Yellow House, Lannion, 1893, Transfer lithograph with scraping, drawn on fine-grained transfer paper (keystone), Image: 9 1/2 × 6 3/8 in. (24.2 × 16.2 cm), Prints, James McNeill Whistler…

Design for a Stage Set, 1830–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Fulham (Chelsea), 1879, Etching and drypoint; fifth state of five (Glasgow); printed in black ink on cream laid paper, Plate: 5 1/4 x 8 1/16 in. (13.3 x 20.5 cm), Prints, James McNeill…

Design for a Chandelier, 19th century, Pen and brown ink, sheet: 16 7/8 x 9 1/8 in. (42.8 x 23.2 cm), Drawings, Anonymous, French, 19th century

Two Women Annointing the Wounds of Saint Sebastian (recto); Study of a Nude Male Figure (verso), 1585–1644, Pen and brown ink, with brush and brown wash, over black chalk (recto); squared off in…

Popayan, from 'Game of Geography' (Jeu de la Géographie), 1644, Etching, Sheet: 3 1/2 × 2 1/8 in. (8.9 × 5.4 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664…

The Good Samaritan, 1699–1766, Pen and brown ink, brush and brown wash, over black chalk. Squared for transfer in black chalk. Framing lines in pen and brown ink., 13 7/16 x 9 7/8in. (34.2 x…

View of Naples: Teatro San Carlos, 19th century, Pen and black ink, brush and gray wash. Framing lines in pen and brown ink, brush and brown wash., sheet: 9 15/16 x 14 1/16 in. (25.3 x 35.7…

Bronze Bells, Fritillaria atropurpurea, May 2, 1912, Watercolor and brown ink over graphite, with page design indicated in graphite, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings,…

Why Don't You Take It?, 1861–64, Lithograph, sheet: 13 3/8 x 17 7/8 in. (34 x 45.4 cm), Prints, Currier & Ives (American, active New York, 1857–1907)

Design for a Wall Decoration with Chimneypiece and Two Figures, ca. 1650–70, Pen and brown ink with brush and brown and gray wash, 7 1/16 x 9 in. (17.9 x 22.9 cm.), Attributed to Antoine Le…

Design for a Firescreen, early 19th century, Ink and gouache, sheet: 7 5/16 x 4 3/8 in. (18.5 x 11.1 cm), Attributed to Gillows (British, 19th century)

Martyrdom of the Ten Thousand, n.d., Woodcut, sheet: 15 1/2 x 11 5/16 in. (39.3 x 28.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Design for a title page, n.d., Pen and black ink, brush and wash, 17 x 9 1/4 in. (43.2 x 23.5 cm), Drawings, Jean Bernard Toro (French, Dijon 1672–1731 Toulon)

The Party Dress, 1923, Drypoint; second state, restrike, plate: 8 3/16 x 5 7/8 in. (20.8 x 15 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise)

Reflection, ca. 1890, Drypoint; third state of four, plate: 10 1/4 x 6 15/16 in. (26 x 17.6 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise)

Frontispiece: cartouche at center, putti on either side riding on dolphins, from 'Various Embarkations' (Divers embarquements), ca. 1646–47, Etching; second state of two, Plate: 3 7/16 × 6…

Youth Kissing an Outstretched Hand., 1684–1764, Red chalk, highlighted with white, on beige paper, 7 13/16 x 8 3/4in. (19.8 x 22.2cm), Drawings, attributed to Marco Benefial (Italian, Rome…

Frontispiece for Diversi Animali: Pack Horse, ca. 1641, Etching; second state of three (De Vesme), Plate: 3 3/8 × 4 5/16 in. (8.5 × 10.9 cm), Prints, Stefano della Bella (Italian, Florence…

