Confidences in the Garden, 1894, Transfer lithograph, drawn on thin, transparent transfer paper; only state (Chicago); printed in black ink on medium weight cream laid paper, Image: 8 3/8 × 6…

Saint Jerome Penitent in the Wilderness, ca. 1496, Engraving; second state of two, Sheet: 12 5/8 × 8 7/8 in. (32.1 × 22.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Flayed man arms raised holding the branch of a tree, ca. 1531–76, Engraving, sheet: 5 13/16 x 4 1/8 in. (14.7 x 10.5 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after…

Libyan Sibyl, from the series of Sibyls, ca. 1530, Woodcut, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

The Adoration of the Shepherds, 1524–27, Pen and brown ink, brown wash, highlighted with white gouache over traces of black and a little red chalk (at upper left), on brownish paper, sheet: 8 9/16…

Two Shepherds with a Donkey, etching, sheet: 9 5/8 x 12 3/16 in. (24.5 x 31 cm), Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664 Mantua)

Back View of a Roman Servant Boy, 1774–80, Black chalk, 12 1/8 x 6 5/16 in. (30.8 x 16.1 cm), Drawings, François André Vincent (French, Paris 1746–1816 Paris)

Design for Part of a Ceiling or Cornice, 17th century, Pen and brown ink, brush and brown wash, 4 1/4 x 16 3/8 in. (10.8 x 41.6 cm), Anonymous, French, 17th century

H(C)annibalism or an Irish Stew, August 5, 1833, Hand-colored lithograph, sheet: 12 x 17 9/16 in. (30.5 x 44.6 cm), Prints, John Doyle (Irish, Dublin 1797–1868 London)

Two Standing Soldiers and Six other Figures, 1615–73, Pen and brown ink, 4-3/8 x 7-1/2 in. (11.1 x 19.0 cm), Drawings, Salvator Rosa (Italian, Arenella (Naples) 1615–1673 Rome)

The Entombment, ca. 1552–61, Engraving, undescribed first state., sheet: 16 9/16 x 22 in. (42 x 55.9 cm), Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice)

Woman returning from a hunt carrying a boar in her left hand and a stick on her right shoulder to which a hare and two ducks are tied, ca. 1515–1600, Engraving, Sheet (Trimmed): 6 5/16 × 4 5/8…

Bearded Male Term Covered in a Cloak, ca. 1545–65, Pen and black ink with grey wash, heightened with white, each: 11 7/16 x 3 15/16 in. (29 x 10 cm), Anonymous, French, 16th century

The Sorcerer Atlante Abducting Pinabello's Lady (Ariosto, Orlando Furioso, canto II, 38), ca. 1635–38, Pen and brown ink; black chalk on verso, 7 5/8 x 4 7/16 in. (19.3 x 11.2 cm), Drawings,…

The Flight into Egypt: Small Plate, n.d., Etching, Prints, Claude Henri Watelet (French, Paris 1718–1786 Paris), After Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Design for a Stage Set, 1830–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Design for a Stage Set at the Opéra, Paris, 1828–90, Graphite, sheet: 3 x 2 11/16 in. (7.6 x 6.8 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Unyok'd Heifers, Loitering Homeward, from Thornton's Pastorals of Virgil, 1821, Wood engraving, block: 1 5/16 x 3 in. (3.3 x 7.6 cm), Prints, William Blake (British, London 1757–1827 London)

Liverdun, 1858, Etching; third state of three (Glasgow); printed in black ink on gray chine on off-white wove paper (chine collé), Plate: 4 3/16 x 6 1/16 in. (10.6 x 15.4 cm), Prints, James…

La Clochette, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, published in 1795, Etching, Sheet: 13 1/8 x 10 1/8…

Plate 18 of the 'Tauromaquia': The daring of Martincho in the ring at Saragossa, 1816, Etching, burnished aquatint and drypoint, Plate: 9 5/8 × 13 3/4 in. (24.5 × 34.9 cm), Prints, Goya…

