Librifly Art Gallery 2.589.713 / 2.589.715 Entries < previous page Page 1164 / 25898 next page > The Ratcatcher, mid to late 17th century, Etching; second state of two, Sheet: 8 9/16 × 5 7/8 in. (21.8 × 14.9 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris), A noble… Plate 17: camels, from 'Various animals' (Diversi animali), after 1641, Etching; reverse copy, Sheet (trimmed): 3 3/8 × 4 1/16 in. (8.6 × 10.3 cm), Prints, After Stefano della Bella… Christ Appearing to His Mother, from The Small Passion, ca. 1510, Woodcut, sheet: 5 1/16 x 3 13/16 in. (12.8 x 9.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg) Old Testament Scene, 1639–97, Pen and brown ink, brush and brown wash, over black chalk. Squared in black chalk., 11 1/4 x 14 1/8in. (28.5 x 35.9cm), Drawings, Giovanni Andrea Carlone… Martydom of St. Lawrence, Pen and brown ink, 7 1/4 x 8 3/8 in. (18.4 x 21.2 cm.), Drawings, Raymond de La Fage (French, Lisle-sur-Tarn 1650–1684 Lyon) St. Louis in Glory, ca0–41, Black chalk, heightened with white chalk, on beige paper. Framing lines in pen and brown ink., 15 3/8 x 11 1/4 in. (39.1 x 28.6 cm), Drawings, Simon Vouet (French,… Four Turks, Half Length, ca. 1662, Etching, first or second state of two, Plate: 3 1/4 × 5 11/16 in. (8.2 × 14.5 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence) Songs of Innocence and of Experience: On Anothers Sorrow, ca. 1825, Relief etching printed in orange-brown ink and hand-colored with watercolor and gold, sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1… The Great Exhibition 'Wot is to Be', Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done,… Caricature (Jean Baptiste Chollet?), 19th century, Black, red, and white chalk, sheet: 10 9/16 x 8 3/8 in. (26.8 x 21.2 cm), Drawings, Anonymous, French, 19th century From Warwick Lane, May 1, 1790, Etching, sheet: 6 1/4 x 4 11/16 in. (15.8 x 11.9 cm), Prints, Philippe Jacques de Loutherbourg (French, Strasbourg 1740–1812 London) Female Figure, 19th century, Watercolor, 13 1/2 x 9 in. (34.3 x 22.9 cm), Drawings, Alexandre-Louis Leloir (French, Paris 1843–1884 Paris) Design for a Lunette Decoration: Coat of Arms Flanked by Seated Allegorical Figures (recto and verso), 1553–1626, Pen and brown ink, brush and brown wash, over black chalk. Squared in black… Benjamin Fillon, after a photograph, 1862, Etching and drypoint on tin, printed on laid paper; fifth state of six (Schneiderman), plate: 4 7/8 x 4 1/4 in. (12.4 x 10.8 cm), Prints, Charles… Bust of a Woman with an Elaborate Coiffure, ca. 1530, Black chalk; some contours reinforced in pen and brown ink, and background tinted in brown wash (by another hand), 9 5/16 x 6 15/16 in. (23.6… A lion, dragon and fox fighting each other, an inscribed banderole above, an oval composition, ca. 1515–27, Engraving, Sheet (Trimmed to plate): 4 15/16 × 6 3/4 in. (12.6 × 17.2 cm), Prints,… Plate 78 from 'Los Caprichos': Be quick, they are waking up (Despacha, que dispiertan.), 1799, Etching and burnished aquatint, Plate: 8 7/16 × 5 7/8 in. (21.4 × 15 cm), Prints, Goya (Francisco… Les Invisibles (The Invisible Ones), 1810, Hand-colored etching with roulette, Sheet: 9 5/16 x 12 7/8 in. (23.6 x 32.7 cm), Prints, William Brocas (Irish, ca. 1794–1868), After James Gillray… A galley covered in sails to left, six cannons and four people to left in foreground, one