An Allegory: Female Figure with a Compass, God the Father Seated on Clouds, and a Demon, 1512–97, Pen and brown ink, brush and gray wash, over black chalk. Framing lines in pen and brown ink,…

The Virgin and Child Appearing to Saint Agatha and Saint Lucy, 1682–1750, Red chalk. Framing lines in pen and brown ink, 6 x 4 7/16in. (15.3 x 11.3cm), Drawings, Nicola Grassi (Italian,…

Woodpecker (William B. Gihon), from The Comic Natural History of the Human Race, 1851, Color lithography with watercolor and gum, sheet: 11 3/16 x 7 3/16 in. (28.4 x 18.2 cm), Prints, Henry…

Young Man Looking Down To Right, ca. 1645–50, Etching, sheet: 4 1/4 x 3 3/16 in. (10.8 x 8.1 cm) wide margins, Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa…

Design for Two Masks Shaped as Satyr and a Winged Medusa Head, 1732–1802, Pen and dark brown ink, 6 7/8 x 5 1/16 in. (17.4 x 12.8 cm), Carlo Bianconi (Italian, Bologna 1732–1802 Milan)

Mass of St. Gregory, 15th century, Metalcut, hand-colored, sheet: 5 3/8 x 4 in. (13.6 x 10.1 cm), Prints, Anonymous, German, 15th century

Study for a Garden Capriccio, n.d., Pen and black ink, over traces of graphite. Framing lines in pen and black ink., 17 1/4 x 9 1/2 in. (43.8 x 24.1 cm), Workshop of Gilles-Marie Oppenord…

Virgin on the Crescent with Scepter and Starry Crown, 1516, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.7 × 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

The Witch, ca. 1500, Engraving, Sheet: 4 1/2 × 2 3/4 in. (11.4 × 7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Seated Sibyl and Attendant Genius (recto); Study of the Head of a Horse in Profile (verso), ca. 1540, Red chalk on beige paper (recto); pen and brown ink (verso), 9 5/8 x 10 7/16in. (24.5 x…

Portrait of Cardinal Pietro Bembo facing left, 1572, Engraving, Sheet: 14 in. × 9 13/16 in. (35.5 × 25 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576)

The Angel Staying the Arm of Abraham, Etching and engraving, sheet: 16 3/4 x 11 3/4 in. (42.5 x 29.9 cm) trimmed to platemark, Prints, Attributed to Battista Franco (Italian, Venice ca.…

Design for a Ewer, 1734–91, Pen and black ink with brush and gray wash and red chalk over graphite underdrawing., 9 9/16 x 5 9/16 in. (24.3 x 14.1 cm), Drawings, Jean Charles Delafosse…

Heauton Timouroumenos, from The Comedies of Terence, 19th century reprint, n.d., Woodcut, sheet: 3 1/2 x 5 5/8 in. (8.9 x 14.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

San Biagio on the Giudecca, 1764–1835, Pen and brown ink, brush and gray wash, on pale gray paper, 4 9/16 x 7 5/16in. (11.6 x 18.6cm), Drawings, Giacomo Guardi (Italian, Venice (?)…

Design for the decoration of a ceiling in strapwork and rinceaux, 1830–97, pen and ink and watercolor on wove paper, mounted on heavy wove paper, Overall: 10 1/4 x 14 13/16 in. (26.1 x 37.7…

Reading, 1879, Lithograph with scraping; fourth state of four (Chicago); printed in black ink on , Image: 6 1/8 × 5 1/8 in. (15.5 × 13 cm), Prints, James McNeill Whistler (American, Lowell,…

La Vierge a l'enfant, Etching, sheet: 15 11/16 x 11 3/4 in. (39.8 x 29.9 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French, Brussels 1602–1674…

Chelsea Bridge and Church, 1871, Etching and drypoint; fifth state of seven (Glasgow); printed in black ink on ivory laid paper, Plate: 3 15/16 × 6 5/8 in. (10 × 16.9 cm), Prints, James…

