Leaving the Bath, 1879–80, Drypoint and aquatint on wove paper; fifteenth state of twenty-two or more states, sheet: 9 1/4 x 7 1/8 in. (23.5 x 18.1 cm), Prints, Edgar Degas (French, Paris…

Hum-Bug (P. T. Barnum), from the Comic Natural History of the Human Race, 1851, Color lithography with watercolor and gum, sheet: 13 1/2 x 8 13/16 in. (34.3 x 22.4 cm), Prints, Henry Louis…

The Chimera (La Chimère de Monsieur Desprez), ca. 1777–84, Etching, sheet: 11 5/16 x 14 7/16 in. (28.8 x 36.6 cm), Prints, Louis Jean Desprez (French, Auxerre 1743–1804 Stockholm), Trained as…

Unidentified, ceiling plan (recto) Palazzo Farnese, ceiling plan (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 17 5/16 x 11 7/16 in. (43.9 x 29.1…

The Arms of the Holy Roman Empire and of the City of Nuremberg, n.d., Woodcut, Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

The Martyrdom of Saint Barbara, 18th century, Brush and black ink with white heightening, 12 x 7-1/2 in. (30.5 x 19.1 cm), Drawings, Martin Johann Schmidt (Austrian, Grafenwörth 1718–1801 Stein)

Christ on the cross, Saint John to the right looking toward him, to the left is the fainting Virgin Mary supported by two women, 1582, Engraving, Sheet: 12 3/16 × 8 9/16 in. (30.9 × 21.8…

Design for a Stage Set at the Opéra, Paris: Tent and Overturned Wagon, 1830–90, Graphite, heightened with white, Irregular sheet: 9 7/8 x 9 3/16 in. (25.1 x 23.4 cm), Drawings, Eugène…

The Fat Kitchen, 1563, Engraving; first state, plate: 8 3/4 x 11 5/8 in. (22.2 x 29.5 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels), Pieter van…

An Ecclesiastic (Pope?) Blessing a Book before the Sacred College., 1580–90, Pen and brown ink, brush and brown wash, over black chalk; traces of framing outlines in pen and brown ink, sheet: 8…

Bust of Jupiter, ca 1531–76, Engraving, sheet: 6 1/8 x 4 5/16 in. (15.5 x 11 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576)

The Garden Porch, 1894, Transfer lithograph, drawn on fine-grained transfer paper; only state (Chicago); printed on cream laid Japan, Image: 8 7/16 × 6 3/8 in. (21.5 × 16.2 cm), Prints,…

The Feast of Belshazzar, 1697–1732, Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on brownish paper, 11-1/4 x 14-15/16 in. (28.5 x 38.0 cm), Drawings,…

The historian John Besly, after Jaspar Isaac, 1861, Etching on laid paper; fourth state of four, plate: 5 3/4 x 4 3/4 in. (14.6 x 12.1 cm), Prints, Charles Meryon (French, 1821–1868), After…

Design for Art Nouveau Loveseat with Caning, 19th century, Watercolor over graphite with touches of gouache, framing lines in graphite, sheet: 12 5/8 x 16 7/16 in. (32 x 41.7 cm), Anonymous,…

Medieval Chimneypiece Design, 19th century, Graphite, Anonymous, British, 19th century

Design for a Stage Set, 19th century, Graphite, brush and gray wash, heightened with white on blue paper, sheet: 7 1/2 x 9 3/16 in. (19.1 x 23.4 cm), Drawings, Anonymous, French, 19th century

Landscape with the Horse (Landscape with Horses), 1859, Etching and drypoint; second state of two (Glasgow); black ink on medium weight ivory laid paper, Plate: 4 15/16 x 7 15/16 in. (12.5 x 20.2…

St Peter's, entablature profile; reflected ceiling details of the cornice, and profiles of column bases and pedestals (recto), early to mid-16th century , Dark brown ink, black chalk, and…

Seated Boy, 1535–92, Red chalk, highlighted with white chalk, on off-white paper washed with pale ochre; framing outlines in pen and brown ink, Overall: 6 3/4 x 5 3/8 in. (17.2 x 13.7 cm),…

