The Sacrifice of Iphigenia, 1810, Brush and brown ink with brown wash, 8 3/4 x 6 1/8 in. (22.2 x 15.6 cm), Drawings, Jean Michel Moreau the Younger (French, Paris 1741–1814 Paris)

Famous Men and Women from Classical and Biblical Antiquity., 1450s, Pen and brown ink, brush and watercolor of various hues, 12-3/8 x 7-13/16 in. (31.4 x 19.9 cm), Drawings, Attributed to…

Cavalry Charge, 1624–63, Pen and brown ink, brush and brown wash, 4-3/4 x 7-1/4 in. (12.1 x 18.4 cm), Drawings, attributed to Francesco Allegrini (Italian, Cantiano (?) 1615/20–after 1679 Gubbio…

Program for the Evening of April 11, 1891, 1891, pen and ink, watercolor on wove paper, sheet: 9 5/8 x 6 5/16 in. (24.5 x 16 cm), Drawings, Anonymous, French, 19th century

Songs of Innocence and of Experience: The Blossom: Merry Merry Sparrow, ca. 1825, Relief etching printed in orange-brown ink and hand-colored with watercolor and gold, sheet: 6 3/16 x 5 9/16 in.…

Pierre Bartier, eveque de Montauban, Etching, image: 12 1/8 x 9 3/16 in. (30.8 x 23.4 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French,…

Portrait de Bergeret, ca. 1770–71, Etching, sheet: 18 7/8 x 14 5/16 in. (48 x 36.4 cm), Prints, After Jean Honoré Fragonard (French, Grasse 1732–1806 Paris), Engraved by Gilles Demarteau…

A skirmish, two horsemen battling with swords to the right, men carrying a flag running away towards the right, a dead man on the ground and a horseman seen from behind to the left, from…

Sun Bird (James S. Wallace), from The Comic Natural History of the Human Race, 1851, Color lithography with watercolor and gum, sheet: 10 13/16 x 7 1/16 in. (27.5 x 18 cm), Prints, Henry Louis…

Songs of Innocence and of Experience: The Chimney Sweeper, ca. 1825, Relief etching printed in orange-brown ink and hand-colored with watercolor and gold, sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1…

Portrait of a Boy, in Profile, 1641, Etching, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Arch of Septimius Severus, ornamental cornice and pilaster (recto) Arch of Septimius Severus, cornice with ornamental frame moulding (verso), early to mid-16th century , Dark brown ink, black…

Design for an Urn, ca. 1770–90, Pen and brown ink, graphite, 11 1/4 x 7 1/2 in. (28.5 x 19.1 cm), Drawings, Anonymous, French, 18th century

Angel with the Key to the Bottomless Pit, from the Apocalypse series, n.d., Woodcut, Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

The Virgin fainting and being supported in the arms of the holy women, 1531–76, Engraving, Sheet: 9 1/16 × 7 3/4 in. (23 × 19.7 cm), Prints, Giulio Bonasone (Italian, active Rome and…

Theatrical Pleasures, Plate 1: Crowding to the Pit, ca. 1835, Hand-colored etching, image: 8 15/16 x 7 5/16 in. (22.7 x 18.6 cm), Prints, Theodore Lane (British, Isleworth ca. 1800–1828 London)

Design for a Cabinet with Inset Fabric Panels, and Two Female Classical Statues on Marble Pedestals, early 19th century, Graphite, ink and wash, sheet: 10 7/8 x 14 13/16 in. (27.6 x 37.7 cm),…

Aeneas and Achates Entering Dido's Palace in a Cloud, 1624–63, Pen and brown ink, brush and brown wash, over black chalk. Framing lines in black chalk, and in pen and brown ink on mount, 3-1/2…

Drawing of an Urn, 18th century, Graphite, pen and black ink, brush and gray wash, 9 7/16 x 5 1/8 in. (23.9 x 13 cm), Drawings, Anonymous, French, 18th century

Saint Michael the Archangel and Another Figure Recommending a Soul to the Virgin and Child in Heaven, 1629–57, Red chalk, brush and brown wash, 11 1/2 x 7 15/16in. (29.2 x 20.2cm), Drawings,…