The Birth of the Virgin, from The Life of the Virgin, ca. 1503, Woodcut, sheet: 17 3/8 x 11 7/8 in. (44.1 x 30.2 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Jan Lutma, Goldsmith, 1656, Etching, drypoint, and burin, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Design for a Stage Set, 1828–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Saint Jerome, 19th century, Engraving, Diameter: 1 3/16 in. (3 cm), Prints, Alois Petrak (Czech, 1811–1888), After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Portico at the Porta Carmentalis, Tuscan capital and entablature, elevation; pier, section, detail (recto) S. Prassede, Quadriportico, Doric capital, elevation; Palazzo Massimo alle Colonne,…

Studies of Figures, 16th century, Pen and brown ink, over black chalk, on yellow-brown paper, 6 1/8 x 9 1/8in. (15.5 x 23.2cm), Drawings, Imitator of Parmigianino (Girolamo Francesco Maria…

The Confectioner, 1632–35, Etching, Sheet: 11 x 14 9/16 in. (27.9 x 37 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Design for Ceiling, 18th century, Graphite or leadpoint with ruled and compass construction, 10 1/4 x 13 9/16 in. (26.1 x 34.4 cm), Drawings, Workshop of Leonardo Marini (Italian, Piedmontese…

The Man of Sorrows Seated, title page of The Small Passion (copy), n.d., Woodcut, sheet: 6 1/8 x 4 5/8 in. (15.6 x 11.8 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528…

Design for a Stage Set, 1828–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

The Archangels Gabriel, Michael and Raphael (recto); sketches of figures (verso), 1654–1714, Pen and brown ink, red chalk, brush and red wash, highlighted with white, 9 1/2 x 6 1/4in. (24.2…

Drawing for an Illustration in 'Voyages du Flandre', n.d., Graphite and brush and wash, 5 1/2 x 5 1/2 in. (14.0 x 14.0 cm), Drawings, Albert-Charles Tissandier (French, Anglure, 1839–1906)

Two Putti Supporting the Lower Part of a Draped Figure (recto); Two Putti (verso), 1720–1808, Black chalk, highlighted with white chalk, on blue paper, 10 11/16 x 13 11/16in. (27.1 x…

Christ Crucified with the Good Thief, 1624–63, Pen and brown ink, brush and brown wash. Framing lines in red chalk, and in pen and brown ink on mount, 5-1/16 x 3-11/16 in. (12.8 x 9.4 cm),…

Plate 27 from 'The Disasters of War' (Los Desastres de la Guerra):' Charity.'(Caridad.), 1810 ( published 1863), Etching, lavis, drypoint, burin, and burnisher, Plate: 6 5/16 × 9 1/4 in. (16 ×…

Plate 24 from 'The Disasters of War' (Los Desastres de la Guerra):' They can still be of use.' (Aun podrán servir), 1810 (published 1863), Etching and burnisher, Plate: 6 5/16 × 10 1/16 in. (16…

Seated Figure Receiving an Object Presented by a Smaller Figure, 1609/10–?1675, Pen and brown ink, 6-9/16 x 6 in. (16.6 x 15.3 cm), Drawings, Micco Spadaro (Domenico Gargiulo) (Italian,…

Calvary with the Three Crosses, ca. 1503, Woodcut, sheet: 8 3/8 x 5 3/4 in. (21.3 x 14.6 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Long Thomas and Mad-le G-d Going to the Pantheon in Their Natural Masks, May 1, 1773, Hand-colored etching, plate: 11 3/4 x 14 3/4 in. (29.8 x 37.4 cm), Prints, William Austin (British, London…

The Judgment of Solomon, 1654–1714, Pen and brown ink, red chalk, brush and red wash, highlighted with white, 5-1/4 x 7-1/8 in. (13.3 x 18.1 cm), Drawings, Giuseppe Passeri (Passari) (Italian,…

Design for a frame for the portrait of Armand Guéraud, 1862, Etching and drypoint on laid paper; fourth state of fourteen (Schneiderman), plate: 7 5/16 x 5 7/8 in. (18.6 x 14.9 cm), Prints,…

Plate 65 from 'The Disasters of War' (Los Desastres de la Guerra): 'What is this hubbub'' (Qué alboroto es este?), after 1814–15 (published 1863), Etching, burnished aquatint and/or lavis,…

