Holy Family with St. John, Engraving, sheet: 15 1/2 x 10 3/8 in. (39.4 x 26.3 cm), Prints, William Faithorne the Elder (British, London ca. 1616–1691 London), After Laurent de La Hyre (French,…

The Man of Sorrows Seated, 1515, Etching on iron; second state of three, sheet: 4 7/16 x 2 13/16 in. (11.2 x 7.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Fumette, 1858, Etching; fifth state of five (Glasgow); printed in black ink on gray chine on off-white wove paper (chine collé), Plate: 6 7/16 × 4 5/16 in. (16.3 × 10.9 cm), Prints, James…

Design for a Frame Decorated with a Shell Motif, 1652–1725, Pen and brown ink, over traces of black chalk, sheet: 4 x 2 11/16 in. (10.2 x 6.8 cm), Giovanni Battista Foggini (Italian,…

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, brush and brown wash, gouache, heightened with white, sheet: 12 7/8 x 21 7/8 in. (32.7 x 55.5 cm), Drawings, Eugène Cicéri…

The Death of the Virgin, from the The Life of the Virgin, 1510, Woodcut, Sheet: 11 9/16 × 8 1/16 in. (29.3 × 20.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Les Beignets, n.d., Etching, third state, sheet: 14 7/8 x 21 5/16 in. (37.8 x 54.2 cm), Prints, After Jean Honoré Fragonard (French, Grasse 1732–1806 Paris), Engraved by Nicolas de Launay…

Joseph's Coat Brought to Jacob, ca. 1633, Etching and drypoint; first state of two, Sheet: 4 3/4 × 3 7/16 in. (12 × 8.8 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669…

Plate 11 from 'The Disasters of War' (Los Desastres de la Guerra):Neither do These (Ni por esas), 1810–20, published 1863, Etching, lavis, drypoint and burin, Plate: 6 5/16 × 8 5/16 in. (16.1…

Boy Returning Joyfully, with Plough and Oxen, from Thornton's Pastorals of Virgil, 1821, Wood engraving, block: 1 1/2 x 3 1/16 in. (3.8 x 7.8 cm), Prints, William Blake (British, London…

Venus and Mars discovered by Apollo from 'The Loves of the Gods', ca. 1531–76, Engraving, sheet: 6 5/16 x 4 5/16 in. (16 x 10.9 cm), Prints, Giulio Bonasone (Italian, active Rome and…

Head of a Young Girl and Studies of Hands and of her Right Foot, n.d., Black, red and white chalk, touches of yellow and pink pastel, on beige paper., 14 7/16 x 10 7/16 in. (36.7 x 26.5 cm),…

The Man of Sorrows between the Virgin and Saint John (Schr. 996), 15th century, Woodcut, hand-colored, sheet: 6 1/8 x 3 7/8 in. (15.5 x 9.8 cm), Prints, Anonymous, German, 15th century

Design for Four Vases, ca. 1770–85, Pen and brown ink, watercolor, and black chalk, 14 13/16 x 9 1/8 in. (37.7 x 23.1 cm), Anonymous, French, 18th century

The Pantheon, from the Terrace of the Luxembourg Gardens, 1893, Transfer lithograph with stumping, drawn on fine-grained transfer paper;; only state (Chicago); printed in black ink on cream…

Design for a Chair, ca. 1820, Ink, watercolor and wash, sheet: 7 1/4 x 4 7/16 in. (18.4 x 11.3 cm), Attributed to Gillows (British, 19th century)

Design for a Crystal Chandelier, 19th century, Pen and brown ink, sheet: 15 5/16 x 12 1/16 in. (38.9 x 30.7 cm), Drawings, Anonymous, French, 19th century

Tennis Session of 1848, from Actualités, published in Le Charivari, November, 1848, Lithograph, Sheet: 9 15/16 × 12 5/8 in. (25.3 × 32 cm), Prints, CHAM (Amédée Charles Henri, Comte de…

Design for a sepulchral monument with an allegory of Time; verso: Design for a column, late 17th–early 18th century, Black and red chalk, red and brown wash; verso: pen and brown ink, over…

