Pyramus et Thisbe, from 'Game of Mythology' (Jeu de la Mythologie), 1644, Etching; first state of five, Sheet: 1 7/8 × 2 3/16 in. (4.7 × 5.6 cm), Prints, Etched by Stefano della Bella…

A Muse, n.d., Red chalk; faintly squared in red chalk. Framing lines in black chalk., 8 1/8 x 5 7/8 in. (20.7 x 14.9 cm), Drawings, Bernard Picart (French, Paris 1673–1733 Amsterdam)

The Infanta Margarita, after Velázquez, 1862–64, Etching and drypoint on wove paper; second (final state); only known impression, plate: 6 11/16 x 4 3/4 in. (17 x 12 cm), Prints, Etched by…

Plate 29 from 'Los Caprichos': That certainly is being able to read (Esto si que es leer.), 1799, Etching, burnished aquatint and drypoint, Plate: 8 3/8 × 5 13/16 in. (21.3 × 14.7 cm), Prints,…

The Map, 1890, Drypoint; second state of three, plate: 6 1/4 x 9 3/16 in. (15.9 x 23.3 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise)

Judgment of Paris, 19th century, Engraving, Diameter: 1 3/8 in. (3.5 cm), Prints, Alois Petrak (Czech, 1811–1888), After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

St. Genevieve, n.d., Engraving, sheet: 14 15/16 x 9 3/8 in. (38 x 23.8 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), After Laurent de La Hyre (French, Paris 1606–1656 Paris)

Portrait of a Man Wearing a Wig, 1699–1758, Black chalk, stumped, highlighted with white, on gray-green paper, 11-3/4 x 8-13/16 in. (29.8 x 22.4 cm), Drawings, Bartolommeo Nazari (Nazzari)…

Plate 20 from 'The Disasters of War' (Los Desastres de la Guerra): 'Get them well, and on to the next.' (Curarlos y á otra.), 1810, Etching, lavis, burin, and burnisher, Plate: 6 5/16 × 9 1/4…

The Angel Departing from the Family of Tobias, 1641, Etching and drypoint, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Putti, 1577–1640, Earth red wash highlighted with white, Drawings, Pietro Tacca (Italian, Carrara 1577–1640 Florence)

The School Master, ca. 1638, Etching, Sheet (trimmed): 10 1/16 × 12 3/4 in. (25.5 × 32.4 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Plan and Elevations of a Room, early 19th century, Ink, graphite and watercolor, sheet: 11 3/4 x 16 1/16 in. (29.8 x 40.8 cm), Anonymous, British, 19th century

Christ on the Cross with the Virgin and St. John (Schr. 427a), 15th century, Woodcut, sheet: 4 7/16 x 6 1/16 in. (11.2 x 15.4 cm), Prints, Anonymous, German, 15th century

Ornamental Panel with Flaming Lamps and Sheet Music, 19th century, Watercolor on vellum, sheet: 4 x 14 in. (10.2 x 35.6 cm), Drawings, Anonymous, French, 19th century

Design for a Bucket-Like Vessel with a Handle of Two Interlaced Captives, on a Body Adorned with a Scroll, Garland, and a Spout with a Satyr's Head., 1540–50, Pen and brown ink, over black…

Christ and the Centurion (recto); Figure Waving to Departing Ship (verso)., n.d., Pen and brown ink, brush and brown wash, highlighted with white gouache, sheet: 9 x 11 3/4 in. (22.9 x 29.9…

A Man Millener, February 16, 1787, Hand-colored etching, sheet: 10 9/16 x 7 7/8 in. (26.9 x 20 cm), Prints, Attributed to Henry Kingsbury (British, active ca. 1775–98)

Barbarie, 1644, Etching, state iii, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence), Designed by Jean Desmarets de Saint-Sorlin (French, 1595–1676)

The Virgin with the Swaddled Child, 1520, Engraving, Sheet: 5 1/2 × 3 3/4 in. (14 × 9.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Le Progrès, for the Bulletin of Fashion, New York, No. 110, from Modes de Paris, February 1859, Steel engraving with hand coloring, Sheet: 11 11/16 x 15 3/4 in. (29.7 x 40 cm), Prints,…

