Allegorical Figure of Purity with a Unicorn (recto); Study for Drapery (verso), 1650, Red chalk, highlighted with white chalk, on thick beige paper (recto); study for drapery in red chalk (verso),…

View of the Ponte Vecchio, Florence, 17th century, Brush and green, brown and gray wash over black chalk and graphite, 10 3/8 x 16 9/16 in. (26.3 x 42.1 cm), Drawings, Israel Silvestre (French,…

Design for a ceiling with floral accents and Greek key border, second half 19th century, Graphite, gouache, adn watercolor, Overall: 10 11/16 x 14 7/8 in. (27.1 x 37.8 cm), Drawings,…

Bavaria, from Pictures of Extra Articles and Visitors to the Exhibition, ca. 1851, Wood engraving, sheet: 4 3/4 x 13 7/8 in. (12.1 x 35.3 cm), Prints, Richard Doyle (British, London…

The Ball, ca. 1634–35, Etching; second state of two (Duplessis), Sheet (trimmed): 10 3/8 × 13 3/8 in. (26.3 × 34 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

The Madonna on the Crescent, Frontispiece to The Life of the Virgin, ca. 1511, Woodcut, sheet: 16 7/8 x 11 9/16 in. (42.9 x 29.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Two Horse Heads, ca. 1649, Etching, state i, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence)

The Holy Family with Mary Magdalene and John the Baptist who embraces Christ, 1543, Engraving, sheet: 10 7/8 x 7 13/16 in. (27.7 x 19.9 cm), Prints, Giulio Bonasone (Italian, active Rome and…

Nocturne, 1879–80, Etching and drypoint ; ninth state of nine from the cancelled plate (Glasgow), Plate: 7 7/8 × 11 1/2 in. (20 × 29.2 cm), Prints, James McNeill Whistler (American,…

Head of a Woman, second half 17th century, Black chalk on gray paper, 12 1/4 (patched at bottom to 13 5/8) x 10 1/4 in., Drawings, Anonymous, French, 17th century

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 9 1/16 x 5 3/4 in. (23 x 14.6 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Knight, Death, and the Devil (copy), n.d., Engraving, Sheet: 10 3/16 × 7 15/16 in. (25.8 × 20.2 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

The Banquet of the Rich Man, mid to late 17th century, Etching; first state of two, Sheet (trimmed): 10 5/16 × 13 1/8 in. (26.2 × 33.4 cm), Prints, Abraham Bosse (French, Tours…

Nôtre-Dame (Decoration for a Plate), 1850–1914, Etching on laid paper, sheet: 12 5/8 x 19 3/16 in. (32 x 48.8 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres)

Chained Nude Prisoner, After Pietro Tacca, 1729–1804, Pen and black ink, brush with brown, gray, and black wash, highlighted with white gouache, over black chalk, on violet prepared paper faded…

Design for the Ceiling Decoration in Vasari's House in Arezzo, 1511–74, Pen and brown ink, brush and rose-brown wash, over black chalk, and compass and ruled construction, sheet: 13 1/2 x 9 1/2…

The Crucifixion, from the Circular Passion, 1509, Engraving, Diameter: 11 1/4 in. (28.5 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Christ before Pilate, from the Passion (copy), n.d., Engraving, Sheet: 4 1/2 × 2 15/16 in. (11.5 × 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

The Great Exhibition 'Wot is to Be', Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done,…

Design for a Bowl, ca. 1770–90, Pen and gray and rose ink, brush and gray wash, 15 1/8 x 9 in. (38.4 x 22.8 cm), Drawings, Anonymous, French, 18th century

The Piazetta (The Piazzetta), 1879–80, Etching and drypoint; fifth state of nine (Glasgow); printed in black ink on medium weight ivory laid paper, Plate: 10 x 7 1/8 in. (25.4 x 18.1 cm),…

Plate 16 from the 'Disparates': Wounds heal quicker than hasty words, ca. 1816–23 (published 1864), Etching and burnished aquatint, Plate: 9 5/8 x 14 in. (24.5 x 35.5 cm), Prints, Goya (Francisco…

