Four Artists seated at a table (Brunet, Potier, Tiercetin [?], Vernet), n.d., Pen and brown ink, brush and gray wash, 3 5/8 x 5 3/16 in. (9.1 x 13.1 cm), Drawings, Attributed to Carle (Antoine…

Saint Paul (copy), n.d., Engraving, Sheet: 4 1/2 × 2 13/16 in. (11.4 × 7.2 cm), Prints, Jan (Johannes) Wierix (Netherlandish, Antwerp 1549–1615 Brussels), After Albrecht Dürer (German,…

The Two Are But One (Les deux ne font qu'un), late 18th century, Hand-colored etching, sheet: 5 7/8 x 8 3/8 in. (15 x 21.3 cm), Prints, Anonymous, French, 18th century, During the first years of…

Classical Bust of a Bearded Male Seen in Profile, 1771–1844, Lead graphite, 9 3/4 x 7 7/8 in. (24.8 x 20.0 cm), Drawings, Vincenzo Camuccini (Italian, Rome 1771–1844 Rome)

Isabel de Bourbon on horseback, after Velázquez, 1778, Etching and drypoint, Plate: 14 9/16 × 12 1/4 in. (37 × 31.1 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos…

Marine, 1865–66, Etching and aquatint on blue laid paper, from 1905 Strölin edition, plate: 5 11/16 x 7 7/8in. (14.4 x 20cm), Prints, Édouard Manet (French, Paris 1832–1883 Paris)

Little Putney, No. 2 (The Little Putney), 1879, Etching and drypoint; third state of three (Glasgow); printed in dark brown ink with selective wiping on ivory laid paper, plate: 4 7/8 x 7 7/8…

The Woman Clothed with the Sun, from the Apocalypse, n.d., Engraving, plate: 11 5/8 x 8 3/8 in. (29.5 x 21.2 cm), Prints, Jean Duvet (French, ca. 1485–after 1561)

The Great Exhibition 'Wot is to Be', Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done,…

Christ among the Doctors, ca. 1540–45, Etching and engraving, first state, sheet: 14 5/16 x 18 3/16 in. (36.3 x 46.2 cm), Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice)

'More Pigs Than Teats',–or–the New Litter of Hungry Grunters, Sucking John-Bull's-Old-Sow to Death, March 5, 1806, Hand-colored etching, sheet (clipped impression, inlaid): 9 5/8 x 13 5/8…

Magdalena Moons, from the series Quatuor Personae..., 1649, Engraving and etching, sheet: 16 3/8 x 12 1/16 in. (41.6 x 30.6 cm), Prints, Engraved by Cornelis Visscher (Dutch, Haarlem (?)…

Procession of Monstrous Figures, 1615, Etching, frieze 1 of 8 plates, sheet: 3 11/16 x 12 3/16 in. (9.3 x 31 cm), Prints, Wendel Dietterlin, the Younger (German, active Strasbourg ca. 1614–69)

Landscape with a Square Tower, 1650, Etching and drypoint, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Design for Three Low Gothic Style Arm Chairs, early 19th century, Pen and ink, sheet: 8 1/16 x 12 9/16 in. (20.5 x 31.9 cm), Anonymous, British, 19th century

The Mast (The Venetian Mast), 1879–80, Etching and drypoint; seventh state of twelve (Glasgow); printed in black ink on , Plate: 13 7/16 × 6 3/8 in. (34.1 × 16.2 cm), Prints, James McNeill…

Aeneas Carrying Anchises in the Burning of Troy, 1624–63, Pen and brown ink, brush and brown wash. Framing lines in pen and brown ink on mount, 3-13/16 x 5-1/8 in. (9.7 x 13.0 cm), Drawings,…

St. Scholastica, Engraving, sheet: 15 1/16 x 9 3/8 in. (38.2 x 23.8 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), After Laurent de La Hyre (French, Paris 1606–1656 Paris)

Portrait of Whistler, 1881, Drypoint, plate: 11 7/8 x 5 15/16 in. (30.1 x 15.1 cm), Prints, Carlo Pellegrini (Italian, Capua 1839–1889 London)

