Studies of Nude Men, 1682–1750, Red chalk, 5 11/16 x 7 1/2in. (14.5 x 19.1cm), Drawings, Nicola Grassi (Italian, Formeaso before 1682–ca. 1750 Turin (?))

Plate 69 from 'The Disasters of War' (Los Desastres de la Guerra): 'Nothing. The event will tell.' (Nada. Ello dirá), 1810–20, published 1863, Etching, burnished aquatint, lavis, drypoint…

Architectural Design for a Rusticated Entrance, 1760, Pen and black ink, brown and gray wash, over graphite, 8 1/8 x 18 3/4 in. (20.6 x 47.6 cm) (sight), Degana

Allegorical Figures: Force, Hercules Strangling the Hydra, Plenty, and Fame, 1600–1650, Pen and brown ink, brush and reddish wash, traces of white gouache highlighting, over red chalk, 4-1/4…

Education, n.d., Etching, third state, sheet: 11 3/4 x 15 1/4 in. (29.9 x 38.8 cm), Prints

Design for a Stage Set at the Opéra, Paris, 1825–90, Graphite, heightened with white, Irregular sheet: 11 7/8 x 7 7/16 in. (30.1 x 18.9 cm), Drawings, Eugène Cicéri (French, Paris…

Fantastic Hairdresses with Fruit and Vegetable Motifs, 18th century, Watercolor on canvas laid down on board, 17 1/4 x 22 in. (43.8 x 55.9 cm), Drawings, Anonymous, French, 18th century

Fitzroy Square (Street Scene), 1878–81, Etching, first state of three (Glasgow); printed in brownish-black ink on medium weight laid paper, Plate: 5 in. × 3 9/16 in. (12.7 × 9.1 cm), Prints,…

The Meeting of a Family in Heaven, from The Grave, a Poem by Robert Blair, March 1, 1813, Engraving, plate: 9 1/4 x 5 1/4 in. (23.5 x 13.3 cm), Prints, Luigi Schiavonetti (Italian, Bassano del…

Designs for a Chandelier, 19th century, Pen and brown ink, sheet: 8 3/4 x 6 3/4 in. (22.2 x 17.1 cm), Drawings, Anonymous, French, 19th century

Plate 56 from 'Los Caprichos':To rise and to fall (Subir y bajar.), 1799, Etching and burnished aquatint, Plate: 8 7/16 x 5 13/16 in. (21.4 x 14.8 cm), Prints, Goya (Francisco de Goya y…

Design for an altar table surmounted by a crucifixion, second half 19th century, Pen and ink, watercolor, and gold paint on wove paper, sheet: 8 7/16 x 10 3/4 in. (21.5 x 27.3 cm), Drawings,…

Study for the Decoration of a Vault (recto); Faint Sketches of Ornamental Patterns (verso), mid-18th century, Pen and brown ink, over black chalk (recto); black chalk (verso), sheet: 7 9/16 x 12…

Modern Oddities by P. Pry Esq., Plate 1st: The Sleeves Curiously Cut, Ay There's the Villainy - vide Shakespeare, June 30, 1829, Hand-colored etching, plate: 10 1/8 x 14 1/4 in. (25.7 x 36.2…

A Pair of Polished Gentlemen, March 10, 1801, Hand-colored etching, Plate: 13 15/16 x 9 7/8 in. (35.4 x 25.1 cm), Prints, James Gillray (British, Chelsea 1756–1815 London)

Head of a boy and section of a horse's mane, 1500–1550, Brush, brown and red gouache, over a little black chalk, 9-7/16 x 13-1/16 in. (24.0 x 33.2 cm), Drawings, School of Raphael (Raffaello…

Needlework, 1896, Transfer lithograph, drawn on white transfer paper with a grained-stone texture, Image: 7 3/4 × 5 5/8 in. (19.7 × 14.3 cm), Prints, James McNeill Whistler (American,…

Design for an Altarpiece with a Figure of St. Sebastian, 1741, Pen and grey ink, and watercolor. Broad framing line in pen and black ink., sheet: 20 1/4 x 13 11/16 in. (51.4 x 34.8 cm),…

