The Storm, 1861, Drypoint; third state of three, from the cancelled plate as published in 1879 by the, Plate: 6 3/16 × 11 3/16 in. (15.7 × 28.4 cm), Prints, James McNeill Whistler (American,…

The Four Avenging Angels, from The Apocalypse, Latin Edition 1511, 1511, Woodcut, sheet: 15 3/8 x 11 1/16 in. (39.1 x 28.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Bibi Lalouette, 1859, Etching and drypoint; second state of two, with the scratch (Glasgow), printed in black ink on thin laid fibrous ivory Japan paper, Plate: 8 15/16 x 6 in. (22.7 x 15.2…

Château de Chenonceau, No 1, after Ducerceau, 1856, Etching on laid paper; only state, plate: 5 1/4 x 8 3/4 in. (13.3 x 22.2 cm), Prints, Charles Meryon (French, 1821–1868), After Jacques…

Plate 13 from 'Los Caprichos':They are Hot (Estan Calientes), 1797–98, Etching and aquatint, before burnishing of the aquatint, Plate: 8 1/2 in. × 6 in. (21.6 × 15.3 cm), Prints, Goya…

The Bombardment of All the Thrones of Europe and the Fall of the Tyrants for the Happiness of the Universe (Bombardement de Tous les Trônes de l'Europe et la Chûte des Tyrans pour la Bonheur…

Apollo, from 'Game of Mythology' (Jeu de la Mythologie), 1644, Etching; first state of five, Sheet: 1 7/8 × 2 1/16 in. (4.7 × 5.2 cm), Prints, Etched by Stefano della Bella (Italian,…

By the Pond, ca. 1896, Drypoint and aquatint, printed in color from three plates; fourth state of four (Mathews & Shapiro), plate: 12 x 16 7/8 in. (30.5 x 42.9 cm), Prints, Mary Cassatt…

Adam and Eve, 1504, Engraving, 9 7/8 x 7 7/8in. (25.1 x 20cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), Throughout his life, Dürer was in thrall to the idea that the…

Design for a Grate and Surrounding Mantel, 19th century, Ink, graphite and watercolor on tracing paper, Anonymous, British, 19th century

Allegorical Figures on Mount Parnassus: Study for the etching Triumph of Painting, 1612–50, Pen and brown ink, over black chalk. The sketch of Pegasus in black chalk only. Framing lines in pen…

The Virgin Nursing the Child, 1519, Engraving, Sheet: 4 3/4 in. × 3 in. (12 × 7.6 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Saint John before God and the Elders, from The Apocalypse, n.d., Woodcut, Approx. 15 7/16 x 11 in. (39.2 x 27.9 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Design for a Marble Topped Table with Gilded Pedestal and Lion's Feet, early 19th century, Ink and watercolor, sheet: 6 15/16 x 8 1/2 in. (17.6 x 21.6 cm), Anonymous, British, 19th century

The Babylonian Whore, from The Apocalypse, n.d., Woodcut, sheet: 17 3/8 x 12 in. (44.1 x 30.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

A Peep at St. Peter or The Poet in a Pickle, July 23, 1789, Etching, sheet: 9 x 12 7/8 in. (22.9 x 32.7 cm), Prints, Anonymous, British, 18th century

Théâtre Italien (Gioacchino Rossini, 1792-1868), 1821, Graphite with brush and brown wash on wove paper; red chalk applied to verso for image transfer, sheet: 10 1/2 x 7 1/2 in. (26.6 x 19…

Hanging Lantern, 19th century, Pen and ink and gouache, Overall: 14 1/8 x 18 3/8 in. (35.9 x 46.7 cm), Drawings, Anonymous, Chinese, 19th century

Drawing of Design for Sword Hilt and Tip of Scabbard (Lion-Head Grip), second half 16th century, German, Ink on paper, 16 x 11 3/8 in. (40.6 x 28.8 cm), Works on Paper-Drawings

