View of Ancient Roman Ruins, an Arch and a Triangular-Pedimented Doorway, 18th century, Pen and brown ink, brush and gray wash and some traces of leadpoint; framed outlines in black ink and blue…

The Rat Catcher, 1746, Etching with some engraving, Sheet: 9 5/16 x 7 7/16 in. (23.6 x 18.9 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris),…

Frontispiece for Oeuvres Nouvelles de Champfleury, after Courbet, 1860–98, Etching; third and final state, sheet: 8 3/16 x 6 in. (20.8 x 15.3 cm), Prints, Félix Bracquemond (French, Paris…

Two designs for paneled ceiling with painted decoration, 19th century, pen and ink, watercolor, and gold paint on two sheets of tracing paper; mounted on wove paper, Drawings,…

Topographic Plan (Porto Ercole?) in the Shape of a Fan, Etching and engraving, Sheet: 8 7/16 × 11 11/16 in. (21.5 × 29.7 cm), Prints

Design for a Sofa, early 19th century, Graphite, sheet: 9 1/16 x 11 15/16 in. (23 x 30.3 cm), Anonymous, British, 19th century

Sketches of Sculptured Decoration. Entablatures and a Frieze with Human, Animal and Floral Ornaments, mid-17th century, Pen and brown ink, over traces of leadpoint or graphite, sheet: 12 13/16 x…

A Jemmy, December 1, 1790, Etching and aquatint, sheet: 13 x 8 7/16 in. (33 x 21.5 cm), Prints, George Moutard Woodward (British, ca. 1760–1809 London)

Christ Crowned with Thorns, from the Circular Passion, 1509, Engraving, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Saint Francis beneath a Tree, Praying, 1657, Drypoint and etching on Indian paper; second state of two, plate: 7 1/8 x 9 5/8 in. (18.1 x 24.5 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch,…

Arms of the Medici with Della Rovere, 1637, Etching, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence)

Deucalion et Pyrrha, 1644, Etching, state i, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence), Designed by Jean Desmarets de Saint-Sorlin (French, 1595–1676)

Soupe à trois sous, 1859, Etching; only state (Glasgow); printed in black ink on fine cream laid paper, Plate: 6 x 8 15/16 in. (15.2 x 22.7 cm), Prints, James McNeill Whistler (American,…

Inauguration de la statue equestre de Louis XV, 1766, Etching, third state, sheet: 8 3/8 x 5 5/16 in. (21.3 x 13.5 cm), Prints, After Gabriel de Saint-Aubin (French, Paris 1724–1780 Paris),…

The Holy Family with Three Hares, ca. 1497–98, Woodcut, first state of nine, image: 15 1/8 x 11 in. (38.4 x 27.9 cm) trimmed to block line, Prints, Albrecht Dürer (German, Nuremberg…

St. Augustine and the Child on the Seashore, 1642–1709, Black chalk washed with faint green, 8-5/8 in. circular (21.9 cm), Drawings, Andrea Pozzo (Italian, Trento 1642–1709 Vienna)

Plate 7 from the 'Disparates': Disorderly Folly, ca. 1816–23 (published 1864), Etching, aquatint and drypoint, Plate: 9 9/16 × 13 7/8 in. (24.3 × 35.2 cm), Prints, Goya (Francisco de Goya…

Cottage with a White Paling, 1648, Etching and drypoint; third state of three, sheet: 5 3/16 x 6 3/8 in. (13.2 x 16.2 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Galatea escaping Polyphemus; he is seated on a rock holding a staff and pipes and looking towards Galatea at right riding a shell pulled by two dolphins, Cupid flying above, ca. 1515–1600,…

Hope, 1636, Etching, Sheet (trimmed): 2 15/16 × 1 13/16 in. (7.4 × 4.6 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Russian Orthodox Cathedral, Paris, 19th century, Pen and black and brown ink, brush and brown, gray, and blue/green wash, gouache, over graphite., sheet: 20 3/16 x 13 7/16 in. (51.2 x 34.2…