The Annunciation (Schr. 2183a), 15th century, Metalcut, sheet: 3 5/16 x 2 3/8 in. (8.4 x 6 cm), Prints, Anonymous, German, 15th century

St. Peter's, drum, plan, at two levels (recto) compass (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 17 5/16 x 22 13/16 in. (44 x 58 cm), Drawings

Three Peasants in Conversation, ca. 1497, Engraving, Sheet: 4 5/16 × 3 1/8 in. (11 × 7.9 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

A Woman and a Man on Horseback, 1879–81, Blue crayon, graphite, 6-3/8 x 7-7/8 in. (16.21 x 19.99cm), Drawings, Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois), The…

Outing in a Wood, n.d., Pen and black ink, brown wash, over black chalk, on beige paper., 12 1/4 x 19 3/16 in. (31.1 x 48.8 cm), Drawings, Jean Michel Moreau the Younger (French, Paris…

Design for a Vase, 19th century, Pen and brown ink, watercolor. Framing lines in pen and gray ink. Design pasted onto gray mounting paper., sheet: 14 x 10 3/8 in. (35.6 x 26.4 cm), Drawings,…

Design for a Chair, early 19th century, Ink and watercolor, sheet: 7 3/16 x 4 1/2 in. (18.3 x 11.5 cm), Attributed to Gillows (British, 19th century)

A Man Making Water, 18th century, Etching; possibly New Holl.'s second state of two, but trimmed within the platemark above so number 3 not visible, Sheet (trimmed within platemark above): 3 1/8 ×…

View of Piazza with Basilica of San Marco, 1712–93, Pen and brown ink, brush and brown wash. Framing lines in pen and brown ink at left and right margins. Pricked for transfer, 9 5/8 x 8 1/2…

Plate 52 from 'The Disasters of War' (Los Desastres de la Guerra): 'They do not arrive in time.'(No llegan á tiempo.), 1811–12 (published 1863), Etching, lavis, drypoint and burin, Plate: 6 1/16…

Design for a Helmet with a Sphinx presented in 3/4 View, 1652–1725, Pen and brown ink, brush and light brown wash, over traces of black chalk, sheet: 7 x 3 7/16 in. (17.8 x 8.8 cm), Giovanni…

Design for Pink and White Curtains with Gold Fringes, and Gold and White, early 19th century, Ink, watercolor and wash, sheet: 10 13/16 x 15 in. (27.5 x 38.1 cm), Anonymous, British, 19th century

Design for Two Cartouches, 16th century, Pen and brown ink, brush and brown wash, 4 9/16 x 4 15/16 in. (11.6 x 12.5 cm), Anonymous, French, 16th century

Francois Potier, marquis de Gesvres, marechal de camp, Etching, image: 11 7/16 x 9 3/16 in. (29 x 23.4 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de…

Putti at play, second half 19th century, Graphite and brown wash, image: 5 x 9 5/16 in. (12.7 x 23.7 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet…

Avarice (Avaritia) from The Seven Deadly Sins, 1558, Engraving; first state of two, sheet: 10 3/16 x 13 in. (25.9 x 33 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca.…

Isabelle Plays Guitar for Pierrot and Scaramouche, n.d., Etching, second state, image: 7 3/16 x 8 7/16 in. (18.2 x 21.5 cm), trimmed to image, Prints, Claude Gillot (French, Langres…

Design for Two Vases, ca. 1770–85, Pen and brown ink, watercolor, and graphite, 14 7/8 x 9 3/16 in. (37.8 x 23.4 cm), Drawings, Anonymous, French, 18th century

Various Figure Groups, 1548–1628, Pen and brown ink, brush and brown wash, 6-1/4 x 14-1/8 in. (15.8 x 35.8 cm), Drawings, Jacopo Palma the Younger (Italian, Venice ca. 1548–1628 Venice)