man seated at far left smoking a pipe, a man assisting others disembarking from rowboats to right,… Acute Pain (Le Brun Travested, or Caricatures of the Passions), January 21, 1800, Etching, printed in brown ink, hand-colored, sheet: 11 3/8 x 8 7/8 in. (28.9 x 22.6 cm), Prints, After George… Peasant Mother and Child, ca. 1894, Drypoint and aquatint, printed in color from three plates; tenth state of ten, plate: 11 1/2 x 9 7/16 in. (29.2 x 24 cm), Prints, Mary Cassatt (American,… Seated Figure of Time, 1696–1770, Pen and dark brown ink, brush with pale and dark brown wash, over black chalk, 9-7/16 x 16-3/16 in. (23.9 x 41.1 cm), Drawings, Giovanni Battista Tiepolo… Olympia (small plate), 1867, Etching and aquatint on laid paper, state II of VI, plate: 3 3/8 x 8 1/8in. (8.6 x 20.6cm), Prints, Édouard Manet (French, Paris 1832–1883 Paris) Putto's Head Looking to the Right with a Shell Beneath the Chin within a Circle, 1727, Pen and brown ink, sheet: 12 7/8 x 8 1/2 in. (32.7 x 21.6 cm), Drawings, Gaetano Piccini (Italian, active… Recontre d'Anglais a Paris; Le Suprême Bon-Ton No. 23, ca. 1815, Etching, hand-colored, sheet: 8 5/16 x 10 3/4 in. (21.1 x 27.3 cm), Prints, Adrien Pierre Godefroy, Le Jeune (French, 1777–1865) Le Proces Steinheil, n.d., Graphite on white paper, 9 7/8 x 12 13/16 in. (25.1 x 32.5 cm), Drawings, Jean Veber (French, Paris 1864–1928 Paris) St. Jerome (Schr. 1551m), 15th century, Woodcut, hand-colored, sheet: 7 3/4 x 5 3/8 in. (19.7 x 13.6 cm), Prints, Anonymous, German, 15th century The Tapestry at Michelfeld, n.d., Woodcut, sheet: 5 1/4 x 12 in. (13.3 x 30.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg) Landscape with two women, one mounted on a donkey, ca. 1660, Etching; touched proof with handwork in light grey wash, Sheet (trimmed to plate): 5 1/4 × 4 3/16 in. (13.4 × 10.6 cm), Prints,… Bust of a Pole, after 1641, Etching, reverse copy, Sheet: 4 1/16 × 3 11/16 in. (10.3 × 9.4 cm), Prints, After Stefano della Bella (Italian, Florence 1610–1664 Florence), Peregrine Lovell… Design for a Fountain, Pen and black ink with brush and gray, brown and blue washes, 16 1/4 x 10 3/8 in. (41.3 x 26.3 cm.), Drawings, Charles Pierre Joseph Normand (French, Goyencourt… Seated satyr, with enlarged head of same (recto); head of a woman (verso), 1527–96, Recto, pen and brown ink, brush and brown wash, with traces of highlighting in white gouache on faded blue… Design for a Vessel with Two Tritons Blowing Horns and a Winged Putto on Top, 1652–1725, Pen and brown ink, brush and brown wash over traces of graphite, sheet: 7 1/4 x 5 9/16 in. (18.4 x 14.2… Whistler the Proud – Two Faces, 1892–1902, Drypoint, plate: 7 5/16 x 5 5/16 in. (18.6 x 13.5 cm), Prints, Mortimer Menpes (Australian, Port Adelaide 1855–1938 Pangbourne, England) Cansolle [Perspective of a Red Laquer Cabinet], 1936, Watercolor and black ink, over graphite, Drawings, Guglielmo Ulrich (Italian, 1904–1977) Two Views of a Grand Foyer, 1830–97, pen and ink on tracing paper, mounted on heavy wove paper, Overall: 9 7/16 x 12 13/16 in. (24 x 32.5 cm), Drawings, Jules-Edmond-Charles Lachaise (French,… Versailles Seen from the Southwest, 1779, Pen and black ink, watercolor, heightened with white, over traces of graphite., 8 1/8 x 13 5/16 in. (20.7 x 33.8 cm), Drawings, Louis Nicolas de… Design for a Ewer, 1734–91, Pen and