A young sailor and an old man sitting by the sea, 17th century, Etching; first state of two, Sheet: 4 1/16 × 7 1/8 in. (10.3 × 18.1 cm), Prints, Stefano della Bella (Italian, Florence…

Tourelle Rue de l'Ecole de Médecine, 22 (House with a Turret, No 22, rue de l'Ecole de Médecine, Paris) (called the Turret of Marat), 1861 or later, Etching with drypoint, plate: 8 5/16 x 5 1/8…

Design for a Statue consisting of a Satyr and Satyress Lifting a Vase, 1652–1725, Pen and brown ink, brush and brown wash, over traces of black chalk, sheet: 6 15/16 x 3 1/16 in. (17.6 x 7.8…

Unidentified building, elevation and section elevation (recto) Corinthian column base, elevation (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 4 5/16 x…

Designs for an Altar in a Niche, 1735–1817, Pen and brown ink, brush and brown, gray, purple-gray and green wash, over traces of leadpoint; vertical line in leadpoint and pen and brown ink…

William IV from the series Counts and Countesses of Holland, Zeeland, and West-Frisia, 1650, Engraving and etching; second state of three, sheet: 20 7/16 x 15 1/16 in. (51.9 x 38.2 cm),…

Ecce Homo, from The Passion, 1512, Engraving, Sheet: 4 1/2 × 2 15/16 in. (11.5 × 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

The Lamentation, from The Passion, 1507, Engraving, Sheet: 4 1/2 × 2 3/4 in. (11.5 × 7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Implements Animated, Pl. 1, Dedicated to the Carpenters and Gardeners of Great Britain, 1811, Hand-colored etching, plate: 9 11/16 x 13 13/16 in. (24.6 x 35.1 cm), Prints, Charles Williams…

Nôtre Dame, Paris, 1870, Etching and watercolor on laid paper, plate: 11 9/16 x 13 11/16 in. (29.4 x 34.8 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres)

Man Assisting a Woman to Mount a Horse, with Two Other Figures and a Dog, 1762–1844, Pen and brown and black ink, brush and brown wash, over black chalk, 4 1/2 x 6 5/8in. (11.4 x 16.8cm),…

Pompeiian Design for Paneling, second half 19th century, Pen and black ink, watercolor, 9 5/16 x 5 11/16 in. (23.6 x 14.4 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),…

The Circle of Traitors: Dante's Foot Striking Bocca degli Abbate, from Dante's Inferno, Canto XXXII, ca. 1825–27, Engraving, plate: 9 3/16 x 13 3/8 in. (23.3 x 34 cm), Prints, William Blake…

Design for a ceiling with garland bearing putti, second half 19th century, Graphite, gouache, and watercolor, Overall: 14 13/16 x 10 11/16 in. (37.7 x 27.1 cm), Drawings, Jules-Edmond-Charles…

Old-Clothes Shop, No. 2 (Rag Shop), [1884–86], Etching and drypoint; third state of three (Glasgow); in dark brown ink on ivory laid paper, Plate: 3 11/16 × 6 7/16 in. (9.3 × 16.3 cm),…

Six Horses, 1624–63, Pen and brown ink. Framing lines in pen and brown ink on mount, 2-15/16 x 9-3/4 in. (7.5 x 24.7 cm), Drawings, attributed to Francesco Allegrini (Italian, Cantiano (?)…

Fashion Drawing with a Woman Seated in a Chair with a Boy and Girl, 19th century, Graphite and watercolor, 6 5/8 x 5 1/4 in. (16.8 x 13.3 cm), Drawings, Pierre-Numa Bassaget, called Numa…

The Man of Sorrows Seated, 1515, Etching on iron; first state of three, sheet: 4 5/16 x 2 9/16 in. (11 x 6.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Cartouche Formed by a Tiger Skin Flanked by Two Centaurs, 1647, Etching; first state, Sheet (trimmed): 4 13/16 × 3 3/8 in. (12.2 × 8.6 cm), Prints, Stefano della Bella (Italian, Florence…