Three Dancing Putti, 1640–50, Pen and brown ink, brown wash, 6 5/16 x 8 1/8in. (16.1 x 20.7cm), Drawings, Leonardo Scaglia (Italian, documented Perugia, Ancona, 1640–1650)

A drunken Silenus riding an ass being supported by satyrs, 1531–76, Engraving, Sheet: 5 1/2 × 8 11/16 in. (14 × 22 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after…

Man weraing a turban facing left, ca. 1645–50, Etching, sheet: 7 3/16 x 6 in. (18.2 x 15.2 cm), Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664 Mantua)

Palazzo dei Conservatori, portico, plan; portal, elevation; details, elevations (recto) Palazzo dei Conservatori, portico, elevation; details, profiles (verso), early to mid-16th century , Dark…

Saint George Standing, ca. 1502, Engraving, Sheet: 4 7/16 × 2 13/16 in. (11.3 × 7.2 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

St. Francis, Engraving; second state of two (Nagler), sheet: 14 7/8 x 9 1/2 in. (37.8 x 24.2 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), After Laurent de La Hyre (French,…

The Barber (le Barbier), ca. 1632–33, Etching, sheet: 10 1/16 x 13 1/16 in. (25.5 x 33.2 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Section of a Ballroom: Three Doorways between Sets of Two Columns, 18th century, Pen and gray ink, brush and brown wash, 9 3/4 x 15 3/4 in. (24.8 x 40.0 cm), Drawings, Anonymous, French, 18th century

The Dandies Coat of Arms, March 28, 1819, Etching, hand colored, sheet: 15 7/16 x 9 15/16 in. (39.2 x 25.3 cm), Prints, George Cruikshank (British, London 1792–1878 London)

Beggar Leaning on a Stick, Facing Left, ca. 1630, Etching, Sheet (trimmed to platemark): 3 3/8 × 1 13/16 in. (8.6 × 4.6 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669…

Two Young Page-Boys, 1600–1650, Pen and brown ink, brush and brown wash, 4 x 2-1/2 in. (10.1 x 6.4 cm), Drawings, Bernardino Rodriguez ('Bernardino Siciliano') (Italian, documented (?)…

Standing Virgin with Child, Two Heads at Upper Right (recto); Sketch of Steps (verso), 1530, Pen and brown ink, over black chalk (recto); pen sketch of steps (?) (verso), 4 13/16 x 3 1/8in. (12.3…

Diana Resting with Nymphs, Etching and engraving, second state, sheet: 11 11/16 x 15 7/8 in. (29.7 x 40.3 cm), Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice)

Plate 11: the pyramid of Caius Cestius to right in the background, a horse grazing in center, a foal suckling a mare to left, a seated shepherd and another standing and pointing towards the left…

Prudence, 1636, Etching, Sheet (trimmed): 2 7/8 × 1 7/8 in. (7.3 × 4.7 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Design for a Cabinet with Central Drawers and Palmeate Ornament, early 19th century, Pen and ink, sheet: 10 11/16 x 14 15/16 in. (27.1 x 38 cm), Anonymous, British, 19th century

The Duelliste aux Deux Sabres (The Duelist with Two Sabres), from Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques (Various Hunchbacked Figures, The…

Saint Christopher, probably 16th century, Woodcut, sheet: 10 7/8 x 7 3/4 in. (27.7 x 19.7 cm), Prints, Anonymous, German, 19th century

The Great Exhibition 'Wot is to Be', Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done,…

Elevation of an interior showing a wall decorated in ornate panels and mounted statuettes, 1830–97, graphite, pen and ink, watercolor, and gold paint on wove paper; mounted on wove paper,…

A cavalier and a lady on horseback, within an ornate border decorated with fruit and cornucopias, ca. 1655, Etching, Sheet: 10 11/16 × 8 7/16 in. (27.1 × 21.5 cm), Prints, Stefano della…

Design for a Vessel, 18th century, Graphite on laid paper, sheet: 6 5/16 x 5 5/16 in. (16.1 x 13.5 cm), Drawings, Attributed to Anonymous, French, 18th century

