Man of Sorrows, from The Passion, 1509, Engraving, Sheet: 4 13/16 × 3 1/16 in. (12.2 × 7.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Design for the Upper Half of a Wall Elevation with a Semicircular Window, 1652–1725, Pen and brown and black ink, brush and brown wash, over traces of black chalk, sheet: 6 9/16 x 6 15/16 in.…

Saint Anthony and Saint Paul in the Desert, ca. 1503, Woodcut, sheet: 8 7/16 x 5 5/8 in. (21.4 x 14.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Mother Berthe Holding Her Child, ca. 1889, Drypoint; second state of two, plate: 9 1/4 x 6 1/4 in. (23.5 x 15.9 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le…

Country Houses, couple and cornfield in the foreground, from the series The Small Landscapes (Praediorum Villarum), 1559–61, Etching; first state of three, 6 7/8 x 9 13/16 in. (17.5 x 25…

The Surgeon, 1524, Engraving, sheet: 4 5/8 x 3 in. (11.7 x 7.6 cm) (clipped impression), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Design for the painted decoration of a ceiling, second half 19th century, pen and ink and watercolor on wove paper, sheet: 11 x 9 7/8 in. (27.9 x 25.1 cm), Drawings, Jules-Edmond-Charles…

Design for a Stage Set, 1830–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Horsemen Hunting, 1624–63, Pen and brown ink, brush and brown wash, 2-11/16 x 4-15/16 in. (6.8 x 12.5 cm), Drawings, attributed to Francesco Allegrini (Italian, Cantiano (?) 1615/20–after…

Three Putti with Trumpets, ca. 1500, Engraving, Sheet: 4 3/4 × 3 1/16 in. (12.1 × 7.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

An innumerable Multitude which Stands before the Throne, from the Apocalypse, n.d., Engraving, plate: 11 15/16 x 8 3/8 in. (30.4 x 21.2 cm), Prints, Jean Duvet (French, ca. 1485–after 1561)

Young Man Facing Three Quarters Right Wearing a Fur Headdress With a Plume, Jewel and a Headband, ca. 1645–50, Etching, Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa…

Afternoon Tea, 1897, Transfer lithograph with stumping, drawn on thin, transparent transfer paper; only state (Chicago); printed in black ink on tan laid Japnese vellum, Image: 7 3/8 × 6 1/4…

Design for a Salt Celler and Two Cups, ca. 1770–90, Pen and gray and rose ink, brush and gray wash, 9 x 15 1/8 in. (22.8 x 38.4 cm), Drawings, Anonymous, French, 18th century

A satyr and a ram attacking each other, the satyr weilding a club with his right hand, a shield resting against a small column at center, buildings in the background, ca. 1515–27, Engraving,…

Head of Bearded Old Man, 1804, Brown chalk, sheet: 23 3/16 x 17 1/8 in. (58.9 x 43.5 cm), Drawings, Jakob Matthias Schmutzer (Austrian, Vienna 1733–1811 Vienna)

Fleet of Galleys Escorted by a Caravel from The Sailing Vessels, 1561–65, Engraving and etching, Sheet: 8 3/4 x 11 7/16 in. (22.3 x 29 cm), Prints, After Pieter Bruegel the Elder…

Tillie: a Model (Tillie Gilchrist), 1873, Drypoint; third state of five (Glasgow); printed in black ink on ivory laid paper, Plate: 9 3/16 × 6 1/4 in. (23.4 × 15.9 cm), Prints, James McNeill…

Partial design for the decoration of a ceiling with an oval panel at center, 1830–97, watercolor and gouache over graphite on wove paper; mounted on wove paper, Overall: 10 13/16 x 8 7/16 in.…

The Harmony of Nature, 1762, Etching, sheet: 5 13/16 x 8 9/16 in. (14.7 x 21.7 cm), Prints, Pierre Lélu (French, Paris 1741–1810 Paris)

Nemesis (The Great Fortune), ca. 1501, Engraving, Sheet: 13 5/16 × 9 1/8 in. (33.8 × 23.2 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