Design for Three Chairs, Two with Armorial Ornament on Backs, early 19th century, Graphite, sheet: 10 13/16 x 14 13/16 in. (27.4 x 37.7 cm), Anonymous, British, 19th century

Groupe de deux angelots (l'un regardant de face et l'autre vers la gauche), Etching, sheet: 9 13/16 x 8 7/16 in. (25 x 21.4 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After…

Finding the bodies of Saints Peter and Paul, 1645–51, Etching, Sheet: 11 13/16 × 8 1/8 in. (30 × 20.7 cm), Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664 Mantua)

Design for a Pulpit, 18th century, Pen and black ink, brush and brown, gray, and blue washes, over black chalk underdrawing, sheet: 16 13/16 x 10 9/16 in. (42.7 x 26.9 cm), Drawings, Louis…

Winged Putti with Open Music Books, 1629–1700, Red chalk, 9 13/16 x 7in. (24.9 x 17.8cm), Drawings, Lorenzo Pasinelli (Italian, Bologna 1629–1700 Bologna)

Study of a young man bending forward to kiss a hand, for the painting The Departure of the Prodigal Son (now lost), 1862–63, Graphite, heightened with white, on pink paper, 9 1/2 x 12 1/16 in.…

Study of a Garden Sculpture: Leda?, 1727–1804, Pen and brown ink, brush and brown wash, over traces of black chalk, sheet: 10 1/16 x 5 3/8 in. (25.5 x 13.6 cm), Drawings, Giovanni Domenico…

Lovers (Schr. 1976), 15th century, Woodcut, restrike, sheet: 11 1/8 x 9 7/16 in. (28.2 x 23.9 cm), Prints, Anonymous, German, 15th century

Design for Cartouche with Banners, Drums, Leaves and a Woman's Head with Tiara., 1732–1802, Pen and brown ink, brush and brown wash highlighted with white gouache; traces of graphite at…

The Adoration of the Magi, 1654–1727, Red chalk, 11 3/16 x 12 11/16in. (28.4 x 32.3cm), Drawings, Giuseppe Bartolomeo Chiari (Italian, Lucca or Rome 1654–1727 Rome)

Jael Killing Sisera, without ornamental frame (copy), early 16th century, sheet: 9 11/16 x 6 7/8 in. (24.6 x 17.5 cm), Prints, After Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

The Visitation, ca. 1599–1610, Pen and brown ink, brush and brown wash, over black chalk, sheet: 4 3/4 x 4 1/4 in. (12 x 10.8 cm), Drawings, Bernardino Poccetti (Italian, San Marino di…

Two Alternative Designs for a Mirror Stand, 1698–1765, Pen and brown ink, brush with brown and gray wash, over traces of graphite or black chalk, sheet: 12 3/8 x 8 1/2 in. (31.4 x 21.6 cm),…

Design for Three Upright Panels of Ornament Arabesques, 18th century, Pen and brown ink, 8 7/8 x 6 9/16 in. (22.5 x 16.7 cm) - torn center and mended, Anonymous, French, 18th century

Study for the Portrait of General Desaix, ca. 1800, Black and white chalk on blue paper, 12 1/16 x 9 1/2 in. (30.7 x 24.1 cm), Drawings, Andrea Appiani (Italian, Milan 1754–1817 Milan)

Virgin on a Grassy Bench, ca. 1503, Engraving, Sheet: 4 1/2 × 2 13/16 in. (11.5 × 7.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

A lion, dragon and fox fighting each other, boats on the sea in the background, an oval composition, ca. 1515–1600, Engraving, Sheet (Trimmed to image): 4 5/8 × 6 11/16 in. (11.8 × 17 cm),…

Justice, from the series The Virtues, 1530, Engraving; third state, sheet: 6 3/8 x 4 3/16 in. (16.2 x 10.6 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

The Milkmaid, 1510, Engraving, Sheet: 4 1/2 x 6 1/8 in. (11.4 x 15.5 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden), In a print that has been described as the…

