Design for a Stage Set, 1825–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Bust of a Man Facing Right, Graphite, 3 3/4 x 3 1/8 in. (9.5 x 7.9 cm), Drawings, Anonymous, French, 18th century

The Flight into Egypt, ca. 1630–31, Etching; fourth state of four (Mannocci), sheet: 4 3/16 x 6 7/8 in. (10.7 x 17.4 cm), Prints, Claude Lorrain (Claude Gellée) (French, Chamagne…

Virgin and Child with the Pear, 1511, Engraving, Sheet: 6 7/8 × 4 15/16 in. (17.5 × 12.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Studies of Architectural Motifs, 18th century, Pen and brown ink with traces of red chalk, sheet: 6 15/16 x 12 7/16 in. (17.6 x 31.6 cm), Drawings, Anonymous, French, 18th century

Horse, 1624–63, Pen and brown ink. Framing lines in pen and brown ink on mount, 2-3/16 x 3-1/4 in. (5.6 x 8.3 cm), Drawings, attributed to Francesco Allegrini (Italian, Cantiano (?)…

The Wise Virgins Refuse Oil to the Foolish Virgins, ca. 1635, Etching with engraving, Sheet: 13 1/16 × 15 15/16 in. (33.1 × 40.5 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

James McNeill Whistler, n.d., Lithograph, sheet: 9 1/8 x 6 in. (23.1 x 15.2 cm), Prints, Thomas Robert Way (British, London 1861–1913 London), After James McNeill Whistler (American, Lowell,…

Domus Aurea, cryptoporticus, grotteschi, details (recto) blank (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 11 1/4 x 8 1/2 in. (28.5 x 21.6 cm)

Unidentified Subject: Scene of Martyrdom ?, 1609/10–?1675, Pen and brown ink, 9-1/2 x 7-1/2 in. (24.2 x 19.1 cm), Drawings, Micco Spadaro (Domenico Gargiulo) (Italian, Naples 1609/10–1675 Naples…

The Holy Family with Saint John the Baptist, 1570, Engraving, Sheet: 12 5/8 × 7 11/16 in. (32 × 19.5 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576)

The Infirmary of the Hospital of Charity, ca. 1639, Etching, Sheet: 11 3/4 × 15 1/16 in. (29.8 × 38.3 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Faust, ca. 1652, Etching, drypoint, and burin, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

The Little Horse, 1505, Engraving, Sheet: 6 1/2 × 4 5/16 in. (16.5 × 10.9 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Collar'd Pork, July 25, 1800, Hand-colored etching, Sheet (trimmed): 8 3/4 × 10 3/16 in. (22.3 × 25.9 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London)

Trompe l'oeil design of birds and flowers, second half 19th century, Oil paint on canvas support, image: 4 9/16 x 11 in. (11.6 x 28 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died…

The Scourging of Christ, n.d., Woodcut, sheet: 15 1/16 x 10 3/4 in. (38.3 x 27.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

A Smart, December 1, 1790, Etching and aquatint, sheet: 13 1/4 x 8 9/16 in. (33.7 x 21.8 cm), Prints, George Moutard Woodward (British, ca. 1760–1809 London)

The French Forces: Louis XIII and Gaston d'Orléans, ca. 1630, Etching, Sheet (trimmed): 7 1/16 × 15 13/16 in. (18 × 40.2 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

The Breton archaeologist Louis Jacques Marie Bizeul, after a photograph, 1861, Etching with engraving on laid paper; second state of five, plate: 6 1/2 x 4 5/8 in. (16.5 x 11.7 cm), Prints,…

Bearded Man in a Velvet Cap with a Jewel Clasp, 1637, Etching, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Plate 8 from the 'Tauromaquia': A moor caught by the bull in the ring, ca. 1816, Etching, burnished aquatint and drypoint, Plate: 9 5/8 × 13 7/8 in. (24.4 × 35.2 cm), Prints, Goya (Francisco de…