The Virgin and the Child, n.d., Woodcut, sheet: 2 3/8 x 1 5/8 in. (6.1 x 4.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Designs for Three Planters, Three Candelabras, a Dish and a Serving Tray, 19th century, Pen and brown ink, a: 7 3/8 x 11 1/16 in. (18.8 x 28.1 cm), Drawings, Anonymous, French, 19th century

Syrie, 1644, Etching, state iii, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence), Designed by Jean Desmarets de Saint-Sorlin (French, 1595–1676)

Saint John the Baptist and Saint Onuphrius, ca. 1503, Woodcut, image: 8 3/8 x 5 1/2 in. (21.3 x 14 cm) slight margin, Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Soldiers pillaging a town, 17th century, Pen and black and brown ink, brush and brown wash, heightened with white, on laid paper prepared with gray wash, black ink framing lines, sheet: 4 5/16 x 3…

Greenwich Park, 1859, Etching and drypoint, third state of three (Glasgow); black ink on medium weight off-white laid paper, Plate: 4 15/16 × 7 15/16 in. (12.6 × 20.2 cm), Prints, James…

Plate 30 from 'The Disasters of War' (Los Desastres de la Guerra):'Ravages of war' (Estragos de la guerra), 1810–20, published 1863, Etching, drypoint, burin and burnisher, Plate: 5 1/2 × 6 5/8…

Five Foot Soldiers and a Mounted Turk, ca. 1495, Engraving, plate: 5 1/4 x 5 3/4 in. (13.3 x 14.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Plate 71 from 'The Disasters of War' (Los Desastres de la Guerra): Against the common good' (Contra el bien general.), after 1814–15 (published 1863), Etching and burnisher, Plate: 6 7/8 × 8…

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 12 1/4 x 8 5/8 in. (31.1 x 21.9 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Design for a Ceiling Decoration., 1709–20, Pen and brown ink, over graphite or leadpoint with ruled and compass construction, sheet: 11 7/16 x 8 1/8 in. (29.1 x 20.6 cm), Drawings, Donato…

Perspective study of an Arched Colonnade, 16th century, Black chalk, pen and brown ink, brush and brown wash, sheet: 17 1/8 x 11 7/16 in. (43.5 x 29.1 cm), Drawings, Anonymous, French, 16th century

Virgin and Child, 1520, Engraving, Sheet: 6 11/16 × 4 11/16 in. (17 × 11.9 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, heightened with white, Irregular sheet: 13 11/16 x 12 3/8 in. (34.8 x 31.5 cm), Drawings, Eugène Cicéri (French, Paris…

Little Wapping (The Little Rotherhithe), 1861, Etching; third state of four (Glasgow); printed in black ink on heavy off-white wove paper, Plate: 4 7/8 x 4 in. (12.4 x 10.2 cm), Prints, James…

Dancing Girl, 1890, Transfer lithograph; only state (Chicago); printed in black ink on coarse tan laid paper, Image: 7 3/16 × 5 13/16 in. (18.2 × 14.8 cm), Prints, James McNeill Whistler…

Santa Maria in Vallicella, elevation; plan (recto) blank (verso), late 16th century, Dark brown ink, black chalk, and incised lines, sheet: 23 1/8 x 17 1/8 in. (58.7 x 43.5 cm), Drawings

Concerto Coalitionale, June 17, 1785, Etching, plate: 11 13/16 x 16 in. (30 x 40.7 cm), Prints, James Sayers (British, 1748–1823)

Nude Study, early 19th century, Pen and brown ink on tracing paper, 16 x 10-1/4 in. (40.6 x 26.0 cm), Drawings, Anonymous, Italian, early 19th century

A Rolling Stone Is Ever Bare of Moss, from Thornton's Pastorals of Virgil, 1821, Wood engraving, block: 1 1/2 x 3 1/16 in. (3.8 x 7.8 cm), Prints, William Blake (British, London 1757–1827 London)

Ornamental drawings (recto) blank (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 16 13/16 x 3 11/16 in. (42.7 x 9.4 cm)

Design for a Decorated Frieze with Alternation of Cartouches and Winged Putti, 16th century, Pen and brown ink, brush and blue wash (over traces of leadpoint ?), 2 5/8 × 4 15/16 in. (6.6 × 12.6…