black ink with brush and gray wash and red chalk, over graphite underdrawing., 9 3/8 x 5 11/16 in. (23.8 x 14.5 cm), Drawings, Jean Charles Delafosse… A Farmhouse with a Thatched Roof and Trees Beside a River, 1825–65, Black chalk with touches of white, on blue paper., Overall: 12 1/16 x 17 3/8in. (30.6 x 44.1cm), Drawings, Constant Troyon… Jardin Public, Champs Elysées, n.d., Pen and black ink, brush and gray wash, and watercolor over graphite underdrawing, sheet: 15 3/4 x 11 1/8 in. (40 x 28.3 cm), Gabriel Thouin (French, 1747–1829) Design for a Stage Set, 1830–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau) Flower Design: Daffodils and Calla Lilies, 19th century, Watercolor and gouache, over graphite, 13 x 18 9/16 in. (33 x 47.1 cm), Drawings, Anonymous, French, 19th century Old Woman Sleeping (copy), n.d., Etching, Prints, After Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam) The Virgin with the Swaddled Child, 1520, Engraving, Sheet: 5 9/16 × 3 3/4 in. (14.2 × 9.6 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg) Design for a Term Shaped like a Winged Female Figure, 1652–1725, Pen and brown ink, over traces of black chalk, sheet: 5 3/8 x 1 11/16 in. (13.7 x 4.3 cm), Giovanni Battista Foggini… A children's bacchanal with animals, 1531–76, Engraving, sheet: 9 3/16 x 14 15/16 in. (23.4 x 38 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576) Abraham about to Sacrifice Isaac, 1609/10–?1675, Pen and brown ink, brush and violet wash, 5-7/16 x 10-1/16 in. (13.8 x 25.6 cm), Drawings, Micco Spadaro (Domenico Gargiulo) (Italian, Naples… Design for a Stage Set, 1828–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau) Satire on the Papacy, 1555, Etching, Sheet: 8 x 5 in. (20.3 x 12.7 cm), Prints, Melchior Lorck (Danish, Flensburg 1526–after 1588 Hamburg (?)), This etching is one of a large group of… The Chinese Masquerade (La Mascarade chinoise), 1735, Etching, Sheet: 12 x 16 11/16 in. (30.5 x 42.4 cm), Prints, Jean-Baptiste Marie Pierre (French, Paris 1714–1789 Paris), One of Pierre's… Design for a Stage Set: Stairway and Arcades Leading to a Salone, 1698–1765, Pen and brown ink, brush with brown and gray wash, over graphite or black chalk, 5 7/8 x 4in. (14.9 x 10.2cm),… Left Side of a Panel Decorated with Acanthus Scrolls and an Oval Medallion, 1652–1725, Pen and brown ink, brush and brown wash, over traces of black chalk, sheet: 3 3/8 x 4 15/16 in. (8.5 x… Two Boys with a Helmet and Standard, 1527, Engraving, sheet: 5 x 3 1/4 in. (12.7 x 8.3 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden) Lola de Valence, 1863, etching and aquatint, final state; first edition on laid paper; proof for the Société des Aquafortistes' edition of 1863, published by Cadart, plate: 10 3/8 x 7 1/8 in.… Diana Visiting the Sleeping Endymion, 1729–1804, Pen and brown ink, brush and gray wash, over black chalk. Framing lines in pen and brown ink, 11 7/16 x 14 15/16in. (29 x 38cm), Drawings,… Ornamental design for liturgical object, 18th century, Pen and brown ink, brush and brown wash, heightened with white gouache. On blue paper with uneven edges, sheet: 8 3/8 x 10 3/4 in. (21.2 x… White Valerian, Valeriana sitchensis, July 14, 1909, Watercolor and brown ink over graphite, with page design indicated in graphite, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings,… Virgin