St. John Baptist, Engraving, sheet: 17 x 10 15/16 in. (43.2 x 27.8 cm), Prints, Conrad Lauwers (Flemish, Antwerp, 1632–ca. 1685), After Laurent de La Hyre (French, Paris 1606–1656 Paris)

Le Bouvier pres d'une mare, Etching, image: 8 7/16 x 12 5/16 in. (21.4 x 31.3 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Jacques Fouquieres (Flemish, 1590/91–1659)

Masquerade Dance with Torches, ca. 1517/18, Woodcut, Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Saint Matthew, dated 1518, Engraving, 9 9/16 x 7 in. (24.3 x 17.8 cm), Prints, Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490–after 1536 Rome), Designed by Giulio Romano…

Le Pot au Lait, n.d., Etching, sheet: 11 3/8 x 13 1/2 in. (28.9 x 34.3 cm), Prints, After Jean Honoré Fragonard (French, Grasse 1732–1806 Paris), Engraved by Nicolas Ponce (French, Paris,…

Native Barns and Huts at Akaroa, Banks Peninsula, 1845, 1860, Etching, plate: 5 7/16 x 9 3/8 in. (13.8 x 23.8 cm), Prints, Charles Meryon (French, 1821–1868)

Design for the decoration of a ceiling, 1840–97, graphite, pen and ink, watercolor, and gold paint on wove paper, Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre…

Studies of a Gentian, Moth, Birds, Cats, Interlacing Motif, and Greek Frets (recto); Ornamental Studies with Figures (verso), 1530–40, Pen and two colors of brown ink, brush and watercolor…

The Virgin Protectress of the City of Siena, 1588, Pen and brown ink, brush and brown wash, over black chalk, on light brown paper, 8 3/16 x 10 3/4in. (20.8 x 27.3cm), Drawings, Francesco…

Figure studies (after Raphael's Disputa), 16th century, Pen and brown ink, 9 3/8 x 12 3/4 in. (upper corners filled) (23.8 x 32.4 cm), Drawings, After Raphael (Raffaello Sanzio or Santi)…

Plate 67 from 'The Disasters of War' (Los Desastres de la Guerra): 'This is not less so.' (Esta no lo es menos.), after 1814–15 (published 1863), Etching, burnished aquatint, drypoint, burin…

Esau con le mogli figli e sostanze si separa dal fratello giacobbe, 18th century, Etching, image: 12 3/8 x 18 7/8 in. (31.5 x 48 cm), Prints, Pietro Monaco (Italian, 1707–1772), After…

Design for a Chair with Turned Front Legs and Supports, early 19th century, Ink and gouache, sheet: 7 1/4 x 4 7/16 in. (18.4 x 11.2 cm), Attributed to Gillows (British, 19th century)

Frontispiece, from Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque Dwarfs),…

Winter, Etching with engraving, sheet: 10 3/16 x 9 13/16 in. (25.8 x 25 cm), Prints, Charles Joseph Natoire (French, Nîmes 1700–1777 Castel Gandolfo)

Design for the decoration of a door with Chinese motifs, 1830–97, graphite, pen and ink, watercolor, and gold paint on wove paper; mounted on wove paper, Overall: 10 1/4 x 8 7/16 in. (26.1 x…

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 9 5/8 x 3 7/16 in. (24.4 x 8.7 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

A Caricature of L'Abbate Folinghi, 1674–1755, Graphite or lead, part of drawing executed in pen and brown ink and brush and gray wash, Sheet: 7 1/2 x 4 5/16 in. (19.1 x 11 cm), Drawings,…

Joachim and the Angel, from The Life of the Virgin, ca. 1504, Woodcut, sheet: 17 5/16 x 11 7/8 in. (44 x 30.2 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Design for Ceiling, Bedroom of Mme de Marconnoy, second half 19th century, Watercolor and gouache, 5 1/4 x 11 3/4 in. (13.3 x 29.8 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died…

A group of emaciated men and women gathered around a skeleton laid on the ground and a figure of Death as a winged skeleton standing above it holding an open book, ca. 1515–27, Engraving,…

The Adoration of the Shepherds, Etching and engraving, second state before retouches and inscription but with 'Franco forma', sheet: 14 1/2 x 20 3/16 in. (36.8 x 51.3 cm) trimmed to platemark,…

