Standing Figure of Saint Stephen and the Head of Another Figure Within the Framing Outlines of a Rectangle, Crude Sketch of the Head of Another Figure, Undecipherable Sketch of a Polygonal or…

Saint Peter, n.d., Woodcut, sheet: 2 3/8 x 1 5/8 in. (6.1 x 4.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Unidentified subject: Standing Figure Placing a Scapular (?) on a Kneeling Figure, 1579–1665, Pen and brown ink, brush and brown wash, 12 5/16 x 8 3/4in. (31.3 x 22.2cm), Drawings, Astolfo…

Back View of a Centaur Abducting a Satyress, 1727–1804, Pen and brown ink, brush and brown wash, over black chalk. Framing lines in pen and brown ink, 7 11/16 x 10 13/16in. (19.5 x 27.5cm),…

A satyr discovering a sleeping woman; two crabs hanging from a rope which is strung between a term and a tree, ca. 1515–27, Engraving, Sheet (Trimmed): 4 7/16 × 7 1/16 in. (11.3 × 17.9…

Ecclesia Christi (Faith), from the series of Sibyls, ca. 1530, Woodcut, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Illustration for a Book: Keys of a City Offered to a Procession of Cardinals Headed by a Riderless Horse, 1696–1770, Black chalk. Horizontal and vertical centering lines ruled in faint black…

Plate 20: wolf, from 'Various animals' (Diversi animali), after 1641, Etching; reverse copy, Sheet (trimmed): 3 3/8 × 4 1/16 in. (8.6 × 10.3 cm), Prints, After Stefano della Bella (Italian,…

View of Rome, 1724, Red chalk, 9 11/16 x 14 3/4 in. (24.6 x 37.5 cm), Drawings, François Le Moyne (French, Paris 1688–1737 Paris)

Presumed Portrait of Alexander the Great, 1719, Red chalk. Framing lines in black chalk., 8 1/8 x 5 7/8 in. (20.6 x 14.9 cm), Drawings, Bernard Picart (French, Paris 1673–1733 Amsterdam)

The Betrayal of Christ, n.d., Woodcut, sheet: 15 9/16 x 10 7/8 in. (39.5 x 27.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Design for Four Vases, ca. 1770–85, Pen and brown ink, and black chalk, 14 7/8 x 9 1/8 in. (37.8 x 23.2 cm), Drawings, Anonymous, French, 18th century

The Temple of Vespasian and the Roman Forum, from 'Six large views, four of Rome, and two of the Roman countryside' (Six grandes vues, dont quatre de Rome et deux de la Campagne romaine),…

Cows in a Landscape, mid-19th century, Black, white, and red chalk, on blue-green paper, sheet: 7 13/16 x 11 3/8 in. (19.8 x 28.9 cm), Drawings, Constant Troyon (French, Sèvres 1810–1865 Paris)

The Little Park, ca. 1763, Etching, Sheet: 5 3/4 x 8 3/16 in. (14.6 x 20.8 cm), Prints, Jean Honoré Fragonard (French, Grasse 1732–1806 Paris)

Print, 1816, Etching and aquatint, Plate: 9 5/8 × 13 7/8 in. (24.5 × 35.3 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux), 16.4.2 ; 16.4.3; 16.4.4;…

Songs of Innocence and of Experience: The Little Girl Lost, ca. 1825, Relief etching printed in orange-brown ink and hand-colored with watercolor and gold, sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1…

Autumn's Grey and Melancholy, 1884, Etching, sheet: 3 7/8 x 6 in. (9.8 x 15.2 cm), Prints, Henry Farrer (American, London 1844–1903 New York)

Seated River God, Nymph with an Oar, and Putto, 1696–1770, Pen and brown ink, brush with pale (yellow) and dark brown wash, over black chalk, 9 5/16 x 12 5/16in. (23.7 x 31.3cm), Drawings,…

The Holy Trinity, 1511, Woodcut, sheet: 15 11/16 x 11 5/16 in. (39.8 x 28.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

St. Basil the Great, Engraving, Prints, Conrad Lauwers (Flemish, Antwerp, 1632–ca. 1685), After Laurent de La Hyre (French, Paris 1606–1656 Paris)