The Bagpiper, 1514, Engraving, plate: 4 9/16 x 2 15/16 in. (11.6 x 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Plate 32 from the 'Tauromaquia':Two teams of picadors thrown one after the other by a single bull., 1816, Etching, burnished aquatint, drypoint and burin, Plate: 9 9/16 × 13 3/4 in. (24.3 × 35…

Le Coquet, No. 22, from Journal des Modes Spécial pour Couturières, July 1, 1869, Steel engraving with hand coloring, Sheet: 11 1/16 x 15 9/16 in. (28.1 x 39.6 cm), Prints, Laure Noël…

A Poor Old Woman, 1742, Etching with some engraving, Sheet: 9 5/16 × 6 5/8 in. (23.6 × 16.8 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris),…

Firelight – Joseph Pennell, No. 1, 1896, Transfer lithograph, drawn on white transfer paper with a grained-stone texture, Image: 6 9/16 × 5 1/2 in. (16.7 × 14 cm), Prints, James McNeill…

Drapery Study for a Cleric (lower register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858), 19th century, Black chalk, stumped, heightened with white chalk,…

The Butcher's Dog, 1896, Transfer lithograph, drawn on white transfer paper with a grained-stone texture; fourth state of four; printed in black ink on medium weight fibrous laid paper, Image: 7…

Design for Ceiling, Hôtel de Boivin, Paris, second half 19th century, Watercolor and ink, 7 x 6 7/8 in. (17.8 x 17.5 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),…

Design for a Stage Set, 1830–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Plan and Elevations of a Room, early 19th century, Ink and wash, sheet: 12 5/16 x 16 3/4 in. (31.2 x 42.5 cm), Anonymous, British, 19th century

Design for Mirror Frame, ca. 1770, Pen and black ink, brush and gray wash. Scaled in pen and black ink and brush and brown wash., 12 1/16 x 17 1/2 in. (30.7 x 44.4 cm), Anonymous, French, 18th century

Seated Crowned Male Figure Holding a Book or Scroll (recto); Seated Nude Boy (verso), 1548–1612, Charcoal on blue paper (recto); charcoal (verso), 12-1/8 x 8-7/16 in. (30.8 x 21.4 cm),…

“The First Knot”. Interlaced Roundel with an Oblong Panel in its Center, 1521 before, Woodcut, sheet: 10 11/16 x 8 3/8 in. (27.1 x 21.2 cm), Albrecht Dürer (German, Nuremberg 1471–1528…

Abduction of Proserpine, n.d., Etching, sheet: 12 3/8 x 8 7/16 in. (31.4 x 21.4 cm) trimmed to plate line, Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Illustration for a Book: Two Scenes of Coronation, 1696–1770, Black chalk. Horizontal and vertical centering lines ruled in faint black chalk, 2-15/16 x 6-1/8 in. (7.5 x 15.5 cm), Drawings,…

Cliffs of Malbec at Mont-Dore, the Auvergne, ca. 1830, Graphite on laid paper, 11-1/2 x 16-1/2 in. (29.2 x 41.9 cm), Drawings, Théodore Rousseau (French, Paris 1812–1867 Barbizon)

Self-Portrait in a Velvet Cap with Plume, 1638, Etching, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

The Defeat of the Cormorants, ca. 1648–53, Black chalk, 14 x 20 in. (35.6 x 50.8 cm), Drawings, Louis Testelin (French, Paris 1615–1655 The Hague)

Designs for Decoration of Vaults, ca. 1870, Graphite, pen and black and brown ink, brush and brown wash on blue paper., sheet: 9 13/16 x 5 3/8 in. (25 x 13.6 cm), Drawings, Anonymous, French,…

Clement de Jonghe, printseller, 1651, Etching, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Man in Profile Wearing a Fur Hat, ca. 1645–50, Etching, sheet: 4 7/16 x 3 1/4 in. (11.2 x 8.3 cm), Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664 Mantua)

Le Petit Predicateur, n.d., Etching, second state, sheet: 12 3/8 x 13 3/4 in. (31.5 x 34.9 cm), Prints, After Jean Honoré Fragonard (French, Grasse 1732–1806 Paris), Engraved by Nicolas de…