S. Giovanni Laterno, Oratorio della Santa Croce, section (recto) blank (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 14 5/8 x 13 1/4 in. (37.2 x 33.7 cm)

Head of a Pope(?) (recto); Two Studies of Left Hand (verso), 1550–1600, Black and colored chalks on blue paper (recto); black chalk (verso), 15-7/16 x 10-5/8 in. (39.2 x 27.0 cm); irregular…

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 9 1/8 x 6 1/2 in. (23.1 x 16.5 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Lola de Valence, 1862, etching and aquatint, final state (VI), plate: 10 3/8 x 7 1/8, Prints, Édouard Manet (French, Paris 1832–1883 Paris)

Head of a Man, 1850–1914, Etching, Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres)

Landscape with a Cottage and a Haybarn, 1641, Etching, plate: 5 1/16 x 12 5/8 in. (12.8 x 32.1 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Christ and the Woman of Samaria among Ruins, Etching, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Illustration from the Ritter von Turn, 1493, n.d., Woodcut, Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Nora Quinn, after 1887–88, Etching; only state, this impression from the cancelled plate (Glasgow); printed in black ink on heavy wove paper, Plate: 8 3/8 × 5 in. (21.3 × 12.7 cm), Prints,…

Saint Sebastian Tied to a Tree (reverse copy), n.d., Engraving, Sheet: 4 5/8 × 2 13/16 in. (11.7 × 7.2 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Four designs for decorative patters featuring foliage, flowers, and scrolls, 1830–97, pen and ink and wash on wove paper, Overall: 19 3/16 x 12 1/8 in. (48.8 x 30.8 cm), Drawings,…

Temple of Portonus, capital, elevations and plan (recto) Unidentified, capital, elevation (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 17 3/16 x 11…

Cooper, 1742, Etching with some engraving, Sheet: 9 3/16 x 6 15/16 in. (23.3 x 17.6 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After…

Death of the Strong Wicked Man, from The Grave, a Poem by Robert Blair, May 1, 1808, Engraving, plate: 8 1/8 x 10 1/4 in. (20.6 x 26 cm), Prints, Luigi Schiavonetti (Italian, Bassano del…

Head of a Man, 1765–1810, Red chalk over traces of black chalk, sheet: 19 15/16 x 14 13/16 in. (50.6 x 37.6 cm), Drawings, Attributed to Jakob Matthias Schmutzer (Austrian, Vienna 1733–1811…

Design for an Ornamental Panel, 19th century, Pen and black ink, brush and orange, brown, and gray wash, 17 7/8 x 7 15/16 in. (45.4 x 20.1 cm), Drawings, Anonymous, French, 19th century

Two Angels or Winged Genii Carrying Torches, Etching and engraving, sheet: 77 3/16 x 75 9/16 in. (196 x 192 cm) trimmed to platemark, Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice)

Landscape with Brigands, 1633, Etching; fifth state of nine (Mannocci), sheet: 5 9/16 x 8 3/8 in. (14.1 x 21.2 cm), Prints, Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome)

The sacrifice of a ram held by a naked man at right, hooded priest at left with a young attendant, ca. 1515–1600, Engraving, Sheet (Trimmed): 4 1/2 × 7 1/16 in. (11.4 × 18 cm), Prints,…

Groupe d'enfans, 17th century, Pen and brown ink, brush and gray wash, graphite, 5 1/16 x 3 11/16 in. (12.9 x 9.3 cm), Drawings, Anonymous, French, 17th century

Partial design for painted ceiling, 19th century, pen and ink, watercolor and gouache on wove paper; pasted on wove paper, Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),…

Christ Falls under the Cross, 1730–94, Black chalk, stumped, pen and black ink, brush and gray wash. Framing lines in pen and black ink at top and sides of sheet, 9 1/8 x 11 3/4in. (23.1 x…

