David and Goliath, 1655, Etching, burin, and drypoint, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Design for a Candelabra, ca. 1770–90, Graphite, 9 7/16 x 14 3/4 in. (24 x 37.4 cm), Drawings, Anonymous, French, 18th century

The Adoration of the Kings, n.d., Woodcut, sheet: 2 3/8 x 1 5/8 in. (6.1 x 4.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Design for a Man's Tomb, 16th century, Black chalk, pen and brown ink, brush and brown wash, watercolor, sheet: 16 3/16 x 11 3/8 in. (41.1 x 28.9 cm), Drawings, Anonymous, French, 16th century

Urn with Acanthus Base and Flambeaux Top, 18th century, Pen and black ink, brush and brown wash, graphite, sheet: 12 13/16 x 7 13/16 in. (32.6 x 19.9 cm), Drawings, Anonymous, French, 18th century

Rest on the flight into Egypt, Mary holding the infant Christ while St. Joseph points into the distance, copy after Cantarini, ca. 1637–1639 or after, Etching, Sheet (Trimmed): 6 in. × 4 1/4…

Design for a Stage Set at the Opéra, Paris, 1830–90, Watercolor and graphite, Irregular sheet: 12 1/2 x 13 1/2 in. (31.7 x 34.3 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890…

Studies for an Altarpiece with the Virgin Enthroned, Attended by Four Saints (recto); Various Figure Studies, Some Possibly for a Deposition of Christ (verso), 1530–35, Pen and brown ink, some…

Ecce Homo, from the series The Large Passion, ca. 1498–99, Woodcut, sheet: 16 1/4 x 12 1/16 in. (41.3 x 30.6 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Bacchanalian Group with Children Drinking, 1613–78, Pen and brown ink, brush and brown wash., 5 11/16 x 3 7/8in. (14.5 x 9.9cm), Drawings, Giulio Carpioni (Italian, Venice 1613–1678 Venice)

Design for a Roman Procession, 18th century, Pen and brown ink with brush and gray wash on laid paper, sheet: 4 7/16 x 9 1/2 in. (11.2 x 24.2 cm), Drawings, Attributed to Anonymous, French,…

The Drummer, 1620–1667, Etching, Sheet (trimmed): 7 3/8 × 5 1/16 in. (18.8 × 12.8 cm), Prints, Michel Lasne (French, Caen 1590–1667 Paris), After Abraham Bosse (French, Tours…

Lobster Pots (Lobster Pots – Selsea Bill), [1880–81], Etching; second state of four (Glasgow); printed in black ink on medium weight ivory laid paper, Plate: 4 5/8 × 7 7/8 in. (11.7 × 20…

Mercury and Argus, ca. 1630–1648, Etching, Sheet: 10 1/4 in. × 12 in. (26 × 30.5 cm), Prints, Simone Cantarini (Italian, Pesaro 1612–1648 Verona)

Plate 4: five grotesque heads, from 'Friezes, foliage, and grotesques' (Frises, feuillages et grotesques), ca. 1642–43, Etching, Sheet: 2 3/16 × 4 1/8 in. (5.5 × 10.4 cm), Stefano della…

Bibi Valentin, 1859, Etching and drypoint; second state of two, from the damaged plate (Glasgow); black ink on tissue fine cream Japan, Plate: 5 7/8 × 8 15/16 in. (15 × 22.7 cm), Prints,…

Design for a Piano, 19th century, Watercolor with traces of graphite, sheet: 11 1/2 x 15 in. (29.2 x 38.1 cm), Anonymous, French, 19th century

Two Warriors, One Standing, The Other Clinging to a Tree, 1599–1661, Red chalk, reworked with pen and brown ink and brush and brown wash, on light-brown paper. The verso has been rubbed…

La Rue des Chantres, Paris, 1862, Etching, plate: 11 3/4 x 5 7/8 in. (29.8 x 14.9 cm), Prints, Charles Meryon (French, 1821–1868)

Plate 6: lion, from 'Various animals' (Diversi animali), ca. 1641, Etching; second state of three (De Vesme), Plate: 3 3/8 × 4 3/16 in. (8.5 × 10.6 cm), Prints, Stefano della Bella (Italian,…