Abraham and Isaac, 1645, Etching and burin; only state, Plate: 6 1/8 x 5 1/8 in. (15.5 x 13 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam), Among Rembrandt's…

Balcony, Amsterdam, 1889, Etching and drypoint; fourth state of four (Glasgow); printed in dark brown ink on ivory Japan tissue, Plate: 10 3/4 × 6 5/8 in. (27.3 × 16.9 cm), Prints, James…

Design for a Stage Set at the Opéra, Paris, 1830–90, Watercolor over graphite, Irregular sheet: 9 15/16 x 10 9/16 in. (25.2 x 26.9 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890…

Plate 5: A Pikeman standing at right next to a canon, other military figures in the background, from 'Various Military Caprices' (Varii capricci militari), ca. 1641, Etching; second state of…

Bust of a Young Woman, ca. 1495, Metalpoint, highlighted with white gouache, on blue-gray prepared paper, 6 7/16 x 5 1/4in. (16.4 x 13.3cm), Drawings, Attributed to Piero di Cosimo (Piero di…

Caricature of a Fat Man, Seen From Behind, 1760 (?), Pen and black ink, gray wash, 6 1/2 x 4 3/4 in. (16.5 x 12 cm), Drawings, Giovanni Battista Tiepolo (Italian, Venice 1696–1770 Madrid)

Studies of Two Helmets and of Two Soldiers Wearing Helmets, 1553–88, Pen and brown ink, brush and brown wash, 7 13/16 x 5 3/8in. (19.8 x 13.7cm), Drawings, Marco Marchetti (Marco da Faenza)…

Erasmus of Rotterdam, 1526, Engraving, sheet: 9 3/4 x 7 1/2 in. (24.8 x 19.1 cm) trimmed within plate line at top and bottom, slight margin at sides, Prints, Albrecht Dürer (German, Nuremberg…

Allegorical Female Figure Holding a Branch and a Dish, 1556–1641, Pen and brown ink, brush and pale brown wash, highlighted with white, over black chalk, on blue paper. Faintly squared in…

Christ mounted on a white Horse, from the Apocalypse, n.d., Engraving; second state of two, plate: 11 7/8 x 8 11/16 in. (30.2 x 22 cm), Prints, Jean Duvet (French, ca. 1485–after 1561)

The Coiffure, ca. 1891, Drypoint; first state of five (Mathews & Shapiro), plate: 14 3/8 x 10 3/8 in. (36.5 x 26.4 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le…

The Annunciation, 1616–18, Red chalk, 3 7/8 x 2 13/16in. (9.9 x 7.2cm), Drawings, Camillo Procaccini (Italian, Bologna 1555–1629 Milan)

Design for a Vessel with Hunting Scenes, 19th century, Pen and ink over graphite, sheet: 6 7/16 x 2 9/16 in. (16.4 x 6.5 cm), Drawings, Anonymous, French, 19th century

Castle Gardens, The Second Deluge, First Appearance of Jenny Lind in America, 1850, Lithograph, image: 13 7/16 x 9 3/8 in. (34.1 x 23.8 cm), Prints, Anonymous, American, 19th century

Frontispiece for the comedy 'The Buffoons' (Li Buffoni), a set on stage resembling a public space, various figures dancing around two people in cages in center stage, fifteen spectators below,…

A Cat Resting on All Fours, Seen from Behind, 1861, Graphite, on ivory-colored paper, 3 3/4 x 4 13/16 in. (9.5 x 12.2 cm), Drawings, Édouard Manet (French, Paris 1832–1883 Paris)

Phillis Wheatley, Negro Servant to Mr. John Wheatley of Boston, ca. 1773, Engraving, oval sheet: 5 x 3 7/8 in. (12.7 x 9.8 cm), Prints, Anonymous, 18th century

Number 473 from La Elegancia Barcelona, 19th century, Hand-colored lithograph, sheet: 10 3/4 x 7 11/16 in. (27.3 x 19.5 cm), Prints, Hélöise Leloir (French, 1820–1873)

