Sketch for a Stage Set: Foreshortened View of a Palace with a Figure on the Stairs., 1700–1774, Pen and brown ink, sheet: 7 5/16 x 5 1/16 in. (18.5 x 12.9 cm), Antonio Galli Bibiena (Italian,…

Songs of Innocence and of Experience: Spring, ca. 1825, Relief etching printed in orange-brown ink and hand-colored with watercolor and gold, sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1 cm),…

Caricature: An Elderly Couple, 1696–1770, Pen and dark brown ink, brush and brown wash, over leadpoint or black chalk, 8-1/4 x 6-1/8 in. (20.9 x 15.6 cm), Drawings, Giovanni Battista Tiepolo…

Plate 4 from the 'Disparates': Simpleton, ca. 1816–23 (published between 1854–63), Etching, burnished aquatint burin and drypoint, Plate: 9 5/8 × 13 3/4 in. (24.5 × 35 cm), Prints, Goya…

Design for a Mirrored Sideboard with Pointed Legs and Foliate Ornament, early 19th century, Ink and wash, sheet: 8 9/16 x 12 5/16 in. (21.7 x 31.3 cm), Anonymous, British, 19th century

Hurlingham, 1879, Etching and drypoint; fourth state of four (Glasgow); printed in black ink on ivory laid paper, Plate: 5 3/8 x 7 7/8 in. (13.6 x 20 cm), Prints, James McNeill Whistler…

Arch of Camigliano, cornice, elevation in profile, ornamental detailing (recto) Unidentified, Doric capital; Arch of Camigliano, cornice, profile, sketch (verso), early to mid-16th century ,…

Design for the decoration of a ceiling with strapwork and rinceaux, 1830–97, pen and ink, watercolor, and gouache on laid paper; mounted on blue wove paper, Overall: 10 1/2 x 14 11/16 in. (26.7…

Design for an Urn, ca. 1770–90, Pen and brown ink, graphite, 14 1/2 x 9 1/2 in. (36.9 x 24.1 cm), Drawings, Anonymous, French, 18th century

Polish hussar in profile facing right with wings attached to his back, a circular composition, from 'Figures on Horseback' (Cavaliers nègres, polonais et hongrois), ca. 1651, Etching, Plate: 6 7/8…

Red Currant, late 18th–early 19th century, Silhouette, sheet: 13 9/16 x 11 5/8 in. (34.5 x 29.5 cm), Cut Paper, Philipp Otto Runge (German, Wolgast 1777–1810 Hamburg)

Group of Figures Copied from Michelangelo's Last Judgment, 1624–63, Pen and brown ink, over traces of black chalk. Framing lines in pen and brown ink on mount, 3-3/4 x 5-5/16 in. (9.5 x 13.5…

Swan and Iris (Sketch after Cecil Lawson's 'Swan and Iris'), [1883], Etching and drypoint; sixth state of six (Glasgow); printed in black ink on medium weight ivory laid paper, plate: 5 1/4 x 3…

Alderney Street, [1880–81], Electrotype copy of etching, Plate: 7 × 4 7/16 in. (17.8 × 11.2 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London)

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 2 1/2 x 2 15/16 in. (6.4 x 7.4 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Military Figures outside a City, 1595–1616, Etching, Sheet (trimmed): 11 in. × 8 9/16 in. (27.9 × 21.8 cm), Prints, Jacques Bellange (French, Bassigny (?) ca. 1575–1616 Nancy)

The puny Cryptogamia, 1860, Etching on wove paper, plate: 2 3/4 x 2 1/4 in. (7 x 5.7 cm), Prints, Charles Meryon (French, 1821–1868)

Polish horseman facing right, a circular composition, from 'Figures on Horseback' (Cavaliers nègres, polonais et hongrois), ca. 1651, Etching, Plate: 7 3/8 × 7 1/8 in. (18.8 × 18.1 cm),…

Coast Scene, 17th century, Pen and brown ink, 5 1/16 x 8 1/4 in. (12.9 x 21.0 cm), Drawings, Anonymous, French, 17th century

Alderney Street, [1880–81], Etching; first state of three (Glasgow); printed in black ink on ivory laid paper, Plate: 7 1/16 × 4 7/16 in. (18 × 11.3 cm), Prints, James McNeill Whistler…