Saint George on Horseback, 1508/1518, Chiaroscuro woodcut in two blocks, sheet: 12 13/16 x 9 1/8 in. (32.5 x 23.1 cm), Prints, Hans Burgkmair (German, Augsburg 1473–1531 Augsburg)

The Repeal, or the Funeral of Miss Ame-Stamp, 1766, Hand-colored etching, plate: 8 7/8 x 13 5/8 in. (22.5 x 34.6 cm), Prints, Anonymous, British, 18th century, British politicians are imagined…

The Beast with Seven Heads and Ten Horns, from the Apocalypse, n.d., Engraving, sheet: 12 3/16 x 9 in. (30.9 x 22.9 cm), Prints, Jean Duvet (French, ca. 1485–after 1561)

Floride, 1644, Etching, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence), Designed by Jean Desmarets de Saint-Sorlin (French, 1595–1676)

Castello Colonna at Genazzano, Italy, 1835, Pen and brown ink, over traces of graphite, on cream-colored laid paper, 12 11/16 x 19 5/16 in. (32.3 x 49cm), Drawings, Claude-Félix-Théodore…

Portrait of a Man, 18th century, Graphite, 6 x 4 15/16 in. (15.2 x 12.6 cm), Drawings, Attributed to Gabriel de Saint-Aubin (French, Paris 1724–1780 Paris)

Le Bouvier pres d'une mare, Etching, plate: 11 5/8 x 18 1/8 in. (29.6 x 46 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Jacques Fouquieres (Flemish, 1590/91–1659)

Seated Satyress, 1696–1770, Pen and brown ink, brush with pale and dark brown wash, over red chalk, 7-1/2 x 6-5/16 in. (19 x 16.1 cm), Drawings, Giovanni Battista Tiepolo (Italian, Venice…

Design for a Cabinet with a Vitrine, 19th century, Graphite, pen and black ink, watercolor, gouache, 11 7/8 x 7 3/16 in. (30.1 x 18.2 cm), Drawings, Anonymous, French, 19th century

Plate 17 from 'The Disasters of War' (Los Desastres de la Guerra): 'They do not agree.' (No se convienen.), 1810 (published 1863), Etching, drypoint, burin and burnisher, Plate: 5 11/16 × 8 7/16…

Crowd Leaving a Theatre [?], 19th century, Graphite, black and red chalk, heightened with white, 12 1/2 x 16 7/8 in. (31.7 x 42.8 cm). Top corners rounded., Drawings, Pierre-Numa Bassaget, called…

Portrait of Abraham Francen, ca. 1656, Etching, 6 1/8 x 9 1/16 in. (15.6 x 23 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Design for a coffered ceiling decorated with rinceaux, 1840–97, graphite, pen and ink, wash and gouache on wove paper, inlaid in blue wove paper, Drawings, Jules-Edmond-Charles Lachaise…

Ecce Homo, from the Circular Passion, 1509, Engraving, Diameter: 11 3/8 in. (28.9 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Mercury and Argus, counterproof of copy in reverse after Cantarini, ca. 1630–1648 or after, Etching, Sheet: 13 7/16 × 15 3/4 in. (34.2 × 40 cm), Prints, After Simone Cantarini (Italian,…

Saint Christopher and Saint John the Baptist (Sch9m), ca. 1480–90, Woodcut, hand-colored., 9-1/2 x 6-3/4 in. (cut just outside the picture), Prints,

Sheet of Studies: Five Angels (recto); Youth in Clerical Robes and Other Studies (verso), 1696–1770, Pen and brown ink, brush and brown wash (recto), pen and brown and black ink (verso), 8-11/16…

Feast of Pan, n.d., Etching, fourth state, sheet: 11 x 16 5/8 in. (28 x 42.2 cm), Prints, Claude Gillot (French, Langres 1673–1722 Paris)

Embracing Female Figures, Some Holding Musical Scores., 1570–73, Pen and brown ink, brush and brown wash, partly highlighted with white gouache (somewhat oxidized), over black chalk; squared…