Design for Ceiling, 18th century, Graphite or leadpoint with ruled and compass construction, 11 1/16 x 16 7/16 in. (28.1 x 41.8 cm), Drawings, Workshop of Leonardo Marini (Italian, Piedmontese…

Simeon in the Temple, n.d., Engraving and etching, sheet: 17 13/16 x 11 3/4 in. (45.2 x 29.8 cm), Prints, Jean Pierre de Frey (Dutch, 1770–1834), After Rembrandt (Rembrandt van Rijn) (Dutch,…

The Sculptor, 1642, Etching, Sheet (trimmed): 9 9/16 × 12 1/2 in. (24.3 × 31.7 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

The Angel Staying the Arm of Abraham, Etching and engraving, plate: 16 3/4 x 11 5/8 in. (42.5 x 29.5 cm), Prints, Attributed to Battista Franco (Italian, Venice ca. 1510–1561 Venice)

Drapery Study for Sainte-Clotilde (upper register); verso: Standing Soldier; (studies for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858), 19th century, Red and white…

Holy Family with a Dragonfly, ca. 1495, Engraving, Sheet: 9 5/16 × 7 1/4 in. (23.6 × 18.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

The Round Tower Ruptured to Reveal the Statue of the King of the Romans, 1637, Etching; second state of two (Mannocci), 7 5/8 x 5 3/8 in. (19.4 x 13.7 cm), Prints, Claude Lorrain (Claude…

A Woman Collecting Blood from a Sheep, published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Engraved by Anonymous, Italian, 16th century,…

Unpublished frontispiece for Baudelaire's Les Fleurs du Mal, 1850–1914, Etching; second and final state, sheet: 10 11/16 x 7 1/2 in. (27.2 x 19 cm), Prints, Félix Bracquemond (French, Paris…

Blowing-up the Pic-Nic's;–or–Harlequin Quixote Attacking the Puppets, vide Tottenham Street Pantomime, April 2, 1802, Etching; proof, sheet (clipped impression, inlaid): 13 3/4 x 10 1/16 in.…

The Shipwrecked Alphone Rescues Lisamante from a panther, 1599–1661, Pen and brown ink, brown wash highlighted with white, on brownish paper, 11 5/8 x 8 3/4in. (29.6 x 22.2cm), Drawings,…

Design for the Decoration of the Ceiling in the Vestibule (Ier étage), Hôtel de S. A. le Prince de P... [Pless?}, Berlin, second half 19th century, Watercolor, gouache, and gold paint, sheet:…

St. Charles Borromeo Giving Communion to the Plague-Stricken, 17th century, Black chalk, 5 7/8 x 16 3/8 in. (14.9 x 41.6 cm), Drawings, Charles Le Brun (French, Paris 1619–1690 Paris)

Saskia with Pearls in Her Hair, 1634, Etching, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Design for a Gilded Settee, Arm Chair and Footstool with Green Upholstery, early 19th century, Ink, watercolor and wash, sheet: 8 5/8 x 12 1/4 in. (21.9 x 31.1 cm), Anonymous, British, 19th century

Design for an Entrance Portal, 1652–1725, Pen and brown ink, over traces of black chalk, sheet: 6 1/16 x 5 7/8 in. (15.4 x 15 cm), Giovanni Battista Foggini (Italian, Florence 1652–1725 Florence)

Monk (lower register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858), 19th century, Red chalk, stumped, traces of black chalk, 18 5/16 x 11 7/8 in. (46.5 x…

Decoration for a Monument, 18th century, Pen and black ink, brush and gray wash, sheet: 4 1/2 in. (11.4 cm) diameter, Drawings, Anonymous, French, 18th century

Tritons Carrying Off Nereids, n.d., Pen and brown ink, blue wash, 8 11/16 x 14 1/4 in. (22.1 x 36.2 cm), Drawings, Attributed to François Perrier (French, Saint-Jean-du-Losne/Mâcon 1584–1650…

The Cooke Monument in St. Paul's Churchyard (from Scenes of Old New York), 1876, Etching, plate: 6 1/8 x 4 in. (15.6 x 10.1 cm), Prints, Henry Farrer (American, London 1844–1903 New York)

