Librifly Art Gallery 2.589.713 / 2.589.715 Entries < previous page Page 1134 / 25898 next page > Yellow Pinguicula, March 18, 1911, Watercolor and brown ink over graphite, with details in brown ink, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings, Margaret Neilson Armstrong… Divano, seoffale, e stipetto [Perspective of L-Shape Sofa and Storage Unit], 1933, Watercolor and black and metallic ink, over graphite, Sheet: 11 1/8 × 7 9/16 in. (28.2 × 19.2 cm), Guglielmo… Design for a Cartouche with Hanging Garlands, 1732–1802, Pen and brown ink, 8 11/16 x 6 5/16 in. (22.1 x 16 cm), Attributed to Carlo Bianconi (Italian, Bologna 1732–1802 Milan) Deacon Saint (Stephen or Lawrence), ca. 1640–50, Red and black chalk, sheet: 9 x 6 15/16 in. (22.8 x 17.6 cm), Drawings, Jacopo Confortini (Italian, Florence 1602–1672 Florence), Probably… Drapery Study for a Cleric (lower register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858), 19th century, Black and white chalk, traces of red chalk, on… Portrait of Louis Robert, 1833–1914, Etching on laid paper; first state of four, sheet: 16 9/16 x 12 3/16 in. (42 x 31 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres) Design for Ornamental Border with Foliage, Putti and a Lion's Head., 1535–1607, Pen and brown ink, brush and brown wash, over traces of black chalk or graphite, highlighted with white gouache,… Soldiers Going into Battle, 1771–1844, Pen and brown ink with brush and gray wash, 7 1/8 x 10 1/8 in. (18.1 x 25.7 cm), Drawings, Vincenzo Camuccini (Italian, Rome 1771–1844 Rome) Landscape with a Goat, 1500–1511, Pen and brown ink, 3 13/16 x 6in. (9.7 x 15.3cm), Drawings, Titian (Tiziano Vecellio) (Italian, Pieve di Cadore ca. 1485/90?–1576 Venice), Drawings by Titian… The Triumph of Modern Art, 18th century, Etching, sheet: 7 13/16 x 13 3/4 in. (19.9 x 34.9 cm), Prints, Attributed to Jean Barbault (French, Viarmes 1718–1762 Rome), Attributed to Louis Jean… Songs of Innocence and of Experience: The Ecchoing Green (second plate), ca. 1825, Relief etching printed in orange-brown ink and hand-colored with watercolor and gold, sheet: 6 3/16 x 5 9/16… White Clematis, March 9, 1911, Watercolor and brown ink over graphite, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings, Margaret Neilson Armstrong (American, New York 1867–1944 New York) A man kneeling and placing a laurel branch upon a pile of burning books, ca. 1515–27, Engraving, Sheet (Trimmed): 2 1/2 × 3 7/16 in. (6.3 × 8.7 cm), Prints, Marco Dente (Italian, Ravenna,… Apotheosis of a Warrior, 1696–1770, Pen and dark brown ink, brush with dark brown wash, over black chalk, 9 13/16 x 12 1/2in. (25 x 31.7cm), Drawings, Giovanni Battista Tiepolo (Italian,… Venus and Cupid riding two sea monsters, Cupid raises an arrow in his right hand, two heads representing wind in the clouds above, ca. 1515–27, Engraving, Sheet (Trimmed): 10 7/16 × 6 3/4 in.… The Annunciation, ca. 1470–80, Metalcut, hand-colored in green, yellow, and red, plate: 2 3/8 x 1 13/16 in. (6 x 4.6 cm), Prints, Anonymous, German, Cologne, 15th century Saint Benedict Orders the Destruction of Idols at Montecassino, 1694–1759, Pen and brown ink, brush and brown wash, highlighted with yellow and white gouache, over black chalk or leadpoint, on… Quiet Canal, 1879–80, Etching and drypoint; fourth state of four (Glasgow); brown ink on very fine laid paper, Plate: 8 7/8 × 6 in. (22.5 × 15.3 cm), Prints, James McNeill Whistler… Envy (Invidia) from The Seven Deadly Sins, 1558, Engraving; first state of two, 8 15/16 x 11 5/8 in. (22.7 x 29.5 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca.… Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, brush and brown and green wash, and gouache, Irregular sheet: 9 9/16 x 9 1/2 in. (24.3 x 24.2 cm), Drawings, Eugène Cicéri… Section and Plan of the Small Dining Room of the Hôtel de Montholon, 1785–86, Pen and black and gray ink with brush and grey and beige wash. Framing lines in pen and black ink., 9 5/16 x 7 3/4… Design for a Stage Set: Highly Decorated Interior of a Palace, 1740–1770, Pen and dark brown ink, Sheet: 5 3/16 × 5 9/16 in. (13.1 × 14.1 cm), Attributed to Giuseppe Valeriani (Italian,… A Blood, December 1, 1790, Etching and aquatint, sheet: 13 3/16 x 8 11/16 in. (33.5 x 22.1 cm), Prints, George Moutard Woodward (British, ca. 1760–1809 London) St. Jerome in a Dark Chamber, 1642, Etching, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam) Joachim Patinir, n.d., Engraving, Sheet: 7 3/8 × 6 3/4 in. (18.8 × 17.2 cm), Prints, Aegidius Sadeler II (Netherlandish, Antwerp 1568–1629 Prague), After Albrecht Dürer (German, Nuremberg… Two eagles, from 'Eagles' (Les aigles), ca. 1651, Etching, Sheet (trimmed to plate): 4 11/16 × 5 13/16 in. (11.9 × 14.8 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence) Design for a Woman's Tomb, 16th century, Black chalk, pen and brown ink, brush and brown wash, sheet: 17 7/16 x 11 11/16 in. (44.3 x 29.7 cm), Drawings, Anonymous, French, 16th century Woman and Attendant Surprised by Death, 1500–1510 (?), Etching; first state of two, plate: 6 3/16 x 8 7/8 in. (15.7 x 22.6 cm), Prints, Daniel Hopfer (German, Kaufbeuren 1471–1536 Augsburg) A Cartouche and Two Shields Surrounded by Allegorical Figures., 1570–1631, Pen and brown ink, brush and brown wash, highlighted with white gouache, over red and black chalk, sheet: 7 3/16 x 9… Self-Portrait with Saskia, 1636, Etching, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam) Portrait of Louis-Philippe, Duc d'Orleans and His Son Louis-Phillipe Joseph, Duc de Chartres, 1759, Etching, Sheet: 11 11/16 × 7 7/8 in. (29.7 × 20 cm), Prints, Louis de Carmontelle (French,… Plate 43 from 'The Disasters of War' (Los Desastres de la Guerra): 'This too.' (Tambien esto.), 1810 (published 1863), Etching, burnished aquatint and burnisher, Plate: 6 1/8 × 8 1/8 in. (15.5… Venus and Cupid in the Clouds, 1568, Engraving, sheet: 9 1/4 x 6 15/16 in. (23.5 x 17.7 cm), Prints, Giovanni Paolo Cimerlino (Italian, 1534/35–after 1609), After Paolo Farinati (Italian,… Studies of a Boy and a Girl (recto) Studies of Legs (verso), 1560–1609, Red chalk, highlighted with white chalk, on beige paper (recto); black and red chalk (verso), sheet: 9 x 12 5/8 in. (22.9… Latona, from 'Game of Mythology' (Jeu de la Mythologie), 1644, Etching; first state of five, Sheet: 1 15/16 × 2 1/4 in. (4.9 × 5.7 cm), Prints, Etched by Stefano della Bella (Italian,… Furniture Designs, 19th century, Graphite and watercolor, sheet (irregular): 13 9/16 x 13 3/4 in. (34.4 x 34.9 cm), Anonymous, French, 19th century Design for a Cabinet with Inset Fabric Panels, and Two Female Classical Statues on Marble Pedestals, early 19th century, Graphite, ink and wash, sheet: 10 3/4 x 14 15/16 in. (27.3 x 37.9 cm),… Sacrificial Scene in front of the Tomb of Mammia at Pompeii, 18th century (second half), Pen and black ink and watercolor, 12 3/4 x 8 9/16 in. (32.4 x 21.7 cm.), Drawings, Louis Félix de La… Joseph Recognized by his Brothers, 18th century, Red and black chalk, watercolor, and gouache, squared in pen and black ink, 9 3/4 x 12 11/16 in. (24.8 x 32.2 cm), Drawings, Charles