Four Designs for Vases, 19th century, Graphite, pen and gray ink, and watercolor. The four designs are pasted onto mounting paper., sheet: 6 15/16 x 10 3/16 in. (17.6 x 25.8 cm), Drawings,…

Copies after Raphael's 'The Finding of Moses', Red and white chalk, with touches of pink pastel, 10 1/2 x 17 15/16 in. (26.7 x 45.5 cm), Drawings, Michel Corneille the Younger (French, Paris…

Virtue Crowning a Bearded Man., 1696–1770, Pen and brown ink, brush with pale and dark brown wash, over black chalk, sheet: 10 3/16 x 10 3/16 in. (25.9 x 25.8 cm), Drawings, Giovanni…

Lamentation of the Virgin, Etching and engraving, sheet: 11 5/8 x 12 13/16 in. (29.5 x 32.5 cm) trimmed just outside platemark except top which is within, Prints, Battista Franco (Italian, Venice…

Plate 23 from 'Los Caprichos': These specks of dust (Aquellos polbos.), 1799, Etching, aquatint, drypoint and burin, Plate: 8 7/16 × 5 13/16 in. (21.5 × 14.8 cm), Prints, Goya (Francisco de Goya…

France, from Pictures of Extra Articles and Visitors to the Exhibition, ca. 1851, Wood engraving, sheet: 4 3/4 x 13 7/8 in. (12.1 x 35.3 cm), Prints, Richard Doyle (British, London 1824–1883…

Christ in Limbo, from The Large Passion, edition 1511, n.d., Woodcut, sheet: 15 9/16 x 10 7/8 in. (39.5 x 27.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Manet Seated, Turned to the Left, ca. 1866–68, Etching, first state (one of four known impressions), plate: 6 3/4 x 4 3/4 in. (17.1 x 12 cm), Prints, Edgar Degas (French, Paris 1834–1917…

Christ on the Cross, 15th century, Woodcut, hand-colored with illuminated border, 8-19/32 x 5-27/32 in.; 15-5/8 x 11-1/8 in., Prints, Anonymous, German, Basel, 15th century

Plate 9 from 'Los Caprichos': Tantalus (Tantalo.), 1799, Etching and burnished aquatint, Plate: 8 1/16 × 5 7/8 in. (20.5 × 15 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish,…

Gene Speicher Drawing on a Stone, 1921, Lithograph, image: 11 3/8 x 8 5/8 in. (28.9 x 21.9 cm), Prints, George Bellows (American, Columbus, Ohio 1882–1925 New York)

Illustration from Dürers Vier Bucher von Menslicher Proportion, Nuremberg, 1528, n.d., Woodcut, Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Death of Ananias, 1518, Chiaroscuro woodcut printed from three blocks in grey, Sheet: 9 1/4 × 14 5/8 in. (23.5 × 37.2 cm), Prints, Ugo da Carpi (Italian, Carpi ca. 1480–1532 Bologna),…

Head of a Man plunged in Shadow, Etching, Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664 Mantua)

The Last Supper (Schr. 176a), 15th century, Woodcut, hand-colored, sheet: 3 3/8 x 2 9/16 in. (8.6 x 6.5 cm), Prints, Anonymous, German, 15th century

Saint Christopher Facing Left, 1521, Engraving, Sheet: 4 9/16 × 2 15/16 in. (11.6 × 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Saint John the Baptist and Saint Onuphrius, ca. 1503, Woodcut, sheet: 8 7/16 x 5 11/16 in. (21.5 x 14.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Knife Sharpener, 1742, Etching with some engraving, Sheet: 9 3/16 x 6 7/8 in. (23.3 x 17.5 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After…

Henri Houssaye, as a child, ca. 1854, Etching, sheet: 12 1/8 x 8 in. (30.8 x 20.3 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres)

The Death of Socrates, ca. 1749, Pen and brown ink, brush and brown wash, over red chalk heightened with white gouache., 8 15/16 x 13 3/8 in. (22.7 x 34 cm), Drawings, Michel François…

Rustic Market (Nundinae Rusticorum) from The Large Landscapes, ca. 1555–56, Etching and engraving; second state of three, Sheet: 13 9/16 x 17 11/16 in (34.4 x 44.9 cm), Prints, After Pieter…

