The Consecration of the Site of a Church in Rome by a Pope ('The Miracle of Saint Mary of the Snows'?)., n.d., Pen and brown ink, over red chalk, some black chalk, and ruled construction; patches…

Narsingue, 1644, Etching, state iii, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence), Designed by Jean Desmarets de Saint-Sorlin (French, 1595–1676)

Saint Antoninus Kneeling before the Crucifix in Orsanmichele, Florence, 1600–1605, Charcoal and pale brown wash on beige paper. Partially squared off in red chalk, 6-7/8 x 10-15/16 in. (17.4 x…

Palazzo Spada (Capodiferro), right half, elevation; details profiles (recto) Wall, interior, elevation; ceiling, interior, plan (verso), early to mid-16th century , Dark brown ink, black chalk,…

Designs for Costumes, 1875–80, Pen and brown ink, brush and brown, black and gray wash, watercolor, sheet: 6 1/4 x 6 1/4 in. (15.9 x 15.9 cm), Drawings, Anonymous, French, 19th century

The Goldsmith, 1655, Etching and drypoint, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Design for Andirons, late 18th century, Pen and black ink, brush and gray, yellow and green wash over graphite underdrawing; on two joined pieces of paper, 11 x 15 1/2 in. (27.9 x 39.4 cm),…

Prophet Seated in Profile on a Cloudbank, Praying: decoration for a spandrel, 1600–1800, Red chalk on cream paper, 10-1/4 x 7-5/8 in. (26.0 x 19.35 cm), Drawings, André Lebrun (French,…

Saint Luke Holding a Painting of the Virgin and Child., 1648–1729, Pen and brown ink, brush and brown wash, 8 15/16 x 4 1/8in. (22.7 x 10.5cm), Drawings, Marcantonio Franceschini (Italian,…

Half Figure of a Woman Wearing a Cap, in Profile to Right, 1770, Graphite, heightened with white, framing lines in pen and brown ink., 6 5/16 x 4 7/8 in. (17.6 x 12.4 cm), Drawings, Augustin…

Plate 6: three ships in a storm, from 'Various Embarkations' (Divers embarquements), ca. 1646–47, Etching, Plate: 2 7/8 × 6 5/8 in. (7.3 × 16.9 cm), Prints, Stefano della Bella (Italian,…

Plate 9: Two goats resting to right, turned towards the left, four men and a horse in a river in the background, from 'Various Figures' (Agréable diversité de figures), 1642, Etching; state…

Design for Stage Set with Double Storey of Torqued Columns and Balustrades., 1659–1739, Pen and brown ink, brush and gray wash over traces of graphite, sheet: 10 3/16 x 7 5/8 in. (25.8 x 19.4…

River in the Woods, Etching, sheet: 3 1/8 x 4 3/4 in. (8 x 12 cm), Prints, Laurent de La Hyre (French, Paris 1606–1656 Paris)

Arabesque Cartouche with Dancing Figure, 18th century, Pen and black ink, graphite, and red crayon, 2 1/4 x 2 7/8 in. (5.7 x 7.3 cm), Drawings, Anonymous, French, 18th century

Lagoon: Noon, Etching and drypoint; third state of three (Glasgow); printed in black ink on medium weight ivory laid paper, Plate: 4 15/16 × 7 15/16 in. (12.5 × 20.2 cm), Prints, James…

Melchizadek Offering Bread and Wine to Abraham, ca. 1547, Etching and engraving, second state, sheet: 10 5/8 x 16 1/4 in. (27 x 41.2 cm) trimmed just within platemark, Prints, Battista Franco…

Design for a Chair, 19th century, Pen and black ink, brush and gray and brown wash; framing lines in graphite, 5 1/2 x 4 13/16 in. (14 x 12.2 cm), Drawings, Anonymous, French, 19th century

Side Chair with Lattice-Style Back (Perspective), 20th century, Black ink over graphite, Drawings, Guglielmo Ulrich (Italian, 1904–1977)

Man with Trumpet, Etching, Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664 Mantua)