Nude Study, early 19th century, Pen and brown ink, 11 1/2 x 16 3/4in. (29.2 x 42.5cm), Drawings, Anonymous, Italian, early 19th century

Scherzo di Fantasia: Seated Warrior Holding a Serpent, and Standing Youth, 1696–1770, Pen and brown ink, brush with pale and dark brown wash, over black chalk, 13-3/4 x 10-13/16 in. (34.9 x…

Study for Les Printemps, n.d., Pen and light and dark brown inks on buff-colored paper, 9 15/16 x 6 13/16 in. (25.3 x 17.3 cm), Drawings, Ernest Durig (French, 1894–1962)

Design for a Chandelier, 19th century, Pen and brown ink, sheet: 16 1/8 x 10 in. (41 x 25.4 cm), Drawings, Anonymous, French, 19th century

Old House, Corner of Peck Slip and Water Street (from Scenes of Old New York), 1870, Etching, plate: 5 3/8 x 6 3/8 in. (13.7 x 16.2 cm), Prints, Henry Farrer (American, London 1844–1903 New York)

The Marriage of Adam and Eve, n.d., Engraving, sheet: 11 9/16 x 8 1/4 in. (29.4 x 21 cm), Prints, Jean Duvet (French, ca. 1485–after 1561)

The Urchin, 1861–62, Etching, final state (II) in brown ink on laid white paper, from the Strölin edition of 1905, plate: 8 1/4 x 5 3/4in. (21 x 14.6cm), Prints, Édouard Manet (French,…

Twenty-four Cavaliers Form a Double S, 1652, Etching, Sheet: 9 1/8 × 12 5/16 in. (23.1 × 31.2 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence)

The Abduction of Helen, 1634–1705, Pen and brown ink, 7 13/16 x 10 1/2in. (19.9 x 26.7cm), Drawings, Luca Giordano (Italian, Naples 1634–1705 Naples)

Sibylle Phrygienne, ca. 1635, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 14 1/8 x 8 7/16 in. (35.8 x 21.5 cm), Prints, Gilles Rousselet (French, Paris…

Christ Carrying the Cross, ca. 1552, Etching and engraving, state ii, sheet: 9 15/16 x 13 1/8 in. (25.2 x 33.3 cm) trimmed to platemark, Prints, Battista Franco (Italian, Venice ca. 1510–1561…

George F. Miller, Catcher, Pittsburgh, from World's Champions, Second Series (N43) for Allen & Ginter Cigarettes, 1888, Commercial lithograph, Sheet: 2 15/16 x 3 1/4 in. (7.4 x 8.3 cm), Trade…

Palazzo Massimo alle Colonne, fireplace, details; Unknown, cornice, profile (recto) Palazzo Massimo alle Colonne, door and window, details (verso), early to mid-16th century , Dark brown ink,…

Design for a Decorated Ceiling with Putti and Garlands and a Forshortening of a Balustrade Around an Oculus., 17th century, Pen and black ink, brush with pink, yellow, blue and gray wash, over…

The Sudarium Carried by Two Angels, copy, n.d., Engraving, Sheet: 4 in. × 5 3/8 in. (10.1 × 13.7 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), Hieronymus…

Bullbaiting in a Venetian Piazza, 1712–93, Pen and brown ink, 5 7/16 x 13 1/8in. (13.8 x 33.4cm), Drawings, Francesco Guardi (Italian, Venice 1712–1793 Venice)

Sheet of Sketches, 1753, Etching, image: 5 9/16 x 8 1/16 in. (14.1 x 20.4 cm), Prints, François Boucher (French, Paris 1703–1770 Paris), After Abraham Bloemaert (Netherlandish, Gorinchem…

A Letter to Eugène Maus, Decorated with Two Plums, August 2, 1880, Watercolor, pen and ink on wove paper, sheet: 7 15/16 x 9 3/4 in. (20.1 x 24.8 cm); folded once to form four pages,…

Gentleman with a Glove, 1629, Etching (reverse copy), Sheet (trimmed): 5 3/8 × 3 11/16 in. (13.7 × 9.4 cm), Prints, Anonymous, French, 17th century, After Abraham Bosse (French, Tours…

