Harnessing of Cattle (Haut-Dauphiné), 1850–1914, Etching; second and final state, sheet: 9 13/16 x 12 5/8 in. (25 x 32 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres),…

Design for a Cartouche with Zoomorphic Mask above and Cornucopia of Fruit and Leaves on the Sides., 1790–1800, Pen and brown ink over black chalk, sheet: 9 1/8 x 6 7/8 in. (23.1 x 17.4 cm),…

Study for a Judgment of Paris and Other Figure Studies, 1615–73, Pen and brown ink, over black chalk, 10-1/16 x 7-7/16 in. (25.5 x 18.9 cm), Drawings, Salvator Rosa (Italian, Arenella…

Plate 36 from 'The Disasters of War' (Los Desastres de La Guerra): 'Not [in this case] either' (Tampoco), 1810, Etching, burnished aquatint, drypoint, burin, and burnisher, Plate: 6 in. × 8 1/16…

Figure Studies: Standing and Kneeling Clerics and Religious, Adam and Eve, and a Reclining Skeleton, ca. 1602, Pen and brown ink, brush and brown wash, black chalk, 8 3/16 x 11 5/16in. (20.8 x…

Waterloo Bridge, 1896, Transfer lithograph, drawn on white transfer paper with a grained-stone texture; only state (Chicago); printed in black ink on cream laid paper, Image: 6 3/4 in. × 5 in.…

Studies and Sketches for Figures: Standing Male Nude in Frontal View, Male Heads, Seated Monkey, and a Long-Beaked Bird (a Stork?) (recto); Figure Studies: Back View of Standing Male and Female…

Bookplate of Hilprant Brandenburg (Schr. 2038), 15th century, Woodcut, hand-colored, sheet: 2 13/16 x 2 11/16 in. (7.2 x 6.9 cm), Prints, Anonymous, German, 15th century

Portrait of Rembrandt as St. Paul, n.d., Prints, After Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Jupiter, Neptune and Pluto dividing the universe, 1531–76, Engraving, sheet: 7 11/16 x 10 1/4 in. (19.5 x 26.1 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576)

Design for Pink, Green and White Curtains with Pink and Gold Fringes and a Gold and White Pediment, early 19th century, Ink, watercolor and wash, sheet: 10 13/16 x 14 15/16 in. (27.4 x 38 cm),…

Longshore Men, 1859, Etching and drypoint; third state of four (Glasgow); black ink on medium weight, Plate: 5 7/8 × 8 15/16 in. (15 × 22.7 cm), Prints, James McNeill Whistler (American,…

Terrour or Fright, January 21, 1800, Hand-colored etching, printed in brown ink, Sheet (trimmed): 11 5/16 × 8 11/16 in. (28.7 × 22 cm), Prints, After George Moutard Woodward (British, ca.…

Temperance, from the series The Virtues, 1530, Engraving; first state, sheet: 6 1/2 x 4 1/4 in. (16.5 x 10.8 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Man with Torch between Flaming Altar and Statuette, published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Engraved by Anonymous, Italian, 16th…

Panel of Ornament with Two Sirens, 1528, Engraving, Sheet: 4 3/4 × 3 1/8 in. (12 × 8 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Saint Christopher Facing Left, 1521, Engraving, sheet: 4 9/16 x 2 15/16 in. (11.7 x 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

The Martyrdom of St. Catherine of Alexandria, 1548–1612, Pen and brown ink, brush and brown wash, over red chalk, 7 x 10 1/16in. (17.8 x 25.6cm), Drawings, Bernardino Poccetti (Italian, San…

Seated Woman with a Winged Putto, 1696–1770, Pen and brown ink, brush with pale (yellow) and dark brown wash, over black chalk, 11-5/16 x 10-1/16 in. (28.8 x 25.5 cm), Drawings, Giovanni…

Figure Studies (recto); Figures Along a Canal and on a Bridge; to the right, a Curtain and a Stool (?) (verso), 1712–93, Black chalk, the architecture drawn in pen and brown ink over black chalk…