The Ascension, from The Small Passion, ca. 1510, Woodcut, sheet: 5 1/16 x 3 7/8 in. (12.9 x 9.9 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Oxcart Approaching a Fortified Building, 1817, Point of brush and brown wash, over graphite, 3 15/16 x 6 in. (10 x 15.2 cm), Drawings, Achille-Etna Michallon (French, Paris 1796–1822 Paris)

Two of the Seven Falls of Christ (Schr. 647 & 653), 15th century, Woodcut, hand-colored, sheet: 4 5/16 x 7 5/16 in. (11 x 18.5 cm), Prints, Anonymous, German, 15th century

Boar Hunt, 1624–63, Pen and brown ink. Framing lines in pen and brown ink on mount, 2-1/8 x 4-5/8 in. (5.4 x 11.8 cm), Drawings, attributed to Francesco Allegrini (Italian, Cantiano (?)…

Chevet de St. Martin-sur-Renelle (The apse of the Church of St. Martin-sur-Renelle, Paris, after Langlois), 1860, Etching, plate: 7 3/8 x 5 3/4 in. (18.7 x 14.6 cm), Prints, Charles Meryon…

Design for a Monument (recto), 19th century, Graphite on laid paper, sheet: 9 9/16 x 6 15/16 in. (24.3 x 17.6 cm), Anonymous, French, 19th century

Afrique, 1644, Etching, state iii, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence), Designed by Jean Desmarets de Saint-Sorlin (French, 1595–1676)

A Young Girl Astride a Satyr, n.d., Etching, first state of two, sheet: 5 13/16 x 8 1/4 in. (14.7 x 21 cm), Prints, Jean Honoré Fragonard (French, Grasse 1732–1806 Paris)

Design for an Octagonal Gothic Pedestal Table: Elevation and Plan, early 19th century, Ink and wash and graphite, sheet: 8 3/4 x 12 5/16 in. (22.2 x 31.3 cm), Anonymous, British, 19th century

The Punishment of the Arrogant Niobe by Diana and Apollo, ca. 1772, Oil paint on canvas, mounted on board, 14 1/16 x 11 1/16 in. (35.7 x 28.1 cm), Drawings, Pierre Charles Jombert (French,…

The Entombment (copy), 1521, sheet: 4 5/8 x 3 1/8 in. (11.7 x 7.9 cm), Prints, Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam) probable, After Lucas van Leyden (Netherlandish, Leiden…

Spring, Etching with engraving, sheet: 10 1/4 x 10 1/16 in. (26 x 25.5 cm), Prints, Charles Joseph Natoire (French, Nîmes 1700–1777 Castel Gandolfo)

Plate 7: various boats on shore to left, a man carrying a bag, seen from behind and walking towards the background, a fortress in center background, a tree to the right, from 'Various…

Triumph of Caesar: The Corselet Bearers, ca. 1490, Engraving, Prints, School of Andrea Mantegna (Italian, Isola di Carturo 1430/31–1506 Mantua)

Lady in a garden, 18th century, Gouache on cardboard, 10 x 8 3/8 in. (25.4 x 21.3 cm), Drawings, Anonymous, French, 18th century

Designs for Archways and Baldachins with Caryatids and Coats of Arms (Recto). Design for a Monument with Statues of Prudence and Fortitude (Verso)., 1652–1725, Pen and brown ink, over traces…

Plate 36 from 'Los Caprichos: A bad night (Mala noche.), ca. 1797–99, Etching and burnished aquatint, Plate: 8 7/16 x 5 7/8 in. (21.5 x 15 cm), Prints, Goya (Francisco de Goya y Lucientes)…

MANET. Trente Eaux-Fortes Originales. Paris: A. Strölin, 1905, 1905, Letterpress printed in black and orange ink; heliogravure portrait of Manet printed in brown ink, two folded sheets, each: 21…

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, sheet: 13 11/16 x 18 11/16 in. (34.7 x 47.4 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Two Male Nudes, One Seated and One Semi-reclining, 1771, Black chalk heightened with white, sheet: 23 3/16 x 17 1/8 in. (58.9 x 43.5 cm), Drawings, Jakob Matthias Schmutzer (Austrian, Vienna…