Antoine… Design for a Fountain with Two Basins One on Top of the Other and Statues of Venus and Putti on the Top., 1608–65, Pen and black and brown ink, brush and gray wash over traces of graphite,… Christ Carrying the Cross (copy), 15th century, Engraving, Prints, After Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach), Engraved by Master WH (German, late 15th century), Reworked… Outline of the Design for a Two-Handled Vase, 1652–1725, Pen and brown ink over traces of black chalk; glued onto secondary paper support, sheet: 4 5/16 x 2 3/8 in. (10.9 x 6 cm), Giovanni… Studies of the Head of an Infant (after a three-dimensional model), 1572–74, Black chalk on blue paper, 6 1/4 x 7 in. (15.9 x 17.8 cm), Drawings, Poppi (Francesco Morandini) (Italian, Poppi… Design for Three Gothic Pediments, early 19th century, Graphite, sheet: 8 5/8 x 12 5/16 in. (21.9 x 31.2 cm), Anonymous, British, 19th century Plate 23 from 'The Disasters of War' (Los Desastres de la Guerra): 'The Same Elsewhere' (Lo mismo en otras partes), 1810, Etching, drypoint and burin, Plate: 6 3/8 × 9 3/8 in. (16.2 × 23.8… Design for a Stage Set, 1830–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau) Nocturne: Palaces, 1879–80, Etching and drypoint; eleventh state of twelve (Glasgow); printed in dark brown ink on ivory laid paper, Plate: 11 1/2 × 7 13/16 in. (29.2 × 19.8 cm), Prints,… Study of a Head, ca. 1508–18, Black chalk on blue paper, highlighted with white, 6 x 4in. (15.2 x 10.2cm), Drawings, Giovanni Gerolamo Savoldo (Italian, Brescia 1480/85–after 1548) Plate 22 from 'Los Caprichos': Poor little girls! (Pobrecitas!), 1799, Etching and burin aquatint, Plate: 8 7/16 x 5 7/8 in. (21.5 x 14.9 cm), Prints, Goya (Francisco de Goya y Lucientes)… Design for Door Paneling, 19th century, Graphite and wash, 15 3/4 x 12 5/8 in. (40.0 x 32.1 cm), Drawings, Charles Monblond (French, 19th century) A Lady Feeding a Bird, 1913, Pen and ink, watercolor, and lead white on laid paper., sheet: 12 5/16 x 8 13/16 in. (31.2 x 22.4 cm), Drawings, Charles Martin (French, Montpellier… The King of Brobdingnag and Gulliver.–Vide. Swift's Gulliver: Voyage to Brobdingnag, June 26, 1803, Hand-colored etching and aquatint, sheet (clipped impression): 12 1/16 x 9 5/8 in. (30.6 x… Plate 4 of the 'Tauromaquia':They play another with the cape in an enclosure, 1816, Etching, burnished aquatint, drypoint and burin, Plate: 9 5/8 × 13 7/8 in. (24.5 × 35.3 cm), Prints, Goya… Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 3 3/8 x 3 13/16 in. (8.5 x 9.7 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau) Virgin and Child Crowned by an Angel, 1520, Engraving, Sheet: 5 3/8 × 3 7/8 in. (13.7 × 9.9 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg) Standing Female Figure, ca. 1739–40, Etching, sheet: 4 1/2 x 2 13/16 in. (11.4 x 7.2 cm), Prints, Pierre Ignace Parrocel (French, 1702–1775) Unidentified , orthographic study, plans and section (recto) Rhomicuboctahedron, skeletal, perspective; elevation, perspective projection (verso), early to mid-16th century , Dark brown ink,… Noctes Ambrosianae, ca. 1908, Etching and aquatint; third state, plate: 8 15/16 x 10 1/8 in. (22.7 x 25.7 cm), Prints, Walter Richard Sickert (British, Munich 1860–1942 Bathampton, Somerset) The Great Exhibition 'Wot is to Be', Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done,… Design for an awning over a door, in Moorish style, 1830–97, pen and ink, brush and wash, watercolor on laid paper; mounted on blue wove paper, Overall: 10 7/16 x 14 3/4 in. (26.5 x 37.4… One