Svevus, from the series Peplus, sive Gothorum, Heruolorum..., 1650, Engraving and etching, sheet: 17 3/8 x 11 15/16 in. (44.1 x 30.4 cm), Prints, Engraved by Cornelis Visscher (Dutch, Haarlem…

Plate 30 from 'The Disasters of War' (Los Desastres de la Guerra): ' Ravages of War' (Estragos de la guerra), 1810, Etching, drypoint, burin, and burnisher, Plate: 5 1/2 × 6 11/16 in. (14 × 17…

The Opening of the Seventh Seal, from the Apocalypse, n.d., Engraving, plate: 12 1/16 x 8 3/4 in. (30.7 x 22.2 cm), Prints, Jean Duvet (French, ca. 1485–after 1561)

Christ Crowned with Thorns, from The Small Passion, ca. 1509, Woodcut, sheet: 5 x 3 13/16 in. (12.7 x 9.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

The Virgin and Child Enthroned with Saint Sebastian and a Franciscan Saint, 1696–1770, Pen and brown ink, brush and brown wash, highlighted with white gouache, over black chalk, on beige…

Moorish horseman in profile facing right, in the background a pyramid at left, many figures and an elephant, from 'Figures on Horseback' (Cavaliers nègres, polonais et hongrois), ca. 1651,…

The Lord Answering Job out of the Whirlwind, from Illustrations of the Book of Job, 1825–26, Engraving, plate: 8 1/2 x 6 5/8 in. (21.6 x 16.8 cm), Prints, William Blake (British, London…

The Glorification of the Virgin, from The Life of The Virgin, ca. 1502, Woodcut, sheet: 12 11/16 x 9 5/16 in. (32.2 x 23.6 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Five Miscellaneous Designs for the de la Rochejaquelein Family, second half 19th century, Graphite and black chalk, 12 1/4 x 18 3/4 in. (31.1 x 47.6 cm), Drawings, Eugène-Pierre Gourdet (French,…

Joshua, David, and Judas Maccabee, from The Nine Heroes, ca. 1520, Woodcut, image: 12 1/4 x 20 1/16 in. (31.1 x 51 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Achille Fould, December 20, 1849, Lithograph; second state, sheet: 14 x 9 15/16 in. (35.6 x 25.3 cm), Prints, Honoré Daumier (French, Marseilles 1808–1879 Valmondois)

The London Shoreditch, ca. 1920, Etching; first state of three, plate: 6 x 6 3/4 in. (15.3 x 17.2 cm), Prints, Walter Richard Sickert (British, Munich 1860–1942 Bathampton, Somerset)

Mars, Venus and Cupid, ca7–1639, Etching, Sheet (Trimmed): 10 3/8 × 7 3/4 in. (26.3 × 19.7 cm), Prints, Simone Cantarini (Italian, Pesaro 1612–1648 Verona), After Paolo Veronese (Paolo…

Castrica Passerina, Watercolor, sheet: 5 11/16 x 6 1/8 in. (14.4 x 15.6 cm), Drawings, Vincenzo Leonardi (Italian, Rome ca. 1590–ca. 1646 Rome)

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 12 1/16 x 6 9/16 in. (30.7 x 16.7 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Yellow Trumpet-like Flowers on a Vine, March 7, 1911, Watercolor and brown ink over graphite with details in brown ink, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings, Margaret…

Plate 8 from 'Los Caprichos': They carried her off! (Que se la llevaron!), 1799, Etching and aquatint, Plate: 8 7/16 × 5 7/8 in. (21.4 × 15 cm), Prints, Goya (Francisco de Goya y Lucientes)…

Plate 3: An officer giving orders to a solider in centre foreground, cannon at left, from 'Various Military Caprices' (Varii capricci militari), ca. 1641, Etching; second state of four, Sheet…

Husband-Beater, ca. 1633, Etching with engraving, Sheet (trimmed): 10 1/16 × 12 15/16 in. (25.6 × 32.9 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

A Seated Female Figure Surrounded by Nude Infants, 1612–50, Pen and brown ink, some black ink, brush and gray wash, on brownish paper, 7 5/16 x 10 1/8in. (18.5 x 25.7cm), Drawings, Pietro…