Park Landscape with Strolling Figures, 19th century, Gouache on paper, (sight): 10 1/4 x 12 in. (26 x 30.5 cm), Drawings, Anonymous, French, 19th century

Design for a Stage Set at the Opéra, Paris, 1840–90, Graphite, Irregular sheet: 10 x 13 1/8 in. (25.4 x 33.3 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Three Peasants, 19th century, Graphite, arched, sheet: 11 3/16 x 7 1/8 in. (28.4 x 18.1 cm), Drawings, Attributed to Anonymous, French, 19th century

The Flight into Egypt, ca. 1630–31, Etching; first state of four (Mannocci), sheet: 4 1/8 x 6 3/4 in. (10.5 x 17.2 cm), Prints, Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome)

Design for a Decorative Wall Panel with Hunting Motif, Pless Chateau, Silesia, second half 19th century, Pen and brown ink and wash, sheet: 15 x 8 11/16 in. (38.1 x 22.1 cm), Drawings,…

Ink Seller, 1746, Etching with some engraving, Sheet: 9 7/16 x 7 3/16 in. (24 x 18.3 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After…

Decoration over an Arch with a Landscape Scene in a Round Compartment, 1770, Pen and brown and black ink, brush and brown, black and gray wash over traces of graphite, Sheet: 8 1/16 x 7 5/16 in.…

Two Boys Sleeping Besides a Tree, ca. 1750–60, Etching, Sheet (trimmed): 8 1/2 × 6 3/4 in. (21.6 × 17.1 cm), Prints, Marie Jeanne Boucher (French, Paris 1716–1785), After François…

Salome with the Head of John the Baptist, ca. 1514, Woodcut, sheet: 15 7/8 x 11 1/2 in. (40.3 x 29.2 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Trompe l'oeil design of ewer and clarinet, second half 19th century, Oil paint on canvas support, image: 4 1/2 x 10 7/16 in. (11.5 x 26.5 cm), Drawings, Jules-Edmond-Charles Lachaise (French,…

Illustration for a Book: Siege of a City, 1696–1770, Black chalk. Horizontal and vertical centering lines ruled in faint black chalk, 2-13/16 x 6-3/16 in. (7.2 x 15.7 cm), Drawings, Giovanni…

Grotto under a Terrace, 19th century, Pen and brown ink over graphite. Traces of squaring in graphite., sheet: 10 1/4 x 16 13/16 in. (26.1 x 42.7 cm), Drawings, Jean-Baptiste-Cicéron Lesueur…

Portfolio cover and text for The Raven by Edgar Allan Poe, 1875, letterpress in black and red ink on laid (Hollande) paper, each of three folded sheets: 21 1/4 x 27 9/16 in. (54 x 70 cm),…

Design for a ceiling with floral design, second half 19th century, Graphite, pen and black ink, gouache, and watercolor, Overall: 12 3/8 x 19 1/8 in. (31.5 x 48.5 cm), Drawings,…

The triumph of Cupid and Psyche who are seated on a chariot drawn by two birds restrained by children, ca. 1550–67, Etching with engraving, Sheet: 10 13/16 × 15 3/4 in. (27.4 × 40 cm),…

Design for a Plate with Cyclamens, ca. 1875–85, Pen and brown and black ink, watercolor, over graphite, 21 3/16 x 14 13/16 in. (53.8 x 37.6 cm), Attributed to Amédée de Caranza (French,…

Left Third of a Martyrdom of Saint Peter and Saint Paul., 1508–ca. 1550, Pen and brown ink, brush and brown wash, highlighted with white gouache over traces of chalk, sheet: 11 1/8 x 8 3/8 in.…

The Rest on the Flight into Egypt, Joseph at right, the Virgin holds the Christ Child in the centre, other figures to the left, 1531–76, Etching and engraving, sheet: 13 1/16 x 17 13/16 in. (33.1…