Joseph Interpreting Pharoah's Dreams, 1512, Engraving; first state, sheet: 4 15/16 x 6 1/2 in. (12.5 x 16.5 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Saint Sebastian Bound to the Column, ca. 1499, Engraving, Sheet: 4 3/16 × 2 15/16 in. (10.6 × 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Design for a Ceiling Decoration., 1709–20, Pen and brown ink, brush and gray-brown wash, over graphite or leadpoint with ruled and compass construction, sheet: 5 1/2 x 11 in. (13.9 x 27.9…

Drawing of Female Statue with Cornucopia, 18th century, Graphite, pen and black ink, 7 3/4 x 3 1/8 in. (19.7 x 7.9 cm), Drawings, Anonymous, French, 18th century

Design for a Sofa with One Wing-like Arm, early 19th century, Graphite, sheet: 10 13/16 x 15 1/16 in. (27.5 x 38.2 cm), Anonymous, British, 19th century

Partial design for a ceiling with alternative patterns for the borders, 1830–97, graphite on wove paper; inlaid in blue wove paper, Overall: 10 1/2 x 14 3/4 in. (26.6 x 37.5 cm), Drawings,…

The Virgin being crowned by two angels, copy after Cantarini, 17th century, Etching, Plate: 8 1/4 × 5 3/8 in. (21 × 13.7 cm), Prints, After Simone Cantarini (Italian, Pesaro 1612–1648 Verona)

Design for the End Pier of a Table, 1537–91, Pen, brown ink and wash over black chalk, Giovanni Battista Naldini (Italian, Fiesole ca. 1537–1591 Florence)

The Flagellation, from The Small Passion, ca. 1509, Woodcut, sheet: 5 1/16 x 3 13/16 in. (12.8 x 9.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Landscape, 1842, Graphite, heightened with white chalk, on brown paper, 6 5/16 x 10 11/16 in. (16 x 27.1 cm), Drawings, Théodore Rousseau (French, Paris 1812–1867 Barbizon)

Design for a Fan with Sunburst, Lilies, and Irises, late 19th–mid-20th century, Watercolor and gold paint over graphite, 11 15/16 x 23 3/8in. (30.3 x 59.3cm), Drawings, Alphonse Mucha…

Design for a Stage Set at the Opéra, Paris, 1828–90, Brush and brown, gray, rose, and green wash, gouache, over graphite, Irregular sheet: 12 3/4 x 20 13/16 in. (32.4 x 52.9 cm), Drawings,…

Design for the decoration of a room with a large wood-paneled cupboard surmounted by the monogram: H, 1830–97, Pen and ink, watercolor, and gold paint on wove paper, sheet: 7 13/16 x 7 1/2 in.…

Smell, 1635–38, Etching, Sheet: 11 11/16 × 8 1/8 in. (29.7 × 20.6 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Plate 74 from 'Los Caprichos': Don't scream, stupid (No grites, tonta), 1799, Etching and burnished aquatint, Plate: 8 3/8 × 5 7/8 in. (21.2 × 14.9 cm), Prints, Goya (Francisco de Goya y…

The Doubting Thomas, from The Small Passion, ca. 1510, Woodcut, sheet: 5 1/16 x 3 7/8 in. (12.9 x 9.9 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Ornament with Eagle and Garlands, 1833, Pen and black and brown ink with blue washes, sheet: 9 5/16 x 13 5/8 in. (23.7 x 34.6 cm), Drawings, Aug. Strubeker (German, active 19th century) ?

Woman Sitting Half-Dressed beside a Stove, 1658, Etching, burring, and drypoint, Plate: 8 15/16 × 7 5/16 in. (22.7 × 18.6 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden…

Design for a Plate Decorated with a Bird and Plant Motifs, 1825–93, Graphite, brush and brown wash; squared for transfer, 12 3/16 x 12 1/16 in. (31 x 30.7 cm), Drawings, Karl Bodmer (Swiss,…

Samarian Sibyl, from the series of Sibyls, ca. 1530, Woodcut, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

The Petit Pont, Paris, 1850 or later, Etching and engraving on wove paper; first of nine states, plate: 10 7/16 x 7 5/16 in. (26.5 x 18.5 cm), Prints, Charles Meryon (French, 1821–1868)

Horses., 1530–40, Pen and brown ink. Framing outlines in pen and brown ink on mount, 5 3/4 x 7in. (14.6 x 17.8cm), Drawings, Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma…