Illustration for a Book: Two Monks Kneeling before a Doge and an Emperor (Doge Ziani and Emperor Barbarossa?), 1696–1770, Black chalk. Horizontal and vertical centering lines ruled in faint…

Two Women in a Landscape, 18th–early 19th century, Etching, Sheet: 6 7/16 × 9 5/16 in. (16.4 × 23.6 cm), Prints, baron Dominique Vivant Denon (French, Givry 1747–1825 Paris)

The Christ Child and Saint John the Baptist, 1485–1547, Black and some white chalk, on blue paper, 3 3/8 x 4 1/2in. (8.6 x 11.5cm), Drawings, Sebastiano del Piombo (Sebastiano Luciani)…

Walsoni Gray, June 3, 1909, Watercolor and brown ink over graphite, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings, Margaret Neilson Armstrong (American, New York 1867–1944 New York)

Illustration to 'Count Burckhardt' (Once a Week), 1862, Wood engraving; proof, sheet: 6 3/16 x 4 in. (15.7 x 10.2 cm), Prints, After James McNeill Whistler (American, Lowell, Massachusetts…

Mother and Daughter, 1915, Etching; third state of three, plate: 6 1/4 x 3 3/8 in. (15.9 x 8.6 cm), Prints, Walter Richard Sickert (British, Munich 1860–1942 Bathampton, Somerset)

Design for a Clock, Late 18th Century, Pen and brown ink, brush and gray, yellow, and green wash, 13 5/16 x 9 1/2 in. (33.8 x 24.1 cm), Drawings, Anonymous, French, 18th century, Style of Jean…

Fortune standing with one foot on a globe and emptying a purse of coins, ca. 1635–1636, Etching, Sheet (Trimmed): 9 3/8 × 5 9/16 in. (23.8 × 14.2 cm), Prints, Simone Cantarini (Italian,…

Drawing of an Interior: Atelier, 1857, Graphite, pen and blue ink, watercolor, sheet: 7 5/16 x 10 11/16 in. (18.5 x 27.2 cm), Drawings, Anonymous, French, 19th century

Plate 5: two horsemen in a stream to right, riding towards the left, following four dogs chasing a stag, another dog running into the water from the left, from 'Various landscapes' (Divers…

The Frigate Rotha, 1812–65, Pen and black ink with brush and gray wash over graphite, sheet: 17 11/16 x 15 9/16 in. (44.9 x 39.5 cm), Drawings, Carl Dahl (Danish, Fåborg 1812–1865 Copenhagen)

God the Father observing the Virgin and Child, angels to the right, ca. 1645–47, Etching, sheet: 10 1/4 x 7 7/8 in. (26 x 20 cm), Prints, Giovanni Benedetto Castiglione (Il Grechetto)…

The Peasant and His Wife, ca. 1497, Engraving, Sheet: 4 3/16 × 2 15/16 in. (10.6 × 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Romanesque Style Font, mid-19th century, Graphite, ink and wash on pale blue paper, Anonymous, British, 19th century

Design for a Porcelain Candelabra with Nine Branches, 19th century, Graphite, watercolor, gouache, and gold gilt, sheet: 18 7/8 x 11 7/16 in. (47.9 x 29.1 cm), Drawings, Anonymous, French,…

Sts. Peter and Paul Seated in a Landscape, 1527, Engraving, sheet: 5 11/16 x 3 15/16 in. (14.4 x 10 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

The Congress of Princes at Vienna, from the Triumphal Arch of Emperor Maximilian I, 1515, Woodcut, sheet: 6 13/16 x 5 3/4 in. (17.3 x 14.6 cm), Prints, Albrecht Dürer (German, Nuremberg…

Songs of Innocence and of Experience: Earth's Answer, ca. 1825, Relief etching printed in orange-brown ink and hand-colored with watercolor and gold, sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1…

The Entombment, n.d., Woodcut, sheet: 15 1/8 x 10 7/8 in. (38.4 x 27.6 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Frontispiece to the series The Life of Christ, n.d., Etching, first state, image: 7 13/16 x 4 15/16 in. (19.8 x 12.5 cm), trimmed to image, Prints, Claude Gillot (French, Langres 1673–1722…