Design for a Stage Set, 1830–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Study for a Cartouche, Pen and black ink with brush and gray wash. Framing lines in pen and black ink., 5 x 4 3/16 in. (12.7 x 10.7 cm), Drawings, Gilles-Marie Oppenord (French, Paris…

Design for a Mirrored Dressing Table with Baroque Ornament, and a Casket, early 19th century, Ink and watercolor, sheet: 9 1/2 x 11 13/16 in. (24.2 x 30 cm), Anonymous, British, 19th century

Ornament Drawing with Cartouche, Putti, and Monkeys, n.d., Red chalk and red chalk wash over graphite underdrawing, 7 1/4 x 18 in. (18.4 x 45.7 cm), Drawings, Attributed to Gilles-Marie…

Loading a galley, from 'Views of the port of Livorno' (Vues du port de Livourne), 1654–55, Etching; second state of two, Sheet: 9 1/4 × 13 11/16 in. (23.5 × 34.8 cm), Prints, Stefano della…

Men Spitting at a Fire, n.d., Lithograph, Sheet: 4 3/4 x 6 11/16 in. (11.99 x 16.99cm), Prints, Formerly attributed to Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

The Entombment, Etching and engraving, first state, sheet: 14 3/16 x 12 13/16 in. (36 x 32.5 cm), Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice)

Christ, ca. 1510, Engraving, sheet: 4 5/8 x 2 7/8 in. (11.7 x 7.3 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Landscape with Seated Shepherd and Dog, n.d., Graphite with touches of brush and brown wash, 5 5/8 x 8 7/8 in. (14.3 x 22.6 cm), Drawings, Attributed to Jean Pillement (French, Lyons 1728–1808…

Head of a Man with a feathered Cap (Bernini?), Etching, Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664 Mantua)

Design for a Round Pink Sofa and an Armchair and a One-armed Chair, early 19th century, Ink, watercolor and wash, sheet: 10 13/16 x 15 1/16 in. (27.4 x 38.2 cm), Anonymous, British, 19th century

Profile of a Bearded Old Man Looking Right, 1765–1810, Red chalk, sheet: 24 x 18 1/2 in. (61 x 47 cm), Drawings, Jakob Matthias Schmutzer (Austrian, Vienna 1733–1811 Vienna)

A Phantasmagoria;—Scene–Conjuring-Up an Armed-Skeleton, January 5, 1803, Hand-colored etching, sheet: 13 7/8 x 10 in. (35.3 x 25.4 cm), Prints

The Apocalyptic Woman, from The Apocalypse, Latin Edition, 1511, 1511, Woodcut, sheet: 15 15/16 x 10 15/16 in. (40.5 x 27.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

The Great Exhibition 'Wot is to Be', Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done,…

A child and a satyr child playing with a goat, ca. 1657, Etching; reverse copy, Sheet (trimmed to plate): 8 11/16 × 9 3/8 in. (22.1 × 23.8 cm), Prints, Stefano della Bella (Italian, Florence…

The Battle of ?, 19th century, Pen and ink, brush and wash over graphite, with touches of white, sheet: 7 1/2 x 10 9/16 in. (19.1 x 26.9 cm), Drawings, Anonymous, French, 19th century

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 10 7/8 x 17 1/16 in. (27.6 x 43.3 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Kneeling Nude Male Figure, Facing Left, March 25, 1859, Graphite, 8 15/16 x 11 7/16 in. (22.7 x 29.1 cm), Drawings, Henri Lehmann (French, Kiel 1814–1882 Paris)

Helluones librorum (Bookworms), November 10, 1786, Aquatint printed in brown ink, plate: 12 15/16 x 15 1/2 in. (32.8 x 39.4 cm), Prints, Joshua Kirby Baldrey (British, 1754–1828), Aquatint…

Les Paysagistes: Le premier copie la nature, le second copie le premier (The first copies nature, the second copies the first), May 12, 1865, Lithograph, sheet: 11 5/16 x 9 1/2 in. (28.8 x 24.1…