Ennui, November 20, 1829, Hand-colored lithograph, sheet: 10 1/8 x 14 9/16 in. (25.7 x 37 cm), Prints, Robert Seymour (British, Somerset 1798–1836 London)

Autumn (L'Automne), ca. 1637, Etching, sheet: 10 x 12 9/16 in. (25.4 x 31.9 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Menalcus Watching Women Dance, from Thornton's Pastorals of Virgil, 1821, Wood engraving, block: 1 7/16 x 3 1/8 in. (3.7 x 7.9 cm), Prints, William Blake (British, London 1757–1827 London)

View of Oberalp Lake, late 18th–19th century, Brush with brown and gray watercolor and bodycolor, heightened with white gouache. Framing line in black ink and a 1.1/2 inch border of brown…

Framed Design for a Stage Set., 1772–1842, Pen and brown ink, brush with gray and brown wash over traces of graphite, sheet: 10 1/2 x 8 3/16 in. (26.7 x 20.8 cm), attributed to Mauro Berti…

Standing Draped Female Figure, 19th century, Graphite and estompe, 13 3/16 x 9 in. (33.5 x 22.8 cm), Drawings, Henri Lehmann (French, Kiel 1814–1882 Paris)

Siege of Saint-Omer, 1638, Etching, Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence)

Plate 18 from 'Los Caprichos':And his house is on fire (Ysele quema la Casa.), 1799, Etching and burnished aquatint, Plate: 8 7/16 x 5 15/16 in. (21.4 x 15.1 cm), Prints, Goya (Francisco de Goya…

Plate 24 of the 'Tauromaquia': The same Ceballos mounted on another bull breaks short spears in the ring at Madrid., 1816, Etching, burnished aquatint, drypoint and burin, Plate: 9 1/2 x 14 in.…

Extensive Pastoral Landscape, 1676–1730, Gouache on kidskin, 12-1/8 x 18 in. (30.8 x 45.7 cm), Drawings, Marco Ricci (Italian, Belluno 1676–1730 Venice (?))

Cruikshank's House on Coronation Day, 1911, Etching; only state, plate: 6 1/2 x 3 15/16 in. (16.4 x 9.9 cm), Prints, Walter Richard Sickert (British, Munich 1860–1942 Bathampton, Somerset)

The Death of the Good Old Man, from The Grave, a Poem by Robert Blair, March 1, 1813, Engraving, plate: 8 x 10 1/4 in. (20.3 x 26 cm), Prints, Luigi Schiavonetti (Italian, Bassano del Grappa…

Design for a coffered ceiling with a central oval painted in clouds, 1830–97, graphite, pen and ink, watercolor on wove paper; mounted on wove paper, Overall: 8 9/16 x 10 3/16 in. (21.7 x 25.8…

A Sphere, Projecting Against a Plane, January 3, 1792, Hand-colored etching, sheet: 10 13/16 x 8 11/16 in. (27.5 x 22 cm), Prints, James Gillray (British, Chelsea 1756–1815 London)

Three Dromedaries, n.d., Etching, Prints, After Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Design for a Crystal Chandelier, 19th century, Pen and brown ink, sheet: 16 3/8 x 10 5/8 in. (41.6 x 27 cm) uneven, Drawings, Anonymous, French, 19th century

Holy Family with a Rosary, copy after Cantarini, ca. 1640–1642 or after, Etching, Sheet (Trimmed): 5 1/16 × 3 5/16 in. (12.9 × 8.4 cm), Prints, After Simone Cantarini (Italian, Pesaro…

Joseph Telling His Dreams, 1638, Etching; third state, sheet: 4 9/16 x 3 7/16 in. (11.6 x 8.8 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

The Presentation in the Temple, from The Life of the Virgin, ca. 1505, Woodcut, sheet: 17 3/8 x 12 1/16 in. (44.2 x 30.6 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Fior di virtu hystoriato, May 7, 1519, Overall: 7 11/16 x 5 5/16 x 5/16 in. (19.5 x 13.5 x 0.8 cm), Books

Ceiling Design with an Allegory of Victory, n.d., Pen and brown ink, brush and brown wash with traces of watercolor, 7 1/4 x 7 3/8 in. (18.4 x 18.7 cm), Drawings, Daniel Marot the Elder (French,…

Mountainous Landscape with Hermits, 1676–1730, Gouache on kidskin, 11-3/4 x 17-5/16 in. (29.9 x 43.9 cm), Drawings, Marco Ricci (Italian, Belluno 1676–1730 Venice (?))