The Dragon with two Horns and the Beast with Seven, from the Apocalypse, n.d., Engraving; second state of two, plate: 11 15/16 x 8 11/16 in. (30.4 x 22 cm), Prints, Jean Duvet (French, ca.…

The Holy Family with Saint Elizabeth and the Infant Baptist, 1560–1630, Pen and brown ink, brush and brown wash, over red chalk, 5 9/16 x 8 1/16in. (14.1 x 20.5cm), Drawings, Cesare Pollino…

Young Man in a Velvet Cap (Ferdinand Bol), 1637, Etching, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Northwest Indian Paintbrush, Castilleja Angustifolia, May 26, 1913, Watercolor and brown ink over graphite, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings, Margaret Neilson Armstrong…

Design for a sepulchral monument in the form of a pulpit; verso: Fragment of a text, late 17th–early 18th century, Pen and brown ink, brown wash, over black chalk or graphite, sheet: 8 x 5 7/8…

Perspective of a Lounge Chair with 2-Color Upholstery, for Agnelli, 1934, Watercolor and graphite, Drawings, Guglielmo Ulrich (Italian, 1904–1977)

Old Battersea Bridge, 1879 and 1887, Lithograph with scraping; second state of two (Chicago); printed in black ink on, Image: 5 11/16 × 13 1/16 in. (14.4 × 33.2 cm), Prints, James McNeill…

Plate 4: a Corinthian capital on the ground to left in the foreground, a monument with figures in low relief to left in the middleground, various animals and two shepherds to right, a round…

Study of a Figure, 1888, Silver point on white prepared paper, 11 x 8 1/4 in. (27.9 x 20.9 cm), Drawings, Alphonse Legros (French, Dijon 1837–1911 Watford, Hertfordshire)

Design for a Mirrored Sideboard with Diminishing Legs and Foliate Ornament, early 19th century, Ink and wash, sheet: 8 11/16 x 12 5/16 in. (22 x 31.2 cm), Anonymous, British, 19th century

Discord, from the Fables of La Fontaine, 1886, Etching; fifth state of five, sheet: 18 1/2 x 13 in. (47 x 33 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres), After Gustave…

The Nativity, from The Life of the Virgin, 1502–3, Woodcut, sheet: 11 11/16 x 8 1/4 in. (29.7 x 20.9 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Design for a Stage Set, 1830–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Marine landscape with figures, 1615–73, Pen and brown ink, brown and gray wash, 2-5/8 x 5-1/8 in. (6.6 x 13 cm), Drawings, Salvator Rosa (Italian, Arenella (Naples) 1615–1673 Rome)

Au Bon Marché-Exposition et Grande Misé en Vente des Nouveautés Hiver 1891–92, 1891–92, Wood engraving, Overall: 11 1/16 x 7 5/8 x 3/16 in. (28.1 x 19.4 x 0.5 cm), Books

Trepanning, June 1821, Hand-colored etching, image: 9 3/16 x 7 1/8 in. (23.4 x 18.1 cm), Prints, Theodore Lane (British, Isleworth ca. 1800–1828 London)

Saint Stephen, Saint Sixtus and Saint Lawrence, n.d., Woodcut, sheet: 8 3/8 x 5 5/8 in. (21.2 x 14.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Sixteen designs for the painted decoration of interiors, 1830–97, graphite and pen and ink on various papers; mounted on cardboard, Overall: 12 3/4 x 20 3/8 in. (32.4 x 51.8 cm), Drawings,…

Design for Blue Curtains with Gold Fringes and Pediments, early 19th century, Ink, watercolor and wash, sheet: 10 11/16 x 15 3/16 in. (27.2 x 38.6 cm), Anonymous, British, 19th century

Design for Green and White Curtains with Green Fringes, and White and Gold Pediments, ca. 1820, Ink, watercolor and wash, sheet: 8 5/8 x 12 3/8 in. (21.9 x 31.4 cm), Anonymous, British, 19th century