Saint John the Baptist standing in landscape, figures and buildings in the backgroud, ca. 1505–10, Engraving, Sheet (Trimmed to plate): 13 9/16 × 9 7/16 in. (34.5 × 24 cm), Prints, Giulio…

St. John the Baptist Drawing Water from a Spring, ca. 1649, Etching with engraving; second state of four, Sheet: 3 5/8 × 3 3/8 in. (9.2 × 8.6 cm), Prints, Etched by Stefano della Bella…

Faust, ca. 1652, Etching; first state of three, sheet: 8 1/8 x 9 3/8 in. (20.6 x 23.8 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Christ standing at left addressing the Woman of Samaria at right who is standing by a well, lagoon in the background, ca. 1510–12, Engraving, Sheet: 4 3/4 × 6 11/16 in. (12 × 17 cm),…

The Adoration of the Magi, 15th century, Engraving, sheet: 10 1/16 x 6 9/16 in. (25.6 x 16.7 cm), Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach)

Two Kneeling and Two Standing Figures, 1690–1758, Pen, brown ink, gray wash, over black chalk. Scribbled figure studies in pen and black chalk on verso, including a young man and a bishop in…

Flower Study, 1866, Watercolor, sheet: 11 1/2 x 15 in. (29.2 x 38.1 cm), Drawings, John Jessop Hardwick (British, London 1831–1917), Petunias, wild roses, thistles and red berries are here…

Robe à la Circassienne Garnie à la Chartres: la Coëffure de meme, Avec le Tableau des Evenements, 1770s, Hand-colored etching, sheet: 12 5/8 x 7 5/8 in. (32 x 19.4 cm), Prints, Anonymous,…

Heads of a Stag and Two Boars in Rinceaux of Oak Branches, ca. 1653, Etching, Prints

Cloister of the Certosa di San Martino, Naples, n.d., Pen and gray ink, watercolor over traces of black chalk, 8 7/8 x 13 1/4 in. (22.5 x 33.7 cm), Drawings, Jean Augustin Renard (French, 1744–1807)

Entrance of the Polish Legation into Rome, 1633, Etching, state i, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence)

Large Grotesque Head With an Open Mouth Looking to the Left Within a Frame, 1727, Pen and brown ink, sheet: 12 7/8 x 8 1/2 in. (32.7 x 21.6 cm), Drawings, Gaetano Piccini (Italian, active…

Design for a Fountain, 18th century, Black crayon, heightened with white on blue paper., 10 3/8 x 12 3/4 in. (26.4 x 32.4 cm), Drawings, Anonymous, French, 18th century ?

The Old Revenue Office, Whitehall (from Scenes of Old New York), 1870, Etching, trial proof, plate: 7 7/16 x 5 3/8 in. (18.9 x 13.7 cm), Prints, Henry Farrer (American, London 1844–1903 New York)

Standing Male Figure Holding a Sword (King Otto of Hungary; recto); Sketch of Standing Male Figure (verso)., n.d., Pen and brown ink, brush and brown wash, over black chalk; squared in pen and…

Drawing of Female Statue with Sword and Scale, 18th century, Graphite, pen and black ink, 6 9/16 x 4 3/16 in. (16.7 x 10.6 cm), Drawings, Anonymous, French, 18th century

Bibi Lalouette, 1859, Etching and drypoint; second state of two, with the scratch removed (Glasgow), Plate: 8 7/8 in. × 6 in. (22.5 × 15.2 cm), Prints, James McNeill Whistler (American,…

Design for a ceiling decorated with trellis work and a trompe l'oeil balustrade, second half 19th century, graphite on wove paper, Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),…

Franconi, Twirling Flaming Cones, 1768-1810, Pen and brown ink, watercolor, and white gouache, 19 x 12 3/4 in. (48.3 x 32.4 cm), Drawings, Abraham Louis Rodolphe Ducros (Swiss, Yverdon…

Design for a Compote Dish, 19th century, Pen and brown ink, image: 10 3/8 x 6 5/8 in. (26.3 x 16.8 cm), Drawings, Anonymous, French, 19th century

The Island of Burano, 1764–1835, Pen and brown ink, brush and gray wash, 4 9/16 x 7 3/8in. (11.6 x 18.7cm), Drawings, Giacomo Guardi (Italian, Venice (?) 1764–1835 Venice (?))