Portrait of Charles Meryon, in profile, 1854, Etching on thin wove paper; second of three states, plate: 4 3/4 x 3 7/16 in. (12 x 8.8 cm), Prints, Félix Bracquemond (French, Paris 1833–1914…

King Solomon Receiving the Queen of Sheba, 1624–63, Pen and brown ink. Framing lines in pen and brown ink on mount, 2-15/16 x 7-5/16 in. (7.5 x 18.6 cm), Drawings, attributed to Francesco…

Design of putti at play, second half 19th century, Graphite and brown wash, image: 4 7/8 x 9 7/16 in. (12.4 x 23.9 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),…

Jupiter Fighting the Giants., 1540–96, Pen and brown ink, brush with brown and mauve wash, highlighted with white gouache, over traces of black chalk, on light tan laid paper, Overall: 11 1/4 x…

Design for a Clock, ca. 1770–90, Pen and black ink, brush and yellow, green, gray, and rose wash, 18 11/16 x 13 5/16 in. (47.5 x 33.8 cm), Drawings, Anonymous, French, 18th century, Style of…

Design for a ceiling, second half 19th century, Graphite, Overall: 14 13/16 x 10 3/4 in. (37.6 x 27.3 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet…

L'Hiver from the Four Seasons, 1735, Etching, 10 3/8 x 10 1/8 in. (26.3 x 25.7 cm), Prints, Charles Joseph Natoire (French, Nîmes 1700–1777 Castel Gandolfo)

Design for a Stage Set at the Opéra, Paris: Cemetery, 1830–90, Graphite, Irregular sheet: 11 5/8 x 18 9/16 in. (29.6 x 47.1 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Madonna and Child with Saint John, Saint Anne, and Two Angels in Adoration, 1635–1709, Pen and brown ink with brush and wash, over traces of red chalk on light brown paper, 10 7/16 x 15 1/2in.…

Letter to Samuel P. Avery with a drawing of a military figure, 1880, Pen and ink with washed in gray, black and brown, with gouache, Sheet: 6 15/16 × 4 5/8 in. (17.7 × 11.7 cm), Ernest…

Diana Bathing, 1578–1660, Pen and brown ink, brush and brown wash, 8 x 6 7/8in. (20.3 x 17.5cm), Drawings, Francesco Albani (Italian, Bologna 1578–1660 Bologna), This drawing was reproduced…

The Infant Hercules, February 3, 1784, Hand-colored etching, Sheet: 8 11/16 × 12 5/8 in. (22.1 × 32.1 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London), In 1783, at the age…

Galatea riding in a shell pulled through the water by dolphins, a cupid below and four more above, at left a triton embracing a nymph and behind them a man on horseback blowing a conch, at right…

Pieta, Christ stretched out on a table in a landscape, the Virgin standing behind arms open, 1531–76, Engraving, sheet: 13 5/16 x 9 5/8 in. (33.8 x 24.5 cm), Prints, Giulio Bonasone (Italian,…

A view of Pozzuoli, seen from the Northeast, early 19th–late 19th century, Graphite, sheet: 14 5/16 x 12 3/4 in. (36.3 x 32.4 cm), Drawings, Robert Kummer (German, Dresden 1810–1889 Dresden)

La Vielle aux Loques, 1858, Etching and drypoint; third state of four (Glasgow); printed in black ink on gray chine on off-white wove paper (chine collé), Plate: 8 3/16 × 5 13/16 in. (20.8 ×…

Palazzo dei Conservatori, window, elevation; window, details, elevation (recto) blank (verso), early to mid-16th century , Pen and brown ink, sheet: 17 3/8 x 13 3/16 in. (44.2 x 33.5 cm), Drawings

Unidentified, Ionic capital, front and side elevations with small studies (recto) calculation notes (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 17…

A Scene from the Story of Tobit, ca. 1834–82, Oil paint on paper, mounted on cardboard, 7 1/16 x 6 5/16 in. (17.9 x 16 cm), Drawings, Henri Lehmann (French, Kiel 1814–1882 Paris)