Quarter of a Design for a Ceiling of a Room with Halved Variant Designs, 1774–90, Graphite with ruled and compass construction, 18-5/16 x 11-1/4 in. (46.5 x 28.5 cm), Drawings, Workshop… Angel (upper register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858), 19th century, Red chalk, stumped, heightened with white chalk and gouache, with traces… Ruins of the Roman Arena at Pozzuoli, 1607–56, Pen and brown ink, brush and brown wash, 7 3/8 x 10 5/8in. (18.8 x 27cm), Drawings, Aniello Falcone (Italian, Naples 1607–1656 Naples) Design for Three Bookcabinets Two Adorned with Eagles and Snakes, the other with Masks, Flames and Grotesques, early 19th century, Ink and wash and graphite, sheet: 7 9/16 x 14 13/16 in. (19.2 x… Joseph Henry of Straffan, Co. Kildare, 1744–51, Pen and brown ink, over traces of black chalk, 12 5/16 x 8 3/8in. (31.2 x 21.3cm), Drawings, Pier Leone Ghezzi (Italian, Comunanza near Ascoli… The Ford, 1634, Etching; second state of five (Mannocci), sheet: 4 1/8 x 6 11/16 in. (10.5 x 17 cm), Prints, Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome) Visiting the Sick (Visiter les malades), Etching and engraving; first state of two (Join-Lambert and Préaud), sheet: 10 x 12 3/8 in. (25.4 x 31.5 cm), Prints, Abraham Bosse (French, Tours… Bacchanal, 1855, Graphite, heightened with white on wove paper, sheet: 6 x 6 5/16 in. (15.2 x 16 cm), Drawings, Anonymous, French, 19th century, After Claude Gillot (French, Langres 1673–1722 Paris) Street Scene with a Palace Facade and an Arcade, 1707–94, Pen and brown ink, brush and gray wash over traces of black chalk, 8 x 10 5/16in. (20.3 x 26.2cm), Drawings, (recto) Made by… Nocturne: Furnace, 1879–80, Etching and drypoint; printed in dark brown ink on fine ivory laid paper, Plate: 6 9/16 × 9 1/16 in. (16.6 × 23 cm), Prints, James McNeill Whistler (American,… The Blacksmith, 1895–96, Transfer lithograph with stumping; third state of three (Chicago); printed in black ink on medium weight cream laid paper, Image: 8 11/16 × 6 9/16 in. (22 × 16.7… Old woman on a swing (Vieja columpiándose), n.d., facsimile, Image: 7 x 4 5/8 in. (17.8 x 11.7 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux) The vision of Saint Jerome who is asleep in the bottom right, the Virgin and Child appear above being pointed to by Saint John the Baptist, 1531–76, Engraving, Sheet: 14 3/16 × 9 1/2 in. (36… Cooked Apple Seller, 1738, Etching with some engraving, Sheet: 9 1/4 x 7 3/16 in. (23.5 x 18.2 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris),… Design for an Altarpiece, late 17th–early 18th century, Pen and brown ink, brush and brown and rose wash, Irregular: 11 15/16 x 9 11/16 in. (30.4 x 24.6 cm), Drawings, Anonymous, French,… Speculum Romanae Magnificentiae: Subjects after Antique Cameos and Gems, ca. 1550–77, Engraving. State i before numbers, Prints, Anonymous, Italian, 16th century, After Battista Franco… Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 9 1/16 x 6 1/2 in. (23 x 16.5 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau) Illustration for a Book: Scene of Men Disposing of Corpse in a Garden, 1696–1770, Black chalk. Horizontal and vertical centering lines ruled in faint black chalk, 3-1/16 x 6 in. (7.8 x 15.3… Drapery Study for a Bishop (lower register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858), 19th century, Black chalk, stumped, heightened with white chalk,… Whistler with the White Lock, 1879, Drypoint; only state (Glasgow); printed in black ink on greenish laid paper, plate: 4 9/16 x 3 1/8 in. (11.6 x 7.9 