Street at Saverne, 1858, Etching and open bite or sandpaper ground; third state of four (Glasgow); printed in black ink on ivory chine on off-white wove paper (chine collé), Plate: 8 3/16 x 6 1/4…

Head of a young Man facing Right, Etching, Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664 Mantua)

David Playing the Harp Before Saul, ca. 1508, Engraving; first state, sheet: 10 x 7 1/4 in. (25.4 x 18.4 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Project for a Temple Dedicated to the Trinity, Elevation and Plan, ca. 1783, Elevation: pen and black ink with watercolor over black chalk underdrawing , Elevation sheet: 3 1/8 x 9 11/16 in. (7.9…

Le Grand Châtelet (Grand Châtelet, Paris circa 1780, after an earlier drawing), 1861, Etching and drypoint, plate: 9 3/16 x 11 3/4 in. (23.3 x 29.8 cm), Prints, Charles Meryon (French,…

Fountain with a Rock Arch in a Park, 17th century, Pen and brown ink, brush and gray wash, 10 x 16 3/4 in. (25.4 x 42.6 cm), Drawings, Israel Silvestre (French, Nancy 1621–1691 Paris)

A child and a satyr child playing with a goat, ca. 1657, Etching; second state of two, Plate: 8 11/16 × 9 5/16 in. (22 × 23.6 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664…

The Raven, 1850–1914, Etching; fourth state of five, sheet: 12 5/8 x 9 3/4 in. (32 x 24.7 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres)

Theseus and Ariadne, from 'Game of Mythology' (Jeu de la Mythologie), 1644, Etching; first state of five, Sheet: 1 13/16 × 2 5/16 in. (4.6 × 5.8 cm), Prints, Etched by Stefano della Bella…

Design for Ceiling, Château de St. Aubin, second half 19th century, Graphite, pen and black ink, watercolor, and gouache, 9 1/8 x 9 7/8 in. (23.2 x 25.1 cm), Drawings, Jules-Edmond-Charles…

View of the fortifications, two men lifting a plank at right, several ships and boats the background and a galley at left, from 'Views of the port of Livorno' (Vues du port de Livourne), 1655,…

Designs for Drapery, Window Treatements, and Bed Canopy, 19th century, Graphite and pen and brown ink., sheet: 13 15/16 x 19 5/16 in. (35.4 x 49.1 cm), Drawings, Anonymous, French, 19th century

Caricature of a Seated Man Reading, 1612–66, Pen and brown ink, brush and brown wash, 9 11/16 x 7 3/8in. (24.6 x 18.7cm), Drawings, Pier Francesco Mola (Italian, Coldrerio 1612–1666 Rome)

Studies for a Kneeling Figure of Christ and Altar Fronts., 1652–1725, Pen and brown ink, brush and gray wash over traces of black chalk; the secondary paper support is outlined with brush and…

God the Father, mid-17th century, Black and white chalk on brown paper. Framing lines in pen and brown ink., 10 x 15 1/8 in. (25.4 x 38.4 cm), Drawings, Eustache Le Sueur (French, Paris…

Brandy Seller, 1737, Etching with some engraving, Sheet: 9 5/16 x 7 1/4 in. (23.7 x 18.4 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After…

Reclining Male Nude, 1765–1810, Red chalk, sheet: 23 3/8 x 18 5/16 in. (59.4 x 46.5 cm), Drawings, Jakob Matthias Schmutzer (Austrian, Vienna 1733–1811 Vienna)

Dedicatory verses by Meryon to Reiner Nooms, called Zeeman, 1854, Etching on laid paper; only state, plate: 6 15/16 x 2 11/16 in. (17.6 x 6.8 cm), Prints, Charles Meryon (French, 1821–1868)

Lagoon Capriccio with a Tower, 1712–93, Pen and brown ink, brush and brown wash, over black chalk, 7 1/2 x 10 9/16in. (19.1 x 26.9cm), Drawings, Francesco Guardi (Italian, Venice 1712–1793 Venice)