Arabie Troglodytique, 1644, Etching, state iii, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence), Designed by Jean Desmarets de Saint-Sorlin (French, 1595–1676)

Plate 61 from 'Los Caprichos': They have flown (Volaverunt.), 1799, Etching, aquatint and drypoint, Plate: 8 7/16 × 5 7/8 in. (21.4 × 15 cm), Prints, Goya (Francisco de Goya y Lucientes)…

Autumn, 18th century (?), Pen and bistre washed with India ink and orange gouache on blue paper., 17 1/2 x 22 1/4 in. (44.4 x 56.5 cm), Drawings, Anonymous, German, 18th century (?)

Plate 11 from the 'Disparates': Poor Folly, ca. 1816–23 (published 1864), Etching, burnished aquatint, drypoint and burin, Plate: 9 5/8 x 13 7/8 in. (24.5 x 35.3 cm), Prints, Goya (Francisco de…

Two Camels, 19th century, Graphite on blue wove paper, sheet: 8 7/8 x 11 5/16 in. (22.6 x 28.8 cm), Drawings, Anonymous, French, 19th century

The Horoscope, probably 1889, Transfer lithograph, drawn on coarse-grained transfer paper; only state (Chicago), Image: 6 5/16 × 6 3/16 in. (16 × 15.7 cm), Prints, James McNeill Whistler…

Cottages in a Rocky Landscape, 16th century, Pen and black ink, sheet: 5 7/8 x 8 1/4 in. (15 x 21 cm), Drawings

Desire (Le Brun Travested, or Caricatures of the Passions), January 20, 1800, Etching, printed in brown ink, sheet: 11 9/16 x 9 3/16 in. (29.3 x 23.4 cm), Prints, After George Moutard Woodward…

Caricature of James McNeil Whistler, 1883, Graphite, sheet: 6 x 3 3/8 in. (15.2 x 8.6 cm), Drawings, Carlo Pellegrini (Italian, Capua 1839–1889 London)

Saint Jerome by the Pollard Willow, 1512, Drypoint, sheet: 8 1/4 x 7 3/16 in. (21 x 18.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Young shepherd seated in a landscape looking toward an old man in the lower right, buildings in the background and a tree and mountain at left, ca. 1509–12, Engraving (stipple), Plate: 5 1/4 ×…

Landscape with a Cannon, 1518, Etching, Sheet: 8 3/4 × 12 15/16 in. (22.2 × 32.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Study for the Armistice between King Francis I of France and Emperor Charles V, fresco in the Palazzo Farnese, Caprarola, 16th century, Pen and brown ink, brush and brown wash over traces of…

Christ Returning from the Temple with His Parents, 1654, Etching and drypoint, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Design for a Plumed Oil Lamp, ca. 1770–90, Graphite, 6 13/16 x 8 7/8 in. (17.3 x 22.6 cm), Drawings, Anonymous, French, 18th century

Design for a Sofa, ca. 1820, Ink and gouache, sheet: 5 1/16 x 6 11/16 in. (12.8 x 17 cm), Attributed to Gillows (British, 19th century)

Old Man with Divided Fur Cap, 1640, Etching with some drypoint; first state, plate: 6 x 5 3/8 in. (15.2 x 13.7 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Two eagles, from 'Eagles' (Les aigles), ca. 1651, Etching, Plate: 4 7/16 × 5 7/8 in. (11.3 × 15 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence)

Little Arthur, 1857–58, Etching; fourth state of four (Glasgow); printed in dark brown ink on buff laid paper, Plate: 2 5/16 × 1 15/16 in. (5.8 × 5 cm), Prints, James McNeill Whistler…

A Star Falls and makes Hell Open, from the Apocalypse, n.d., Engraving, plate: 12 x 8 11/16 in. (30.5 x 22.1 cm), Prints, Jean Duvet (French, ca. 1485–after 1561)

Portal of a Venetian Palace, 1839–1911, Watercolor, 13 7/16 x 10 3/16in. (34.1 x 25.9cm), Drawings, Daniele Bucciarelli (Italian, Rome 1839–1911 Velletri)