Designs for Plates Taken from Oudry's Illustrations to La Fontaine's Fables, after 1755, Etching, sheet: 11 7/16 x 6 9/16 in. (29 x 16.7 cm), Prints, After Jean-Baptiste Oudry (French, Paris…

Designs for a Pilaster Ornament and Cartouche (recto); Design for a Window or a Wall Plaque (verso)., 1652–1725, Pen and brown ink, over traces of black chalk; verso: pen and brown ink over…

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 9 1/2 x 4 in. (24.2 x 10.2 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Perfect Harmony, 1776, Pen and brown ink, brown wash, over traces of graphite, 10 1/2 x 8 1/2 in. (26.7 x 21.6 cm.), Drawings, Jean Michel Moreau the Younger (French, Paris 1741–1814 Paris)

Rape of Europa, ca. 1636, Etching and Drypoint, Sheet (Trimmed): 8 15/16 × 12 3/8 in. (22.7 × 31.4 cm), Prints, Simone Cantarini (Italian, Pesaro 1612–1648 Verona)

Alexander and Roxana, 1531–76, Engraving, sheet: 9 1/4 x 13 3/4 in. (23.5 x 35 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576)

Beggar with a Wooden Leg, ca. 1630, Etching, New Holl. second state of four, Sheet: 4 7/16 × 2 5/8 in. (11.3 × 6.6 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Reclining Nude, ca. 1913, Graphite, 14 7/8 x 22 1/2 in. (37.8 x 57.2 cm), Drawings, Gustav Klimt (Austrian, Baumgarten 1862–1918 Vienna)

Sketchbook Sheet of Ornamental Studies, (recto and verso), 1487–1564, Pen and brown ink, 12-5/8 x 8-7/8 in. (32.0 x 22.5 cm), Drawings, attributed to Giovanni da Udine (Giovanni dei…

Bachots au bords de la Seine, 1833–1914, Drypoint on laid paper, sheet: 12 3/16 x 16 9/16 in. (31 x 42.1 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres)

The Wedding of the Gods: Second Scene, Diana, 1637, Etching, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence), After set by Alfonso Parigi (Italian, ca. 1625–1656)

Plate 28 of the 'Tauromaquia': The forceful Rendon stabs a bull with the pique, from which pass he died in the ring at Madrid., 1816, Etching, burnished aquatint and burin, Plate: 9 3/4 × 13…

The Death of the Virgin, 1639, Etching and drypoint; third state of three, sheet: 15 1/2 x 12 5/16 in. (39.4 x 31.2 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Study for the Ugolino Group, 19th century, Graphite, 3 5/8 x 4 7/8 in. (9.2 x 12.4 cm), Drawings, Jean-Baptiste Carpeaux (French, Valenciennes 1827–1875 Courbevoie)

Conversion of St. Paul, ca. 1637, Etching, sheet: 15 15/16 x 11 11/16 in. (40.5 x 29.7 cm), Prints, Laurent de La Hyre (French, Paris 1606–1656 Paris)

Noah and the Animals Entering the Ark, 1650–55, Monotype, 9 3/4 x 14 5/16 in. (24.7 x 36.4 cm), Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664 Mantua)

La Caffarella (ou Grotte d'Egerie), 1620–50, Etching, third state, image: 5 11/16 x 8 5/16 in. (14.4 x 21.1 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Cornelis van…

Design for a Bookcabinet and Two Pedestals (Verso: sketch), early 19th century, Ink and watercolor and wash, sheet: 9 1/2 x 11 15/16 in. (24.1 x 30.4 cm), Anonymous, British, 19th century

The Angel of the Annunciation (Cartoon for an Embroidery), 1466–1524, Pen and brown ink, brush and brown wash, highlighted with white gouache, over black chalk on paper washed brown; outlines…

“The Sixth Knot”. Interlaced Roundel with Seven Wreaths, 1521 before, Woodcut, sheet: 10 15/16 x 8 11/16 in. (27.8 x 22.1 cm), Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg),…