Satan Going Forth fron the Presence of the Lord, from Illustrations of the Book of Job, 1825–26, Engraving, plate: 8 7/16 x 6 5/8 in. (21.4 x 16.8 cm), Prints, William Blake (British, London…

Bust of a Man in a Hat Gazing Upward, ca. 1480–90, Pen and carbon black ink, over pen and brown ink, on paper prepared with sanguine wash., 5 1/8 x 3 7/8 in. (13 x 9.6 cm), Drawings, Martin…

Design for a Double Heart Monument, 16th century, Pen and brown ink, black chalk underdrawing, sheet: 16 7/16 x 7 3/16 in. (41.8 x 18.2 cm), Anonymous, French, 16th century

Design for a Triple Tomb, 16th century, Black chalk, pen and brown ink, brush and brown wash, watercolor, sheet: 16 11/16 x 11 15/16 in. (42.4 x 30.3 cm), Drawings, Anonymous, French, 16th century

Four Putti with Bow and Arrows on Clouds above a Landscape with a Tower, 1591–1666, Pen and brown ink, with brush and brown wash ; some red chalk transferred, sheet: 11 x 7 7/16 in. (27.9 x…

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 12 5/8 x 13 in. (32 x 33 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

The Herd Returning in Stormy Weather, ca. 1650–51, Etching; second state of two (Mannocci), sheet: 6 13/16 x 8 3/4 in. (17.3 x 22.3 cm), Prints, Claude Lorrain (Claude Gellée) (French,…

Rébus on the subject of love, a riddle depicted on drapery, below a landscape with a pyramid and two obelisks, a bust of a sphinx at bottom, an oval composition, ca. 1639, Etching, Sheet (trimmed…

Cat and Flowers, 1869, Etching and aquatint; third (final) state; posthumous edition, plate: 7 7/8 x 5 7/8 in. (20 x 14.9 cm), Prints, Édouard Manet (French, Paris 1832–1883 Paris)

Gallery, Nôtre-Dame Cathedral, Paris, 1853, etching on laid paper; fourth state of six, sheet: 11 1/8 x 6 7/8 in. (28.3 x 17.5 cm), Prints, Charles Meryon (French, 1821–1868)

Numidie, 1644, Etching, state iii, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence), Designed by Jean Desmarets de Saint-Sorlin (French, 1595–1676)

Design for a Rectangular and Round Marble-topped Tables and a Tête-à Tête Chair, early 19th century, Ink, watercolor and wash, sheet: 10 7/8 x 14 15/16 in. (27.6 x 38 cm), Anonymous, British,…

Ruth and Boaz, 1607–56, Red chalk and brush and red wash, 6 9/16 x 6 7/8in. (16.7 x 17.4cm), Drawings, Aniello Falcone (Italian, Naples 1607–1656 Naples)

Street Scene, ca. 1884, Drypoint; only state, sheet: 4 x 2 11/16 in. (10.2 x 6.9 cm) (trimmed to platemark), Prints, Walter Richard Sickert (British, Munich 1860–1942 Bathampton, Somerset)

Reclining Female Nude, 1658, Etching, drypoint, and engraving on japan paper, Plate: 3 3/16 × 6 1/4 in. (8.1 × 15.9 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669…

Designs for a painted ceiling with filagree borders, 1830–97, watercolor, gouache, and gold paint over graphite on wove paper; mounted on wove paper, Overall: 10 3/8 x 14 3/4 in. (26.3 x 37.5…

The Rabbit, 1866, Etching, drypoint, and bitten tone on laid paper (watermark: Hudelist), only state, plate: 5 1/4 x 4 in. (13.5 x 10.2 cm), Prints, Édouard Manet (French, Paris 1832–1883 Paris)

Saint Jerome exctracting a Thorn from the Lion's Foot (copy), n.d., Woodcut, sheet: 9 7/8 x 6 5/8 in. (25.1 x 16.8 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Femme de Lettres, 1911–12, published 1915, Etching; seventh state (?) of seven, plate: 5 7/8 x 7 1/8 in. (14.9 x 18.1 cm), Prints, Walter Richard Sickert (British, Munich 1860–1942…