Songs of Innocence and of Experience: A Little Boy Lost, ca. 1825, Relief etching printed in orange-brown ink and hand-colored with watercolor and gold, sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1…

Demolition of the Old Vestibule of the Palais-Royal, Paris, ca. 1767, Gouache over traces of graphite, 9 5/8 x 11 1/4 in. (24.4 x 28.6 cm), Drawings, Pierre Antoine Demachy (French, Paris…

Saint Veronica with the Sudarium, 16th century, Sheet: 4 15/16 × 4 1/8 in. (12.6 × 10.5 cm), Prints, After Sebald Beham (German, Nuremberg 1500–1550 Frankfurt)

R.R.P. Doctissimi Bassinae, 1773, Etching, sheet: 4 1/4 x 5 1/4 in. (10.8 x 13.3 cm), Prints, Joseph François Foulquier (French, Toulouse 1744/45–1789 Martinique)

One Half of a Design for a Frame of a Stage Proscenium, with a Figure of Justice at the Right, and the Barberini Arms in a Cartouche at the Top, 18th century, Graphite or black chalk on cream…

Study for the Fall of Simon Maqus, S. Paolo Maggiare, Naples, 1690, 1690, Pen and brown ink, gray, green, and rose washes over graphite, Drawings, Francesco Solimena (Italian, Canale di Serino…

The Good Samaritan, 1633, Etching, engraving and drypoint; fourth state of four, Sheet: 10 1/16 × 8 1/16 in. (25.6 × 20.5 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden…

The Great Exhibition 'Wot is to Be', Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done,…

Jan Cornelis Sylvius, 1633, Etching, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Angels Supporting a Frame, 1674–1755, Pen and brown ink, brush and gray wash, over traces of graphite or lead, 4 15/16 x 6 9/16in. (12.6 x 16.7cm), Drawings, Pier Leone Ghezzi (Italian,…

An Old House, or The Musician's House, Bourges, 1860, Etching with drypoint; fifth state of five, plate: 9 1/2 x 5 1/2 in. (24.1 x 14 cm), Prints, Charles Meryon (French, 1821–1868)

Pea Shellers, 1737, Etching with some engraving, image: 8 15/16 x 7 1/16 in. (22.7 x 17.9 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After…

Rustic Landscape, 1772, Etching, sheet: 4 9/16 x 7 5/8 in. (11.6 x 19.3 cm), Prints, Nicolas Pérignon the Elder (French, Nancy 1726–1782 Paris)

The Mock Visit of Ceremony, 1659–1742, Pen and brown ink, brush and brown and gray wash, over black chalk. Squared in black chalk, 11 7/16 x 11 7/16in. (29.1 x 29.1cm), Drawings, Faustino…

Design for a Stage Set at the Opéra, Paris, 1828–90, Watercolor over graphite, Irregular sheet: 13 1/8 x 16 9/16 in. (33.3 x 42 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890…

Wisdom and Truth Leading the Infant Arts to America, after 1796, Pen and ink and brush and wash, sheet: 7 9/16 x 9 7/16 in. (19.2 x 24 cm), Drawings, John James Barralet (Irish, Dublin ca.…

Design for Export Furniture, ca. 1800, Watercolor over graphite, sheet approx.: 11 x 16 in. (27.9 x 40.6 cm), Drawings, Anonymous, Chinese, 19th century

Mercury Appearing to a Marine Deity and a Nymph, 1696–1770, Pen and brown ink, brush and pale and dark brown wash, over black chalk and leadpoint?, 10 3/16 x 8 3/8in. (25.9 x 21.3cm),…

Virgin and Child seated beneath a tree, ca. 1560, Engraving, sheet: 11 7/16 x 8 3/8 in. (29.1 x 21.2 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), After…

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, sheet: 10 3/4 x 7 3/8 in. (27.3 x 18.7 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Jupiter, Neptune, and Pluto offering their crowns to the arms of Cardinal Borghese, ca2–1643, Etching, Sheet (Trimmed): 12 3/8 × 17 5/16 in. (31.5 × 44 cm), Prints, Simone Cantarini…