Design for a Chandelier, 19th century, Pen and brown ink, sheet: 15 15/16 x 15 3/8 in. (40.5 x 39.1 cm), Drawings, Anonymous, French, 19th century

The Little Lagoon, 1879–80, Etching and drypoint; third state of four (Glasgow); printed in black ink on fine antique white laid paper, Plate: 8 15/16 in. × 6 in. (22.7 × 15.2 cm), Prints,…

Half Figure of a Female Saint, 1728–81, Pen and brown ink, brush and gray-brown wash, 5 9/16 x 4 3/16in. (14.2 x 10.7cm), Drawings, Ubaldo Gandolfi (Italian, San Matteo della Decima…

Allegorical Composition with a Young Man Kneeling before a Tree, 1615–66, Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on brown-washed paper, 9-7/16 x 6-5/8…

A Crouching Man Defecating and a Standing Man Urinating, 1612–75, Pen and brown ink, masking 'corrections' in lighter brown ink, 6 x 7-1/4 in. (15.2 x 18.4 cm), Drawings, Micco Spadaro…

Mourir C'est Renaitre (Death and Immortality), 19th century, Wood engraving, plate: 8 7/8 x 5 5/8 in. (22.5 x 14.3 cm), Prints, After William Blake (British, London 1757–1827 London)

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, brush and brown wash, and gouache, Irregular sheet: 7 1/16 x 5 3/16 in. (17.9 x 13.2 cm), Drawings, Eugène Cicéri (French,…

Design for a Fountain at a Street Corner Decorated with Putti Heads, a Coat of Arm and a Gargoyle Head on the Top, 1735–1817, Pen and brown ink, brush and brown and gray wash over traces of…

Samuel P. Avery Transporting His Treasures Across the Sea, ca. 1875–80, Graphite, ink and gouache on gray paper, sheet: 16 1/8 x 10 1/2 in. (40.9 x 26.7 cm), Drawings, Theodore Wust…

Design for a ceiling decoration, 19th century, Watercolor and graphite, sheet: 16 1/2 x 15 3/16 in. (41.9 x 38.6 cm), Drawings, Anonymous, French, 19th century

The Resurrection, from The Small Passion, ca. 1510, Woodcut, sheet: 5 1/16 x 3 13/16 in. (12.8 x 9.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Saint Bernardino of Siena, ca. 1465, Woodcut, hand-colored, 10-3/8 x 7-3/8 in., Prints, Anonymous, German, Upper Germany, 15th century

Adam and Eve, 1504, Engraving, Sheet: 9 13/16 × 7 5/8 in. (24.9 × 19.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Design for Three Vases, ca. 1770–85, Pen and brown ink, and black chalk, 14 7/8 x 9 3/16 in. (37.8 x 23.3 cm), Drawings, Anonymous, French, 18th century

Design for a Stage Set at the Opéra, Paris: Church Interior, 1830–90, Graphite, sheet: 10 1/4 x 19 1/2 in. (26 x 49.6 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Le Calendrier des Vieillards, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, published in 1795, Etching and…

M. Vitruvius per Iocundum solito castigatior factus cum figuris et tabula ut iam legi et intelligi possit, 1511, Printed book with woodcut illustrations, Overall: 12 5/16 x 8 9/16 x 15/16 in. (31.2…

Ramona Incana, 1909–14, Watercolor and brown ink over graphite with details in ink, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings, Margaret Neilson Armstrong (American, New York…

Bust of Man Facing Left, late 18th Century, Graphite, 4 x 3 3/8 in. (10.2 x 8.6 cm), Drawings, Anonymous, French, 18th century

Young Satyr About to Bathe in a River, from 'Landscapes and seaports' (Paysages et ports de mer, dans des ronds), 1656, Etching; second state of two, Plate: 5 5/8 × 5 5/16 in. (14.3 × 13.5…

Christ in Limbo, from The Large Passion, n.d., Woodcut, sheet: 17 3/8 x 11 15/16 in. (44.1 x 30.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Plate 10: two heads of old soldiers wearing helmets, both facing left and looking downwards, from 'The principles of design' (I principii del disegno), ca. 1641, Etching, Plate: 4 3/4 × 6 1/16…