Study of a Hand, 19th century, Graphite heightened with white on greenish paper, sheet: 8 5/8 x 6 15/16 in. (21.9 x 17.6 cm), Drawings, Anonymous, French, 19th century

The Stoning of St. Stephen, 1635, Etching, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Reading by Lamplight, 1859, Etching and drypoint; third state of three (Glasgow); black ink on fine ivory oriental laid paper, Plate: 6 1/4 × 4 5/8 in. (15.9 × 11.8 cm), Prints, James…

Saint Sebastian Bound to the Column, ca. 1499, Engraving, Sheet: 4 5/16 × 3 1/16 in. (11 × 7.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Well, Hello (Eh bonjour– donc–.), 1821, Lithograph, hand-colored; proof with the publisher's address and the dash at the end of the inscription added by hand in pen and brown ink., Image: 10 3/8…

Profile of two soldiers wearing fur caps, ca. 1794, Black chalk, 5 7/8 x 4 1/8 in. (14.9 x 10.5 cm), Drawings, baron Dominique Vivant Denon (French, Givry 1747–1825 Paris)

Bibi Lalouette, 1859, Etching and drypoint; second state of two, with the scratch (Glasgow), Plate: 9 x 6 in. (22.9 x 15.2 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts…

Design for a Monogram Surmounted by a Crown, 19th century, Pen and black ink, 8 1/4 x 6 3/4 in. (21.0 x 17.1 cm), Drawings, Charles Monblond (French, 19th century)

Two Camel Heads, ca. 1641, Etching, state ii or iii, Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence)

Design for Ceiling: Gallery of Château de Magnitot (recto); Decorative Design (verso), second half 19th century, Watercolor, gouache, and gilt, 19 7/16 x 13 3/8 in. (49.3 x 34 cm), Drawings,…

Study of Drapery, 1818, Black chalk, heightened with white, squared in black chalk, on beige paper, 8 1/2 x 6 9/16 in. (21.6 x 16.7 cm), Drawings, Jean-Baptiste Joseph Wicar (French, Lille…

A Frenchman, Sword in Hand, ca. 1635, Etching, Sheet: 12 3/8 × 8 11/16 in. (31.5 × 22.1 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, brush and brown and gray wash, and gouache, Irregular sheet: 7 1/16 x 5 3/16 in. (17.9 x 13.2 cm), Drawings, Eugène Cicéri…

The Adoration of the Magi, Engraving, tree etched, plate: 11 5/8 x 17 3/8 in. (29.5 x 44.1 cm), Prints, Attributed to Monogrammist 9 (Italian), After (?) Battista Franco (Italian, Venice ca.…

Rue des Mauvais Garçons, Paris, 1854, Etching on wove paper; first of three states; lines of verse added in pen and ink, plate: 4 15/16 x 3 7/8 in. (12.6 x 9.8 cm), Prints, Charles Meryon…

Jan Six, 1647, Etching, drypoint, burin; fourth state of four, image: 10 11/16 x 8 5/16 in. (27.2 x 21.1 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Portrait of the Artist Théodore Chassériau, 1893, Etching on laid paper, plate: 5 11/16 x 4 3/16 in. (14.5 x 10.7 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres), After…

Four Angels holding back the Winds, from the Apocalypse, n.d., Engraving, plate: 11 15/16 x 8 7/16 in. (30.3 x 21.5 cm), Prints, Jean Duvet (French, ca. 1485–after 1561)

Kensington Gardens, 1896, Transfer lithograph, drawn on white transfer paper with a grained-stone texture, Image: 6 5/8 × 5 13/16 in. (16.8 × 14.8 cm), Prints, James McNeill Whistler…

Design for Door Knocker, 16th century, Pen and brown ink, with brush and brown washes, with graphite underdrawing., 9 3/4 x 7 13/16 in. (24.7 x 19.8 cm.), Attributed to Étienne Delaune…