Plate 46 from 'The Disasters of War' (Los Desastres de la Guerra): 'This is bad.' (Esto es malo.), 1810 (published 1863), Etching, burnished aquatint, lavis, drypoint, burin and burnisher, Plate:…

Ceiling Design, 18th century, Leadpoint or graphite; framing line in pen and brown ink, 8 9/16 x 10 1/8 in. (21.8 x 25.7 cm); irregularly cut, Drawings, Workshop of Leonardo Marini (Italian,…

Design for Ceiling, 18th century, Leadpoint or graphite with ruled and compass construction, 10 9/16 x 14 13/16 in. (26.9 x 37.6 cm), Drawings, Workshop of Leonardo Marini (Italian,…

Plate 66 from 'The Disasters of War' (Los Desastres de la Guerra): 'Strange devotion!' (Extraña Devocion!), after 1814–15 (published 1863), Etching, burnished aquatint and/or lavis, burin…

Simple Bodily Pain, January 21, 1800, Hand-colored etching, printed in brown ink, Sheet: 11 1/4 x 9 in. (28.6 x 22.8 cm), Prints, After George Moutard Woodward (British, ca. 1760–1809 London)

Potiphar's Wife Acuses Joseph, 1512, Engraving; first state, sheet: 4 3/4 x 6 5/16 in. (12.1 x 16 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Design for Ceiling Decorations, Fontainebleau, second half 19th century, Pen and gray ink, brush and gray wash, graphite, 19 3/16 x 13 7/16 in. (48.8 x 34.2 cm), Drawings, Jules-Edmond-Charles…

Designs for the painted decoration of framed panels, possibly for the Chateau de Mouchy (Oise), second half 19th century, pen and gray ink, wash, and watercolor on wove paper, Overall: 11 x 8…

Design for a Fountain in a Niche flanked by Terms, 1652–1725, Pen and brown ink, brush and gray wash, over traces of black chalk, sheet: 10 9/16 x 6 1/2 in. (26.8 x 16.5 cm), Giovanni…

St. Philip, right side (copy), n.d., sheet: 4 3/8 x 2 3/4 in. (11.1 x 7 cm), Prints, After Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Design for a Title Page, 1665–1707, Pen and brown ink, over red chalk, 9 3/16 x 5 13/16in. (23.3 x 14.8cm), Drawings, Giovanni Maria Luffoli (Laffoli) (Italian, Pesaro (?) documented…

Lark, from The Comic Natural History of the Human Race, 1851, Color lithography with watercolor and gum, sheet: 10 7/16 x 7 1/16 in. (26.5 x 18 cm), Prints, Henry Louis Stephens (American,…

Berthe Morisot (In Black), 1872–74, Lithograph on chine collé, second state of two, Image: 9 13/16 x 6 15/16 in. (24.9 x 17.6 cm), Prints, Édouard Manet (French, Paris 1832–1883 Paris)

Saint Sebastian Tied to a Tree, ca. 1501, Engraving, Sheet: 4 9/16 × 2 13/16 in. (11.6 × 7.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Daedalus and Icarus, from 'Game of Mythology' (Jeu de la Mythologie), 1644, Etching; first state of five, Sheet: 1 3/4 × 2 3/16 in. (4.5 × 5.5 cm), Prints, Etched by Stefano della Bella…

View of a Temple, ca. 1760, Etching, image: 5 1/16 x 7 1/2 in. (12.8 x 19.1 cm), Prints, Pierre Moreau (French, 1722–1798 Paris)

a. Hands of Saint Remi (lower register); b. Head of Saint Clotilde (upper register); c. Head of Saint Clotilde (lower register); d. Head of an Angel (upper register); e. Hand and Sleeve of Saint…

Unidentified, Ionic capital, elevation, front and side (recto) Unidentifed, Ionic capital, section, detail; Ionic capital, elevation, detail (verso), ca. 1540–60, Dark brown ink, black chalk,…

Partial design for ceiling decoration with clouds and roses, 1830–97, watercolor and gouache with gold paint on wove paper; inlaid in wove paper, Overall: 9 3/4 x 14 5/8 in. (24.8 x 37.2…