Study for Allegorical Figure of Prudence, 1501–47, Pen and brown ink, brush and gray wash, over traces of black chalk, 10 1/16 x 5 9/16in. (25.6 x 14.1cm), Drawings, Perino del Vaga (Pietro…

Visitors leaving a prison, ca. 1793, Pen and dark gray ink, brush and gray wash with watercolor over black chalk underdrawing. Framing lines in pen and brown ink., 15 1/8 x 10 9/16 in. (38.4 x…

Thomas Howard, 3rd Earl of Effingham and 9th Baron Howard, 1764–1802, Black and red chalk, varnished, on thin laid paper. Oval., 5-1/2 x 4-1/2 in. (14.0 x 11.4 cm), Drawings, Francesco…

Holy Family with Saint Elizabeth and Saint John the Baptist, ca. 1639, Etching, Plate: 4 13/16 × 7 1/2 in. (12.2 × 19.1 cm), Prints, Simone Cantarini (Italian, Pesaro 1612–1648 Verona)

Joseph's Coat Brought to Jacob, ca. 1633, Etching, Sheet: 4 7/16 × 3 3/16 in. (11.3 × 8.1 cm), Prints, Johann Georg Hertel (German, Augsburg ca. 1700–1775 Augsburg), After Rembrandt (Rembrandt…

Avarice (Avaritia), from the series The Seven Deadly Sins, 1558, Engraving; first state of two, sheet: 8 7/8 x 11 11/16 in. (22.5 x 29.7 cm), Prints, Pieter Bruegel the Elder (Netherlandish, Breda…

Waiting, ca. 1879, Aquatint and soft-ground; second state of four, plate: 8 9/16 x 5 3/4 in. (21.7 x 14.6 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le…

Polish horseman with a bow and arrow, seen from behind with his horse facing right, a circular composition, from 'Figures on Horseback' (Cavaliers nègres, polonais et hongrois), ca. 1651,…

La Paysanne en Marche, Etching, image: 8 7/16 x 12 3/8 in. (21.5 x 31.5 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Jacques Fouquieres (Flemish, 1590/91–1659)

François Viète, 1861, Etching, plate: 8 1/4 x 5 1/2 in. (21 x 14 cm), Prints, Charles Meryon (French, 1821–1868)

Design for a Baldachin, 18th century, Red chalk and graphite. Paper repaired and partly pricked for transfer., sheet: 8 1/8 x 13 1/4 in. (20.7 x 33.6 cm), Drawings, Anonymous, French, 18th century

Back View of a Seated Nude Youth Facing Left, 1560–1609, Red chalk, with traces of highlights in white chalk (?), Sheet: 12 5/16 x 9 in. (31.4 x 22.8 cm), Drawings, Annibale Carracci…

Tornado–Zeus Battling Typhon, August 1, 1795, Engraving, image: 8 5/16 x 6 11/16 in. (21.1 x 17 cm), Prints, After Henry Fuseli (Swiss, Zürich 1741–1825 London)

Sketch of Two Male Figures in Classical Costume, 18th century, Graphite, pen and black ink, 7 1/2 x 4 5/16 in. (19 x 10.9 cm), Drawings, Anonymous, French, 18th century

Bust Of an Old Woman in Profile to Right, 1494–1540, Black chalk, highlighted with white, on beige paper. Figure roughly silhouetted and background tinted in opaque gray wash, 7 7/8 x 5 5/8in. (20…

O Bella Giovane, n.d., Pen and brown ink, brush and brown wash, 7 1/2 x 10 1/4 in. (19 x 26 cm), Drawings, Fortunato Duranti (Italian, 1787–1863)

Seated Allegorical Female Figure, 1573–1626, Pen and brown ink, gray wash over black chalk, highlighted with white, on light gray washed paper, 6 9/16 x 9 5/16in. (16.6 x 23.7cm), Drawings,…

Veiled Ceres, 1771–1844, Lead graphite, 7 7/8 x 9 1/2in. (20 x 24.1cm), Drawings, Vincenzo Camuccini (Italian, Rome 1771–1844 Rome)