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 6 1/2 x 3 3/8 in. (16.5 x 8.6 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Standing Female Nude, n.d., Graphite and watercolor, Overall: 11 x 9 in. (28 x 22.8 cm), Drawings, Odilon Roche (French, 1868–1947)

Three Designs for Plate Borders, 19th century, Graphite, watercolor, and gold paint. Framing lines in graphite., sheet: 9 3/4 x 13 7/16 in. (24.8 x 34.2 cm), Drawings, Anonymous, French, 19th century

Bacchus standing in a niche holding grapes in his raised right hand, fruit in his left hand, a dog lower right, ca. 1515–27, Engraving, Sheet (Trimmed): 9 in. × 4 1/8 in. (22.8 × 10.5 cm),…

Caricature, 1904, Graphite, 11 5/8 x 7 15/16 in. (29.6 x 20.1 cm), Drawings, Georges-Jules-Auguste Cain (French, Paris 1856–1919 Paris)

Rosvitha Presenting the Comedies to the Emperor Otto I. illustration from the Opera Hrosvita, 1501, n.d., Woodcut, sheet: 10 3/4 x 7 13/16 in. (27.3 x 19.8 cm), Prints, Albrecht Dürer…

The small lion hunt, with two lions, ca. 1632, Etching, sheet: 6 1/16 x 4 15/16 in. (15.4 x 12.5 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

The Great Exhibition 'Wot is to Be', Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done,…

Street at Saverne, 1858, Etching and open bite or sandpaper ground; third state of four (Glasgow); blue chine on off-white wove paper (chine collé), Plate: 8 3/16 × 6 1/4 in. (20.8 × 15.9…

Clearing in a Wooded Landscape, 1676–1730, Pen and brown ink, over traces of graphite or lead. Framing lines in pen and dark brown ink, 11 1/2 x 7 13/16in. (29.2 x 19.8cm), Drawings, Marco…

Rape of Europa, ca. 1636, Etching and Drypoint, Sheet: 9 1/8 × 12 11/16 in. (23.1 × 32.3 cm), Prints, Simone Cantarini (Italian, Pesaro 1612–1648 Verona)

The garroted man (El agarrotado), 1778–80, Etching and burin, Plate: 12 15/16 × 8 3/8 in. (32.8 × 21.3 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)

Design for a Stage Set, 1830–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Design for a Vessel, 1652–1725, Pen and brown ink, over traces of black chalk, sheet: 6 5/8 x 5 1/8 in. (16.8 x 13 cm), Giovanni Battista Foggini (Italian, Florence 1652–1725 Florence)

Tarquin and Lucrezia, 1771–1844, Pen and black ink, 5 3/8 x 7in. (13.7 x 17.8cm), Drawings, Vincenzo Camuccini (Italian, Rome 1771–1844 Rome)

Southern Landscape with Figures and Cattle at a River, 1686, Black chalk and grey wash; framing line in pen and black ink; over a framing line in pen and brown ink, sheet: 8 7/16 x 12 13/16 in.…

Plate 70 from 'Los Caprichos': Devout Profession (Devota profesion.), 1799, Etching, aquatint and drypoint, Plate: 8 1/16 x 6 7/16 in. (20.5 x 16.4 cm), Prints, Goya (Francisco de Goya y…

Venus, from 'Game of Mythology' (Jeu de la Mythologie), 1644, Etching; first state of five, Sheet: 1 13/16 × 2 3/8 in. (4.6 × 6 cm), Prints, Etched by Stefano della Bella (Italian, Florence…

A Portrait:Mildred Howells, 1894–96, Transfer lithograph with scraping, drawn on thin, transparent transfer paper; second state of three (Chicago); printed in black ink on ivory laid paper, Image:…

Jupiter at left in the form of a shepherd accompanied by Mnemosyne, set within an elaborate cartouche, from the 'Loves, Rages and Jealousies of Juno', 1531–76, Engraving, sheet: 5 5/16 x 3 15/16…

Madonna and Child with a bird, ca. 1635–1636, Etching, Plate: 8 9/16 × 5 13/16 in. (21.7 × 14.7 cm), Prints, Simone Cantarini (Italian, Pesaro 1612–1648 Verona)