Half of a Cartouche with a Female Figure on the Left and a Lion's Head on the Bottom, 17th century, Pen and black ink over traces of leadpoint, 10-1/2 x 5-7/8 in. (26.6 x 14.9 cm), Anonymous,…

The Abduction of Ganymede, 1511–74, Pen and brown ink, brush and brown wash, highlighted with white, over black chalk on blue paper. Squared in black chalk, 9-1/8 x 7-1/16 in. (23.1 x 18…

Coat-of-Arms Symbolizing the City of Paris, 1854, Etching on china paper; fourth state of five, plate: 5 3/8 x 4 7/16 in. (13.7 x 11.2 cm), Prints, Charles Meryon (French, 1821–1868)

Design for a Clock, 18th century, Pen and black and gray ink, brush and gray wash., sheet: 18 1/16 x 14 1/2 in. (45.8 x 36.8 cm), Drawings, Anonymous, French, 18th century

Duck Flying with Snow Covered Branches (Decoration for a Plate), 1850–1914, Etching on laid paper, sheet: 18 7/8 x 12 3/8 in. (48 x 31.5 cm), Prints, Félix Bracquemond (French, Paris…

The Nativity (copy), n.d., Woodcut, sheet: about 5 x 4 in. (12.7 x 10.2 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After Albrecht Dürer…

Mairie, Loches, 1888, Etching and drypoint; first state of four (Glasgow); printed in black ink on fine ivory laid paper, Plate: 8 5/8 × 5 in. (21.9 × 12.7 cm), Prints, James McNeill…

Men Digging and Constructing a Wall., 17th century, Pen and brown ink, over black chalk, Sheet: 4 1/8 x 6 5/8 in. (10.4 x 16.8 cm), Drawings, Pietro da Cortona (Pietro Berrettini) (Italian,…

The Spanish Singer (Le Guitarrero), 1861–62, Etching and bitten tone on laid paper, second state of six (before the first edition of 1862), plate: 12 1/8 x 9 5/8 in. (30.8 x 24.4 cm),…

Head of a Bearded Man Looking to Upper Left, 1634–89, Black chalk, highlighted with white, on blue paper, 8 11/16 x 9in. (22 x 22.9cm), Drawings, Ciro Ferri (Italian, Rome 1634?–1689 Rome)

Laughter (Le Brun Travested, or Caricatures of the Passions), January 21, 1800, Etching, printed in brown ink, sheet: 11 1/4 x 8 13/16 in. (28.5 x 22.4 cm), Prints, After George Moutard…

Peasant Family on the Tramp, ca. 1652, Etching, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Design for treatment of a chimney-piece and adjacent door, 1830–97, Graphite and watercolor on wove paper, Overall: 8 3/4 x 11 3/16 in. (22.2 x 28.4 cm), Drawings, Jules-Edmond-Charles…

The Resurrection, n.d., Woodcut, sheet: 2 3/8 x 1 5/8 in. (6.1 x 4.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

The Grimaces, 1823, Lithograph, Sheet: 13 1/8 x 10 in. (33.3 x 25.4 cm), Prints, Louis Léopold Boilly (French, La Bassée 1761–1845 Paris)

Ceiling Design for the Dining Room of the Duke d'Albe, Madrid, second half 19th century, Graphite, pen and brown ink, brush and brown wash, watercolor, gilt. Two sheets joined together., 10 9/16 x…

Design for a Stage Set at the Opéra, Paris, 1828–90, Graphite, sheet: 10 1/2 x 14 15/16 in. (26.6 x 38 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Le Porte Balle assis, Etching, sheet: 7 11/16 x 7 3/16 in. (19.5 x 18.2 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris)

Design for a Vase (recto); Sketch of Small Vase (verso), ca. 1752, Pen and brown ink over graphite (recto); graphite (verso), 9 1/4 x 6 1/16 in. (23.5 x 15.4 cm), Jacques François Joseph Saly…

The triumph of Juno who is sat in a carriage, set within a elaborate frame, from the '(Loves, Rages and Jealousies of Juno', 1531–76, Engraving, sheet: 5 3/8 x 4 in. (13.7 x 10.2 cm), Prints,…

Christ Crucified, Attended by the Virgin, Saint Mary Magdalen, and Saint John the Evangelist, 1556–1641, Pen and brown ink, pale brown wash, over black chalk, on gray-green paper. Squared in…