Gallows Bird, from The Comic Natural History of the Human Race, 1851, Color lithography with watercolor and gum, sheet: 7 x 7 3/16 in. (17.8 x 18.2 cm), Prints, Henry Louis Stephens (American,…

Design for Candlestick or for a Crucifix Base, ca. 1540–47, Pen and brown ink, brush and brown wash, over leadpoint, 14 15/16 x 7 13/16 in. (37.9 x 19.8 cm), Circle of Perino del Vaga…

Standing Woman Facing Right, early 18th century, Red chalk, 8 1/2 x 4 5/8 in. (21.6 x 11.7 cm), Drawings, Nicolas Lancret (French, Paris 1690–1743 Paris)

Design for Trompe l'Oeil Stairway Ceiling, Hôtel Hope, 1867, Pen and brown ink, 5 13/16 x 7 9/16 in. (14.8 x 19.2 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),…

Tomb of Annia Regilla, plan (recto) Arch of the Argentarii, ornamental details, elevation (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 17 1/8 x 11…

Plate 1 from 'Los Caprichos': Self-portrait of Goya (Franco. Goya e Lucientes, Pintor), 1799, Etching, aquatint, drypoint, and burin, Plate: 8 9/16 × 5 7/8 in. (21.7 × 15 cm), Prints, Goya…

Juno frightened by the Furies, set within a decorative frame, from Amori sdegni et gielosie di Giunone (Loves, Rages and Jealousies of Juno), 1531–76, Engraving, sheet: 5 3/16 x 4 1/8 in. (13.1…

Study of Drapery, 19th century, Graphite, 5 1/2 x 4 3/8 in. (13.9 x 11.1 cm), Drawings, Henri Lehmann (French, Kiel 1814–1882 Paris)

Maple Street, ca. 1923, Etching; second state, plate: 7 13/16 x 5 1/16 in. (19.9 x 12.8 cm), Prints, Walter Richard Sickert (British, Munich 1860–1942 Bathampton, Somerset)

Martyrdom of St. Erasmus after the Master of St. Erasmus (Schr. 2621), 15th century, Metalcut, hand-colored, sheet: 2 3/8 x 1 13/16 in. (6 x 4.6 cm), Prints, Anonymous, German, 15th century

St. Roch Interceding before the Holy Trinity for Plague Victims, 17th century, Black chalk, brush and gray wash, 8 7/8 x 5 13/16 in. (22.5 x 14.8 cm), Drawings, Laurent de La Hyre (French,…

An Exhibition, December 26, 1776, Etching and aquatint, printed in sanguine ink; second state, sheet: 8 3/8 x 9 1/8 in. (21.3 x 23.2 cm), Prints, Philippe Jacques de Loutherbourg (French,…

Madonna and Child in Glory Adored by Angels, 1600–1650, Pen and brown ink, brush and blue wash; squared for transfer in black chalk, 12-3/16 x 8-7/16 in. (31 x 21.4 cm), Drawings, Bernardino…

Study with Brigands (Upper Section), ca. 1633, Etching; only state, sheet: 3 9/16 x 3 3/8 in. (9 x 8.5 cm), Prints, Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome)

The Country Dance (Large Plate), ca. 1637, Etching; second state (?) of four (Mannocci), sheet: 8 1/4 x 10 9/16 in. (21 x 26.9 cm), Prints, Claude Lorrain (Claude Gellée) (French, Chamagne…

Visit of the Nursemaid, 1633, Etching, Sheet: 10 1/2 × 13 3/4 in. (26.7 × 35 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Design for a Stage Set, 1830–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 10 13/16 x 17 3/16 in. (27.5 x 43.7 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Portrait of a Young Woman Wearing a Hat (Miss Seaton) (Dorothy Seaton in a Hat), 1902, Transfer lithograph with stumping, drawn on thin, transparent transfer paper; only state (Chicago); printed…

San Lorenzo, Library, Ricetto, window, elevation (recto) San Lorenzo, Library, Ricetto, column, elevation; details, elevation (verso), early to mid-16th century , Dark brown ink, black chalk,…