'At the Railroad Station', 1850–59, Graphite, black and red chalk, heightened with white, 12 3/8 x 16 3/4 in. (31.4 x 42.6 cm) Top corners rounded., Drawings, Pierre-Numa Bassaget, called…

Déborah, 1647, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 13 1/4 x 8 1/4 in. (33.7 x 21 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), Abraham…

Two Male Saints Kneeling with Angels Holding a Reliquary., 1586–1630, Pen and brown ink, brush and brown wash over traces of black chalk or graphite, Sheet: 7 11/16 x 4 11/16 in. (19.5 x 11.9…

Fantastic Subject: Five Nude Male Figures Punishing Another, 1609–64, Pen and dark brown ink, brush and brown wash, 10 3/16 x 15 1/8 in. (25.8 x 38.4 cm), Drawings, Giovanni Benedetto…

The Opening of the Fifth and Sixth Seals, from The Apocalypse, Latin Edition, 1511, 1511, Woodcut, sheet: 15 5/16 x 11 in. (38.9 x 28 cm), Prints, Albrecht Dürer (German, Nuremberg…

The Virgin and Child with Saint Joseph, Attendant Angels, and a Group of Supplicants, 1540/41–1609, Pen and brown ink, brush and brown wash, over traces of red chalk (recto); black chalk sketch of…

A Man Seen from the Back Leaning on a Croquet Mallet (Le Jouer de mail), 1629, Etching; first state of two (Duplessis), plate: 5 1/2 x 3 3/4 in. (13.9 x 9.5 cm), Prints, Abraham Bosse (French,…

Plate I, from Rules for Drawing Caricaturas, February 26, 1788, Etching, Sheet: 5 1/4 x 8 9/16 in. (13.4 x 21.8 cm), Prints

Cartouche with Duck and Nymphs, 1647, Etching, state i counter-proof, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence)

Man Seen From Behind, 1640, Etching; first state of two (Robert-Dumesnil), sheet: 4 1/2 x 6 3/4 in. (11.5 x 17.1 cm), Prints, Laurent de La Hyre (French, Paris 1606–1656 Paris)

Trial Sketch: Grande Rue Dieppe, probably 1891, Transfer lithograph, drawn on coarse-grained lithograph paper; only state (Chicago); this was not transferred to stone and printed until 1904;…

Design for a Console, 18th century, Pen and black ink, brush and gray wash., sheet: 11 1/8 x 8 9/16 in. (28.2 x 21.8 cm), Anonymous, French, 18th century

Three Vessels, 16th century, Etching; second state of two, sheet: 11 3/8 x 8 1/2 in. (28.9 x 21.6 cm), Hieronymus Hopfer (German, ca. 1500–?1563)

Villa of Agostino Chigi (La Farnesina), Rome, north façade, with ornamental detailing (recto); Villa of Agostino Chigi (La Farnesina), Rome, plan and moulding profiles (verso), early to…

Standing Pilgrim Friar., ca. 1705–20, Brush and brown wash, highlighted with white gouache, on light tan paper, sheet: 8 3/4 x 5 13/16 in. (22.3 x 14.8 cm), Drawings, Alessandro Magnasco…

Belisarius, 17th century, Pen and brown ink, brush and brown and gray wash. Framing lines in pen and brown ink, graphite., 6 9/16 x 3 7/8 in. (16.7 x 9.9 cm), Drawings, Anonymous, French, 17th century

Young Man, Half-Length, 1620–69, Etching, Prints, Workshop of Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam), Attributed to Daniel Renesse (Dutch)

Title Page, 1753, Etching, image: 8 1/16 x 5 1/2 in. (20.4 x 13.9 cm), Prints, François Boucher (French, Paris 1703–1770 Paris), After Abraham Bloemaert (Netherlandish, Gorinchem…

Eight Heads of Ecclesiastics, n.d., Pen and black ink, 10 1/2 x 14 1/2 in. (26.7 x 36.8 cm), Drawings, Jean-Georges Vibert (French, Paris 1840–1902 Paris)

Design for the painted decoration of panels, second half 19th century, Pen and ink and gouache, sheet: 14 5/8 x 10 11/16 in. (37.1 x 27.2 cm), Drawings, Jules-Edmond-Charles Lachaise (French,…