The Opening of the Fifth and Sixth Seals, from the Apocalypse, ca. 1497/98, Woodcut, Block: 15 1/2 × 11 1/8 in. (39.3 × 28.2 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Samson and Delilah, ca. 1507, Engraving, sheet: 11 1/8 x 7 15/16 in. (28.3 x 20.2 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Drawing of an Interior: Salle à manger, 1857, Graphite, pen and blue and red ink, watercolor, sheet: 8 x 10 11/16 in. (20.3 x 27.2 cm), Drawings, Anonymous, French, 19th century

Fisherman with a Net, 1868, Etching; third state of three, sheet: 8 3/8 x 12 in. (21.2 x 30.5 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres)

Christ in the House of Martha and Mary, n.d., Pen and brown ink, brown and gray wash, over traces of graphite. Squared in red chalk and graphite., 7 11/16 x 5 15/16 in. (19.6 x 15.1 cm),…

Impromtu Dance (Le Bal improvisé), 1742, Etching, sheet: 10 5/8 x 13 3/16 in. (27 x 33.5 cm), Prints, Jean-Baptiste Marie Pierre (French, Paris 1714–1789 Paris)

Pont-Neuf, Paris, 1853, Etching and drypoint on machine-laid paper watermarked 1852; seventh state of eleven, Plate: 7 1/4 x 7 3/16 in. (18.4 x 18.3 cm), Prints, Charles Meryon (French, 1821–1868)

Christ Carrying the Cross, from The Passion, 1512, Engraving, Sheet: 4 5/8 in. × 3 in. (11.8 × 7.6 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

La Majeste Royale, n.d., Engraving; third state of three, sheet: 11 15/16 x 8 11/16 in. (30.4 x 22.1 cm), Prints, Jean Duvet (French, ca. 1485–after 1561)

Landscape with Storm, 18th–early 19th century, Etching, sheet: 5 3/4 x 7 1/8 in. (14.6 x 18.1 cm), Prints, baron Dominique Vivant Denon (French, Givry 1747–1825 Paris)

Mars, Venus and Cupid, 1530, Engraving, sheet: 7 3/8 x 9 5/8 in. (18.7 x 24.4 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Christ Taking Leave of His Mother, from The Life of the Virgin (copy), n.d., Woodcut, sheet: 11 3/4 x 8 1/4 in. (29.8 x 21 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Pompeiian Design for Paneling, second half 19th century, Pen and black ink, graphite, and watercolor, 10 11/16 x 8 3/8 in. (27.1 x 21.3 cm), Drawings, Jules-Edmond-Charles Lachaise (French,…

Two Alternatives Designs for a Cartouche Decorated with a Frame, Statues, and Volutes., 1604–87, Pen and brown ink, over traces of black chalk, sheet: 10 x 3 7/8 in. (25.4 x 9.8 cm),…

Man at a Desk Wearing a Cross and Chain, 1641, Etching and drypoint, sheet: 6 x 4 1/8 in. (15.3 x 10.5 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Grand Fantastical Parade, New-York, December 2, 1833, 1833, Hand-colored lithograph, image: 19 1/2 x 10 7/8 in. (49.5 x 27.6 cm), Prints, Attributed to David Claypoole Johnston (American,…

Two Lovers with Pan, published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Engraved by Anonymous, Italian, 16th century, After Battista Franco…

The Barman: The Colonel's Drink. Caricature of Criminal Court Judge, Alphonse Bard, ca. 1898–99, Brush and ink, 11 1/4 x 14 1/4 in. (28.6 x 36.2 cm), Drawings, Jean-Louis Forain (French,…

Horsemen and Soldiers, 1610–64, Pen and brown ink, 3 1/16 x 3 1/2in. (7.8 x 8.9cm), Drawings, Stefano della Bella (Italian, Florence 1610–1664 Florence)

The Japan Expedition, from Actualités, published in Le Charivari, October 15, 1853, Lithograph, Sheet: 10 1/16 × 13 11/16 in. (25.6 × 34.7 cm), Prints, CHAM (Amédée Charles Henri, Comte de…

Abraham Going to Sacrifice Isaac, 1517–19, Woodcut; first state, sheet: 11 3/16 x 8 5/16 in. (28.4 x 21.1 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Lamp, Hellenistic or Early Imperial, 1st century B.C.–1st century A.D., Greek or Roman, Terracotta, Overall: 1 x 3 9/16 in. (2.5 x 9.1 cm), Terracottas

