Librifly Art Gallery


2.589.713 / 2.589.715 Entries   < previous page Page 1133 / 25898 next page >
Fifteen Sketches for Ceiling and Cove Designs, Hôtel Rothschild, Vienna, second half 19th century, 15 sheets pasted down. 6 pounced. Media include graphite, pen and gray and black ink, and…
Designs for Two Serving Dishes and a Planter, 19th century, Pen and brown ink, image: 6 7/8 x 10 15/16 in. (17.5 x 27.8 cm), Drawings, Anonymous, French, 19th century
The Nativity (copy), n.d., Woodcut, Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)
Sheet of Studies, Including for Reineke Fuchs; verso: Studies of Soldiers and of a Battle in a Wood, mid-19th century, Pen and brown ink; verso: pen and brown ink, sheet: 13 1/4 x 8 7/16 in. (33.7…
Marcus Aurelius Statue, pedestal, elevation (recto) Marcus Aurelius Statue, pedestal, plan (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 17 3/16 x 11…
Eight designs for painted wall decorations; one for 'chanteloup,' another for 'Nause', second half 19th century, graphite and pen and ink on various papers glued to cardboard, mount: 18 13/16 x…
Drouet (C.L. Drouet, Sculptor), 1859, Etching and drypoint; second state of two, from the cancelled plate (Glasgow); printed in black ink on fine ivory Japan, Plate: 8 13/16 in. × 6 in. (22.4 ×…
Design for a ceiling with trompe l'oeil sky, second half 19th century, Graphite, gouache, and watercolor, Overall: 13 1/4 x 19 7/16 in. (33.6 x 49.3 cm), Drawings, Jules-Edmond-Charles…
Design for a Sconce and Two Candelabras, 19th century, Pen and brown ink, sheet: 5 13/16 x 11 5/16 in. (14.8 x 28.7 cm), Drawings, Anonymous, French, 19th century
Three Parrots, ca. 1675, Red chalk, 8 7/8 x 7 5/16 in. (22.5 x 18.6 cm), Drawings, Nicolas Robert (French, Langres 1614–1685 Paris)
John Bull and His Friends Commemorating the Peace, ca. 1801, Hand-colored etching, sheet: 10 1/16 x 13 in. (25.5 x 33 cm), Prints, Piercy Roberts (British, active 1794–1828), After George…
Liverdun, 1858, Etching; third state of three (Glasgow); printed in black ink on tan chine on off-white wove paper (chine collé), Plate: 4 3/16 x 6 1/16 in. (10.6 x 15.4 cm), Prints, James…
Reclining Nude with Outstretched Left Arm, 1903–1904, Graphite, sheet: 13 7/8 x 21 1/2 in. (35.2 x 54.6 cm), Drawings, Gustav Klimt (Austrian, Baumgarten 1862–1918 Vienna)
Sheet of Sketches, 1753, Etching, image: 5 1/4 x 8 1/8 in. (13.4 x 20.7 cm), Prints, François Boucher (French, Paris 1703–1770 Paris), After Abraham Bloemaert (Netherlandish, Gorinchem…
Ten Cavaliers Including Five Forming a V, 1652, Etching, Sheet: 8 9/16 × 11 5/8 in. (21.8 × 29.6 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence)
The Head and the Tail of the Serpent, from the Fables of La Fontaine, 1886, Etching; sixth state of seven, sheet: 18 1/16 x 12 3/8 in. (45.9 x 31.5 cm), Prints, Félix Bracquemond (French,…
Design for Two Square Tables with Carved Legs, early 19th century, Ink, watercolor and wash, sheet: 10 13/16 x 15 1/16 in. (27.4 x 38.2 cm), Anonymous, British, 19th century
Design for the decoration of a pentagonal ceiling, 1830–97, pen and ink, watercolor, and gouache on wove paper; mounted on blue wove paper, Overall: 10 3/8 x 14 3/4 in. (26.4 x 37.5 cm),…
Design for a Compotier, 19th century, Graphite, watercolor, and gouache, sheet: 11 3/8 x 18 1/8 in. (28.9 x 46 cm), Drawings, Anonymous, French, 19th century
Illustration for a Book: Allegorical Scene of Coronation, 1696–1770, Black chalk. Horizontal and vertical centering lines ruled in faint black chalk, 2-3/4 x 5-7/8 in. (7.0 x 15.0 cm),…