Rotherhithe (Wapping), 1860, Etching and drypoint; sixth state of six, from the cancelled plate, printed in black ink on thick ivory laid paper, plate: 10 13/16 x 7 13/16 in. (27.5 x 19.8 cm),…

Plate 51 from 'The Disasters of War' (Los Desastres de la Guerra): 'Thanks to the millet.' (Gracias á la almorta.), 1811–12 (published 1863), Etching and burnished aquatint, Plate: 6 1/8 × 7…

Sketch of Man in Turban, 18th century, Black chalk heightened with white chalk, 6 1/2 x 5 1/2 in. (16.5 x 13.9 cm), Drawings, Anonymous, French, 18th century

Florence Leyland, [1873], Drypoint; eleventh state of eleven (Glasgow); printed in black ink on fine ivory Japan, Plate: 8 3/8 × 5 1/2 in. (21.3 × 13.9 cm), Prints, James McNeill Whistler…

Plate 58 from 'Los Caprichos': Swallow it, dog (Tragala perro.), 1799, Etching, burnished aquatint and drypoint , Plate: 8 7/16 × 5 15/16 in. (21.5 × 15.1 cm), Prints, Goya (Francisco de Goya…

Illustration for a Book: Soldier in front of 'General' Holding up a Decapitated Head on a Staff, 1696–1770, Black chalk. Horizontal and vertical centering lines ruled in faint black chalk, 3-1/16…

Back View of a Male Nude, 19th century, Graphite, 11 13/16 x 7 5/16 in. (30 x 18.5 cm), Drawings, Henri Lehmann (French, Kiel 1814–1882 Paris)

The Lime-Burner (W. Jones, Lime-Burner, Thames Street), 1859, Etching and drypoint; first state of two (Glasgow); warm black ink on ivory wove paper, Plate: 9 3/4 x 7 in. (24.8 x 17.8 cm),…

Nude Youth Running (recto); Standing Draped Old Man with Left Hand Upraised (verso), 1612–50, Black chalk on gray paper; verso: black chalk with traces of white chalk, 13 9/16 x 9 1/16in. (34.5…

Five Figures in Fantastic Costumes with Two Dogs, 1615–73, Black ink on dark tan paper, 9-1/2 x 13-5/8 in. (24.1 x 34.6 cm), Drawings, Salvator Rosa (Italian, Arenella (Naples) 1615–1673 Rome)

The Expulsion of the Jesuits, 1761, Etching, first state, sheet: 5 1/2 x 8 3/16 in. (14 x 20.8 cm), Prints, Gabriel de Saint-Aubin (French, Paris 1724–1780 Paris)

The Painter, ca. 1642, Etching; first state of two, Sheet (trimmed): 10 1/8 × 12 15/16 in. (25.7 × 32.8 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Torso of the Belvedere, 1837–1911, Metalpoint on white paper, 9 1/2 x 7 in. (24.1 x 17.8 cm), Drawings, Alphonse Legros (French, Dijon 1837–1911 Watford, Hertfordshire)

Vertical Oval Vignette of A Palace Interior with Two Figures Admiring Decoration; a Craggy Mountain Seen Through a Window in The Far Distance., late 17th century, Pen and brown and black ink.…

Virgin and Child Seated by a Tree, 1513, Engraving, Sheet: 4 9/16 × 2 15/16 in. (11.6 × 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Drawing of Design for Sword Hilt and Tip of Scabbard (Dolphin-Head Grip), second half 16th century, German, Ink on paper, 16 7/16 x 11 3/8 in. (41.7 x 28.8 cm), Works on Paper-Drawings

The Good Samaritan, 1633, Etching, engraving and drypoint; fourth state of four, Sheet: 9 15/16 × 8 1/16 in. (25.3 × 20.4 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden…

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, sheet: 6 1/2 x 17 13/16 in. (16.5 x 45.2 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

La Douce Reverie, 1793–1843, Etching, sheet: 17 5/16 x 12 1/8 in. (44 x 30.8 cm), Prints, after Alexandre Evariste Fragonard (French, Grasse 1780–1850 Paris), Engraved by Fréderic…