Thames Police (Wapping Wharf), 1859, Etching; fifth state of five (Glasgow); printed in black ink on medium weight ivory laid paper, Plate: 5 7/8 × 8 7/8 in. (15 × 22.6 cm), Prints, James…

Summer (L'Eté), from 'The Four Seasons', ca. 1641, Etching, Sheet: 3 7/8 × 2 5/16 in. (9.8 × 5.9 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence), Ornament…

Three Designs for Architectural Trophies, Pen and black ink, brush and gray wash, over graphite underdrawing, 7 5/16 x 13 1/8 in. (18.6 x 33.3 cm.) (irregular), Drawings, Style of Jean Charles…

King Midas, 1611–74, Brush and grey ink, heightened with white bodycolor. Framing line in brush and grey ink with white bodycolor, sheet: 8 1/4 x 11 13/16 in. (21 x 30 cm), Drawings, Leonaert…

Six Women Outdoors, No. 676, from La Elegancia, 1865–66, Etching, Sheet: 11 x 15 9/16 in. (27.9 x 39.5 cm), Prints, Hélöise Leloir (French, 1820–1873)

The Anointing of Louis XVI at His Coronation in Reims Cathedral, June 11, 1775, 1814, Pen and black ink, with brush and gray wash, over light indications made with a stylus. Framing lines in pen…

Lamp Design, 19th century, Watercolor, Drawings, Anonymous, Chinese, 19th century

Nude Model, Reclining (Nude Model Resting), 1893, Transfer lithograph with stumping, drawn on fine -grained transfer paper; third state of three (Chicago); printed in grayish-black ink on…

The Assumption of the Virgin, 1727–1804, Pen and black ink, brush and gray wash, over red chalk, 14-7/8 x 10-3/4 in. (37.8 x 27.3 cm), Drawings, Giovanni Domenico Tiepolo (Italian, Venice…

Standing Woman Holding a Spindle, and Head of a Woman in Profile to Right, early 18th century, Two shades of red chalk, 6 7/16 x 4 13/16 in. (16.4 x 12.2 cm), Drawings, Antoine Watteau…

La Belle Dame Paresseuse, 1894, Transfer lithograph, drawn on thin, transparent wove paper; only state (Chicago); printed in black ink on cream Japanese paper, Image: 9 5/16 × 6 7/8 in. (23.6 ×…

Old Putney Bridge, 1879, Etching and drypoint; seventh state of seven (Glasgow); printed in dark brown ink on ivory laid paper, Plate: 7 7/8 x 11 5/8 in. (20 x 29.5 cm), Prints, James McNeill…

Christ Summoning Peter and Andrew, 1776, Mezzotint with etching, sheet: 10 5/8 x 16 1/4 in. (27 x 41.2 cm), Prints, Richard Earlom (British, London 1743–1822 London), After Claude Lorrain…

Studies of Horsewomen, late 18th–mid-19th century, Graphite, heightened with white chalk, on blue paper, 7 7/8 x 12 5/8 in. (20 x 32.1 cm), Drawings, Wilhelm von Kobell (German, Mannheim…

Songs of Innocence and of Experience: A Little Girl Lost, ca. 1825, Relief etching printed in orange-brown ink and hand-colored with watercolor and gold, sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1…

Plate 3 from 'Los Caprichos': Here comes the bogey-man (Que viene el Coco.), 1799, Etching and burnished aquatint, Plate: 8 3/8 × 5 15/16 in. (21.3 × 15.1 cm), Prints, Goya (Francisco de Goya…

Angel Holding a Palm and a Crown, ca. 1764, Etching, first state of two, Sheet: 9 3/16 x 7 7/8 in. (23.4 x 20 cm), Prints, Jean Honoré Fragonard (French, Grasse 1732–1806 Paris), After…

Allegorical Homage to an Architect (?), 1655–1723, Pen and brown ink, brush and brown wash, over black chalk. Squared in black chalk, 10 5/8 x 7 1/2in. (27 x 19cm), Drawings, Alessandro…

Designs featuring the allegories of the arts, second half 19th century, Graphite and watercolor, Overall: 14 1/8 x 14 3/4 in. (35.9 x 37.5 cm), Drawings, Jules-Edmond-Charles Lachaise (French,…