A peasant traversing a dark and rocky gorge in the moonlight, From Titres de Romance, 1850–1914, Etching, sheet: 11 7/8 x 9 9/16 in. (30.1 x 24.3 cm), Prints, Félix Bracquemond (French,…

Standing and Kneeling Figures, and Studies of Flying Putti, 1565–1608, Pen and brown ink, with traces of black chalk, 7 5/8 x 11 1/4in. (19.3 x 28.5cm), Drawings, Francesco Curia (Italian,…

Design for Two Medieval Style Armchairs for 'Rev. W. Lloyd', early 19th century, Ink and watercolor, sheet: 8 9/16 x 12 3/16 in. (21.8 x 31 cm), Anonymous, British, 19th century

Employment Bureau, ca. 1633, Etching, Sheet (trimmed): 10 1/16 × 13 1/8 in. (25.5 × 33.3 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Designs for Three Candelabras, 19th century, Pen and brown ink, sheet: 6 7/8 x 9 3/4 in. (17.5 x 24.8 cm), Drawings, Anonymous, French, 19th century

Design for a Theatre, late 18th century, Pen and black ink, brush and rose wash over graphite., 9 7/8 x 6 3/4 in. (25.1 x 17.1 cm), Drawings, Anonymous, French, 18th century

The Martyrdom of Saint Andrew, 1623, Etching, sheet: 7 3/8 x 10 3/8 in. (18.8 x 26.4 cm), Prints, Claude Vignon (French, Tours 1593–1670 Paris)

Shepherdess near a Waterfall, n.d., Gouache, over traces of graphite, on vellum, 7 1/4 x 9 1/2 in. (18.4 x 24.1 cm), Drawings, Louis Gabriel Moreau (French, Paris 1740–1806 Paris)

The Magnanimous Minister, Chastising Prussian Perfidy.–vide–Morning Chronicle April 28th, May 2, 1806, Hand-colored etching, sheet (trimmed to plate line): 9 5/8 x 13 3/4 in. (24.4 x 34.9…

E. Moreau & Fils, Parfumeurs à Paris, 19th century, Graphite and gouache on faded blue wove paper, sheet: 10 7/8 x 15 1/16 in. (27.6 x 38.2 cm), Drawings, Anonymous, French, 19th century

Plate 8: ox, from 'Various animals' (Diversi animali), ca. 1641, Etching; second state of three, Plate: 3 5/16 × 4 3/16 in. (8.4 × 10.6 cm), Prints, Stefano della Bella (Italian, Florence…

Christ in Limbo, from The Passion, 1512, Engraving, Sheet: 4 11/16 × 3 1/16 in. (11.9 × 7.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Design for a Proscenium or Alcove, 1652–1725, Pen and brown ink, over traces of black chalk, sheet: 4 9/16 x 5 11/16 in. (11.6 x 14.5 cm), Giovanni Battista Foggini (Italian, Florence…

Three Putti with Trumpets, ca. 1500, Engraving, Sheet: 4 7/16 × 2 3/4 in. (11.3 × 7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

L'Homme S'Apprêtant a Tirer son Sabre (Man Preparing to Draw his Sword), from Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques (Various Hunchbacked Figures,…

The Muses Thalia and Erato, 1754–1817, Black chalk, squared in black chalk, 18-7/8 x 13-3/8 in. (47.9 x 33.9 cm), Drawings, Andrea Appiani (Italian, Milan 1754–1817 Milan)

Saint Hyacinth Walking on the Waters, 1599, Pen and brown ink, brush and brown wash, 9 1/8 x 5 13/16in. (23.2 x 14.7cm), Drawings, Francesco Vanni (Italian, Siena 1563–1610 Siena)

Plate 80 from 'The Disasters of War' (Los Desastres de la Guerra): 'Will she rise again?' (Si resucitará?), 1810–20, published 1863, Etching and burnisher, Plate: 6 7/8 × 8 11/16 in. (17.5 ×…

A Voluptuary Under the Horrors of Digestion, July 2, 1792, Hand-colored etching, sheet: 14 3/8 x 11 9/16 in. (36.5 x 29.3 cm), Prints, James Gillray (British, Chelsea 1756–1815 London),…