Seated Woman in Profile after Antique Bas Relief, ca. 1660, Etching, Sheet (trimmed to plate): 5 1/2 × 5 1/16 in. (14 × 12.8 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence)

Design for a Cartouche, 1652–1725, Pen and light brown ink, over traces of black chalk, sheet: 3 15/16 x 2 3/4 in. (10 x 7 cm), Attributed to Giovanni Battista Foggini (Italian, Florence…

Plate 11: dogs, from 'Various animals' (Diversi animali), ca. 1641, Etching; third state of three (De Vesme), Plate: 3 5/16 × 4 3/16 in. (8.4 × 10.6 cm), Prints, Stefano della Bella…

892 from Modes de Paris, Journal des Tailleurs, 1848, Hand-colored lithograph, sheet: 10 x 6 15/16 in. (25.4 x 17.7 cm), Prints, Anonymous, French, 19th century

A Polish groom, from the back, holding a horse by the bridle, ca. 1662, Etching, Plate: 3 1/8 × 4 1/8 in. (8 × 10.5 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence)

Design for a Cabinet-Bookcase and Two Stands for Flowers, early 19th century, Ink, watercolor and wash, sheet: 9 1/16 x 11 13/16 in. (23 x 30 cm), Anonymous, British, 19th century

Design for a Bed with Yellow and Blue Fringed Hangings, early 19th century, Ink, watercolor and wash, sheet: 9 5/8 x 11 5/8 in. (24.4 x 29.5 cm), Anonymous, British, 19th century

Design for a ceiling, second half 19th century, Graphite, pen and black ink, and gray wash, Overall: 10 5/8 x 14 13/16 in. (27 x 37.7 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died…

Figure Studies, 1810–74, Graphite and black chalk, 8 7/16 x 9 3/4 in. (21.4 x 24.7 cm), Drawings, Alphonse-Henri Périn (French, Paris 1798–1874 Paris)

Helleoportic Sibyl, from the series of Sibyls, ca. 1530, Woodcut, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Design for a ceiling painted in filagree designs, second half 19th century, Watercolor, gouache, and gold paint on wove paper; inlaid in wove paper, Overall: 18 15/16 x 13 7/16 in. (48.1 x 34.1…

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 11 3/4 x 2 3/16 in. (29.8 x 5.5 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Knight with Lance, 1604–56, Pen and brown ink, with brush and brown wash, over traces of black chalk, 6 1/8 x 5 11/16in. (15.6 x 14.4cm), Drawings, Baccio del Bianco (Italian, Florence…

The Wedding Feast at Cana (after Paolo Veronese), 1540–1609, Pen and brown ink on blue paper, 8 1/8 x 12 15/16in. (20.7 x 32.9cm), Drawings, After Federico Zuccaro (Zuccari) (Italian, Sant'Angelo…

Landscape with a Road Beside a Canal, ca. 1652, Drypoint, plate: 3 1/8 x 8 3/8 in. (8 x 21.2 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Unidentified, cornice, projection (recto) blank (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 11 9/16 x 17 3/16 in. (29.4 x 43.6 cm)

The Merry Thought, April 16, 1787, Hand-colored etching, sheet: 7 9/16 x 10 in. (19.2 x 25.4 cm), Prints, Attributed to Henry Kingsbury (British, active ca. 1775–98)

Bust of Beardless Old Man in Profile Facing Right, ca. 1645–50, Etching, sheet: 4 1/4 x 3 1/8 in. (10.8 x 8 cm), Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa…

Plate 15: mid-bust of a young woman in profile wearing a hat topped with feathers, from 'The Book for Learning to Draw' (Livre pour apprendre à dessiner), ca. 1649, Etching, Plate: 3 3/16 × 2…

Palazzo Massimo alle Colonne, elevation (recto) Palazzo Massimo alle Colonne, portal, elevation; portal entablature, profile (verso), early to mid-16th century , Dark brown ink, black chalk,…