A Little Cheque (The Small Plate), 1915, Etching and engraving; second state, plate: 5 15/16 x 3 15/16 in. (15.1 x 10 cm), Prints, Walter Richard Sickert (British, Munich 1860–1942…

Le Pont-neuf et la Samartaine de dessous la première arche du Pont-au-Change (Pont-neuf and the Samartaine seen from under the first arch of the Pont-au-Change, Paris, after Nicolle), 1855,…

Shepherd and Shepherdess Conversing in a Landscape, ca. 1651, Etching; second state of seven (Mannocci), sheet: 7 11/16 x 10 1/4 in. (19.6 x 26 cm), Prints, Claude Lorrain (Claude Gellée)…

Cleric (lower register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858), 19th century, Red and white chalk, traces of black chalk, on beige paper. Scattered…

Design for a ceiling decoration, 19th century, Watercolor over graphite, sheet: 16 x 14 5/8 in. (40.7 x 37.1 cm), Drawings, Anonymous, French, 19th century

Design for an earring with a green scarab, 19th century, Ink and watercolor on cardboard, sheet: 9 3/16 x 6 1/4 in. (23.4 x 15.8 cm), Drawings, Anonymous, French, 19th century

Exhibition 'Stare' Case, 1811 (?), Etching, hand colored, sheet: 18 3/4 x 13 1/16 in. (47.6 x 33.2 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London), One of Rowlandson's most…

Rue des Toiles, Bourges, 1853, Etching with drypoint; eighth state of eight, plate: 8 3/8 x4 5/8 in. (21.3 x 11.7 cm), Prints, Charles Meryon (French, 1821–1868)

A Cavalry Fight, 1629, Etching; second state of two, Sheet (trimmed to and just within the platemark): 4 1/8 × 3 1/8 in. (10.5 × 8 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden…

The Discovery of Romulus and Remus (recto); Three Ancient Soldiers (verso), 1690–1700, Pen and brown ink, brush and brown wash, on brownish paper, 7-5/8 x 11-7/16 in. (19.4 x 29.1 cm),…

Figure on Seagoat; Man Carving Wing, published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Engraved by Anonymous, Italian, 16th century, After…

Suggestion by Whistler for his Portrait, 19th–20th century, Commercial relief process, sheet: 9 x 5 15/16 in. (22.9 x 15.1 cm), Prints, After James McNeill Whistler (American, Lowell,…

Fitzroy Square (Street Scene), 1878–81, Etching; third state of three (Glasgow); printed in brownish-black ink on medium weight laid paper, Sheet: 8 7/8 × 6 13/16 in. (22.5 × 17.3 cm),…

A group of figures at right witnessing a shipwreck, ca. 1515–27, Engraving, Sheet (Trimmed): 2 5/8 × 3 9/16 in. (6.6 × 9 cm), Prints, Marco Dente (Italian, Ravenna, active by 1515–died…

Head of a Man in Profile to Right, 1503–40, Pen and brown ink, over black chalk, 2 3/8 x 2 1/4in. (6 x 5.7cm), Drawings, Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma…

Germany, from Pictures of Extra Articles and Visitors to the Exhibition, ca. 1851, Wood engraving, sheet: 4 3/4 x 13 7/8 in. (12.1 x 35.3 cm), Prints, Richard Doyle (British, London…

The mystic marriage of Saint Catherine, ca. 1560–1600, Etching, plate: 8 1/16 x 5 13/16 in. (20.5 x 14.8 cm), Prints, Anonymous, Italian, 16th century, After Giulio Bonasone (Italian, active…

Arizona Thistle, Carduus Arizonicus, August 3, 1912, Watercolor and brown ink over graphite, with page design indicated in graphite, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings,…

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, brush and gray and violet wash, Irregular sheet: 2 5/16 x 11 7/8 in. (5.9 x 30.1 cm), Drawings, Eugène Cicéri (French, Paris…

A River God (recto); Sketches for the Vestibule of the Laurenziana, Florence (verso), 1511–92, Pen and brown ink (recto); Pen and brown ink, with red chalk (verso), 7-1/4 x 9-1/2 in. (18.4 x…