Study of Three Men, Bust Length, ca. 1891–93, Graphite, sheet: 10 5/8 x 8 1/4 in. (27 x 21 cm), Drawings, Mihály Munkácsy (Hungarian, Mukachevo (Munkács) 1844–1900 Endenich)

Battle Scene, 18th century, Pen and black ink, brush and brown and gray wash on paper prepared blue., sheet: 9 1/4 x 7 7/16 in. (23.5 x 18.9 cm), Drawings, Anonymous, French, 18th century

Elevation of a room with designs for the decoration of walls and wainscot, 1830–97, graphite on wove paper, Overall: 11 3/16 x 8 3/8 in. (28.4 x 21.3 cm), Drawings, Jules-Edmond-Charles…

Flying Putto, 1634–89, Red chalk, 6 7/8 x 9 1/2in. (17.4 x 24.1cm), Drawings, Ciro Ferri (Italian, Rome 1634?–1689 Rome)

Pont-au-change, Paris, 1854, Etching and drypoint on laid paper; fifth state of twelve, plate: 6 1/8 x 13 3/16 in. (15.5 x 33.5 cm), Prints, Charles Meryon (French, 1821–1868)

Three Standing Figures, 16th century, Pen and ink and white gouache, over traces of black chalk, on paper washed gray, 17 1/8 x 12 in. (43.5 x 30.5 cm), Drawings, After Francesco Primaticcio…

Design for Ceiling, Hôtel Hope, 1867, Pen and black ink, gouache, and watercolor, 8 9/16 x 12 5/16 in. (21.8 x 31.3 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),…

Portrait of Charles Kinnaird Sheridan, 1844, Graphite, sheet: 11 1/16 x 8 1/16in. (28.1 x 20.4cm), Drawings, Count Alfred Guillaume Gabriel D'Orsay (French, 1801–1852)

Saint Anthony Reading (copy), n.d., Engraving, Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Wine Cooler or Vase on a Classical Pedestal, ca. 1784, Red chalk over graphite underdrawing, 12 1/2 x 18 15/16 in. (31.8 x 48.1 cm), Aubert Henri Joseph Parent (French, Cambrai 1753–1835…

Wall Design, 18th century, Pen and brown ink, over leadpoint or graphite, with ruled and compass construction, 13 9/16 x 10 11/16 in. (34.4 x 27.1 cm), Drawings, Workshop of Leonardo Marini…

The Land of Cockaigne, after 1570?, Engraving; first state of three, Plate: 8 3/16 x 11 in. (20.8 x 27.9 cm), Prints, Attributed to Pieter van der Heyden (Netherlandish, ca. 1525–1569), After…

Saint Simon standing facing left, holding a saw and a book, ca. 1515–27, Engraving, Sheet (Trimmed): 8 1/4 × 5 9/16 in. (21 × 14.2 cm), Prints, Marco Dente (Italian, Ravenna, active by…

Nativity with Angels, 1609–64, Brush, red, blue, and brown paint, on beige paper, 15 1/2 x 10 5/8in. (39.3 x 27cm), Drawings, Circle of Giovanni Benedetto Castiglione (Il Grechetto) (Italian,…

Agony in the Garden, n.d., Woodcut, Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Plate 14: shepherdess herding goats, from 'Various animals' (Diversi animali), ca. 1641, Etching; third state of three (De Vesme), Plate: 3 3/8 × 4 3/16 in. (8.5 × 10.6 cm), Prints, Stefano…

Saturn, from 'Game of Mythology' (Jeu de la Mythologie), 1644, Etching; first state of five, Sheet: 1 13/16 × 2 1/16 in. (4.6 × 5.3 cm), Prints, Etched by Stefano della Bella (Italian,…

Centaur with Shield and Two Satyresses, 1727–1804, Pen and brown ink, brush with brown and gray wash, over black chalk, 7-11/16 x 10-13/16 in. (19.6 x 27.5 cm), Drawings, Giovanni Domenico…

Pizzaro a New Play or the Drury-Lane Masquerade, June 11, 1799, Etching, sheet: 10 3/16 x 16 1/4 in. (25.9 x 41.2 cm), Prints, Anonymous, British, 18th century

Unidentified, ceiling plan (recto) Pont du Gard, perspective elevation (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 17 5/16 x 22 15/16 in. (44 x…