A Congress of Animals, 1641–1710, Pen and brown ink, brush and watercolor, over traces of black chalk, 8 1/8 x 12 1/8in. (20.7 x 30.8cm), Drawings, Giovanni Francesco Castiglione (Italian,…
The Ass at School, 1557, Engraving, plate: 9 5/16 x 11 15/16 in. (23.7 x 30.3 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels), Pieter van der…
Alternate Designs for Decorated Bases or Pedestals, 18th century, Black chalk., 9 9/16 x 6 1/8 in. (24.3 x 15.6 cm), Anonymous, French, 18th century
The old shepherd lying in a landscape, buildings behind, a goat and a sheep to the left, ca. 1500–1515, Engraving, Sheet: 3 1/8 × 5 5/16 in. (8 × 13.5 cm), Prints, Giulio Campagnola…
Design for a Carafe, 19th century, Pen and brown ink, Brush and brown, green, and orange wash, over graphite., sheet: 9 15/16 x 6 7/8 in. (25.2 x 17.5 cm), Drawings, Anonymous, French, 19th century
Une Dame de Chypre, 1647, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 13 3/8 x 8 7/16 in. (34 x 21.4 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676…
Engraved copies of The Little Passion, n.d., Engraving, For the whole series: plate circa : 5 x 3 13/16 in. (12.7 x 9.7 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)
Mountainous Landscape with a Brook, 18th–early 19th century, Brush and brown ink over graphite, sheet: 8 1/16 x 10 7/8 in. (20.4 x 27.7 cm), Drawings, Franz Kobell (German, Mannheim…
Design for a ceiling with lattice work and flowering vines, second half 19th century, Graphite, pen and ink, and watercolor on laid paper; mounted on blue wove paper, Drawings,…
The Great Triumphal Car, eight sheet, n.d., Woodcut, sheet: 9 3/4 x 12 1/2 in. (24.8 x 31.8 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)
Plate 7 from 'Los Caprichos': Even thus he cannot make her out (Ni asi la distingue.), 1799, Etching, aquatint, and drypoint, Plate: 7 3/4 x 5 13/16 in. (19.7 x 14.8 cm), Prints, Goya (Francisco…
Cottage Door, [1884–86], Etching and drypoint; second state of two (Glasgow); printed in dark brown ink on ivory laid paper, Plate: 2 5/8 × 3 7/8 in. (6.6 × 9.8 cm), Prints, James McNeill…
Cartouche Framed by Ducks and Weeds, 1647, Etching; first state, Sheet: 4 3/16 × 3 13/16 in. (10.7 × 9.7 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence)
Allegory of the Immaculate Conception, 1639–1709, Pen and brown ink, brush and gray wash. Squared in black chalk, 9-3/4 x 5-15/16 in. (24.7 x 15.1 cm), Drawings, Giovanni Battista Gaulli (Il…
Nocturne: Palaces, 1879–80, Etching and drypoint; printed in dark brown ink on drum mounted medium weight ivory laid paper., Sheet: 11 1/2 × 7 13/16 in. (29.2 × 19.8 cm), Prints, James…
Presentation of the Virgin in the Temple, 1624–59, Pen and brown ink, brush and brown wash, over black chalk, 7 3/16 x 7 15/16 in. (18.2 x 20.1 cm), Drawings, Valerio Castello (Italian,…
Fountain Surmounted by Three Nymphs, Red chalk on beige paper. An area has been re-drawn on a separate piece of paper, measuring 14.2 x 18.2 cm., and affixed at lower center, including the…
Belphegor, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, 1795, Etching and engraving; third state of three…
Study of Ruins, 1548–1608, Pen and dark brown ink, brush and gray wash, 7 15/16 x 12 5/16in. (20.1 x 31.3cm), Drawings, attributed to Filippo Napoletano (Filippo Angeli) (Italian, Rome ca.…
White Evening Primrose, Pachylophus Marginatus, May 21, 1913, Watercolor and brown ink over graphite, with page design indicated in graphite, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm),…