Study for an Ornamental Panel, n.d., Pen and gray ink, brush and wash, black chalk. Border lines in black chalk., 10 9/16 x 6 1/16 in. (26.8 x 15.4 cm), Drawings, Jean Bernard Toro (French,…

Figure of a Man Throwing Stones (recto); Study of a Man (?) (verso), 1568–1640, Red chalk (recto); black chalk (verso), 10 7/8 x 4 13/16in. (27.7 x 12.2cm), Drawings, Cavaliere d'Arpino…

Drawing after Male Statue Leaning on Tree Trunk, 18th century, Graphite, pen and black ink, brush and gray wash, 5 15/16 x 3 11/16 in. (15.1 x 9.4 cm), Drawings, Anonymous, French, 18th century

Turkish Family, ca. 1496, Engraving, Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Plan and Elevations of a Room, early 19th century, Ink, graphite and watercolor, sheet: 12 5/16 x 16 11/16 in. (31.2 x 42.4 cm), Anonymous, British, 19th century

A seated white sailor and a standing black sailor, people building a ship in the background, a circular composition, ca. 1660, Etching; first state of two, Sheet: 7 5/16 × 7 5/16 in. (18.5 ×…

Two Studies of a Seated Arab with a Pipe, 1820–60, Black and white chalk, charcoal, traces of graphite on light brown paper; some stumping, Sheet: 11 5/8 x 18 1/2 in. (29.5 x 47cm),…

Sheet of Sketches, 1753, Etching, image: 5 1/2 x 8 1/8 in. (13.9 x 20.6 cm), Prints, François Boucher (French, Paris 1703–1770 Paris), After Abraham Bloemaert (Netherlandish, Gorinchem…

Drapery Study for Clovis (middle register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858), 19th century, Black chalk, stumped, white and red chalk, on light…

Proclamation of Peace, October 21, 1783, Etching, plate: 11 1/8 x 9 1/4 in. (28.3 x 23.5 cm), Prints, Anonymous, British, 18th century

The Prodigal Son Guarding Pigs, ca. 1636, Etching and engraving, Sheet (trimmed): 11 3/4 × 13 7/8 in. (29.8 × 35.3 cm), Prints, Anonymous, After Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Illustration for a French fashion magazine, ca. 1862, Watercolor, sheet: 11 1/8 x 8 7/8 in. (28.2 x 22.5 cm), Drawings, Hélöise Leloir (French, 1820–1873)

Two Women Outdoors, No. 720, from La Elegancia (Barcelona), 19th century, Hand-colored lithograph, sheet: 11 5/8 x 8 5/8 in. (29.5 x 21.9 cm), Prints, Hélöise Leloir (French, 1820–1873)

The Old Middlesex (The Small Plate), 1914, published 1915, Etching; fourth state, plate: 4 9/16 x 5 5/16 in. (11.6 x 13.5 cm), Prints, Walter Richard Sickert (British, Munich 1860–1942…

The Grand Review of the Juste-Milieu Passing La Caricature, October 30, 1832 (Grand revue passée par la caricature le 30 Octobre 1832), October 1832, Lithograph on wove paper, sheet: 13 15/16 x…

Design for Grate, with Plan, 19th century, Graphite on tracing paper, Anonymous, British, 19th century

The Prodigal Son, ca. 1496, Engraving, sheet: 9 9/16 x 7 3/8 in. (24.3 x 18.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Le Bois de Boulogne, 1850–1914, Etching; third and final state, sheet: 12 5/8 x 9 3/8 in. (32 x 23.8 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres)

Virgin and Child with two angels appearing to two saints, 1575–1623, Pen and brown ink, 7 1/2 x 6 1/2in. (19.1 x 16.5cm), Drawings, Fabrizio Santafede (Italian, documented Naples, 1576–1623)

Bolinka and Marcolfus, late 15th–early 16th century, Etching; fourth state of four, sheet: 9 5/8 x 8 3/4 in. (24.4 x 22.2 cm), Prints, Daniel Hopfer (German, Kaufbeuren 1471–1536 Augsburg),…