Fall, Etching with engraving, sheet: 9 7/8 x 10 5/16 in. (25.1 x 26.2 cm), Prints, Charles Joseph Natoire (French, Nîmes 1700–1777 Castel Gandolfo)

Pegasus and the Young Bellephron, late 19th–early 20th century, Pen and black ink on buff stock, 6 3/8 x 4 in. (16.2 x 10.1 cm), Drawings, Max Klinger (German, Leipzig 1857–1920 Großjena)

Lady with a Mirror, 1716, Pen and gray ink, brush and gray wash, heightened with white, over traces of graphite, contours incised., 2 15/16 x 4 3/8 in. (7.5 x 11.1 cm), Drawings, Claude Simpol…

Design for a Double Townhouse (front elevation), ca. 1843, Watercolor and ink on paper, Sheet: 14 1/2 x 20 1/4 in. (36.8 x 51.4 cm), Alexander Jackson Davis (American, New York 1803–1892…

The Legislator in Office, 1794, Etching, sheet: 15 5/8 x 10 3/16 in. (39.7 x 25.9 cm), Prints, After Jacques Louis David (French, Paris 1748–1825 Brussels), baron Dominique Vivant Denon…

Seated Satyr Holding a Garland, 1696–1770, Pen and dark brown ink, brush with pale and dark brown wash, over leadpoint or black chalk, 7-13/16 x 7-13/16 in. (19.8 x 19.8 cm), Drawings,…

Design for the decoration of a ceiling, 1830–97, graphite on wove paper, Overall: 10 5/8 x 14 7/8 in. (27 x 37.8 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),…

Design for a Stage Set: Solomon Receiving the Queen of Sheba under a Baldacchino, with Fantastical Architecture and a Gardenscape., 1728–78, Pen and brown ink, brush and brown wash over…

Christ on the Cross, 1508, Engraving, Plate: 5 1/4 x 3 13/16 in. (13.3 x 9.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Christopher Columbus, n.d., Pen, ink and brown wash heightened with gouache, 6 3/8 x 4 1/4 in. (16.2 x 10.8 cm), Drawings, Jean-Baptiste Dedéban (French, 1781–1849)

The Kitchen, [1858] republished 1885, Etching; third state of three (Glasgow); black ink on buff laid paper, Plate: 9 × 6 3/16 in. (22.8 × 15.7 cm), Prints, James McNeill Whistler (American,…

Descent from the Cross, n.d., Etching, image: 7 11/16 x 4 13/16 in. (19.6 x 12.3 cm), trimmed to image, Prints, Claude Gillot (French, Langres 1673–1722 Paris), Engraved by Jacques Gabriel…

Allegorie sur la Convalescence du Dauphin, 1752, Etching, first state, sheet: 5 1/16 x 6 3/16 in. (12.8 x 15.7 cm), Prints, Gabriel de Saint-Aubin (French, Paris 1724–1780 Paris)

Horses, 1624–63, Pen and brown ink. Framing lines in pen and brown ink on mount, 2-7/8 x 7-1/8 in. (7.3 x 18.1 cm), Drawings, attributed to Francesco Allegrini (Italian, Cantiano (?)…

Virginia, from 'Game of Geography' (Jeu de la Géographie), 1644, Etching, Sheet: 3 in. × 2 1/16 in. (7.6 × 5.3 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664…

Design for an Urn, ca. 1770–90, Graphite, pen and gray ink, brush and gray and yellow wash, 19 5/16 x 13 7/16 in. (49.1 x 34.1 cm), Drawings, Anonymous, French, 18th century

Jupiter and Astraea, ca. 1545–50, Pen and brown ink, brush and brown wash, highlighted with white gouache, on paper tinted with a thin brown wash, Sheet: 6 1/4 x 9 1/8 in. (15.9 x 23.1 cm),…

Wall Design, 18th century, Leadpoint or graphite with ruled and compass construction, 11 3/8 x 16 in. (28.9 x 40.6 cm), Drawings, Workshop of Leonardo Marini (Italian, Piedmontese documented…

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 4 13/16 x 3 1/8 in. (12.2 x 8 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)