Return of the Prodigal Son, ca. 1636, Etching, Sheet: 10 1/4 × 12 15/16 in. (26 × 32.8 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Balthasar, from Three Magi series, 1595–1616, Etching and engraving, Sheet: 12 1/16 × 7 5/16 in. (30.7 × 18.6 cm), Prints, Jacques Bellange (French, Bassigny (?) ca. 1575–1616 Nancy)

Design for a Pen and Ink Stand, 19th century, Pen and gray ink, brush and gray, yellow, brown, and black wash. Framing lines in pen and black ink., sheet: 11 1/16 x 17 5/8 in. (28.1 x 44.8…

The Virgin and Child Crowned by Two Angels above a Landscape (landscape trimmed out), ca. 1504, Woodcut, sheet: 3 3/8 in. (8.6 cm) diameter, Prints, Albrecht Dürer (German, Nuremberg…

Woman Sitting Half-Dressed beside a Stove, 1658, Etching, burring, and drypoint, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Muséum Dantorama, 1835, Lithograph, sheet: 9 3/8 x 12 15/16 in. (23.8 x 32.8 cm), Prints, J. J. Grandville (French, Nancy 1803–1847 Vanves)

Annunciation, n.d., Etching, second state, image: 7 11/16 x 4 13/16 in. (19.6 x 12.3 cm), trimmed to image, Prints, Claude Gillot (French, Langres 1673–1722 Paris), Engraved by Jacques…

Design for Upper Wall Decoration, Farnborough, England, 1880–86, Watercolor and gilt, 9 7/16 x 18 7/8 in. (24 x 47.9 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),…

Shoeblack, 1737, Etching with some engraving, Sheet (trimmed): 9 3/16 × 6 15/16 in. (23.3 × 17.6 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765…

Design for a Court Theatre, 18th century, Pen and black ink, brush and gray, pink and yellow washes, 7 7/16 x 10 9/16 in. (18.9 x 26.8 cm), Anonymous, French, 18th century

Nude Man Seated and Another Standing, with a Woman and a Baby Lightly Etched in Background, ca. 1646, Etching, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

The Harvest of Silenus, ca. 1759, Red, white and touches of black chalk, pen and brown ink, brush and brown wash, heightened with white, on beige paper, 7 3/16 x 10 1/16 in. (18.3 x 25.5 cm),…

Taste, 1635–38, Etching, Sheet: 10 3/8 × 13 1/16 in. (26.3 × 33.1 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Billingsgate, [1859] republished 1880–82, Etching and drypoint; nineth state of nine (Glasgow); printed in black ink on cream laid paper, Plate: 5 15/16 x 8 13/16 in. (15.1 x 22.4 cm), Prints,…

The Flight Into Egypt, 1758, Etching, sheet: 15 1/2 x 14 1/8 in. (39.3 x 35.9 cm), Prints, Jean-Baptiste Marie Pierre (French, Paris 1714–1789 Paris)

Design for a Sepulchral Monument of a Youth, 1524-27, Pen and brown ink, brush with brown and traces of yellow wash, over black chalk, 10 9/16 x 8 3/16in. (26.9 x 20.8cm), Drawings,…

Male Head in a Hood, ca. 1794, Pen, brown ink over black chalk, 5 3/16 x 4 7/16 in. (13.1 x 11.2 cm.), Drawings, baron Dominique Vivant Denon (French, Givry 1747–1825 Paris)

The Adoration of the Magi (Schr. 100), 15th century, Woodcut, sheet: 9 9/16 x 6 11/16 in. (24.3 x 17 cm), Prints, Anonymous, German, 15th century

Plate 32 from 'Los Caprichos':Because she was susceptible (Por que fue sensible.), 1799, Aquatint, Plate: 8 7/16 x 5 15/16 in. (21.5 x 15.1 cm), Prints, Goya (Francisco de Goya y Lucientes)…

Design for Two Tabletop Mirrors with Military Ornament, early 19th century, Pen and ink, sheet: 10 13/16 x 14 15/16 in. (27.4 x 37.9 cm), Anonymous, British, 19th century