Two Designs for a Vase, 19th century, Pen and brown ink, watercolor, over graphite., sheet: 9 15/16 x 6 7/8 in. (25.3 x 17.5 cm), Drawings, Anonymous, French, 19th century

The Angel Staying the Arm of Abraham, Engraving and etching, sheet: 16 7/16 x 11 1/2 in. (41.8 x 29.2 cm) trimmed to platemark, Prints, Attributed to Battista Franco (Italian, Venice ca.…

Design for a Theatre, 18th century, Pen and black ink, brush and rose wash over graphite, plate: 11 1/4 x 7 in. (28.6 x 17.8 cm), Drawings, Anonymous, French, 18th century

Design for a Vase, Black chalk, stumped, 7 1/2 x 5 1/8 in. (19.1 x 13 cm), Attributed to Gilles-Marie Oppenord (French, Paris 1672–1742 Paris)

Scene from Ancient History (recto); Leg and Arm of a Nude Male Figure (verso), 1738–70, Red chalk, highlighted with white, on beige paper (recto); red chalk, stumped (verso), 9 15/16 x 15…

St Peter's, dome, model, half elevation (recto) blank (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 17 3/8 x 11 5/8 in. (44.2 x 29.5 cm), Drawings,…

A bearded man wearing a cap looking down to the right, from the series 'Heads in Oriental Headdress', ca. 1648–50, Etching, sheet: 7 1/16 x 5 13/16 in. (18 x 14.8 cm), Prints, Giovanni…

Apple Seller, 1746, Etching with some engraving, Sheet: 9 1/8 x 7 in. (23.2 x 17.8 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After Edme…

Design for Purple Curtains with Gold Fringes and a Gold and White Pediment, early 19th century, Ink, watercolor and wash, sheet: 8 7/8 x 15 1/8 in. (22.5 x 38.4 cm), Anonymous, British, 19th century

Plate 39 from 'The Disasters of War' (Los Desastres de La Guerra): 'An heroic feat! With dead men! '(Grande hazaña! Con muertos!), 1810 (published 1863), Etching, lavis and drypoint, Plate: 6 1/8…

Gardens of the Villa d'Este at Tivoli, 1760, Pen and brown ink, brush and brown and gray wash, watercolor, heightened with white, over black and red chalk, 12 5/16 x 18 11/16 in. (31.3 x 47.5…

La fourberie, 17th century, Pen and brown ink, brush and gray wash, graphite., 5 9/16 x 2 3/4 in. (14.2 x 7 cm), Drawings, Anonymous, French, 17th century

Architectural Drawing, 18th century, Pen and brown ink, brush and gray wash, sheet: 10 5/16 x 5 1/2 in. (26.2 x 13.9 cm), Anonymous, French, 18th century

Study for 'Types de races algériennes', 1830–86, Graphite on wove paper, sheet: 10 5/16 x 13 9/16 in. (26.2 x 34.4 cm), Drawings, Henri-Félix-Emmanuel Philippoteaux (French, Paris…

Cheerio, 1928–29, Etching; only state, plate: 7 5/16 x 5 9/16 in. (18.5 x 14.2 cm), Prints, Walter Richard Sickert (British, Munich 1860–1942 Bathampton, Somerset)

The Dyer, 1879–80, Etching and drypoint; eighth state of nine (Glasgow); printed in brown ink on fine ivory laid paper, Plate: 11 13/16 × 9 1/8 in. (30 × 23.2 cm), Prints, James McNeill…

Little Doorway, Lyme Regis, 1895, Transfer lithograph, drawn on thin, transparent transfer paper; only state (Chicago); printed in black ink on cream wove proofing paper, Image: 9 3/16 × 6 3/16…

The Allied Bakers or the Corsican Toad in the Hole, April 1, 1814, Hand-colored etching, plate: 10 x 14 1/8 in. (25.4 x 35.8 cm), Prints, George Cruikshank (British, London 1792–1878 London),…

Sts. Peter and Paul With the Vernicle, 1517, Engraving, sheet: 2 7/8 x 4 5/8 in. (7.3 x 11.7 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Plate 73 from 'Los Caprichos': It is better to be lazy (Mejor es holgar.), 1799, Etching, burnished aquatint and burin, Plate: 8 3/8 × 5 7/8 in. (21.3 × 14.9 cm), Prints, Goya (Francisco de Goya…