Illustration for a Book: Soldiers Driving Ox Carts with Banners, 1696–1770, Black chalk. Horizontal and vertical centering lines ruled in faint black chalk, 3 x 6-1/16 in. (7.6 x 15.4 cm),…

Drawing for Engraving in Raccolta di Vari Schizzi, Venice, 1747, After Angelo Rosis., ca. 1747, Pen and light and dark brown ink, over faint traces of graphite underdrawing; framing outline in…

Pink Monkey-flower, Mimulus Lewisii, July 16, 1912, Watercolor and brown ink over graphite, with page design indicated in graphite, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings,…

Penitent Woman Anointing the Feet of Christ at the Table of Simon the Pharisee, 1548–1628, Pen and brown ink, over black chalk, 8 x 11 15/16in. (20.3 x 30.3cm), Drawings, Jacopo Palma the…

Male Figure in Ballet Costume, 17th century, Pen and brown ink, Sheet: 13 3/4 x 8 3/8 in. (35 x 21.2 cm), Drawings, T Remy (active 17th century), circle of Jacques Bellange (French, Bassigny (?)…

The Husband-Beater, ca. 1633, Etching with engraving, Sheet (trimmed): 10 1/2 × 13 1/4 in. (26.6 × 33.6 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Jeu de Societe dans un Parc, n.d., Etching, sheet: 13 3/8 x 15 7/8 in. (34 x 40.3 cm), Prints, After Jean Honoré Fragonard (French, Grasse 1732–1806 Paris)

Saints Peter and Paul, 18th century, Graphite, 7 5/8 x 4 13/16 in. (19.4 x 12.2 cm), Drawings, Anonymous, Austrian, 18th century

Oval Ornament Designs for Boxes, 17th century, Pen and brown ink, brush and brown wash, over black chalk., 2 1/16 in. (5.3 cm) circumference, Anonymous, French, 17th century

Head of a Satyr, n.d., Black and red chalk, heightened with yellow chalk with traces of white chalk on brown paper, 12 7/8 x 9 13/16 in. (32.7 x 24.9 cm), Drawings, Circle of Antoine Watteau…

The Great Horse, 1505, Engraving, Sheet: 6 9/16 × 4 5/16 in. (16.6 × 10.9 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Bust of an Old Man in a Coat and Fur Collar (copy), n.d., Etching, Prints, Workshop of Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

The Promenade, ca. 1498, Engraving; first state of two, sheet: 7 11/16 x 4 3/4 in. (19.5 x 12.1 cm) trimmed to plate line, Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Plate 21 from 'The Disasters of War' (Los Desastres de la Guerra): 'It will be the same.' (Será lo mismo), 1810 ( published 1863), Etching and burnished lavis, Plate: 5 11/16 × 8 11/16 in. (14.5…

Faith, 1636, Etching, Sheet (trimmed): 2 15/16 × 1 7/8 in. (7.4 × 4.7 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Design for a Sofa with Wing-like Arms, early 19th century, Ink and wash, sheet: 9 x 11 7/8 in. (22.8 x 30.2 cm), Anonymous, British, 19th century

Design for gothic archway and cross, 19th century, Pen and black ink, brush and gray and brown wash, graphite., sheet: 11 3/8 x 6 1/8 in. (28.9 x 15.5 cm), Drawings, Anonymous, German, 19th century

Jupiter and Semele, from 'Game of Mythology' (Jeu de la Mythologie), 1644, Etching; first state of five, Sheet: 1 13/16 × 2 1/4 in. (4.6 × 5.7 cm), Prints, Etched by Stefano della Bella…

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, heightened with white, sheet: 16 1/4 x 10 5/16 in. (41.3 x 26.2 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890…

Sts. Thomas and Bartholomew, 1518, Woodcut, sheet: 10 1/4 x 7 in. (26 x 17.8 cm), Prints, Monogrammist G.Z. (German, active ca. 1514–21)

Design for Ornamented Stair Railing, ca. 1770–90, Pen and gray ink, brush and gray wash, 10 7/16 x 8 3/8 in. (26.5 x 21.2 cm), Drawings, Anonymous, French, 18th century