Man Wearing a Small Turban Ornamented with Plumes and a Ribbon, Facing Right, from Series of Small Heads in Oriental Headdress, etching, sheet: 4 5/16 x 3 1/8 in. (11 x 8 cm), Prints, Giovanni…

Acteon, from 'Game of Mythology' (Jeu de la Mythologie), 1644, Etching; first state of five, Sheet: 1 13/16 × 2 1/4 in. (4.6 × 5.7 cm), Prints, Etched by Stefano della Bella (Italian,…

Head of an Apostle Surrounded by a Tongue of Fire and a Nimbus: Fragment of a Cartoon for a Descent of the Holy Spirit, 1500–1550, Brush, yellow, orange, brown, cream, and white gouache, 10-1/4…

Vitré: The Canal, 1893, Transfer lithograph with stumping, drawn on fine-grained transfer paper; only state (Chicago); printed on black ink on ivory laid paper, Image: 9 5/16 in. × 6 in. (23.6…

Savoy Pigeons, 1896, Transfer lithograph, drawn on white transfer paper with a grained-stone texture; only state (Chicago), from the published edition printed from a supplementary stone; printed…

Cat and Flowers. Illustration to The Cats by Champfleury, 1869, Etching and aquatint in brown ink on tan wove paper, final state of three, third edition (Mégnin), plate: 6 11/16 x 5 1/8in. (17…

Man Sheathing a Sword, 17th century, Red chalk, 11 1/8 x 7 1/8in. (28.3 x 18.1cm), Drawings, attributed to Francesco Montelatici ('Cecco Bravo') (Italian, Florence 1601–1661 Innsbruck)

Unknown, Corinthian capital, elevation (recto) Unknown, Corinthian capital, plan diagram and detail (verso), ca. 1540–60, Dark brown ink, black chalk, and incised lines

The Entrance of Christ into Jerusalem, 16th century, Pen and brown ink, brown wash over traces of black chalk, 8 1/2 x 8 1/2in. (21.6 x 21.6cm), Drawings, Attributed to Ercole Setti (Italian,…

Potiphar's Wife Accuses Joseph (copy), 17th century, Engraving, sheet: 5 x 6 3/4 in. (12.7 x 17.1 cm), Prints, After Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

The Revelation of Saint John the Evangelist, from the Apocalypse, n.d., Engraving, plate: 11 5/8 x 8 3/8 in. (29.5 x 21.2 cm), Prints, Jean Duvet (French, ca. 1485–after 1561)

Saint Peter's, apse, exterior elevation (recto) blank (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 13 3/8 x 22 13/16 in. (34 x 58 cm), Drawings

Eros Escaping by Sea; Cupid using his bow to propel a boat made from his quiver with an arrow as the mast and his blindfold as the sail, a banderole above, ca. 1515–27, Engraving, Sheet: 5 1/16 ×…

a. Study for Clovis (middle register); b. Study for Clovis (middle register); c. St. Dominic and another Friar, after Fra Angelico; (studies for wall paintings in the Chapel of Saint Remi,…

The Amateur, 1843–1925, Watercolor, 13 15/16 x 9 15/16in. (35.4 x 25.3cm), Drawings, Attilio Simonetti (Italian, Rome 1843–1925 Rome)

St. Matthew, from the series The Four Evangelists, 1518, Engraving, sheet: 4 1/4 x 2 7/8 in. (10.8 x 7.3 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Cupid Flying, 1527–85, Brush and brown ink, 12 5/8 x 8 1/2in. (32.1 x 21.6cm), Drawings, After Luca Cambiaso (Italian, Moneglia 1527–1585 Madrid)

Plate 6: lion, from 'Various animals' (Diversi animali), ca. 1641, Etching; third state of three (De Vesme), Plate: 3 3/8 × 4 1/8 in. (8.5 × 10.5 cm), Prints, Stefano della Bella (Italian,…