The Little Girl, 1861–62, etching and drypoint on blue laid paper; final state (II), from the Strölin edition of 1905, plate: 8 1/8 x 4 9/16in. (20.6 x 11.6cm), Prints, Édouard Manet…

Design for a Column and Pedestal, 19th century, Pen and black ink, brush and brown wash, and graphite, sheet: 19 7/16 x 8 1/4 in. (49.3 x 21 cm), Anonymous, French, 19th century

The Virgin and Child with Saint Martina, 1596–1669, Pen and brown ink, brush and brown wash, over black chalk., 9 5/8 x 12 3/8in. (24.5 x 31.5cm), Drawings, Pietro da Cortona (Pietro…

Illustration for Jérôme Paturot à la recherche d'une position sociale (Jérôme Patruot in Search of a Social Position), by Louis Reybaud, Paris, 1846, ca. 1846, Pen and brown ink, brush and…

The Birth of the Virgin, from The Life of the Virgin, ca. 1503, Woodcut, sheet: 11 11/16 x 8 1/8 in. (29.7 x 20.6 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Eros escaping by sea using his bow to propel a boat made from his quiver with an arrow as the mast and his blindfold as the sail, a banderole above, ca. 1515–27, Engraving, Sheet (Trimmed): 4 3/4…

Design for Five Vases, ca. 1770–85, Pen and gray and brown ink, watercolor, and black chalk, 14 7/8 x 9 3/16 in. (37.8 x 23.3 cm), Drawings, Anonymous, French, 18th century

The Wager Won, 1778, Pen and brown ink, brown wash, over traces of graphite, 10 1/2 x 8 11/16 in. (26.7 x 22 cm), Drawings, Jean Michel Moreau the Younger (French, Paris 1741–1814 Paris)

Design for a Clock with a Classical Female Figure, ca. 1800, Graphite, pen and brown ink, brush and brown wash, 5 5/16 x 7 3/8 in. (13.5 x 18.7 cm), Drawings, Anonymous, French, 18th century

Design for a Stage Set, 1830–90, Watercolor and black chalk, sheet: 9 3/16 x 4 13/16 in. (23.4 x 12.3 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Study of a Figure, 1837–1911, Red chalk, 13 15/16 x 9 3/8 in. (35.4 x 23.8 cm), Drawings, Alphonse Legros (French, Dijon 1837–1911 Watford, Hertfordshire)

Design for Curvilinear Side Table with Mirror, early 19th century, Ink, watercolor and wash, sheet: 9 7/16 x 11 15/16 in. (24 x 30.4 cm), Anonymous, British, 19th century

Plate 15: doe, from 'Various animals' (Diversi animali), after 1641, Etching; reverse copy, Sheet (trimmed): 3 3/16 in. × 4 in. (8.1 × 10.1 cm), Prints, After Stefano della Bella (Italian,…

Un Coup de Vent non Prédit par Mathieu (de la Drôme), Plate 1 of Croquis d'Hiver, published in le Petit Journal pour rire, December 3, 1864, Lithograph, sheet: approx. 8 1/8 x 11 3/4 in. (20.7…

Plate 74 from 'The Disasters of War' (Los Desastres de la Guerra): 'That is the worst of it!' (Esto es lo peor!), after 1814–15 (published 1863), Etching and burnisher, Plate: 6 15/16 × 8 1/2…

The Beggars, ca. 1509, Engraving, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Fumette, 1858, Etching; fifth state of five (Glasgow); printed in black ink on fine ivory laid paper, Plate: 6 7/16 × 4 5/16 in. (16.4 × 11 cm), Prints, James McNeill Whistler (American,…

Apollo tending the flocks of Admetus, Apollo seated holding a lyre and flanked by a cow and a dog, a serpent winding around a dead tree at right, ca. 1515–27, Engraving, Sheet (Trimmed): 4 1/2 ×…

Circumcision, Etching, sheet: 12 5/8 x 8 11/16 in. (32 x 22 cm), Prints, Laurent de La Hyre (French, Paris 1606–1656 Paris)

The Fall of the Damned, 1642, Etching and engraving; first state of two, sheet: 22 1/2 x 16 1/4 in. (57.1 x 41.2 cm), Prints, Pieter Soutman (Dutch, ca. 1580–1657), after Peter Paul Rubens…