The Whitesmiths: Impasse de Carmélites, 1894, Transfer lithograph with stumping, drawn on fine-grained transfer paper; only state (Chicago); printed in black ink on cream wove paper, Image: 8 5/8…

Design for a Lobed Pedestal Table, ca. 1830, Ink on green paper, sheet: 9 5/8 x 7 3/4 in. (24.4 x 19.7 cm), Anonymous, British, 19th century

The Flagellation of Christ, 17th century, Red chalk, Sheet: 7 1/2 x 10 1/4 in. (19 x 26 cm), Drawings, Bernardo Cavallino (Italian, Naples 1616–1656 Naples)

The Fan, 1879, Transfer lithograph drawn on coarse-grained transfer paper, only state (Chicago), Image: 8 1/16 × 6 5/16 in. (20.5 × 16 cm), Prints, James McNeill Whistler (American, Lowell,…

Plate 39 from 'Los Caprichos': And so was his grandfather. (Asta su Abuelo.), 1799, Aquatint, Plate: 8 7/16 in. × 6 in. (21.4 × 15.2 cm), Prints, Goya (Francisco de Goya y Lucientes)…

The Abduction of Dejanira, Etching and engraving, state ii, sheet: 9 5/8 x 15 1/4 in. (24.5 x 38.7 cm) trimmed to platemark, Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice)

The Bonnet, ca. 1891, Drypoint; third state of three, plate: 7 3/16 x 5 3/8 in. (18.3 x 13.7 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise)

Design for Red Curtains with a Gold Pelmet, early 19th century, Ink, watercolor and wash, sheet: 9 1/2 x 11 7/8 in. (24.2 x 30.2 cm), Anonymous, British, 19th century

The Cobbler (Le Savetier), ca. 1632–33, Etching, sheet: 10 1/8 x 13 1/4 in. (25.7 x 33.6 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Saint James Major, n.d., Woodcut, sheet: 2 3/8 x 1 5/8 in. (6.1 x 4.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Cleric with Raised Arms (lower register?; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858), 19th century, Black chalk, heightened with white chalk, on gray paper,…

View of Bad Schandau at the River Elbe with the Winterberg, 18th–early 19th century, Pen and black ink, brush and gray wash, sheet: 19 3/16 x 25 1/8 in. (48.8 x 63.8 cm), Drawings, Adrian…

Saint Wolfgang (Sch.*1733a), 15th century, Woodcut, hand-colored, 9-3/4 x 6-1/4 in.; 10-3/4 x 7-13/16 in., Prints,

Palazzo Capodiferro (Spada), partial elevation, details; Santa Trinita dei Monti, Orsini Chapel, frame, elevation; various details, perspective (recto) blank (verso), early to mid-16th century ,…

Design for Hall Lamp No.9, ca. 1845, Watercolor, sheet: 12 5/8 x 15 1/4 in. (32.1 x 38.7 cm), Lamqua (Chinese, 19th century)

Boy Balancing a Tall Weed on His Nose, n.d., 7 x 4 1/4 in. (17.8 x 10.8 cm), Drawings, Jean-Georges Vibert (French, Paris 1840–1902 Paris)

Plate 1 from 'Los Caprichos': Self-portrait of Goya (Franco. Goya e Lucientes, Pintor), 1799, Etching, aquatint, drypoint and burin, Plate: 8 9/16 × 5 15/16 in. (21.8 × 15.1 cm), Prints,…

Asia, 18th century, Red chalk on paper, 6 15/16 x 6 5/8 in. (17.7 x 16.9 cm), Drawings, Anonymous, French, 18th century

Fabric Design with Flowers, Circles, and Dots, ca. 1918–25, Gouache and stencil over graphite, 5 7/16 x 4 3/8 in. (13.8 x 11.1 cm), Drawings, Attributed to Paul Poiret (French, Paris…

Design for Two Chairs, ca. 1820, Ink, watercolor and wash, sheet: 7 1/4 x 8 3/4 in. (18.4 x 22.3 cm), Attributed to Gillows (British, 19th century)

A garden pavilion in a forested landscape, 1830–97, oil on canvas; mounted on blue paper, Overall: 14 13/16 x 10 7/16 in. (37.7 x 26.5 cm), Drawings, Jules-Edmond-Charles Lachaise (French,…