Design for Ornament with a Flutist (recto); Design for molding (verso), n.d., Red chalk (recto); black chalk (verso), 9 5/8 x 14 1/8 in. (24.5 x 35.9 cm.), Drawings, Gilles-Marie Oppenord…

The Virgin and Saint John, from the Apocalypse, 1511, Woodcut, Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

The Garroted Man (El agarrotado), ca. 1778–80, Etching printed in blue ink; working proof, plate: 12 7/8 x 8 7/16 in. (32.7 x 21.4 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish,…

Christ between his Parents, Returning from the Temple, 1654, Etching with drypoint, plate: 3 11/16 x 5 11/16 in. (9.4 x 14.4 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden…

Battle Scene, 1590–1646, Pen and brown ink, brush and blue wash, over black chalk. Squared in black chalk, 10 x 14-3/4 in. (25.4 x 37.5 cm), Drawings, Belisario Corenzio (Italian (born…

The Holy Family with Five Angels, ca. 1503, Woodcut, sheet: 8 9/16 x 5 7/8 in. (21.7 x 14.9 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Head of a Man, n.d., Charcoal, stumped, black chalk, heightened with white, on beige paper, 20 1/4 x 16 5/16 in. (51.5 x 41.5 cm), Drawings, Claude Jean-Baptiste Hoin (French, Dijon 1750–1817 Dijon)

Death carrying off a woman, from 'The five deaths' (Les cinq Morts), ca. 1648, Etching with engraving; third state of four, Sheet: 7 3/16 × 5 13/16 in. (18.2 × 14.8 cm), Prints, Etched by…

Design for Ceiling, Hôtel Hope, 1867, Pen and black ink, gouache, and watercolor, 6 5/8 x 12 3/8 in. (16.8 x 31.4 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),…

The New Bedford (The Small Plate), 1915, Etching, second state of three, plate: 10 7/8 x 5 1/16 in. (27.6 x 12.8 cm) (left edge not visible, printed off sheet), Prints, Walter Richard Sickert…

Historical Scene, 17th century, Pen and brown ink over red chalk and grey wash, 12 3/8 x 16 in. (31.4 x 40.6 cm), Drawings, Anonymous, French, 17th century, Formerly attributed to…

A satyr reclining at the foot of a staute of Priapus, goats at the right, ca. 1645–48, Etching, sheet: 4 5/16 x 8 1/4 in. (11 x 21 cm), Prints, Giovanni Benedetto Castiglione (Il Grechetto)…

House with a Turret, rue de la Tixéranderie, Paris, 1852, Etching on china paper; third state of four, plate: 9 11/16 x 5 3/16 in. (24.6 x 13.1 cm), Prints, Charles Meryon (French, 1821–1868)

Anatomical Study of a Knee, 1475–1564, Pen and brown ink, 4 1/2 x 3 7/16in. (11.4 x 8.8cm), Drawings, School of Michelangelo Buonarroti (Italian, Caprese 1475–1564 Rome)

Drawing for an Etching: Cavaliers in a Landscape, 1893, Pen and black ink on wax paper, 12 1/8 x 18 11/16 in. (30.8 x 47.5 cm), Drawings, Evert Louis van Muyden (Swiss, Albano Laziale…

The Birth of Adonis, ca. 1684, Pen and brown ink, brush and brown wash, 9 9/16 x 15 15/16in. (24.3 x 40.5cm), Drawings, Marcantonio Franceschini (Italian, Bologna 1648–1729 Bologna)

Back View of a Draped Male Figure Holding a Staff, March 24, 1859, Graphite, 11 7/8 x 4 7/8 in. (30.2 x 12.4 cm), Drawings, Henri Lehmann (French, Kiel 1814–1882 Paris)

Old Hungerford Bridge, 1861, Etching and drypoint; third state of four (Glasgow); printed in black ink on medium weight cream laid paper, plate: 5 3/8 x 8 1/4 in. (13.7 x 21 cm), Prints, James…

Design for a Stage Set at the Opéra, Paris, 1830–90, Watercolor over graphite, Irregular sheet: 4 13/16 x 19 3/4 in. (12.3 x 50.1 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890…

