Librifly Art Gallery 2.589.713 / 2.589.715 Entries < previous page Page 1137 / 25898 next page > Terms of Hercules and Deianira, ca. 1531–76, Engraving, Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576) Plate 17 from the 'Disparates': Loyalty, ca. 1816–23 (published 1864), Etching and burnished aquatint, Plate: 9 5/8 × 13 3/4 in. (24.5 × 35 cm), Prints, Goya (Francisco de Goya y… Four Goats (Left Section of The Goats), ca. 1630–33, Etching; second state of four (Mannocci), sheet: 8 11/16 x 5 13/16 in. (22 x 14.8 cm), Prints, Claude Lorrain (Claude Gellée) (French,… Abbé Jean-Antoine Nollet, 1674–1755, Pen and brown ink, over traces of graphite or lead, 11 7/8 x 8 1/2in. (30.2 x 21.6cm), Drawings, Pier Leone Ghezzi (Italian, Comunanza near Ascoli… Two Horses, 1850, Etching on thin wove paper, laid down on card, plate: 6 3/8 x 5 5/8 in. (16.2 x 14.3 cm), Prints, Charles Meryon (French, 1821–1868), After Karel Dujardin (Dutch, Amsterdam… Design for Stage Set, 18th century, Graphite or leadpoint with ruled and compass construction, 9 15/16 x 10 9/16 in. (25.3 x 26.9 cm), Drawings, Workshop of Leonardo Marini (Italian,… Bird Eating Grapes (recto); Tigress (verso), 1487–1564, Brush and watercolor and gouache, 4-7/8 x 8 in. (12.4 x 20.3 cm), Drawings, Giovanni da Udine (Giovanni dei Ricamatori) (Italian,… Sheet of Rebuses with Birds with Human Heads, ca. 1834, Etching and engraving on laid paper, sheet: 13 1/2 x 11 1/4 in. (34.3 x 28.6 cm), Prints, Anonymous, French, 19th century Wall Elevation with a Window and Statues of Saint John the Baptist and Saint Peter in Niches, 1556–1641, Pen and brown ink, brush and brown wash, over black chalk. Squared in black chalk, 10 9/16… Saint John Nepomucen Venerating a Crucifix, 1689–1767, Pen and black ink, brush and gray wash, over traces of black chalk. Lined, 8 15/16 x 6 5/8in. (22.7 x 16.8cm), Drawings, Gaspare… Study for a Decorated Initial A with the Annunciation, Pen and brown ink, heightened with white. Framing lines in pen and brown ink with some gold., 5 1/8 x 4 1/8 in. (13 x 10.5 cm), Drawings,… Head of a Bearded Man (Nicodemus), 1577–1660, Oil paint on paper, 15-9/16 x 11-1/8 in. (39.5 x 28.2 cm), Drawings, Giacomo Cavedone (Italian, Sassuolo 1577–1660 Bologna) Studies of Eight Silver Pieces, n.d., Pen and black ink, brush and gray wash, sheet: 12 x 18 1/4 in. (30.5 x 46.4 cm), Drawings, Jean Guillaume Moitte (French, Paris 1746–1810 Paris) Plan and Elevations of a Room, ca. 1830, Ink, graphite and watercolor, sheet: 9 x 14 11/16 in. (22.9 x 37.3 cm), Anonymous, British, 19th century Design for Two Marble-topped Pier Tables, early 19th century, Ink and was and graphite, sheet: 8 9/16 x 12 5/16 in. (21.8 x 31.2 cm), Anonymous, British, 19th century Design for Three Chairs Upholstered in Blue, early 19th century, Ink, watercolor and wash, sheet: 10 3/4 x 14 15/16 in. (27.3 x 37.9 cm), Anonymous, British, 19th century Design for a Stage Set, 1830–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau) Man of Sorrows with Hands Bound, 1512, Drypoint, plate: 4 9/16 x 2 15/16 in. (11.5 x 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg) Flying Angel with Arms Upraised, 1575–1640, Black chalk, brush and gray wash, highlighted with white, on blue paper. Framing lines in pen and dark brown ink, 13-15/16 x 8-3/4 in. (35.4 x 22.3… Philip III, King of Spain on horseback, after Velázquez, 1778, Etching and drypoint, Sheet: 16 1/4 × 13 7/16 in. (41.2 × 34.1 