Designs for Two Porcelain Vases, ca. 1770–85, Pen and brown ink, watercolor, and graphite, 14 7/8 x 9 3/16 in. (37.8 x 23.3 cm), Drawings, Anonymous, French, 18th century

The Assumption and Coronation of the Virgin, from The Life of the Virgin, 1510, Woodcut, sheet: 11 1/2 x 8 1/8 in. (29.2 x 20.6 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Design for Fringed, Pelmeted Curtains Hanging at Three Widows, early 19th century, Graphite, sheet: 8 9/16 x 12 5/16 in. (21.8 x 31.2 cm), Anonymous, British, 19th century

Classical Frieze with Head of Demosthenes, 18th century, Graphite, brush and brown and gray wash, sheet: 3 3/4 x 9 3/4 in. (9.6 x 24.7 cm), Drawings, Anonymous, French, 18th century

Design for Ceiling, 18th century, Graphite, Overall: 9 5/16 x 6 3/8 in. (23.7 x 16.2 cm), Drawings, Anonymous, French, 18th century

Head of a Bearded Man, ca. 1750, Black and red chalk, heightened with white on beige paper. Squared for transfer in graphite., 13 5/16 x 11 1/16 in. (33.8 x 28.1 cm), Drawings, Jean Restout le…

Design for a Chair and Three Designs for Ceiling Molding, 19th century, Pen and brown ink, a: 8 9/16 x 10 11/16 in. (21.8 x 27.2 cm) top, Drawings, Anonymous, French, 19th century

Design for Chaise Lounge, 19th century, Graphite, brush and rose wash, with framing lines in graphite, 6 5/8 x 10 in. (16.9 x 25.4 cm), Anonymous, French, 19th century

Buck's Beauty and Rowlandson's Connoisseur, January 1, 1800, Hand-colored etching with stipple engraving, plate: 12 7/16 x 8 13/16 in. (31.6 x 22.4 cm), Prints, Piercy Roberts (British, active…

The Sisters, 1894, Transfer lithograph with scraping, drawn on thin transparent transfer paper; second state of two (Chicago); printed in black ink on cream laid paper, Image: 5 7/8 × 9 5/16 in.…

Christ before Annas, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach)

Drawing of a Decorated Coat of Arms surrounded by Books, Owl, Leaves, Vase and a Snake, 1732–1802, Pen and dark brown ink, 4 1/2 x 4 13/16 in. (11.5 x 12.2 cm), Drawings, Attributed to Carlo…

Top and Tail, 1777, Hand-colored etching with stipple, plate: 12 11/16 x 7 13/16 in. (32.3 x 19.9 cm), Prints, Anonymous, British, 18th century, Ascribed to Miss Heel (British, 18th century),…

Design for a Stage Set, 1830–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Two designs for decorative borders in strapwork and rinceaux, 1830–97, pen and ink, wash and watercolor on tracing paper; mounted on wove paper, Overall: 13 3/8 x 19 3/8 in. (34 x 49.2 cm),…

Diana, from 'Game of Mythology' (Jeu de la Mythologie), 1644, Etching; first state of five, Sheet: 1 13/16 × 2 3/8 in. (4.6 × 6 cm), Prints, Etched by Stefano della Bella (Italian, Florence…

Job's Sacrifice, from Illustrations of the Book of Job, 1825–26, Engraving, plate: 8 1/2 x 6 5/8 in. (21.6 x 16.8 cm), Prints, William Blake (British, London 1757–1827 London)

Design for Ceiling at Fontainebleau, second half 19th century, Graphite, 10 15/16 x 10 1/4 in. (27.8 x 26.1 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre…

Design for Half Cartouche with Mask, 18th century, Pen and ink, wash, Drawings, Fortunato Tesi (Italian, 18th century)

The Virgin on the Crescent, ca. 1499, Engraving, Sheet: 4 3/16 in. × 3 in. (10.7 × 7.6 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

David Roentgen and Company in Saint Petersburg, ca. 1784–86, Cut paper with ink wash and watercolor, Sheet: 17 13/16 x 23 7/8 in. (45.3 x 60.6 cm), Cut Paper, Johann Friedrich Anthing (German,…