Fall of Man, 1529, Engraving, sheet: 6 3/8 x 4 5/8 in. (16.2 x 11.7 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Allegorical Figure of Peace, 1625–1713, Pen and brown ink, highlighted with white gouache, over red chalk, on light brown washed paper (the form of the spandrel is indicated in brown wash), 9 1/2…

Design for a Chimney Piece, 18th century, Pen and black ink, brush and black, gray, and brown wash, sheet: 10 3/4 x 6 5/16 in. (27.3 x 16 cm), Anonymous, British, 18th century

The Circle of Corrupt Officials: The Devils Mauling Each Other, from Dante's Inferno, Canto XXII, ca. 1825–27, Engraving, plate: 9 9/16 x 13 1/16 in. (24.3 x 33.2 cm), Prints, William Blake…

Hanging Lantern, 19th century, Pen and ink and gouache, Overall: 14 1/8 x 18 3/8 in. (35.9 x 46.7 cm), Drawings, Anonymous, Chinese, 19th century

Juno, Mars and Cupid, set within an elaborate frame, from the 'Loves, Rages and Jealousies of Juno', 1531–76, Engraving, sheet: 5 1/4 x 4 in. (13.3 x 10.2 cm), Prints, Giulio Bonasone…

Death Dragging an Old Man to His Tomb, ca. 1648, Etching with engraving; second state of three, Sheet: 7 3/16 × 5 13/16 in. (18.2 × 14.7 cm), Prints, Etched by Stefano della Bella (Italian,…

Landscape with Figures and a Two-Arched Bridge, 1591–1666, Pen and dark brown ink, some brush and dark brown ink, sheet: 7 13/16 x 11 1/4 in. (19.9 x 28.6 cm), Drawings, Imitator of Guercino…

Bacchus and Ariadne, 1696–1770, Pen and brown ink, brush and brown wash, over black chalk, 9 15/16 x 7 5/8in. (25.3 x 19.3cm), Drawings, Giovanni Battista Tiepolo (Italian, Venice 1696–1770…

Portrait of Zacharie Astruc, ca. 1865, Etching on Arches paper; first or second state (indeterminate), sheet: 16 3/8 x 11 in. (41.6 x 27.9 cm), Prints, Félix Bracquemond (French, Paris…

Temperance Enjoying a Frugal Meal, July 28, 1792, Hand-colored etching, sheet: 14 3/4 x 12 3/16 in. (37.5 x 30.9 cm), Prints, James Gillray (British, Chelsea 1756–1815 London)

Design for a Column Base, 18th century, Pen and gray ink over graphite with brush and gray wash on laid paper, sheet: 10 7/8 x 8 3/8 in. (27.7 x 21.2 cm), Drawings, Attributed to Anonymous,…

The Drunkenness of Noah, 1599–1661, Red chalk, 7 5/16 x 10 3/16 in. (18.6 x 25.9 cm), Drawings, Andrea Sacchi (Italian, Rome (?) ca. 1599–1661 Rome)

Procession of Monstrous Figures, 1615, Etching, frieze 1 of 8 plates, sheet: 3 11/16 x 12 1/16 in. (9.4 x 30.7 cm), Prints, Wendel Dietterlin, the Younger (German, active Strasbourg ca. 1614–69)

Kings, Bishops and Popes: design for ceiling., 1696–1782, Pen, ink and wash on paper, 10 5/8 x 10 5/8in. (27 x 27cm), Drawings, Francesco de Mura (Italian, Naples 1696–1782 Naples)

Figure Disrobing, 1900–1910, Graphite on cream paper, 12 3/16 x 7 7/8 in. (31 x 20 cm), Drawings, Auguste Rodin (French, Paris 1840–1917 Meudon)

The Philosopher (Le Philosophe), 1865–66, etching and drypoint on blue laid paper, from 1905 Strölin edition, plate: 12 1/2 x 9 1/4in. (31.8 x 23.5cm), Prints, Édouard Manet (French, Paris…