Design for the Interior Elevation of a Theater, ca. 1800, Pen and black ink, watercolor, sheet: 5 1/4 x 6 9/16 in. (13.4 x 16.6 cm), Anonymous, French, 19th century

Saint John the Baptist in the desert, ca. 1637–1639, Etching, Plate: 6 5/8 × 6 1/2 in. (16.8 × 16.5 cm), Prints, Simone Cantarini (Italian, Pesaro 1612–1648 Verona)

Pieta (recto); Madonna and two Cherubs in pen and brown ink; copy of a drawing in the Louvre which is attributed to Raphael (verso), 16th century, Brush and brown ink highlighted with white, 10 1/4…

Study of a Male Nude Shouldering a Wooden Block, ca. 1832, Graphite, sheet: 11 13/16 x 7 7/8 in. (30 x 20 cm), Drawings, Christen Købke (Danish, Copenhagen 1810–1848 Copenhagen)

Design for a Lectern (recto); Design for a Cartouche (verso), 1652–1725, Pen and brown ink, brush and brown wash, over traces of black chalk (recto); pen and brown ink and black chalk…

Entrée de Jardin, n.d., Watercolor over graphite, Sheet: 18 13/16 x 12 5/16 in. (47.8 x 31.2cm), Drawings, Paul Cézanne (French, Aix-en-Provence 1839–1906 Aix-en-Provence)

Caricature of Berlioz, from La Caricature Provisoire, no. 1, 1838, Lithograph, sheet: 13 15/16 x 9 3/4 in. (35.4 x 24.7 cm), Prints, Benjamin Roubaud (called 'Benjamin') (French, 1811–1847)

Two Seated Male Figures Within Spandrels., 16th century, Pen and brown ink, brush and brown wash, highlighted with white gouache, reworked with red chalk, on paper washed pale mauve, sheet: 9 3/4 x…

Little Dear, from The Comic Natural History of the Human Race, 1851, Color lithography with watercolor and gum, sheet: 10 5/8 x 6 15/16 in. (27 x 17.7 cm), Prints, Henry Louis Stephens…

Visiting Prisoners, 1635, Etching; first state of two, Sheet (trimmed): 10 in. × 12 3/4 in. (25.4 × 32.4 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Olympus naked seated on a tree stump holding pipes, set within a niche, ca. 1515–27, Engraving, Sheet (Trimmed): 9 in. × 4 1/8 in. (22.8 × 10.5 cm), Prints, Marco Dente (Italian, Ravenna,…

St. Peter Delivered from Prison, 1499–1543, Pen and brown ink, brush and brown wash, red chalk, 6 x 7 7/8 in. (15.3 x 20.1 cm), Drawings, After Polidoro da Caravaggio (Italian, Caravaggio…

Death of the Rich Man (La Mort du mauvais riche), Etching, sheet: 10 1/8 x 12 11/16 in. (25.7 x 32.2 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

The Great Courier (copy), 19th century, Engraving, Plate: 3 15/16 × 4 5/16 in. (10 × 11 cm), Prints, Alois Petrak (Czech, 1811–1888), After Albrecht Dürer (German, Nuremberg 1471–1528…

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 12 13/16 x 21 3/8 in. (32.6 x 54.3 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Plan and Elevations of a Music Room, early 19th century, Ink, graphite and watercolor, sheet: 11 15/16 x 17 1/16 in. (30.3 x 43.4 cm), Anonymous, British, 19th century

South Sea Fishers; Ewe with Two Lambs, 1850, Etchings on wove paper; Published in L'Artiste (1861), plate: 2 5/8 x 4 11/16 in. (6.6 x 11.9 cm), Prints, Charles Meryon (French, 1821–1868),…

Stork Flying Above Branches (Decoration for a Plate), 1850–1914, Etching with watercolor on laid paper, sheet: 18 7/8 x 12 5/8 in. (48 x 32 cm), Prints, Félix Bracquemond (French, Paris…