Plate 8: the Colosseum, two herds being directed towards the amphitheater in the foreground, a round composition, from 'Roman landscapes and ruins' (Paysages et ruines de Rome), ca. 1646,…

Saint Christopher, 1511, Engraving, sheet: 8 5/16 x 8 5/16 in. (21.1 x 21.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Design for a Funerary Monument, 1510–63, Brush and brown wash, over black chalk, sheet: 7 x 11 11/16 in. (17.8 x 29.7 cm), Drawings, Francesco Salviati (Francesco de' Rossi) (Italian,…

Plate 62 from 'The Disasters of War' (Los Desastres de la Guerra): 'The beds of death' (Las camas de la muerte.), 1811–12 (published 1863), Etching, lavis, drypoint, burin and burnisher, Plate:…

The Piazetta (The Piazzetta), 1879–80, Etching and drypoint; fourth state of nine (Glasgow); printed in black ink on medium weight ivory laid paper, Plate: 9 15/16 × 7 1/16 in. (25.3 × 17.9…

Gentleman Seen from the Back Indicating a Landscape, 1629, Etching (reverse copy), Sheet (trimmed): 5 1/4 × 3 11/16 in. (13.3 × 9.3 cm), Prints, Anonymous, French, 17th century, After Abraham…

Artémise, ca. 1639–40, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 14 x 8 3/8 in. (35.5 x 21.2 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris),…

The Virgin Appearing at Mass, 1692–1758, Red chalk, pen and brown ink. Squared in red chalk. Framing lines in pen and brown ink, 13 11/16 x 9 15/16in. (34.7 x 25.2cm), Drawings, Agostino…

Floral Swags Framing an Empty Oval, n.d., Pen and brown ink, brush and brown wash, 11 7/16 x 14 1/8 in. (29 x 35.8 cm), Drawings, Attributed to Jean Pillement (French, Lyons 1728–1808 Lyons)

Zephyr, 1864, Stipple engraving with line engraving and etching; third state of four, image: 16 7/16 x 12 5/16 in. (41.7 x 31.3 cm), Prints, After Pierre Paul Prud'hon (French, Cluny…

Dieppe, La Rue de la Halle au Blé, 1893, Etching; only state, plate: 4 7/16 x 3 3/8 in. (11.3 x 8.6 cm), Prints, Walter Richard Sickert (British, Munich 1860–1942 Bathampton, Somerset)

The Market Place, Vitré, 1893, Transfer lithograph with stumping, drawn on fine-grained transfer paper; only state (Chicago); printed on black ink on ivory laid paper, Image: 8 in. × 6 3/8 in.…

Reclining Nude, Back View, before 1922, Graphite on laid paper, 9 5/8 x 12 1/2 in. (24.4 x 31.8 cm), Drawings, Aristide Maillol (French, Banyuls-sur-Mer 1861–1944 Perpignan)

Seated Girl in a Landscape, 1702–88, Pen and brown ink, brush with brown and gray wash, highlighted with white gouache, over graphite. Framing lines in pen and brown ink, 3 7/16 x 6 13/16in. (8.7…

Standing Man with His Right Hand on His Chest, ca. 1787, Pen and brown ink, brush and brown wash, over red chalk on tan paper. Traces of squaring in graphite and red chalk., 14 15/16 x 9 5/8 in. (38…

Standing Female Figure and Ornamental Framework., ca. 1547–53, Pen and brown ink, brush and brown wash, over traces of black chalk; squared in black chalk, Sheet: 10 1/4 x 4 1/8 in. (26 x 10.5…

The Virgin with the Swaddled Child, 1520, Engraving, Sheet: 8 1/8 × 5 15/16 in. (20.7 × 15.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

A Young Man Seated, Bent over a Reclining Figure, ca. 1845–50, Red chalk with stumping on laid paper, sheet: 7 3/8 x 10 3/16 in. (18.8 x 25.9 cm) (trimmed at top to form an arch), Drawings,…

Solomon's Idolatry, 1514, Engraving, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)