Antique Armor, 19th century, Pen and brown ink on wove paper, sheet: 2 3/4 x 3 1/8 in. (7 x 8 cm), Drawings, Anonymous, French, 19th century

Two Designs for Vases (recto); Design for Candle Stick (?) (verso), 1652–1725, Pen and brown ink, brush and brown and gray wash, over traces of black chalk. Traces of a vertical black chalk…

Design for a ceiling painted with grotesque motifs, 19th century, graphite, pen and ink, watercolor, and gold paint on tracing paper, mounted on wove paper, Drawings, Jules-Edmond-Charles…

Design for a Frieze, 18th century, Black chalk, sheet: 4 5/8 x 11 in. (11.7 x 28 cm), Drawings, Anonymous, French, 18th century

Tight Lacing or Hold Fast Behind, March 1, 1777, Hand-colored etching and engraving, plate: 13 3/4 x 9 11/16 in. (35 x 24.6 cm), Prints

Landscape (Wooded Approach to a Town), ca. 1508, Pen and brown ink, 8 7/16 x 11 1/2 in. (21.4 x 29.2 cm), Drawings, Fra Bartolomeo (Bartolomeo di Paolo del Fattorino) (Italian, Florence…

The Ball, ca. 1634, Etching; first state of two, Sheet: 11 9/16 × 14 13/16 in. (29.3 × 37.7 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

The Holy Family in an Enclosed Garden, 1512, Pen and reddish brown ink., 10 9/16 x 7 7/8 in. (26.8 x 19.8 cm), Drawings, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), This drawing is…

Study for a Stage Set, 18th century, Pen and gray ink, brush and gray and colored wash over traces of black chalk and graphite, 10 1/16 x 16 1/16 in. (25.6 x 40.8 cm), Drawings, Jacques de…

Whistler in White Ducks (Whistler: Five Faces), 1909–11, Etching on chine collé, plate: 6 3/4 x 5 13/16 in. (17.2 x 14.8 cm), Prints, Mortimer Menpes (Australian, Port Adelaide 1855–1938…

Melencolia I (copy), 1602, Engraving, Sheet: 9 5/16 × 3 5/8 in. (23.6 × 9.2 cm), Prints, Jan (Johannes) Wierix (Netherlandish, Antwerp 1549–1615 Brussels), After Albrecht Dürer (German,…

Designs for a Clock and Two Candelabras, 19th century, Pen and brown ink, sheet: 6 1/8 x 9 3/4 in. (15.5 x 24.8 cm), Drawings, Anonymous, French, 19th century

Design for a room with double doors decorated with garlands of fruit and flowers, scrolls, and lattice work, 1830–97, pen and ink and watercolor on tracing paper; mounted on heavy wove…

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite on blue paper, sheet: 10 9/16 x 2 5/8 in. (26.9 x 6.6 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

The Expulsion of Adam and Eve from Paradise (recto); Studies for the Same Composition (verso), 1624–63, Pen and brown ink, over red chalk, 2-5/8 x 5-11/16 in. (6.7 x 14.4 cm), Drawings,…

Saint Anthony of Padua adoring the Christ Child in Glory, ca. 1640, Etching, Sheet: 10 7/16 × 6 15/16 in. (26.5 × 17.7 cm), Prints, Simone Cantarini (Italian, Pesaro 1612–1648 Verona)

Design for Festival Architecture for an Entry into Paris for the King of Sweden, Frederick I of Hesse, 18th century, Pen and brown ink, brush and colored washes, heightened with white, 8 3/4 x 9…

Denise Holding Her Child by Both Hands, 1923, Drypoint; second state, restrike, plate: 16 x 11 1/4 in. (40.6 x 28.5 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le…

Fall of Man, 1530, Engraving; second state, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Trophy with Two Vases and a Cuirass, 1600–1800, Pen and black ink, brush and reddish-brown wash, over traces of graphite, sheet: 5 7/8 x 7 3/4 in. (15 x 19.7 cm), After Polidoro da…