Saint Jerome Extracting a Thorn from the Lion's Foot, 19th century reprint, n.d., Woodcut, Sheet: 10 1/16 × 7 3/16 in. (25.5 × 18.3 cm), Prints, Albrecht Dürer (German, Nuremberg…

Hunting Trophy with Stag Heads Below, ca. 1653, Etching, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence)

Swan and Iris (Sketch after Cecil Lawson's 'Swan and Iris'), [1883], Etching and drypoint; fourth state of six (Glasgow); printed in black ink on medium weight ivory laid paper, plate: 5 1/4 x 3…

The Ascension of Saint Benedict; verso: Ornamental sketches, late 17th–early 18th century, Pen and black ink, grey wash, red chalk; construction lines in black chalk; verso: pen and black…

The Mask, May 21, 1783, Stipple engraving, sheet: 9 3/4 x 7 1/2 in. (24.8 x 19 cm), Prints, James Sayers (British, 1748–1823)

Portrait of Philip II facing right, ca. 1554, Engraving, sheet: 9 7/16 x 6 5/8 in. (24 x 16.8 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576)

Heauton Timouroumenos, from The Comedies of Terence, 19th century reprint, n.d., Woodcut, sheet: 3 1/2 x 5 5/8 in. (8.9 x 14.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Design for a Stage Set, 19th century, Graphite, pen and black ink, brush and gray and pink washes, sheet: 9 1/8 x 12 1/2 in. (23.2 x 31.8 cm), Anonymous, French, 19th century

The Draped Figure, Seated, 1893, Transfer lithograph with stumping, drawn on fine-grained transfer paper; only state (Chicago), this impression printed without letters either before or after…

Design for a ceiling to be decorated with a trompe l'oeil balustrade, 1830–97, graphite, wash and watercolor on wove paper, sheet: 10 11/16 x 14 13/16 in. (27.1 x 37.6 cm), Drawings,…

A Sketch from Billingsgate (From Billingsgate), 1878, Drypoint; seventh state of eight (Glasgow); printed in black ink on ivory laid paper, Plate: 5 7/8 × 8 7/8 in. (14.9 × 22.6 cm), Prints,…

The Deluge, ca. 1630–38, Red chalk, sheet: 9 1/16 x 7 3/16 in. (23 x 18.3 cm), Drawings, Pierre Brebiette (French, Mantes-sur-Seine ca. 1598–1642 Paris), The Deluge belongs to a group of…

Study for a Figure of Saint Joseph, n.d., Black chalk, highlighted with white gouache, on blue-gray paper, sheet: 7 5/16 x 6 11/16 in. (18.5 x 17 cm), Drawings, Bartolomeo Schedoni (Italian,…

Study for the Rotunda of a Palace, n.d., Red chalk with red chalk wash, with framing lines in pen and black ink, 8 15/16 x 13 7/16 in. (22.7 x 34.1 cm), Jacques de Lajoüe (French, Paris…

Painted Wall Decor Featuring Three Medallions, 19th century, Pen and black ink, gouache, 9 5/16 x 11 7/16 in. (23.6 x 29 cm), Drawings, Attributed to Jules-Edmond-Charles Lachaise (French, died…

The Martyrdom of Saint Sebastian (recto); Bearded Old Man Blessing Seen in Half-length (verso), 1624–63, Pen and brown ink (recto and verso). , 3-11/16 x 5 in. (9.3 x 12.7 cm), Drawings,…

Ecce Homo, from The Small Passion, ca. 1509, Woodcut, sheet: 5 x 3 7/8 in. (12.7 x 9.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Sketches of a Funeral Monument, a Niche with Statues, a Helmet in the Shape of a Human Head, an Entablature and a Female Statue, n.d., Pen and brown ink, brush and brown wash, over some traces…

Young Father Distressed by His Growing Family, 18th century, Pen and brownish-gray ink, brush and brown wash over black chalk. A horizontal strip 1.5 cm in height has been added at lower margin…

Two Women Talking in a Doorway, 1830–31, Graphite on laid paper, 6 1/2 x 8 1/2 in. (16.5 x 21.6 cm), Drawings, Théodore Rousseau (French, Paris 1812–1867 Barbizon)