Caricature, 1858–1909, Pen and brown ink, brush and brown wash, 2 5/8 x 4 1/16 in. (6.6 x 10.3 cm), Drawings, Caran d'Ache [Emmanuel Poiré] (French, Moscow 1858–1909 Paris)

Hezekiah, King of Judah, 19th century, Oil over pen and brown ink on thin paper, laid down on board, 12 x 5 9/16 in. (30.5 x 14.2cm), Drawings,

Theatrical Pleasures, Plate 5: Feasting in the Saloon, ca. 1835, Hand-colored etching, plate: 10 13/16 x 8 7/8 in. (27.5 x 22.5 cm), Prints, Theodore Lane (British, Isleworth ca. 1800–1828 London)

The Little Mast, 1879–80, Etching and drypoint; second state of eight (Glasgow); printed in black ink on , Plate: 10 7/16 × 7 5/16 in. (26.5 × 18.5 cm), Prints, James McNeill Whistler…

Flowers: Roses and Lilacs, late 19th–early 20th century, Watercolor on brown paper, 13 11/16 x 9 1/2 in. (34.8 x 24.1 cm), Drawings, Paul de Longpré (French, Lyon 1855–1911 Hollywood)

A Blind Man from the Quinze-Vingts Hospital, 1738, Etching with some engraving, Sheet: 9 3/16 x 6 15/16 in. (23.4 x 17.6 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French,…

Unknown, portal or niche, plan and elevation; perspective study, interior, square chamber with cross-vault, with a scale figure (recto), early to mid-16th century , Dark brown ink, black chalk,…

Willibald Pirckheimer, 1524, Engraving, Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Study for Saint Gervasius, ca2, Black chalk heightened with white chalk, on gray-beige paper. Framing lines in pen and brown ink., 16 7/8 x 10 5/16 in. (42.9 x 26.2 cm), Drawings, Eustache Le…

Plate 5: reclining lion, from 'Various animals' (Diversi animali), ca. 1641, Etching; third state of three (De Vesme), Plate: 3 1/4 × 4 1/8 in. (8.2 × 10.5 cm), Prints, Stefano della Bella…

The Stocking, 1890, Drypoint; fifth state of six, plate: 10 1/16 x 7 3/8 in. (25.6 x 18.7 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise)

Designs for Three Chairs with Turned Legs and Backs, early 19th century, Ink, watercolor and wash, sheet: 8 3/4 x 12 5/16 in. (22.2 x 31.3 cm), Anonymous, British, 19th century

Plate 78 from' Los Caprichos': Be quick, they are waking up (Despacha, que dispiértan.), 1799, Etching and burnished aquatint, Plate: 8 7/16 x 5 7/8 in. (21.4 x 15 cm), Prints, Goya (Francisco…

A Banker in Barry Selly Cast, from Indian Trades and Castes, ca. 1840, Watercolor and gouache, sheet: 14 3/8 x 10 3/8 in. (36.5 x 26.4 cm), Drawings, Anonymous, Indian, 19th century

Bacchanal Scene, 18th century, Pen and black ink, brush and gray wash, 5 7/8 x 9 3/16 in. (15 x 23.3 cm), Drawings, Anonymous, French, 18th century

Italian Landscape, 18th century, Black chalk, brush and gray wash, black wash., 9 11/16 x 15 7/16 in. (24.6 x 39.2 cm), Drawings, Anonymous, French, 18th century

Plate 15 from 'Los Caprichos': A pretty piece of advice (Bellos consejos), ca. 1797–99, Etching, burnished aquatint and burin, Plate: 8 1/2 × 5 15/16 in. (21.6 × 15.1 cm), Prints, Goya…

Portrait of Richard Wagner, 19th century, Lithograph, sheet: 10 13/16 x 7 7/16 in. (27.5 x 18.9 cm), Prints, Anonymous, 19th century, After Pierre Petit (French, Aups 1832–1909 Paris)