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish,… Adoration of the Shepherds, 1554–1627, Pen and brown ink, brush and brown wash, 7 3/4 x 6 1/8in. (19.7 x 15.5cm), Drawings, Attributed to Giovanni Battista Paggi (Italian, Genoa 1554–1627 Genoa) Old Age, 1636, Etching with engraving, Sheet (trimmed): 10 3/16 × 12 3/4 in. (25.8 × 32.4 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris) L'Amour en Sentinelle, n.d., Etching and engraving; first state of two (Portalis), Sheet: 16 1/4 × 12 1/8 in. (41.3 × 30.8 cm), Prints, Simon Charles Miger (French, Nemours 1736–1820 Paris),… The Holy Family with the Infant Baptist, Saint Elizabeth, and an Attendant Angel, 1550–60, Pen and brown ink, brush and pale brown wash, on beige paper, 6 1/4 x 5in. (15.9 x 12.7cm),… St. Peter's, dome and drum, interior section and elevation, and labeled details (recto); St. Peter's, moulding profiles, details (verso), early to mid-16th century , Pen and brown ink, black… Plate 49 from 'Los Caprichos': Hobgoblins (Duendecitos.), 1799, Etching and aquatint, Plate: 8 3/8 x 6 in. (21.2 x 15.2 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos… Chinese Man at Desk with an Abbacus, 19th century, Watercolor and gouache, sheet: 14 9/16 x 9 1/2 in. (37 x 24.2 cm), Drawings, Anonymous, Chinese, 19th century An Outdoor Balustrade Overhung with an Awning in Moorish Style, 1830–97, graphite and watercolor on wove paper; mounted on laid paper, image: 6 15/16 x 24 3/16 in. (17.7 x 61.4 cm),… Design for a Palace Interior, 1730–1997, Pen and brown ink, brush with gray, green, yellow, and red wash, over leadpoint, 14 1/4 x 10 1/2in. (36.2 x 26.7cm), Drawings, Workshop of Leonardo… Saint Jerome by the Pollard Willow, 1512, Drypoint, Sheet: 8 1/16 × 7 1/16 in. (20.4 × 17.9 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg) The Thames, 1896, Lithotint with scraping; third state of three (Chicago); printed in black ink on ivory laid paper, Image: 10 3/8 × 7 5/8 in. (26.4 × 19.3 cm), Prints, James McNeill… Margaret of Austria on horseback, after Velázquez, 1778, Etching and drypoint, Plate: 14 5/8 × 12 1/4 in. (37.2 × 31.1 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish,… The Opera Over! Or 'The Last Man', 1827, Hand-colored aquatint, sheet: 11 7/16 x 7 3/4 in. (29 x 19.7 cm), Prints Design for a Covered Footed Serving Dish, ca. 1770–1816 , Pen and gray ink, brush and gray wash. Framing lines in pen and black ink., 10 5/16 x 16 1/16 in. (26.2 x 40.8 cm), Circle of Henri… Man on Horseback seen in Profile View Facing Right., 1610–64, Pen and light brown ink, Sheet: 2 5/16 x 2 3/4 in. (5.9 x 7 cm), Drawings, Stefano della Bella (Italian, Florence 1610–1664 Florence) Head of an Irish Girl, 1888, Metalpoint on white paper, 11 x 8 1/2 in. (27.9 x 21.6 cm), Drawings, Alphonse Legros (French, Dijon 1837–1911 Watford, Hertfordshire) Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, sheet: 10 13/16 x 18 1/8 in. (27.5 x 46 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau) The Apse of Notre-Dame, Paris, 1854, Etching with engraving and drypoint on laid paper; fourth state of nine, plate: 6 1/2 x 11 13/16 in. (16.5 x 30 cm), Prints, Charles Meryon (French, 1821–1868) Landscape with an Old Woman Holding a Spindle, after Domenico Campagnola, ca. 1715, Red chalk. Framing lines in pen and brown ink., 8 1/8 x 12 1/2 in. (20.6 x 31.8 cm), Drawings, Antoine… Austrian Soldiers, late 18th–19th century, Watercolor over graphite. Framing