Sleep: sketch for the painting, 1840–98, Pen and brown ink on tracing paper, 9 13/16 x 13 11/16 in. (24.9 x 34.8 cm), Drawings, Pierre Puvis de Chavannes (French, Lyons 1824–1898 Paris)

Ecclesiatstical design for a window topped with angels, mid-18th century, Pen and black ink, wash, sheet: 28 5/16 x 10 13/16 in. (71.9 x 27.5 cm), Drawings, N. J. B. de Poilly (French, Paris…

Two eagles, from 'Eagles' (Les aigles), ca. 1651, Etching, Plate: 4 3/4 × 6 1/8 in. (12 × 15.5 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence)

Illustration to 'The Morning Before the Massacre of St. Bartholomew' (Once a Week), 1862, Wood engraving; proof, sheet: 5 7/8 x 4 in. (14.9 x 10.2 cm), Prints, After James McNeill Whistler…

Bust of Bellona, ca. 1531–76, Engraving, sheet: 6 5/8 x 4 5/16 in. (16.8 x 11 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576)

The Adoration of the Shepherds, early 18th century, Black chalk heightened with white on blue paper., 16 3/4 x 8 in. (42.5 x 20.3 cm), Drawings, François Le Moyne (French, Paris 1688–1737 Paris)

Woman and Child Kneeling (recto); Head of Child (verso), 16th century, Pen and brown ink (recto and verso), 6-1/2 x 5-1/8 in. (16.5 x 13.0 cm), Drawings, After Andrea del Sarto (Andrea…

Adoration of the Magi, 15th century, Woodcut; Derschau restrike, sheet: 11 7/16 x 8 7/8 in. (29.1 x 22.5 cm), Prints, Anonymous, German, 15th century

God the Father, 1553–1626, Red chalk, squared for transfer in red chalk, 5 1/4 x 5 11/16in. (13.3 x 14.4cm), Drawings, Pomarancio (Cristoforo Roncalli) (Italian, Pomarance ca. 1553–1626 Rome)

The Invitation, 18th century, Pen and gray ink, brush and gray wash, sheet: 4 1/16 x 2 1/4 in. (10.3 x 5.7 cm), Drawings, Attributed to Anonymous, French, 18th century

Study for the figure of Sarah in the now-lost painting,Tobias Brings His Bride Sarah to the House of His Father, Tobit, 1863, Graphite and white chalk, on blue paper, 13 x 8 7/16 in. (33 x 21.4…

Saint Paul Restoring Eutychus to Life, 1529–66, Pen and brown ink, brush with brown wash, highlighted with white gouache, over black chalk, on gray paper, sheet: 13 1/4 x 18 1/8 in. (33.7 x…

Fort Haight/ Battle of Harlem Plains (from Scenes of Old New York), 1877, Etching, plate: 2 15/16 x 5 7/8 in. (7.5 x 15 cm), Prints, Henry Farrer (American, London 1844–1903 New York)

Figure Studies: Men Standing by a Large Vase, a Falling Nude Figure, and Other Figures, 1613–78, Red chalk., 9 1/4 x 6 5/16in. (23.5 x 16cm), Drawings, Giulio Carpioni (Italian, Venice…

Design for a Lamp, 19th century, Oil on canvas, sheet: 6 x 5 5/8 in. (15.2 x 14.3 cm), Drawings, Anonymous, French, 19th century

L'Inconnu, second half 19th century, Etching; third state of three, sheet: 9 1/16 x 15 1/4 in. (23 x 38.7 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres)

The Resurrection, ca. 1760, Pen and black ink, gray wash, and watercolor, over traces of graphite, 14 5/16 x 9 1/2 in. (36.3 x 24.2 cm), Drawings, Louis Lagrenée (French, Paris 1725–1805 Paris)

S. Andrea via Flaminia, plan; section (recto) blank (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 17 9/16 x 11 5/8 in. (44.6 x 29.5 cm), Drawings

St. Anthony, n.d., Engraving with etching, sheet: 16 15/16 x 10 15/16 in. (43.1 x 27.8 cm), Prints, Nicolas Pitau (French, Paris before 1670–1724), After Laurent de La Hyre (French, Paris…