphite, Overall: 3 1/8 x 8 5/16 in. (7.9 x 21.1 cm), Drawings, Anonymous, French, 18th century

The Agony in the Garden, ca. 1657, Etching and drypoint, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

The Farriers, 1888, Transfer lithograph drawn on medium-grained transfer paper; only state (Chicago); printed in black ink on cream wove proof paper, Image: 7 7/8 in. × 7 in. (20 × 17.8 cm),…

Designs for Two Servers and an Urn, 19th century, Pen and brown ink, sheet: 7 1/8 x 11 1/8 in. (18.1 x 28.3 cm), Drawings, Anonymous, French, 19th century

Two Women in an Elegant Interior: a Singer Accompanied by a Lutenist, 1771, Pen and brown ink, brush and brown and gray wash, yellow and pink watercolor, over traces of black chalk. Traces of…

A Rocky Landscape at Civita Castellana, 1776, Brush and brown wash over graphite; framing line in brown ink, 13 5/8 x 17 15/16 in. (34.6 x 45.6 cm), Drawings, Jacob Philipp Hackert (German,…

Illustrations for an Allegorical Pattern Book, late 18th–early 19th century, Pen and gray ink, red chalk, 19 5/16 x 13 in. (49 x 33 cm), Drawings, Antoine Borel (French, Paris 1743–after 1810)

Rembrandt and his Wife (copy), 1786–1844, Etching, Prints, After Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Design for a Six Arm Candelabra, 19th century, Pen and brown ink, sheet: 16 5/16 x 9 in. (41.5 x 22.9 cm) unven (cut into 'T' shape), Drawings, Anonymous, French, 19th century

Monsieur de St. George, April 4, 1788, Mezzotint on laid paper, plate: 14 7/8 x 10 7/8 in. (37.8 x 27.6 cm), Prints, William Ward (British, London 1766–1826 London), After Mather Brown…

Whistler at Moulsey [Molesey Lock], [1861], Etching on china paper, plate: 4 3/4 x 6 1/2 in. (12 x 16.5 cm), Prints, Edwin Edwards (British, 1823–1879)

Plate 9: five heads, two young women at left, a bearded man at upper right, a young woman and a bearded man at bottom right, from 'The Book for Learning to Draw' (Livre pour apprendre à…

Interior with a Man Writing on a Long Table, 16th century, Pen and brown ink, brush and gray and brown wash, over faint sketch in graphite, 19.2 x 14.9 cm., Drawings, Anonymous, French, 16th century

Landscape Near Tivoli, 1800–1863, Graphite, pen and black ink, brush and brown wash, sheet: 15 1/2 x 17 11/16 in. (39.4 x 45 cm), Drawings, Carl Ludwig Frommel (German, Birkenfeld…

Design for a ceiling, second half 19th century, Graphite, pen and black ink, gouache, and watercolor, Overall: 8 1/4 x 10 9/16 in. (20.9 x 26.9 cm), Drawings, Jules-Edmond-Charles Lachaise…

Peasant Couple Dancing, 1514, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.8 × 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Pro-Volant des Iles Mulgrave, 1866, Etching and drypoint on laid paper, plate: 5 11/16 x 3 1/8 in. (14.4 x 7.9 cm), Prints, Charles Meryon (French, 1821–1868)

Sémiramis, ca. 1639–40, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 13 7/8 x 8 3/8 in. (35.3 x 21.2 cm), Prints, Gilles Rousselet (French, Paris 1614–1686…

Plate 25 from 'Los Caprichos': Yes, he broke the pot (Si querbó el Cantaro.), 1799, Etching, aquatint and drypoint, Plate: 8 1/16 x 5 7/8 in. (20.4 x 14.9 cm), Prints, Goya (Francisco de Goya…

The Urchin, 1868, Lithograph on violet-toned chine collé, second state of two, image: 11 3/8 x 9 1/8in. (28.9 x 23.2cm), Prints, Édouard Manet (French, Paris 1832–1883 Paris)