line in pen and ink., 15 3/8 x 19 1/2 in. (39 x 49.5 cm), Drawings, Wilhelm von Kobell (German, Mannheim… Studies for a Ceiling (recto and verso), n.d., Pen and dark brown ink over traces of leadpoint (recto); pen and dark brown ink over leadpoint (verso), 11 5/16 x 17 3/8 in. (28.8 x 44.1 cm),… Head of a Man with a Moustache Looking Left, 1765–1810, Red chalk, sheet: 23 9/16 x 17 5/8 in. (59.9 x 44.7 cm), Drawings, Jakob Matthias Schmutzer (Austrian, Vienna 1733–1811 Vienna) Saint Lawrence, 1619, Pen and brown ink and wash, with squaring in black chalk, 11 3/16 x 7 3/16in. (28.4 x 18.2cm), Drawings, Bartolomeo Cesi (Italian, Bologna 1556–1629 Bologna), Cesi was… S. Giovanni Laterano, Centocelle, plan (recto) S. Giovanni Laterano, Centocelle, section (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 11 7/16 x 11… Sheet of Male Figure Studies, 18th century, Pen and black ink, 6 11/16 x 9 3/16 in. (17 x 23.3 cm), Drawings, Anonymous, French, 18th century Vignettes pour les 'Tablettes historiques, topographiques et physiques de Bourgogne', 1755, Etching, sheet #1: 4 5/16 x 4 13/16 in. (11 x 12.3 cm), Prints, After Gabriel de Saint-Aubin (French,… John the Baptist (Schr. 2850n), 15th century, Pasteprint, sheet: 5 5/16 x 4 1/8 in. (13.5 x 10.4 cm), Prints, Anonymous, German, 15th century Eight designs of the ornamentation of ceilings and walls, probably for the Duc de Mouchy, second half 19th century, graphite and watercolor on various papers, glued to cardboard, Overall: 12 13/16… S. Andrea via Flaminia, elevation (recto) blank (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 17 7/16 x 11 3/4 in. (44.3 x 29.9 cm), Drawings L'Homme Raclant un Gril en Guise de Violon (Man Scraping a Grill in the Guise of a Violin), from Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques… Design for a Clock with Neptune, 19th century, Graphite, watercolor, gouache, and gold gilt, sheet: 10 11/16 x 10 5/8 in. (27.2 x 27 cm), Drawings, Anonymous, French, 19th century Design for a Stage Set at the Opéra, Paris, 1840–90, Graphite, sheet: 11 9/16 x 2 7/16 in. (29.3 x 6.2 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau) The Joy of France, 1638, Etching; second state of two, Sheet (trimmed): 10 13/16 × 13 1/8 in. (27.5 × 33.4 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris) Back View of a Male Figure Wearing a Cloak, 1859, Graphite and estompe, 11 13/16 x 8 11/16 in. (30 x 22.1 cm), Drawings, Henri Lehmann (French, Kiel 1814–1882 Paris) From Soho, December 26, 1776, Etching; third state of three, plate: 6 5/16 x 4 5/8 in. (16 x 11.7 cm), Prints, Philippe Jacques de Loutherbourg (French, Strasbourg 1740–1812 London) Hats, October 1, 1773, Etching, sheet: 10 1/16 x 13 3/4 in. (25.5 x 35 cm), Prints Christ bearing the cross on his back, copy after Cantarini, ca. 1637–1639 or after, Etching, Plate: 5 1/8 × 7 1/2 in. (13 × 19 cm), Prints, After Simone Cantarini (Italian, Pesaro… Plate 13 from the 'Disparates': A Way of Flying, ca. 1816–23 (published 1864), Etching, aquatint and drypoint, Plate: 9 5/8 × 13 7/8 in. (24.5 × 35.3 cm), Prints, Goya (Francisco de Goya y… The Embroidered Curtain, 1889, Etching and drypoint; first state of ten (Glasgow); printed in dark brownish-black ink on medium weight cream laid paper, Plate: 9 5/16 × 6 1/4 in. (23.7 × 15.9… Design for a Stage Set, 1830–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau) The Drunken SiIenus: Design for the 'Tazza Farnese', 1599–1600, Pen