Hooded Male Head (from Sketches on the Coast Survey Plate), 1854–55, Etching; proof impression of the only state (Glasgow 1); this is a fragment cut from the upper portion of 'Sketches on the…

Juno sending famine against Crasiton, set within an elaborate frame, from 'Loves, Rages and Jealousies of Juno', 1531–76, Engraving, sheet: 5 1/4 x 3 15/16 in. (13.4 x 10 cm), Prints, Giulio…

Europe, 1644, Etching, state iii, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence), Designed by Jean Desmarets de Saint-Sorlin (French, 1595–1676)

Fertilization of Egypt (Erasmus Darwin, The Botanic Garden), 1791, Engraving, image: 7 5/8 x 6 in. (19.4 x 15.2 cm), Prints, William Blake (British, London 1757–1827 London), After Henry…

Nemesis (The Great Fortune), ca. 1501, Engraving, Sheet: 14 in. × 10 1/16 in. (35.6 × 25.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

The artist Jean Duvet in the guise of St. John the Evangelist, sitting at a desk, ca. 1546–55, Engraving, plate: 12 x 8 1/2 in. (30.4 x 21.6 cm), Prints, Jean Duvet (French, ca. 1485–after…

Ground Plan for a Palace, n.d., Pen and black ink, brush and gray wash over graphite, 9 13/16 x 16 7/8 in. (24.9 x 42.8 cm), Degana

Bearded Old Man Seated with Left Arm Extented, 1522–91, Black chalk, highlighted with white, on blue-gray paper. Squared in black chalk, 5 13/16 x 4 1/2in. (14.8 x 11.4cm), Drawings,…

Design for the painted decoration of a ceiling, 1830–97, graphite, watercolor, and gold paint on wove paper; mounted on laid paper, Overall: 10 11/16 x 8 1/4 in. (27.1 x 21 cm), Drawings,…

Design for Stage Set, 1698–1765, Pen and brown ink, brush and gray wash, sheet: 7 1/2 x 5 1/16 in. (19.1 x 12.9 cm), Drawings, Attributed to Giovanni Battista Natali III (Italian,…

The Convex Petitioner: The Taste of the Day, no. 34 (Le Solliciteur Convèxe: Le Goût du Jour, No. 34), 1817, Etching, hand-colored, Plate: 10 13/16 x 8 7/16 in. (27.4 x 21.4 cm), Prints,…

Rest on the Flight into Egypt, 15th century, Engraving, 9-15/16 x 6-5/8 in, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach)

Design for a Fountain, 19th century, Graphite, brush and brown ink, pen and red ink, sheet: 14 7/8 x 9 5/8 in. (37.8 x 24.5 cm), Drawings, Anonymous, French, 19th century

The Dead Christ Mourned by the Magdalen Who Venerates His Side Wound., 1787–1863, Pen and brown ink, brush and gray-brown wash, highlighted with white gouache on cream paper, sheet: 8 1/2 x 12…

Design for Title-Page, 18th century, Pen and black ink, brush and brown wash with brown ink framing lines and traces of black chalk, image: 6 9/16 x 4 5/16 in. (16.7 x 10.9 cm), Drawings,…

Peter and John Healing the Cripple at the Gate of the Temple, 1659, Etching; second state, 7 1/16 x 8 5/8 in. (17.9 x 21.9 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden…

One of the Seven Falls of Christ (Schr. 645), 15th century, Woodcut, hand-colored, sheet: 4 5/16 x 2 1/4 in. (11 x 5.7 cm), Prints, Anonymous, German, 15th century

Cartouche with Moses Striking the Rock, 18th century, Pen and black ink, brush and gray wash, heightened with white, sheet: 3 7/16 x 5 13/16 in. (8.7 x 14.8 cm), Drawings, Anonymous, French,…

St. Giles-in-the-Fields, 1896, Transfer lithograph with stumping, drawn on white transfer paper with a grained-stone texture; only state (Chicago); printed in black ink on cream laid paper…

Saint Michael Fighting the Dragon, from The Apocalypse, 1511, Woodcut, image: 15 7/16 x 11 1/8 in. (39.2 x 28.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)