Sketches of Figures of the Virgin Kneeling, Saint Peter Standing, Seated Allegorical Figures of Faith and Charity, and Child Standing on a Corbel (?) (recto); Sketches of Figures of Saint…
Charity, from the series The Virtues, 1530, Engraving; third state, sheet: 6 1/2 x 4 3/4 in. (16.5 x 12.1 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)
Caricature Shop of Piercy Roberts, 28 Middle Row, Holborn, 1801, Hand-colored etching, sheet: 10 7/16 x 12 3/8 in. (26.5 x 31.5 cm), Prints
Man Holding a Large Banderole, from Series of Small Heads in Oriental Headdress, etching, sheet: 4 5/16 x 3 1/8 in. (11 x 8 cm), Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian,…
Facade and Ruins, 1730–66, Pen and brown ink, grey wash, 11 1/4 x 8 3/8in. (28.6 x 21.3cm), Drawings, attributed to Mauro Antonio Tesi (Italian, Montalbano 1730–1766 Bologna)
America, mid-17th century, Red chalk on paper, 5 x 8 7/8 in. (12.7 x 22.5 cm), Drawings, Louis Licherie de Beurie (French, Houdan 1629–1687 Paris)
Design for Ceiling in Chinois Style, Empress Eugenie's Hotel, second half 19th century, Pen and black ink, brush and gray wash, 10 7/16 x 15 in. (26.5 x 38.1 cm), Drawings,…
Illustration for a Book: Supplicants Imploring an Emperor for Peace, 1696–1770, Black chalk. Horizontal and vertical centering lines ruled in faint black chalk, 3 x 6-7/16 in. (7.6 x 16.3…
Dead Birds., 1685–1755, Brush with gray, black, brown, and light orange wash over graphite. Traces of framing outlines in pen and black ink at left and right edges, sheet: 5 1/16 x 6 3/4 in. (12.8…
Design for Neptune with an Oval Medallion, Pen and black ink with brush and gray wash, 3 9/16 x 2 1/8 in. (9 x 5.4 cm), Drawings, Charles Percier (French, Paris 1764–1838 Paris)
The Death of the Virgin, 1639, Etching and drypoint, sheet: 16 1/8 x 12 3/8 in. (41 x 31.4 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
The Battle of the Amalekites, ca. 1645–52, Etching; second state of two, Sheet: 5 1/16 × 10 15/16 in. (12.8 × 27.8 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664…
Title-page: De la Monarchie du Verbe incarné, 1638, Etching, Sheet: 7 1/16 × 4 13/16 in. (18 × 12.3 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris), After Laurent de La…
Palazzo Massimo alle Colonne , plan (recto) Palazzo Massimo alle Colonne, façade, details and fireplace (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet:…
Saints Peter and John Healing a Cripple at the Gate of the Temple, 1501–47, Pen and brown ink, brush and brown wash, highlighted with white gouache, on brownish paper, 9 3/4 x 6 1/8in. (24.8…
Plate 15 from 'The Disasters of War' (Los Desastres de la Guerra): And there is no help (Y no hai remedio), 1810, Etching, drypoint, burin, and burnisher, Plate: 5 1/2 x 6 9/16 in. (14 x 16.7…
Dinners Drest in the Neatest Manner, October 1811, Hand-colored etching, Sheet: 9 13/16 x 13 3/4 in. (25 x 35 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London), Rowlandson…
Mary Cassatt at the Louvre: The Etruscan Gallery, 1879–80, Soft-ground etching, drypoint, aquatint, and etching, Plate: 10 9/16 x 9 1/8 in. (26.8 x 23.2 cm), Prints, Edgar Degas (French,…
Drummer Boy Attacked by a Cossack, ca. 1817, Brush, brown wash, heightened with white over black chalk on brown wove paper, 8 9/16 x 6 5/16 in. (21.8 x 16 cm), Drawings, Jean Victor Schnetz…
The Holy Family Appearing to St. Francis, St. Augustine, and St. Roch, 18th century, Pen and brown ink, brush and brown wash, heightened with white over black chalk., 12 1/16 x 9 1/4 in. (30.6 x…
Tasso Contemplating Beauty, 1823, Watercolor, pen and brown ink, over graphite. Framing lines in pen and brown ink, sheet size: 10-3/8 x 13-1/4 in. (26.4 x 33.6 cm), Drawings, Tommaso Minardi…