and brown ink, brush and brown wash, over traces of black chalk, and stylus compass constructions. Framing lines in pen and… Design for a Pendentive: Youthful Musicians with Wind Instruments and a Drum, 1505–88, Pen and brown ink, brush and brown wash, highlighted with white, over red chalk, on blue paper, 2-3/8 x… Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 8 3/4 x 2 1/4 in. (22.3 x 5.7 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau) Italian Country House Beside a Road, n.d., Pen and black ink, gray wash over black chalk, 9 11/16 x 14 9/16 in. (24.6 x 37 cm), Drawings, Jean-Baptiste Lallemand (French, Dijon 1716–1803/5 Paris) Seated Woman Holding a Book and Singing, mid to late 17th century, Etching, Sheet: 9 3/16 × 6 1/4 in. (23.4 × 15.9 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris) Design for Two Round Tables with Foliate Rococo Style Carving, early 19th century, Ink and grey and yellow wash, sheet: 9 5/8 x 12 11/16 in. (24.5 x 32.2 cm), Anonymous, British, 19th century The Hurdy-Gurdy Player, 1737, Etching with some engraving, image: 9 1/16 x 7 3/8 in. (23 x 18.8 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris),… Le Paysan qui avait offense son Seigneur, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, published in 1795,… Design for a Settee, ca. 1770–90, Graphite, 10 3/8 x 14 in. (26.3 x 35.6 cm), Drawings, Anonymous, French, 18th century The Death, Assumption, and Crowning of the Virgin, ca. 1470–85, Metalcut with star, fleur-de-lis, and dot punches, traces of hand-coloring, 10-13/32 x 7-1/4 in.; 13-7/8 x 9-29/32 in., Prints,… Limehouse, 1878, Lithotint with scraping and incising, on a prepared half-tint ground; first state of three (Chicago) printed in black ink on off-white wove paper, Image: 6 13/16 x 10 7/16 in. (17.3… Procession of Monstrous Figures, 1615, Etching, frieze 1 of 8 plates, sheet: 3 11/16 x 12 3/16 in. (9.3 x 31 cm), Prints, Wendel Dietterlin, the Younger (German, active Strasbourg ca. 1614–69) Holy Family with Saint John the Baptist, copy in reverse after Cantarini, ca. 1640–1642 or after, Etching, Sheet (Trimmed): 5 1/8 × 3 1/4 in. (13 × 8.3 cm), Prints, After Simone Cantarini… The Holy Family with Five Angels, ca. 1503, Woodcut, sheet: 8 9/16 x 5 7/8 in. (21.7 x 14.9 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg) Twenty-four Cavaliers Battle with Swords in Four Groups, 1652, Etching, Sheet: 9 3/16 × 12 5/8 in. (23.3 × 32.1 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence) The Draped Figure, Seated, 1893, Transfer lithograph with stumping, drawn on fine-grained transfer paper; unrecorded proof before the only recorded state (Chicago); printed in black ink on cream… The Death of the Virgin, 15th century, Woodcut; Derschau restrike, sheet: 11 7/16 x 8 11/16 in. (29 x 22 cm), Prints, Anonymous, German, 15th century Elevation of an interior wall decorated with a chimney piece surmouted by a mirror and flanked with painted panels, 1830–97, graphite, pen and ink, wash, watercolor, and gold paint on wove… The Tricycle, 1884, Etching; only state, brown ink on ivory paper, plate: 5 1/2 x 3 7/8 in. (14 x 9.9 cm), Prints, Walter Richard Sickert (British, Munich 1860–1942 Bathampton, Somerset) Design for a Stage Set at the Opéra, Paris: Interior with Coiffered Ceiling, 1830–90, Graphite, sheet: 13 3/16 x 19 in. (33.5 x 48.2 cm), Drawings, Eugène Cicéri (French, Paris… Air, ca. 1648, Etching, Sheet (trimmed): 9 7/8 × 12 5/8 