The Foolish Virgins Conversing, ca. 1635, Etching, Sheet (trimmed): 9 in. × 13 1/16 in. (22.8 × 33.1 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Allegorical Figure of Faith, 1672, Pen and brown ink, brush and brown wash, highlighted with white, over a little black chalk, on brownish paper, 9-1/8 x 6-7/16 in. (23.1 x 16.3 cm), Drawings,…

Sheet of Studies: A Horse Above, a Seated Man and a Reclining Man Below, 1612–75, Pen and brown ink, brush and brown and a little red-brown wash, 8-3/8 x 5-3/8 in. (21.2 x 13.7 cm),…

Moenippus (Menipo Filosofo), 1778, Etching printed in black ink, Plate: 12 1/16 × 8 11/16 in. (30.6 × 22 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828…

Design for a Vase with Candelabra, 19th century, Graphite, watercolor, and gouache, sheet: 14 7/8 x 9 7/8 in. (37.8 x 25.1 cm), Drawings, Anonymous, French, 19th century

Kneeling Bearded Old Man (recto); Section of a Draped Limb and Sketches (verso), 1500–1571, Red chalk, pen and brown ink with brush and brown and red wash, highlighted with a little white…

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 11 x 18 1/4 in. (28 x 46.4 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

The Disasters of War (Los Desastres de la Guerra), title page, 1810–20, published 1863, Etching, aquatint, lavis, drypoint, burin, and burnishing, Sheet: 9 15/16 × 13 7/16 in. (25.2 × 34.2…

Mother and Child, 1624–63, Pen and brown ink. Framing lines in pen and brown ink on mount, 1-9/16 x 2-1/16 in. (4.0 x 5.3 cm), Drawings, attributed to Francesco Allegrini (Italian, Cantiano…

A Peasant Calling Out: 'T is vinnich kout', 1634, Etching, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Christ Carrying the Cross, 18th century, Red chalk, 8 1/16 x 10 7/16 in. (20.4 x 26.5 cm), Drawings, Anonymous, French, 18th century

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite on blue paper, sheet: 9 7/16 x 6 in. (24 x 15.3 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Four Caricatured Heads, 1612–66, Pen and brown ink, 3 1/4 x 10 1/4in. (8.3 x 26cm), Drawings, attributed to Pier Francesco Mola (Italian, Coldrerio 1612–1666 Rome)

La Rétameuse, 1858, Etching; second state of two (Glasgow); printed in black ink on tan chine on off-white wove paper (chine collé), Plate: 4 5/16 x 3 1/2 in. (11 x 8.9 cm), Prints, James…

Wooded Landscape with Two Figures, 1627–1703, Pen and brown ink, brush and brown wash, 5 11/16 x 8 7/16in. (14.5 x 21.4cm), Drawings, Domenico Piola (Italian, Genoa 1627–1703 Genoa)

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 2 1/16 x 6 3/4 in. (5.3 x 17.1 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Baby Blue-eyes, Nemophila intermedia, 1912–13, Watercolor and brown ink over graphite, with page design indicated in graphite, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings,…

Circe changing the companions of Ulysses into beasts, 1650–1651, Etching, sheet: 8 1/16 x 11 15/16 in. (20.5 x 30.3 cm), Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa…

The Departure of Aeneas Announced to Dido ?, 1624–63, Pen and brown ink, brush and brown wash, over black chalk. Framing lines in red chalk, 3-1/4 x 4-5/8 in. (8.3 x 11.7 cm), Drawings,…

Classical Ruins: A Public Bath, 19th century, Pen and black and gray ink, 6 9/16 x 5 5/16 in. (16.6 x 13.5 cm), Drawings, Joseph Lemercier (French, 1803–1887)

The Man of Sorrows Mocked by a Soldier, title page to The Large Passion, n.d., Woodcut, sheet: 17 3/8 x 11 15/16 in. (44.1 x 30.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)