Designs for Two Tombs, 16th century, Black chalk, pen and brown ink, brush and brown wash, sheet: 10 7/8 x 13 1/4 in. (27.6 x 33.6 cm), Drawings, Anonymous, French, 16th century
Design for Chinois Bench and Planters, 19th century, Graphite and watercolor, 7 9/16 x 10 9/16 in. (19.2 x 26.9 cm), Anonymous, French, 19th century
Joseph Interpreting His Dreams to Jacob (copy), n.d., Engraving, sheet: 4 15/16 x 6 5/8 in. (12.5 x 16.8 cm), Prints, After Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)
The same (Lo mismo), from The Disasters of War (Los Desastres de la Guerra), plate 3, 1810 ( published 1863), Etching, lavis, drypoint, burin and burnisher, Plate: 6 1/4 × 8 9/16 in. (15.8 ×…
Illustrations for Chansons, by Charles Desforges de Vassens, 1833–1914, Etching, sheet: 18 x 12 5/8 in. (45.7 x 32 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres)
Harlequin, Emperor on the Moon, n.d., Etching, second state, image: 7 3/8 x 8 9/16 in. (18.7 x 21.7 cm), trimmed to image, Prints, Claude Gillot (French, Langres 1673–1722 Paris), Engraved…
Design for a Wall Decoration with the Coat of Arms of the Borghese Family., 1590–1618, Pen and dark brown ink, brush and brown wash, over traces of leadpoint or black chalk, Sheet: 10 15/16 x 8…
Coppersmith from Auvergne, 1737, Etching with some engraving, Sheet: 9 5/16 x 7 in. (23.6 x 17.8 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765…
Design for Grand Salon Ceiling, Hôtel Hope, 1867, Pen and black ink, brush and black wash, and graphite, 14 3/4 x 10 3/8 in. (37.5 x 26.4 cm), Drawings, Jules-Edmond-Charles Lachaise (French,…
Girl with a Hen, 1682–1754, Charcoal, highlighted with white chalk, on blue-gray paper faded to light brown, 14 7/8 x 10 11/16in. (37.8 x 27.1cm), Drawings, Giovanni Battista Piazzetta…
Plate 12: A soldier on horseback, holding a musket in his right hand, in profile descending a slope towards the right, other soldiers on horseback to right in the background, from 'Various…
Plate 72 from 'The Disasters of War' (Los Desastres de la Guerra): 'The Consequences.' (Las resultas.), after 1814–15 (published 1863), Etching, Plate: 6 7/8 × 8 11/16 in. (17.5 × 22 cm),…
View of the Roman Forum with the Temple of Saturn in the Background, n.d., Pen and brown ink, watercolor on paper, image diameter: 2 3/4in. (7cm), Drawings, Victor Jean Nicolle (French, Paris…
Design for a Chalice with Acanthus and Shell Decoration, 1652–1725, Pen and brown ink, brush and brown wash, over traces of black chalk, sheet: 9 x 4 1/4 in. (22.8 x 10.8 cm), Giovanni…
Portrait of Merle, 19th century, Graphite, sheet: 2 1/4 x 1 7/8 in. (5.7 x 4.8 cm), Drawings, Anonymous, French, 19th century
Head of a Man, ca. 1718, Red and black chalk, 5 7/8 x 5 3/16 in. (14.9 x 13.1 cm), Drawings, Antoine Watteau (French, Valenciennes 1684–1721 Nogent-sur-Marne), This expressive sheet is a study…
Design for a panel ornamented with strapwork and rinceaux, 1830–97, graphite and watercolor on wove paper; mounted on blue wove paper, Overall: 14 3/4 x 10 3/8 in. (37.4 x 26.3 cm),…
Project for a Domed Building with Colonnaded Façade, late 18th century, Pen and black ink, brush and gray wash; scale in pieds at bottom, sheet: 12 7/8 x 16 15/16 in. (32.7 x 43.1 cm),…
Head of a Bald and Bearded Old Man in Profile, from 'Various heads and figures' (Diverses tétes et figures), 1650, Etching, Plate: 3 5/16 × 2 1/2 in. (8.4 × 6.4 cm), Prints, Stefano della…
Ornamental design for front of a chest with winged lion and bear, 19th century, Pen and black, brown, and gray ink with watercolor., sheet: 3 11/16 x 4 15/16 in. (9.4 x 12.5 cm), Drawings,…