Ornamental Design for a Wall Monument Surmounted by a Balustrade with Human Figures, Angels Holding Garlands and Draperies (recto and verso)., 1647–1726, Brush and white gouache over black chalk…

Study for Nude Male Figures Supporting a Frame and Plan of the Ceiling Decoration of Palazzo Altieri, Rome, 1625–1713, Pen and brown ink, some brush and brown wash, over black chalk, 7 7/16 x…

House at Dusk (La Cité), 1881–82, Conté crayon, 12 1/6 x 9 3/8 in. (30.6 x 23.7 cm), Drawings, Georges Seurat (French, Paris 1859–1891 Paris)

White Flowers on a Vine, March 22, 1911, Watercolor and brown ink over graphite, with details in brown ink, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings, Margaret Neilson Armstrong…

Margot Resting Arms on Back of Armchair, 1923, Drypoint; second state, restrike, Plate: 8 7/16 x 5 7/8 in. (21.5 x 15 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926…

Elevation of a Main Altar with an Alternate Design, 16th century, Graphite, pen and brown ink, brush and brown wash, sheet: 10 15/16 x 6 5/8 in. (27.8 x 16.9 cm), Drawings, Anonymous, French,…

Plate 37 from 'The Disasters of War' (Los Desastres de La Guerra):'This is worse' (Esto es peor.), 1810 (published 1863), Etching, lavis and drypoint, Plate: 6 in. × 7 15/16 in. (15.3 × 20.2…

Study for a Vase in a Suite of Vase Designs, Pen and gray ink, brush and brown wash over graphite underdrawing, 7 13/16 x 4 3/4 in. (19.8 x 12.1 cm.), Louis Joseph Le Lorrain (French, Paris…

Palazzo Caffarrelli-Vidoni, elevation; details (recto) blank (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 13 x 18 7/8 in. (33 x 48 cm), Drawings

Artémise, 1647, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 13 5/16 x 8 3/8 in. (33.8 x 21.2 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris),…

Two Nude Male Figures, One Seated and One Reclining, 1609/10–?1675, Pen and brown ink, 5-1/8 x 7-7/16 in. (13.0 x 18.9 cm)-Irregular, Drawings, Micco Spadaro (Domenico Gargiulo) (Italian,…

Jupiter suckled by the goat Amalthea, 1531–76, Engraving, sheet: 10 9/16 x 16 3/8 in. (26.8 x 41.6 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), After…

The Four Angels Holding the Winds, from The Apocalypse, German Edition, 1498, ca. 1498, Woodcut, sheet: 15 7/16 x 11 1/4 in. (39.2 x 28.5 cm), Prints, Albrecht Dürer (German, Nuremberg…

Virgin Adoring the Christ Child with Saint John the Baptist (recto); The Holy Family with Saint John the Baptist (verso)., ca. 1500–1515, Pen and brown ink, brush and brown wash, over traces…

Le Comédien Masqué Jouant de la Guitare (The Masked Comedian Playing the Guitar), from Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques (Various…

Details of the Coffered and Beamed Ceiling in Santa Maria Maggiore, Rome, 19th century, Pen and black ink, brush and brown and gray wash, and watercolor; framing lines in pen and black ink, 15 1/2 x…

The Temple of Vespasian and the Roman Forum, from 'Six large views, four of Rome, and two of the Roman countryside' (Six grandes vues, dont quatre de Rome et deux de la Campagne romaine),…

Design for a ceiling, second half 19th century, Graphite, gouache, and watercolor, Overall: 10 1/2 x 14 3/4 in. (26.6 x 37.4 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),…

River scene: Rouen, April, 1924, Watercolor, black chalk, and graphite, 13 3/8 x 18 7/8 in. (34 x 47.9 cm), Drawings, Paul Signac (French, Paris 1863–1935 Paris)

Christ standing facing forward, holding a cross with a banner and raising his left hand, ca. 1515–27, Engraving, Sheet (Trimmed): 8 7/16 × 5 1/2 in. (21.5 × 13.9 cm), Prints, Marco Dente…