Panthée, 1647, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 13 3/8 x 8 5/16 in. (34 x 21.1 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), Abraham…

The Shoemaker (The Shoemaker, Dieppe), 1896, Transfer lithograph with stumping, drawn on thin, transparent transfer paper; only state (Chicago); printed in black ink on grayish ivory laid China…

The Vision of Saint Eustace, 1542–1609, Point of brush with brown, gray, green, yellow, and red wash, highlighted with white, over traces of red and black chalk. Lightly squared in black chalk,…

Dordrecht, 1886, Etching and drypoint; second state of two (Glasgow); printed in dark brown ink, Plate: 5 15/16 × 9 in. (15.1 × 22.9 cm), Prints, James McNeill Whistler (American, Lowell,…

Standing Nude, late 19th–early 20th century, Graphite, sheet: 22 1/4 x 14 5/8 in. (56.5 x 37.1 cm), Drawings, Gustav Klimt (Austrian, Baumgarten 1862–1918 Vienna)

Two designs for panels to decorate a hunting lodge, 1830–97, graphite on wove paper; mounted on laid paper, Overall: 19 1/2 x 13 9/16 in. (49.5 x 34.4 cm), Drawings, Jules-Edmond-Charles…

Athletes, 1624–63, Pen and brown ink. Framing lines in pen and brown ink on mount, 3 9/16 x 5 in. (9.1 x 12.7 cm), Drawings, attributed to Francesco Allegrini (Italian, Cantiano (?)…

Plate 14: a young peasant woman and her child sitting side saddle atop a horse in center, another peasant woman to right, holding a large bag in her left arm, from 'Diversi capricci', ca.…

The Husband-Beater, ca. 1633, Etching with engraving, Sheet (trimmed): 10 1/8 in. × 13 in. (25.7 × 33 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Design for a Ceiling, Pen and ink, brush and wash, with traces of watercolor, 6 15/16 x 11 3/4 in. (17.7 x 29.8 cm), Attributed to Faustino Trebbi (Italian, Budrio [Bologna] 1761–1836 Bologna)

Lequel Faut-il Donner?, 1797, Engraving, image: 8 5/16 x 6 1/8 in. (21.1 x 15.6 cm), Prints, Anonymous, French, 18th century

The Frogs Who Wanted a King, July 14, 1789, Aquatint, etching and roulette, plate: 7 3/16 x 9 9/16 in. (18.3 x 24.3 cm), Prints, Anonymous, British, 18th century

Two Kneeling Figures, 1830–71, Red chalk on light gray paper, Overall: 9 7/16 x 8 3/8in. (23.9 x 21.2cm), Drawings, Alexandre Laemlein (French, Hohenfeld 1813–1871 Pontlevoy)

Design for a Catafalque (recto); Female Saint Kneeling on Clouds under an Arch, and a Design for the Pinnacle of the Catafalque (verso), ca. 1669, Red chalk, 14 5/8 x 10 3/16in. (37.2 x…

Plate 69 from 'The Disasters of War' (Los Desastres de la Guerra): 'Nothing. The event will tell.' (Nada. Ello dirá), after 1814–15 (published 1863), Etching, burnished aquatint, lavis,…

Hunting Scene; Mural design for a lunette in the library of the Chateau de Lude (Sarthe), second half 19th century, oil paint on canvas, Overall: 10 3/8 x 14 13/16 in. (26.3 x 37.7 cm),…

Design for a Vase with Rams' Heads in Renaissance Style, 19th century, Graphite. Framing lines in pen and brown ink, brush and brown wash, sheet: 12 3/16 x 9 1/16 in. (31 x 23 cm), Anonymous,…

Descent from the Cross by Torchlight, 1654, Etching and drypoint, Other: 6 3/8 × 7 13/16 in. (16.2 × 19.8 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

The Board of Censors Moves Out, 1822, Lithograph; only state, Sheet: 10 x 13 9/16 in. (25.4 x 34.4 cm), Prints, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris), In this…