Nymph Holding a Large Dog by the Collar, ca. 1654, Etching; second state of two, Sheet (trimmed to plate): 7 3/8 × 5 5/8 in. (18.8 × 14.3 cm), Prints, Stefano della Bella (Italian, Florence…

Annie Seated, 1858–59, Etching and drypoint; third state of three (Glasgow); black ink on off-white modern wove paper, plate: 5 1/8 x 3 13/16 in. (13 x 9.7 cm), Prints, James McNeill…

Eurydice naked standing on a rock, her arms raised to the right, ca. 1515–27, Engraving, Sheet (Trimmed): 4 3/16 × 2 9/16 in. (10.7 × 6.5 cm), Prints, Marco Dente (Italian, Ravenna, active…

Winter Scene with Two Men, 1830–90, Watercolor over graphite, heightened with white. Framing lines in graphite, sheet: 12 13/16 x 18 3/16 in. (32.5 x 46.2 cm), Drawings, Eugène Cicéri…

Design for Wall Elevation, Hôtel Candamo, 1873, Pen and black ink, watercolor, 10 11/16 x 14 7/8 in. (27.1 x 37.8 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),…

Admiration with Astonishment (Le Brun Travested, or Caricatures of the Passions), January 21, 1800, Hand-colored etching, printed in brown ink, sheet: 11 9/16 x 8 3/4 in. (29.4 x 22.3 cm),…

Diana, 1527–85, Brush and brown ink, 12 5/16 x 8 1/4in. (31.3 x 21cm), Drawings, After Luca Cambiaso (Italian, Moneglia 1527–1585 Madrid)

Seated Figures of Saint Ursula and Saint Cecilia, 1598–1680, Pen and brown ink, brush and brown wash, 6 3/4 x 4 15/16in. (17.1 x 12.5cm), Drawings, Gian Lorenzo Bernini (Italian, Naples…

A Frieze Portraying a Music Party, 1512–71, Red chalk, 6 3/4 x 10 1/2in. (17.1 x 26.7cm), Drawings, Niccolò dell' Abate (Italian, Modena 1509–1571 Fontainebleau (?)) , circle of

The Visitation of the Virgin to Saint Elizabeth; King Solomon in a Niche at Left., 1510–85, Pen and brown ink, over black chalk. Framing lines in black chalk and pen and brown ink, 6 1/16 x…

Seated Man Turned Towards the Left Seen from Below, 1696–1770, Drawings, Giovanni Battista Tiepolo (Italian, Venice 1696–1770 Madrid)

Thames Warehouses, 1859, Etching and drypoint; fifth state of five (Glasgow); black ink on medium weight ivory laid paper, Plate: 3 × 8 in. (7.6 × 20.3 cm), Prints, James McNeill Whistler…

A Sepulchral Enquiry into English History, June 1, 1813, Hand-colored etching, sheet: 8 5/8 x 20 1/4 in. (21.9 x 51.4 cm), Prints, George Cruikshank (British, London 1792–1878 London)

Study for a Cartouche, Pen and black ink with brush and gray wash. Framing lines in brown ink., 5 x 4 1/4 in. (12.7 x 10.8 cm), Drawings, Gilles-Marie Oppenord (French, Paris 1672–1742 Paris)

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite; squaring lines in pen and red ink, Irregular sheet: 8 13/16 x 7 5/16 in. (22.4 x 18.5 cm), Drawings, Eugène Cicéri (French,…

God appearing to Isaac; God floating in clouds pointing toward Rebecca seated under a tree at left, Isaac kneeling in the center holding a large stick and also pointing to Rebecca, ca.…

Plate 36 from 'Los Caprichos: A bad night (Mala noche.), 1881–86, Etching and burnished aquatint, Plate: 8 7/16 x 6 in. (21.5 x 15.2 cm), Prints, Goya (Francisco de Goya y Lucientes)…

Design for Three Chairs, early 19th century, Graphite, sheet: 10 7/8 x 15 in. (27.7 x 38.1 cm), Anonymous, British, 19th century