St. Peter's, cornice and architrave, profile; key, elevation; triglyph and guttae, elevation and section (recto) blank (verso), early to mid-16th century , Dark brown ink, black chalk, and…

Christ in Emmaus, from The Small Passion, ca. 1510, Woodcut, sheet: 5 x 3 7/8 in. (12.7 x 9.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Study of the Left Arm and the Left Side of a Male Nude, 1875–1928, Black chalk on blue paper, 21-3/8 x 11 in. (54.3 x 27.9 cm), Drawings, Franz von Stuck (German, Tettenweis 1863–1928 Munich)

Constantine Presenting the City of Rome to the Holy See, Etching and engraving, sheet: 16 x 22 1/4 in. (40.7 x 56.5 cm) trimmed to platemark, Prints, Battista Franco (Italian, Venice ca.…

Nobility Presenting an Infant to Venice, 1709–87, Graphite, drawing in form of tondo, 5-3/4 x 5-9/16 in. (14.6 x 14.2 cm), Drawings, Francesco Zugno (Italian, Venice 1709–1787 Venice)

Plate 26 from ' Los Caprichos':They've already got a seat (Ya tienen asiento.), 1799, Etching and burnished aquatint, Plate: 8 3/8 × 5 7/8 in. (21.2 × 15 cm), Prints, Goya (Francisco de Goya…

The Pigs Possessed:–or–the Broad Bottom'd Litter Running Headlong into Ye Sea of Perdition, April 18, 1807, Hand-colored etching, plate (trimmed at bottom): 16 1/8 x 11 7/8 in. (41 x 30.2…

Portrait of a Man, Black and red chalk, heightened with white., 9 7/8 x 7 7/8 in. (25.2 x 20.1 cm), Drawings, Anonymous, French, 16th century

Tobias and the Angel, 1662–1728, Pen and brown ink, brush and wash over traces of black chalk, 9-7/8 x 8-1/4 in. (25.1 x 20.9 cm), Drawings, attributed to Paolo De Matteis (Italian, Piano…

Design for Three Gothic Style Wooden Chairs, early 19th century, Ink and yellow wash, sheet: 8 11/16 x 12 5/16 in. (22.1 x 31.2 cm), Anonymous, British, 19th century

Plate 8 from 'The Disasters of War' (Los Desastres de la Guerra):It always happens (Siempre sucede), 1810 (published 1863), Etching and drypoint, Plate: 6 7/8 × 8 11/16 in. (17.5 × 22 cm),…

Design for Festival Architecture for an Entry into Paris for the King of Sweden, Fredrerick I of Hesse, 18th century, Pen and brown ink, brush and gray wash, 12 7/8 x 9 1/16 in. (32.7 x 23…

Nymph Supported by Two Satyrs, 1763, Etching, first state of two, sheet: 5 7/8 x 8 3/8 in. (15 x 21.3 cm), Prints, Jean Honoré Fragonard (French, Grasse 1732–1806 Paris)

Drawing of an Interior: Cabinet du Salon, 1855, Graphite, pen and brown ink, watercolor, sheet: 8 7/16 x 11 7/16 in. (21.4 x 29.1 cm), Drawings, Anonymous, French, 19th century

Two Studies of a Man, ca. 1575, Black chalk (recto); rulings in red chalk and black chalk by early collector (verso), sheet: 13 3/4 x 6 7/8 in. (35 x 17.5 cm), Drawings, Santi di Tito…

Design for a Fountain, 18th century, Pen and black ink, brush and gray wash, graphite, sheet: 10 1/4 x 8 7/8 in. (26 x 22.5 cm), Drawings, Anonymous, French, 18th century

Rest on the flight into Egypt, Mary holding the infant Christ while St. Joseph points into the distance, ca. 1637–1639, Etching, Plate: 6 1/4 × 7 3/4 in. (15.8 × 19.7 cm), Prints, Simone…

Title Page for Six Published Etchings, 1887, Lithograph, sheet: 22 3/8 x 15 1/16 in. (56.8 x 38.3 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres)

Portrait of a Man: Francesco Albani ?, 1599–1661, Red and black chalk, 3 3/4 x 2 3/4in. (9.5 x 7cm), Drawings, Andrea Sacchi (Italian, Rome (?) ca. 1599–1661 Rome)