Ornamental marine cartouche, 19th century, Graphite, pen and gray and black ink, brush and gray wash, watercolor, sheet: 8 1/8 x 6 1/8 in. (20.7 x 15.6 cm), Drawings, Attributed to Anonymous,…

Portrait of Bernardino Ricci, 1637, Etching, Plate: 6 3/8 × 6 1/8 in. (16.2 × 15.5 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence)

The Windmill, 1641, Etching, Sheet: 5 7/8 x 8 5/16 in. (15 x 21.1 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam), Rembrandt depicted the boundary between city…

Design for a decorated ceiling in a house on the rue Matignon, second half 19th century, Gouache on laid paper, sheet: 15 1/8 x 19 3/16 in. (38.4 x 48.7 cm), Drawings, Jules-Edmond-Charles…

Mars and Rhea Silvia: in the centre Mars holds a shield and sword, Rhea Silvia sleeping, Apollo in his chariot upper left, ca 1531–76, Engraving, sheet: 11 7/16 x 17 1/16 in. (29 x 43.3 cm),…

Two Whatnots, early 19th century, Ink, watercolor and wash, sheet: 9 7/16 x 11 7/8 in. (24 x 30.2 cm), Anonymous, British, 19th century

Whistler Asleep, 1897, Drypoint, plate: 7 11/16 x 11 5/8 in. (19.5 x 29.5 cm), Prints, Giovanni Boldini (Italian, Ferrara 1842–1931 Paris)

Laughing Man in a Gorget, 1620–40, Engraving; second state of two, sheet: 10 9/16 x 8 3/8 in. (26.8 x 21.3 cm), Prints, Jan Georg (Joris) van Vliet (Dutch, Deft ca. 1610–ca. 1635), After…

Plate 6: battery of cannons firing on a city, from 'Various Military Caprices' (Varii capricci militari), ca. 1641, Etching; first state of four, Sheet: 3 11/16 × 5 13/16 in. (9.4 × 14.7…

Standing Nude Female Figure, 19th century, Graphite, 13 3/16 x 8 in. (33.5 x 20.3 cm), Drawings, Henri Lehmann (French, Kiel 1814–1882 Paris)

The Little Horse, 1505, Engraving, Sheet: 6 7/16 × 4 1/4 in. (16.4 × 10.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Songs of Innocence and of Experience: Voice of the Ancient Bard, ca. 1825, Relief etching printed in orange-brown ink and hand-colored with watercolor and gold, sheet: 6 3/16 x 5 9/16 in. (15.7 x…

Two Muses, 17th century, Red chalk, heightened with white, on beige paper, 14 3/16 x 9 13/16 in. (36 x 25 cm.), Drawings, Charles Le Brun (French, Paris 1619–1690 Paris), This drawing is a…

Design for Three Vases, ca. 1770–85, Pen and brown ink, black chalk, and watercolor, 14 15/16 x 9 3/16 in. (37.9 x 23.3 cm), Drawings, Anonymous, French, 18th century

Characters in High Life, June 20, 1795, Etching, Plate: 13 7/8 x 9 13/16 in. (35.2 x 25 cm), Prints, James Gillray (British, Chelsea 1756–1815 London)

Design for a ceiling, second half 19th century, Graphite, gouache, and watercolor, Overall: 23 5/16 x 17 3/16 in. (59.2 x 43.7 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),…

Design for a Mirrored Three Sectioned Marble-topped Cabinet and Two Chairs, early 19th century, Ink and watercolor and wash, sheet: 12 3/16 x 17 in. (31 x 43.2 cm), Anonymous, British, 19th century

Saint Ignatius of Loyola Preaching, before 1761, Pen and black ink, brush and grey ink, heightened with white bodycolour, over graphite; on blue paper; incised for transfer, sheet: 11 1/8 x 13…

Raising of Lazarus, 17th century, Etching, sheet: 9 13/16 x 7 3/8 in. (25 x 18.8 cm), Prints, Attributed to Laurent de La Hyre (French, Paris 1606–1656 Paris)