Virgin and Child with a Pear, 1511, Engraving, Sheet: 6 1/4 × 4 1/8 in. (15.8 × 10.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

La Clochette, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, published in 1795, Etching; first state of three…

Design for a decorated ceiling, 1840–97, graphite, pen and ink, and watercolor on wove paper; inlaid in blue wove paper, Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),…

Artist Among Ruins, 18th century, Pen and brown ink, brush and brown wash, highlighted with white gouache, sheet: 12 x 9 1/16 in. (30.5 x 23 cm), Drawings, Antonio Zucchi (Italian, Venice…

Design for a Stage Set at the Opéra, Paris, 1830–90, Brush and gray and brown wash, over graphite, Irregular sheet: 4 9/16 x 2 13/16 in. (11.6 x 7.2 cm), Drawings, Eugène Cicéri (French,…

Seventeen Ornamental Designs for the Pless House or Chateau, second half 19th century, Graphite, pen and ink, wash, and watercolor on tracing and laid papers glued to paper board, sheet: 12 5/16 x…

The Nativity, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach)

The Great Jewish Bride, 1635, Etching; second state of five, sheet: 8 9/16 x 6 7/16 in. (21.8 x 16.4 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam),…

Bookshelves, Study for 'Edmond Duranty', 1879, Dark brown chalk, heightened with white chalk, on blue laid paper, faded to beige, 18 7/16 x 12 in. (46.9 x 30.5 cm), Drawings, Edgar Degas…

Semiramus Inspecting a Plan of Babylon, Black and white chalk on blue-gray paper, 10 5/16 x 16 3/16 in. (26.2 x 41.1 cm), Drawings, Jean Simon Berthélemy (French, Laon 1742–1811 Paris)

Adam and Eve, n.d., Engraving, Sheet: 9 1/2 × 7 7/16 in. (24.2 × 18.9 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, sheet: 11 5/16 x 16 7/16 in. (28.7 x 41.8 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Standing Figure of a Warrior King, 1536–1614, Pen and brown ink, brush and brown wash, over black chalk, 8-7/16 x 4-7/16 in. (21.5 x 11.2 cm), Drawings, Cesare Nebbia (Italian, Orvieto ca.…

Saint Peter and Saint John at the Gate of the Temple, from The Passion, 1513, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.7 × 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, sheet: 11 x 11 11/16 in. (27.9 x 29.7 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

A Dead Bird (Quail?) Seen from Below., 1685–1755, Brush with gray, brown, and light orange-brown wash over traces of graphite, sheet: 9 1/8 x 5 9/16 in. (23.1 x 14.2 cm), Drawings, Count…

Plate 14 from the 'Tauromaquia': The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body., 1816, Etching, aquatint, drypoint and burin, Plate: 9 3/4 ×…

Christ Preaching (La Petite Tombe) (copy), n.d., Etching, Prints, After Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Plate 38 from 'The Disasters of War' (Los Desastres de La Guerra):'Barbarians!' (Bárbaros!), 1810 (published in 1863), Etching, burnished aquatint, burin and burnisher, Plate: 6 1/8 × 8 1/16…

The Old Bearded Man in a High Fur Cap, with Eyes Closed, ca. 1635, Etching, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Design for Coffered Ceiling, Mme Païva's Chateau at Neudeck, second half 19th century, Pen and brown ink, watercolor, gouache, and gilt., 14 9/16 x 10 3/16 in. (37 x 25.9 cm), Drawings,…

View of a Chaudézie in the interior of an English traveller's tent, ca. 1828–30, Black ink and watercolor over graphite on laid paper, sheet: 11 5/16 x 18 3/8 in. (28.7 x 46.6 cm),…

Swan and Iris (Sketch after Cecil Lawson's 'Swan and Iris'), [1883], Etching and drypoint; fifth state of six (Glasgow); printed in black ink on medium weight ivory laid paper, Plate: 5 1/4 × 3…

Design for a Wall Tomb, 1590–1610, Pen and brown ink, brush and brown wash, highlighted with white gouache, one blue-green paper., 8 13/16 x 4 13/16 in. (22.4 x 12.3 cm), Avanzino Nucci…