The Man of Sorrows, from The Passion, 1509, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.8 × 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

The Peasant Couple at Market (copy), n.d., Engraving, Sheet: 4 1/8 × 2 13/16 in. (10.4 × 7.2 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Jardin Public, Champs Elysées, n.d., Lithograph reinforced in pen and black ink, brush and gray wash, and watercolor, sheet: 14 15/16 x 10 3/8 in. (37.9 x 26.3 cm), Prints, After Gabriel…

Count Robert de Montesquiou, No. 2, 1894, Transfer lithograph with scraping, drawn on thin transparent transfer paper; only state (Chicago); printed in black ink on grayish ivory China paper, Image:…

Narcisse, 1644, Etching, state i, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence), Designed by Jean Desmarets de Saint-Sorlin (French, 1595–1676)

Eight designs for the painted decoration of interiors, 1830–97, graphite and pen and ink, heightened with white on various papers; mounted on cardboard, Overall: 12 3/8 x 18 3/4 in. (31.4 x…

Sultan wearing a fur and a turban, from 'Several heads in the Persian style' (Plusieurs têtes coiffées à la persienne), 1649–50, Etching; second state of two, Plate: 4 1/16 × 2 15/16 in.…

A House in Turkey, 1820–60, ink, chalk, watercolor, and oils on blue wove paper, sheet: 7 11/16 x 11 7/16 in. (19.5 x 29 cm), Drawings, Alexandre-Gabriel Decamps (French, Paris 1803–1860…

Plate 17: camels, from 'Various animals' (Diversi animali), ca. 1641, Etching; second state of three (De Vesme), Plate: 3 3/8 × 4 1/4 in. (8.5 × 10.8 cm), Prints, Stefano della Bella…

Manius Curius Dentatus Refusing the Presents of the Samnite Ambassadors, 1732–92, Brush and black, gray, and white gouache, on paper prepared with gray-brown gouache, 9 7/8 x 7 1/2in. (25.1 x…

The Last Judgment, from The Small Passion, ca. 1510, Woodcut, sheet: 5 x 3 13/16 in. (12.7 x 9.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Two Doorways, 1879–80, Etching and drypoint; fourth state of thirteen (Glasgow); printed in black ink on ivory laid paper, Plate: 7 15/16 x 11 1/2 in. (20.2 x 29.2 cm), Prints, James McNeill…

The Sportsman Mounting His Horse, 1856, Etching; fifth (final) state, from the canceled plate, plate: 3 1/4 x 2 15/16 in. (8.3 x 7.5 cm), Prints, Edgar Degas (French, Paris 1834–1917 Paris)

Bibi Valentin, 1859, Etching and drypoint; second state of two, from the damaged plate (Glasgow); black ink on medium weight dark ivory Japan, Plate: 6 x 8 15/16 in. (15.2 x 22.7 cm), Prints,…

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, brush and blue wash, Irregular sheet: 16 5/16 x 8 3/4 in. (41.5 x 22.2 cm), Drawings, Eugène Cicéri (French, Paris…

Repose in Egypt, Mary nursing the infant Christ while an angel pulls at tree branches, ca. 1639, Etching, Sheet (Trimmed): 8 1/4 × 6 3/4 in. (21 × 17.2 cm), Prints, Simone Cantarini (Italian,…

Two Facing Camel Heads with Bodies Terminating in Ornament, ca. 1653, Etching, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence)

The White Horse, after Corot, 1833–1914, Etching; second state of two, sheet: 18 1/8 x 14 3/4 in. (46 x 37.5 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres)

Cornelis Claesz Anslo, Mennonite Preacher, 1641, Etching; second state, image: 7 5/16 x 6 3/16 in. (18.6 x 15.7 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Christ Crucified between the Two Thieves: The Three Crosses, 1653, Drypoint, Plate: 15 3/16 × 17 7/8 in. (38.5 × 45.4 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669…