cm), Prints, James McNeill Whistler… Ornamental designs for porcelain, 18th century, Watercolor with traces of graphite., sheet: 8 3/8 x 7 3/16 in. (21.2 x 18.3 cm), Drawings, Attributed to Anonymous, German, 18th century Declaration of War on Spain by Louis XIII: The King as Hercules, ca. 1635, Etching; second state of four, Sheet (trimmed): 10 3/8 in. × 13 in. (26.3 × 33 cm), Prints, Abraham Bosse (French,… Desing for a base or support with three female figures, 19th century, Black chalk on laid paper, sheet: 10 1/16 x 7 5/8 in. (25.5 x 19.4 cm), Drawings, Anonymous, French, 19th century St. Augustine, n.d., Engraving with etching, sheet: 18 x 10 15/16 in. (45.7 x 27.8 cm), Prints, Nicolas Pitau (French, Paris before 1670–1724), After Laurent de La Hyre (French, Paris… The Cobbler, 1737, Etching with some engraving, image: 8 11/16 x 6 3/4 in. (22.1 x 17.2 cm), Prints, After Edme Bouchardon (French, Chaumont 1698–1762 Paris), Anne Claude Philippe de… Heraldic Design for Henry IV and Marie de Medici (?), 17th century, Pen and brown ink., 8 3/4 x 7 3/16 in. (22.3 x 18.3 cm), Drawings, Anonymous, French, 17th century The Entombment, ca. 1654, Etching; first state of four, Plate: 8 5/16 × 6 5/16 in. (21.1 × 16 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam), The… The Great Exhibition 'Wot is to Be', Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done,… The Tree House at Pratolino, ca. 1653, Etching; first state of two, sheet: 9 13/16 x 14 1/2 in. (25 x 36.8 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence) Nineteen designs for the painted decoration of interiors, 1830–97, graphite, pen and ink, watercolor, and gold paint on various papers; mounted on cardboard, Overall: 12 3/8 x 18 3/4 in. (31.4… The Sedate Parrot, n.d., Wash and Chinese white, 7 15/16 x 6 7/16 in. (20.2 x 16.4 cm), Drawings, Jean-Georges Vibert (French, Paris 1840–1902 Paris) A Great Man on His Hobby Horse, 1803, Etching, Sheet: 19 x 7 1/2 in. (48.3 x 19.1 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London) Venice, The Lion of St. Mark, 1915, Etching; third state of three, plate: 5 1/8 x 4 3/4 in. (13 x 12.1 cm), Prints, Walter Richard Sickert (British, Munich 1860–1942 Bathampton, Somerset) Magna Carta, 18th century, Pen and gray ink, brush and gray wash, sheet: 3 3/8 x 2 1/8 in. (8.5 x 5.4 cm), Drawings, Attributed to Anonymous, French, 18th century San Lorenzo, Library, window, elevation (recto) San Lorenzo, Library, window, cornice, section; cornice, section (verso), early to mid-16th century , Dark brown ink, black chalk, and incised… Figural Studies for a Scene (The Birth of the Virgin or Saint John the Baptist?), 1495–1540, Red chalk, 8 11/16 x 6in. (22.1 x 15.2cm), Drawings, Rosso Fiorentino (Italian, Florence… The Philistines Place the Ark of the Covenant in the Temple of Dagon, ca. 1540, Etching and engraving. First state, sheet: 10 1/2 x 16 1/4 in. (26.7 x 41.2 cm) trimmed to platemark, Prints,… Boy With a Staff, 1682–1754, Charcoal or black chalk, highlighted with white chalk, on blue-gray paper faded to light brown, 12 9/16 x 9 13/16 in. (31.9 x 25 cm), Drawings, Giovanni Battista… Greenwich Park, 1859, Etching and drypoint, third state of three (Glasgow); black ink on medium weight cream laid paper, plate: 4 15/16 x 7 7/8 in. (12.5 x 20 cm), Prints, James McNeill… Design for a Sconce, 18th century, Pen and black ink, brush and grey wash., sheet: 9 5/8 x 5 13/16 in. (24.5 x 14.7 cm), Drawings, Anonymous, French, 18th century 2.589.713 / 2.589.715 Entries < previous page Page 1134 / 25898 next page >