Flagellation of Christ, from The Passion, 1512, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.7 × 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

The birth of Saint John the Baptist set within a classical building, ca 1531–76, Engraving, sheet: 11 1/4 x 17 3/8 in. (28.5 x 44.2 cm), Prints, Giulio Bonasone (Italian, active Rome and…

Somerindyck House (from Scenes of Old New York), 1870, Etching, trial proof, plate: 3 1/16 x 4 3/16 in. (7.8 x 10.7 cm), Prints, Henry Farrer (American, London 1844–1903 New York)

Western Wall-flower, Erysimum asperum, July 5, 1912, Watercolor and brown ink over graphite, with page design indicated in graphite and details in brown ink, sheet: 13 11/16 x 9 15/16 in. (34.8 x…

Design for a candlestick, 1839, Pen and black ink, brush and brown wash, Adolph-Jean LaVergne (French, 19th Century)

Design for a Decorated Drinking Cup with Floriated Heads around Large Mouth, Intertwined Serpents as Handles, n.d., Pen and brown ink, brush and brown wash over traces of black chalk; small…

The Annunciation; the archangel Gabriel at left approaching the Virgin kneeling in prayer at right, God the Father in the upper left, ca. 1515–27, Engraving, Sheet (Trimmed): 11 3/8 × 10 1/4…

Saints Sebastian, Anthony and Roch, n.d., Engraving, sheet: 9 13/16 x 6 5/8 in. (24.9 x 16.8 cm), Prints, Jean Duvet (French, ca. 1485–after 1561)

Frontispiece for an Album of the Société des Aquafortistes, 1865, Etching; second and final state, Sheet: 19 5/8 x 12 11/16 in. (49.9 x 32.2 cm), Prints, Félix Bracquemond (French, Paris…

Hélène of Septeuil, ca. 1890, Drypoint; third state of five, plate: 9 5/16 x 6 3/16 in. (23.7 x 15.7 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le…

James McNeill Whistler, Age 14, after 1848, Photogravure, image: 5 1/2 x 4 7/16 in. (13.9 x 11.2 cm), Prints, After Sir William Boxall (British, Oxford 1800–1879 London)

Winter, ca. 1637, Etching; first state of two, Sheet (trimmed): 10 3/8 × 12 15/16 in. (26.3 × 32.8 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Design for a Funerary Monument, ca. 1710–40, Pen and brown ink, with grey wash; incised for transfer, sheet: 16 7/16 x 10 1/8 in. (41.7 x 25.7 cm), Circle of Ignaz Günther (German,…

Marchand, 18th century, Black chalk, stumped, sheet: 4 1/2 x 3 9/16 in. (11.5 x 9.1 cm), Drawings, Anonymous, French, 18th century

Flora in the centre passing a wreath to another woman, surrounded by other figures, mid-16th century, Engraving, sheet: 13 1/8 x 17 in. (33.3 x 43.2 cm), Prints, Giulio Bonasone (Italian, active…

Design for Ceiling, Château de Cangé, second half 19th century, Pen and black ink, watercolor, and gouache, 8 1/16 x 8 1/8 in. (20.4 x 20.6 cm), Drawings, Jules-Edmond-Charles Lachaise (French,…

Angel Holding a Banderole, 1706, Brush and pink and white tempera, over red chalk, on brownish paper (recto). Red chalk tracing of the angel done from the recto (verso)., 6 7/8 x 7 13/16in. (17.4…

Satyrs Supporting an Ornamental Motif, 1596–1669, Pen and brown ink, 6 9/16 x 7 5/16in. (16.7 x 18.6cm), Drawings, Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome)

Banquet Scene: A Seated Warrior Attended by a Number of Servants (recto); Back View of a Standing Man in a Long Cloak (verso), 1536–1614, Pen and brown ink (recto); pen and brown ink, brush…