Study for an Arched Alcove with a Canapé, ca. 1804–10, Pen and gray ink, brush and colored wash, 9 3/8 x 11 1/4 in. (23.8 x 28.6 cm), Drawings, Anonymous, French, 19th century

Richard Brocklesby, physician, 1764–1802, Black and red chalk, varnished, on thin laid paper. Oval., 5-7/8 x 5 in. (14.9 x 12.7 cm), Drawings, Francesco Bartolozzi (Italian, Florence…

Saint George, n.d., Woodcut, sheet: 1 1/4 x 1 5/8 in. (3.1 x 4.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Water, ca. 1630, Etching, Sheet (trimmed): 5 15/16 × 4 5/16 in. (15.1 × 11 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Plate 22 from the 'Tauromaquia':Manly courage of the celebrated Panjuelera in [the ring] at Saragosa., 1816, Etching, burnished aquatint, drypoint and burin, Plate: 9 13/16 × 13 3/4 in. (25 ×…

The Palazzo Reale at Pórtici with Vesuvius in the Background, n.d., Red chalk. Vertical crease at center., 13 3/16 x 18 7/8 in. (33.5 x 47.9 cm), Drawings, Louis Chaix (French, Marseilles…

Butcher Birds, from The Comic Natural History of the Human Race, 1851, Color lithography with watercolor and gum, sheet: 10 13/16 x 7 1/16 in. (27.4 x 17.9 cm), Prints, Henry Louis Stephens…

Two satyrs placing Silenus on a braying mule and a third satyr at left, ca. 1515–1600, Engraving, Sheet (Trimmed): 4 3/16 × 6 3/4 in. (10.7 × 17.2 cm), Prints, Anonymous, Italian, 16th to…

Two Monastic Figures Standing before a Church, 1624–63, Pen and brown ink. Framing lines in pen and brown ink on mount, 2-1/2 x 3-1/8 in. (6.4 x 7.9 cm), Drawings, attributed to Francesco…

Illustration for a Book: Allegory of Venice, 1696–1770, Black chalk. Horizontal and vertical centering lines ruled in faint black chalk, 2-7/8 x 6 in. (7.3 x 15.2 cm), Drawings, Giovanni…

The Blindness of Tobit, 1651, Etching with touches of drypoint; first state of two, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Pompeiian Design for Paneling, second half 19th century, Pen and black ink, watercolor, and gouache, 8 5/8 x 4 in. (21.9 x 10.1 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died…

Conversations under the Statue, Luxembourg Gardens, 1893, Transfer lithograph with stumping, drawn on fine-grained transfer paper; only state (Chicago); printed in black ink on machine-made, tan…

Portrait of a Girl and her Dog, ca. 1796–97, Pen and black and gray ink, brush and gray wash, 17 1/8 x 12 3/8 in. (43.5 x 31.5 cm), Drawings, Jean Jacques Lequeu (French, Rouen 1757–1825 Paris)

Illustration for a Book: Meeting Between a Pope and Doge, 1696–1770, Black chalk. Horizontal and vertical centering lines ruled in faint black chalk, 2-13/16 x 6-1/4 in. (7.2 x 15.8 cm),…

The Barefooted Child, 1896–97, Drypoint on blue paper; third state of five (Mathews & Shapiro), plate: 9 1/2 x 12 9/16 in. (24.1 x 31.9 cm), Prints, Mary Cassatt (American, Pittsburgh,…

Self-Portrait in a Velvet Cap with Plume, 1638, Etching, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Three Oriental Figures (Jacob and Laban?), 1641, Etching, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Stage Design for Boris Godounov for the Opera Russe de Paris on its South American Tour, 1929-30, ca. 1929, Gouache and metallic paints over graphite, sheet: 13 7/8 x 22 in. (35.3 x 55.9 cm),…

Calochortus Nuttalli, May 1912, Watercolor and brown ink over graphite, with page design indicated in graphite, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings, Margaret Neilson…