Design for the painted decoration of a wall pierced by an arched window, second half 19th century, Pen and ink and watercolor on wove paper, plate: 19 7/16 x 13 1/2 in. (49.4 x 34.3 cm),…

The Relief of Candia, 17th century, Black chalk, brush and gray and blue wash over black chalk. Paper outside oval washed in rose., 11 3/4 x 8 11/16 in. (29.8 x 22.1 cm), Drawings, Charles Le…

Ceiling Design for Bedroom of Duchesse de Newcastle, Hôtel of Madame Hope, ca. 1867, Pen and gray ink, brush and gray wash, watercolor, gilt, gouache., 13 1/2 x 19 7/16 in. (34.3 x 49.3 cm),…

Scene with Four Figures of Monks Discoursing, 1666–1724, Brush and brown wash, highlighted with white, over charcoal, on blue-gray paper, 5 1/16 x 5 7/8in. (12.8 x 14.9cm), Drawings, Paolo…

Drawings for Portrait Engraving of a Man, Late 18th century, Graphite and red pencil on vellum, 3 5/8 in. diameter and 3 1/4 in. diameter, Drawings, Anonymous, French, 18th century

Design for a reliquary, late 17th–early 18th century, Pen and brown ink, brown and grey wash, red chalk, over black chalk, sheet: 8 3/16 x 6 5/16 in. (20.8 x 16.1 cm), Drawings, Attributed to…

The Forum of Trajan, Rome, late 18th–mid-19th century, Drawing in pen and ink and gray wash, 3 1/16 x 4 3/16in. (7.8 x 10.6cm), Drawings, Giovanni Battista Cipriani (Italian, Siena 1766–1839 Rome)

Design for a Cartouche, 1652–1725, Black chalk, sheet: 2 1/2 x 5 11/16 in. (6.4 x 14.5 cm), Giovanni Battista Foggini (Italian, Florence 1652–1725 Florence)

The Little Pool, 1861, Etching and drypoint; ninth state of nine (Glasgow); printed in black ink on very fine cream laid paper, Plate: 3 15/16 × 4 7/8 in. (10 × 12.4 cm), Prints, James…

An 'Académie': Man Pulling a Cord, 1742–43, Etching, sheet: 15 1/16 x 10 15/16 in. (38.3 x 27.8 cm), Prints, Carle (Charles André) Vanloo (French, Nice 1705–1765 Paris)

Chimney Sweep, 1737, Etching with some engraving, Sheet: 9 5/16 × 7 5/16 in. (23.6 × 18.6 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris),…

Henri II, King of France, Between France and Fame, ca. 1548, Engraving, sheet: 11 3/4 x 8 7/16 in. (29.8 x 21.5 cm), Prints, Jean Duvet (French, ca. 1485–after 1561), Until Jean Duvet began…

Seated Draped Figure, early 18th century, Black chalk, heightened with white, on blue paper., 12 x 9 11/16 in. (30.5 x 24.6 cm), Drawings, François Le Moyne (French, Paris 1688–1737 Paris)

Christ Crowned with Thorns, from The Passion, 1512, Engraving, Sheet: 4 3/4 × 3 1/16 in. (12 × 7.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Cliff Rose, Cowania Stansburiana, May 8, 1912, Watercolor and brown ink over graphite, with page design indicated in graphite, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings,…

The Visitation, from The Life of the Virgin (copy), n.d., Woodcut, sheet: 11 9/16 x 8 in. (29.4 x 20.3 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Saint Bartholomew (recto); Study of Drapery and Two Hands (verso), 1569–1632, Black chalk, highlighted with white, on brown washed paper (recto); black chalk (verso), 15 3/4 x 10 9/16in. (40…

An Exquisite, ca. 1817, Hand-colored etching, 11 5/8 x 8 3/8 in. (29.5 x 21.3 cm) trimmed to plate line on left, Prints, George Cruikshank (British, London 1792–1878 London)

Portrait of Baroness Gudin, née Margareth Louis Hay, 1842, Graphite., sheet: ca. 15 3/4 x 11 7/16 in. (40 x 29 cm), Drawings, Franz Xaver Winterhalter (German, Menzenschwand 1805–1873 Frankfurt)