Hector's Farewell to Andromache and Astyanax, 1676–1741/46, Pen and brown ink, brush and gray wash, highlighted with white, on brown washed paper, 13 7/16 x 8in. (34.1 x 20.3cm), Drawings,…

Lamp, Late Imperial, 3rd century A.D., Roman, Terracotta, Length 7.5 cm. H. 3.3 cm., Terracottas

Studies of a Draped Female Figure, Kneeling, Seen from the Back, for the East Transept of the Chruch of Sainte-Clothilde, Paris, 1858, Charcoal (rubbed) and graphite on off-white laid paper, 11-3/4…

Les Bulos Graves', Victor Hugo at his play 'Les Burgraves', from 'La Caricature', April 2, 1843, Lithograph, sheet: 10 1/8 x 14 7/8 in. (25.7 x 37.8 cm), Prints, Jean-Pierre Moynet (French,…

Holy Family with Saint John the Baptist kissing the infant Christ's hand, ca2, Etching, Sheet: 4 15/16 × 3 7/16 in. (12.5 × 8.8 cm), Prints, Simone Cantarini (Italian, Pesaro 1612–1648 Verona)

Melencolia I (copy), 1602, Engraving, Sheet: 9 1/2 × 7 9/16 in. (24.2 × 19.2 cm), Prints, Jan (Johannes) Wierix (Netherlandish, Antwerp 1549–1615 Brussels), After Albrecht Dürer (German,…

The Beast with Seven Heads and the Beast with Lamb's Horns, from the Apocalypse series, n.d., Woodcut, Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, brush and gray, black, and brown wash, and gouache, Irregular sheet: 9 1/4 x 5 3/16 in. (23.5 x 13.2 cm), Drawings, Eugène…

Design for a Stage Set, 1830–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Marjorie, Emma and Elsie, 1921, Lithograph, image: 11 1/4 x 13 3/4 in. (28.6 x 34.9 cm), Prints, George Bellows (American, Columbus, Ohio 1882–1925 New York)

Caricature of an Engraver (recto); Sketch for a Caricature (verso), Pen and black ink, brush and gray wash, colored washes, over black chalk (recto); black chalk (verso), 7 1/2 x 4 5/8 in. (19.1…

Design for a Candelabra, 19th century, Pen and brown ink, sheet: 8 15/16 x 4 13/16 in. (22.7 x 12.3 cm), Drawings, Anonymous, French, 19th century

Plan du Combat de Sinope (Plan of the Battle of Sinope), 1853, Etching, plate: 7 3/16 x 10 1/4 in. (18.3 x 26 cm), Prints, Charles Meryon (French, 1821–1868)

Plate 4: a horse in profile facing the left, about to descend from a mound, a horseman to left in background, from 'Diversi capricci', ca. 1644–47, Etching; third state of four (De Vesme), Sheet:…

Prometheus (or Tityus), 1771–1844, Lead graphite, 8 1/8 x 10in. (20.6 x 25.4cm), Drawings, Vincenzo Camuccini (Italian, Rome 1771–1844 Rome)

Foolish Virgins Sleeping, ca. 1635, Etching; first state of two, Sheet: 13 x 15 15/16 in. (33 x 40.5 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Hercules fight adragon in the centre, Achelous carrying off Deianeira upper left, 1531–76, Engraving, sheet: 10 5/8 x 16 7/8 in. (27 x 42.8 cm), Prints, Giulio Bonasone (Italian, active Rome…

Saint John before God and the Elders, from The Apocalypse, ca. 1496, Woodcut, sheet: 15 1/4 x 10 3/4 in. (38.7 x 27.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Self-portrait, 1857, Etching and bitten tone on wove paper; second state of four, plate: 9 1/16 x 5 11/16 in. (23 x 14.4 cm), Prints, Edgar Degas (French, Paris 1834–1917 Paris)

Two Standing Men, 1609/10–?1675, Pen and brown ink, brush and brown wash, 7 x 5-1/4 in. (17.8 x 13.4 cm), Drawings, Micco Spadaro (Domenico Gargiulo) (Italian, Naples 1609/10–1675 Naples (?))