The Pardon Refused (from Sir Walter Scott's 'Kenilworth'), ca. 1826–29, Watercolor heightened with lead white, on stiff wove paper, 9-5/8 x 7-1/2 in. (24.4 x 19.1 cm), Drawings,…

View of a Swiss Villa, 1896, Pen and ink with watercolor over graphite. Framing line in graphite., sheet: 23 1/8 x 16 15/16 in. (58.7 x 43 cm), Drawings, Rudolf von Alt (Austrian, Vienna…

The Winged Hat, 1890, Transfer lithograph, drawn on medium-grained transfer paper; second state of two (Chicago); printed in black ink on off-white medium weight laid paper, Image: 7 1/16 × 6 7/8…

Plate 9 from 'The Disasters of War' (Los Desastres de la Guerra):They don't like it (No quieren.), 1810 (published 1863), Etching, burnished aquatint, drypoint, burin and burnisher, Plate: 6 1/8 ×…

Holy Family with Saint John the Baptist, ca0–1660, Etching, Sheet (Trimmed): 9 3/4 × 7 5/16 in. (24.8 × 18.6 cm), Prints, After Simone Cantarini (Italian, Pesaro 1612–1648 Verona)

Plate 22: cart horse, from 'Various animals' (Diversi animali), ca. 1641, Etching; second state of three (De Vesme), Plate: 3 7/16 × 4 3/8 in. (8.7 × 11.1 cm), Prints, Stefano della Bella…

Two Plans and Elevations for Fountains, 16th century, Black chalk, pen and brown ink, brush and brown wash, sheet: 11 9/16 x 17 1/8 in. (29.3 x 43.5 cm), Drawings, Anonymous, French, 16th century

The Penance of Saint John Chrysostom, ca. 1496, Engraving, Sheet: 7 1/16 × 4 5/8 in. (17.9 × 11.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Design for the Decoration of a Ceiling Cove in the Hôtel de Pless, Berlin, second half 19th century, Watercolor and gouache on wove paper, sheet: 7 1/2 x 16 1/4 in. (19 x 41.2 cm), Drawings,…

Mercury presenting a panpipe to Minerva who stands at left, an oval composition, 1531–76, Engraving, sheet: 9 13/16 x 7 1/16 in. (25 x 18 cm), Prints, Giulio Bonasone (Italian, active Rome…

Design for a Set of Candlesticks and a Clock, 19th century, Pen and brown ink, sheet: 5 1/2 x 9 1/8 in. (14 x 23.2 cm), Drawings, Anonymous, French, 19th century

The Marriage Contract, 1633, Etching; first state of two, Sheet (trimmed): 10 1/4 in. × 13 in. (26 × 33 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Veduta del Boschetto d'Arcadia dalla parte del Tempio, n.d., Pen and brown ink, sheet: 11 1/4 x 16 3/8 in. (28.6 x 41.6 cm), Drawings, Ennemond Alexandre Petitot (French, Lyons 1727–1801 Parma)

Au Jardin d'Acclimation, n.d., Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres)

Giraffe (John E. Owens as Jakey), from The Comic Natural History of the Human Race, 1851, Color lithography with watercolor and gum, sheet: 11 1/16 x 7 3/16 in. (28.1 x 18.2 cm), Prints, Henry…

Burying the Dead (Enseveliir les morts), Etching with engraving, sheet: 10 1/8 x 12 1/8 in. (25.7 x 30.8 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

The Death of Lazarus, 1620–76, Etching with engraving, Sheet (trimmed): 10 1/16 × 12 11/16 in. (25.6 × 32.2 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Allegorical Figure of Melancholy, 1763, Pen and brown ink, brush and brown wash, over black chalk, 12 x 7 15/16 in. (30.5 x 20.1 cm), Drawings, Charles de La Traverse (French, Paris 1726–ca.…

Satan bound for a Thousand Years, from the Apocalypse, n.d., Engraving, plate: 11 13/16 x 12 3/16 in. (30 x 31 cm), Prints, Jean Duvet (French, ca. 1485–after 1561)

Knight, Death and the Devil, 1513, Engraving, sheet: 9 5/8 x 7 7/16 in. (24.4 x 18.9 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)