The Charming Doll, 1742, Etching with some engraving, Sheet: 9 3/16 x 6 7/8 in. (23.3 x 17.4 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris),…

Alexander Cutting the Gordian Knot, Study for a Fresco in the Castel Sant'Angelo, Rome, 1501–47, Pen and brown ink, brush and gray wash highlighted with white, squared in black chalk, 7 1/2 x…

The Amorous Widower, 1629, Etching; reverse copy, Sheet (trimmed): 5 1/2 × 3 9/16 in. (14 × 9.1 cm), Prints, Anonymous, French, 17th century, After Abraham Bosse (French, Tours…

The Entombment, from The Passion, 1512, Engraving, Sheet: 4 3/4 × 3 1/16 in. (12 × 7.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

America, from 'Game of Geography' (Jeu de la Géographie), 1644, Etching, Sheet: 3 1/2 × 2 3/16 in. (8.9 × 5.6 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664…

Saint John sees Seven Gold Candlesticks, from the Apocalypse, n.d., Engraving, sheet: 12 5/16 x 8 7/8 in. (31.3 x 22.6 cm), Prints, Jean Duvet (French, ca. 1485–after 1561)

The Assumption and Coronation of the Virgin, from The Life of the Virgin, 1510, Woodcut, 11 7/16 x 8 3/16 in. (29.1 x 20.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Design for a Commode, 19th century, Pen and black ink, watercolor, gouache, 8 9/16 x 7 1/2 in. (21.8 x 19 cm), Drawings, Anonymous, French, 19th century

An Artist Travelling in Wales, February 10, 1799, Etching and aquatint with hand coloring, sheet: 13 3/16 x 15 1/2 in. (33.5 x 39.4 cm), Prints, Henri Merke (Swiss, Niederweningen, canton Zürich…

Architectural Study (recto); Separate Sheet with Architectural Drawing (verso), 1676–1736, Pen and brown ink, brush and brown wash, over graphite, sheet: 8 1/4 x 7 in. (21 x 17.8 cm),…

The Knight on the Horseback with Lansquenet, n.d., Woodcut, sheet: 15 7/16 x 11 1/8 in. (39.2 x 28.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Saint Augustine on Clouds Surrounded by Angels, 1667–1744, Pen and brown ink, brush and gray wash, black chalk underdrawing, sheet: 9 13/16 x 6 5/16 in. (24.9 x 16 cm), Drawings, Johann…

The Herdsman and the Shepherdess, ca. 1630, Etching; first state of three (Mannocci), sheet: 12 7/16 x 9 in. (31.6 x 22.8 cm), Prints, Claude Lorrain (Claude Gellée) (French, Chamagne…

A Centaur and a Satyr, 1727–1804, Pen and brown ink, brush and brown wash, over graphite or lead, sheet: 7 1/2 x 10 3/4 in. (19.1 x 27.3 cm), Drawings, Giovanni Domenico Tiepolo (Italian,…

Big Fish Eat Little Fish, 1557, Engraving; first state of four, 9 x 11 5/8 in. (22.9 x 29.6 cm), Prints, Pieter van der Heyden (Netherlandish, ca. 1525–1569), Pieter Bruegel the Elder…

The Enthronement of the Virgin, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach)

Portrait of François Reidy de Lagrange, ca. 1791–94, Red chalk, diam.: 8 3/8 in. (21.3 cm), Drawings, Louis Roland Trinquesse (French, Paris ca. 1746–ca. 1800)

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 8 13/16 x 3 7/16 in. (22.4 x 8.7 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Landscape with Catacombs, 1530–40, Pen and ink, brush and brown wash, over black chalk, 8 1/4 x 6 3/4in. (21 x 17.1cm), Drawings, Domenico Beccafumi (Italian, Cortine in Valdibiana…

The Peasant Couple at Market, 1519, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.7 × 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Spring, ca. 1637, Etching; first state of two, Sheet (trimmed): 10 3/16 in. × 13 in. (25.8 × 33 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)