in. (25.1 × 32 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris) Studies of a Group of Seated Figures and of a Flying Figure, 1612–75, Pen and brown ink, 7-9/16 x 9-15/16 in. (19.2 x 25.3 cm), Drawings, Micco Spadaro (Domenico Gargiulo) (Italian, Naples… Plate 1 from the 'Disparates': Feminine folly., ca. 1816–23 (published 1864), Etching, aquatint and drypoint (?), Plate: 9 5/8 × 13 7/8 in. (24.5 × 35.3 cm), Prints, Goya (Francisco de Goya… Michel Le Tellier, conseiller du roi, 1620–50, Etching, second state, image: 11 5/8 x 9 1/8 in. (29.5 x 23.2 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de… Design for wallpaper featuring flowers and latticework, 1830–97, gouache on wove paper, Overall: 7 3/8 x 7 1/2 in. (18.7 x 19 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died… Studies of Architectural Moldings, of the Virgin and Child with a Kneeling Saint, and of Two Angels Supporting Frames (recto); Studies for Architectural Mouldings (verso), 1611–89, Pen and… Agony in the Garden, 1515, Etching, Sheet: 8 11/16 × 6 1/8 in. (22 × 15.6 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg) Landscape with Figures, 1774, Mezzotint, sheet: 9 1/16 x 10 15/16 in. (23 x 27.8 cm), Prints, After Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome) Design for a ceiling painted with clouds and trellis work, second half 19th century, graphite, pen and ink, and watercolor on wove paper; mounted on wove paper, Drawings, Jules-Edmond-Charles… Group of Caricatured Figures with an Artist Drawing, 1612–66, Pen and brown ink, brush and gray wash, 7 11/16 x 10 3/8in. (19.6 x 26.4cm), Drawings, Circle of Guercino (Giovanni Francesco… Susanna and the Elders, 18th century, Red chalk over an incised grid, 16 13/16 x 13 1/4 in. (42.7 x 33.6 cm.), Drawings, Laurent Cars (French, Lyons 1699–1771 Paris), After Jean François de… Virgin and Child Attended by Angels., 1457/58–1504, Pen and brown ink, brush and brown wash, highlighted with white gouache, Sheet: 6 7/8 x 8 3/4 in. (17.5 x 22.2 cm), Drawings, Attributed… Christ Carried to the Tomb, ca. 1645, Etching with touches of drypoint, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam) Standing Female Nude, n.d., Watercolor, over graphite, image: 13 9/16 x 8 7/16 in. (34.4 x 21.5 cm), Drawings, America, mid to late 17th century, Etching, Sheet (trimmed): 8 3/4 × 5 15/16 in. (22.3 × 15.1 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris) Design for an Overdoor or Chimney Piece with an Armorial Trophy and the Figure of Minerva, 18th century, Pen and brown ink, brush and gray and black wash., sheet: 6 x 4 7/16 in. (15.2 x 11.2… Cinerary Urn, after the Antique, n.d., Pen and brown ink, brush and brown wash, over black chalk., 11 1/4 x 8 3/4 in. (28.6 x 22.2 cm), Drawings, Circle of Nicolas Poussin (French, Les Andelys… Pose de la premiere pierre de la nouvelle eglise Sainte-Genevieve, 1766, Etching, sheet: 7 1/2 x 4 5/8 in. (19 x 11.7 cm), Prints, After Gabriel de Saint-Aubin (French, Paris 1724–1780… Kitty K., Red Lion Square (The Large Plate), ca. 1915, Etching; first state of two, plate: 6 15/16 x 4 15/16 in. (17.6 x 12.5 cm), Prints, Walter Richard Sickert (British, Munich 1860–1942… Standing Nude Child Surrounded by Women and Children, 1489–1534, Red chalk, partly reworked with black chalk; glued onto secondary paper support, sheet: 7 11/16 x 5 7/8 in. (19.6 x 14.9 cm),… 2.589.713 / 2.589.715 Entries < previous page Page 1137 / 25898 next page >