Design for a Triumphal Arch, late 18th–early 19th century, Pen and black ink, pen and brown ink, graphite., 10 11/16 x 4 7/8 in. (27.1 x 12.4 cm), Anonymous, French, 18th century, Anonymous,…
Design for Two Vases, ca. 1770–85, Pen and brown ink, black chalk, and watercolor, 14 7/8 x 9 3/16 in. (37.8 x 23.3 cm), Drawings, Anonymous, French, 18th century
Songs of Innocence and of Experience: The Human Abstract, ca. 1825, Relief etching printed in orange-brown ink and hand-colored with watercolor and gold, sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1…
Parted Curtains Revealing Angels Upon Clouds Worshipping a Monstrance (Design for a Stage Set?), 1698–1765, Pen and brown ink, brush and gray wash, sheet: 4 7/8 x 3 7/16 in. (12.4 x 8.8 cm),…
Study, 1894, Transfer lithograph, drawn on thin, transparent transfer paper; only state (Chicago); printed in black ink on grayish white chine mounted on white plate paper, Image: 7 3/16 × 3…
Procession of Monstrous Figures, 1615, Etching, frieze 1 of 8 plates, sheet: 3 3/4 x 11 5/8 in. (9.5 x 29.5 cm), Prints, Wendel Dietterlin, the Younger (German, active Strasbourg ca. 1614–69)
Déborah, 1647, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 14 5/8 x 9 11/16 in. (37.2 x 24.6 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris),…
Figure Study in Colors, 1890, Transfer lithograph, drawn on medium-grained transfer paper; third state of three, Image: 10 3/16 × 5 1/2 in. (25.9 × 14 cm), Prints, James McNeill Whistler…
Design for Three Gothic Style Book Stands, early 19th century, Graphite, sheet: 8 9/16 x 12 5/16 in. (21.8 x 31.2 cm), Anonymous, British, 19th century
A Stream (Decoration for a Plate), 1850–1914, Etching and aquatint on laid paper, sheet: 12 5/8 x 19 3/16 in. (32 x 48.8 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres)
Three designs for wallpaper featuring strapwork, rinceaux, and fleurs-de-lis, 1830–97, gouache on wove paper glued to cardboard, Overall: 18 11/16 x 12 5/16 in. (47.4 x 31.3 cm), Drawings,…
Design for the decoration of a ceiling, 1830–97, graphite, watercolor, and gouache on laid paper; mounted on blue wove paper, Overall: 7 3/4 x 10 5/8 in. (19.7 x 27 cm), Drawings,…
La Vielle aux Loques, 1858, Etching and drypoint; fourth state of four (Glasgow); printed in black ink, Plate: 8 1/4 × 5 13/16 in. (20.9 × 14.7 cm), Prints, James McNeill Whistler (American,…
Cleric (lower register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858), 19th century, Red chalk, 14 7/16 x 11 7/8 in. (36.7 x 30.1 cm), Drawings, Isidore…
Design for Three Chairs with Curved Backs (verso: Sketch for a Sideboard), early 19th century, Ink and watercolor; verso: graphite, sheet: 6 5/8 x 9 in. (16.9 x 22.9 cm), Anonymous, British,…
Mary seated beneath trees with baby, flanked by Joseph at left and St. Jerome at right; St. John the Baptist seated in the foreground holding a cross; a man stooping to pick up a child at left; a…
Design for a Mirrored Cabinet and Four Chairs, early 19th century, Ink and watercolor and wash, sheet: 12 3/16 x 17 3/16 in. (30.9 x 43.6 cm), Anonymous, British, 19th century
Seven Miscellaneous Designs for the de la Rochejaquelein Family, second half 19th century, Graphite, 12 1/4 x 18 3/4 in. (31.1 x 47.6 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died…
The Ship of Fortune, ca. 1633, Etching; second state of two, image: 4 3/8 x 6 9/16 in. (11.1 x 16.6 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

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