and Christ Child, an octagonal composition, ca. 1649, Etching, Sheet (trimmed to plate): 3 3/8 × 3 9/16 in. (8.6 × 9 cm), Prints, Etched by Stefano della Bella (Italian, Florence… The Philistines Place the Ark of the Covenant in the Temple of Dagon, ca. 1540, Engraving with etching; second state, plate: 10 7/16 x 16 5/16 in. (26.5 x 41.5 cm), Prints, Battista Franco… Unidentified building, ceiling or wall, painted frieze or decorative panels (recto) Unidentified building, cornice (verso), early to mid-16th century , Dark brown ink, black chalk, and incised… How to Pluck a Goose, June 10, 1802, Hand-colored etching, Sheet: 12 1/16 x 15 3/16 in. (30.7 x 38.5 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London), A young officer playing… Plate 30 of the 'Tauromaquia': Pedro Romero killing the halted bull., 1816, Etching, burnished aquatint and burin, Plate: 9 3/4 × 13 3/4 in. (24.7 × 35 cm), Prints, Goya (Francisco de Goya y… Toilette in Pergamena, Signora Bernasconi, Milano...Dis.N. 65, 1932, Color pencils, graphite, and metallic ink, Drawings, Guglielmo Ulrich (Italian, 1904–1977) Five Music-Making Figures, 1610–62, Pen and brown ink, brush and blue wash, 1-1/15 x 4-9/16 in. (4.8 x 11.6 cm), Drawings, Giovanni Francesco Romanelli (Italian, Viterbo ca. 1610–1662 Viterbo) Clump of Trees, 1640, Etching; first state of two (Robert-Dumesnil), sheet: 4 1/2 x 6 3/4 in. (11.5 x 17.2 cm), Prints, Laurent de La Hyre (French, Paris 1606–1656 Paris) Scene from the Iliad, 1815, Pen and brown ink, brush and gray wash, heightened with white gouache over graphite underdrawing, sheet: 8 1/16 x 10 7/16 in. (20.5 x 26.5 cm), Drawings, Michael… Egypte, 1644, Etching, state iii, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence), Designed by Jean Desmarets de Saint-Sorlin (French, 1595–1676) Arthur Haden, 1859, Drypoint; fourth state of four (Glasgow); printed in black ink on ivory Japan tissue, Plate: 8 7/8 in. × 6 in. (22.5 × 15.2 cm), Prints, James McNeill Whistler (American,… The Flower Garden, May 1, 1777, Etching and engraving with watercolor, plate: 13 3/4 x 9 11/16 in. (35 x 24.6 cm), Prints Lamech and Cain (reverse copy), n.d., sheet: 4 1/2 x 3 1/8 in. (11.4 x 8 cm), Prints, After Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden) Coat -of-Arms of Johan Stabius, edition of 1781, n.d., Woodcut, sheet: 13 11/16 x 8 3/4 in. (34.8 x 22.2 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg) Design for an elaborate arch, 19th century, Pen and wash on yellow paper, sheet: 8 11/16 x 12 1/8 in. (22.1 x 30.8 cm), Anonymous, French, 19th century Xylorrhiza Tortifolia, May 13, 1912, Watercolor and brown ink over graphite, with page design indicated in graphite, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings, Margaret Neilson… A Standing Soldier, 1610–64, Pen and brown ink, 7 1/16 x 5 3/4 in. (18.0 x 14.6 cm), Drawings, Stefano della Bella (Italian, Florence 1610–1664 Florence) Village Girl Dancing, 1626–28, Etching, Sheet (trimmed): 11 5/16 × 7 9/16 in. (28.7 × 19.2 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris) Characters and Caricaturas, April 1743, Etching; first state of two, sheet: 10 7/8 x 8 13/16 in. (27.7 x 22.4 cm), Prints, After Annibale Carracci (Italian, Bologna 1560–1609 Rome), After… Domestic Scene, 19th century, Pen and ink, wash, and black crayon, sheet: 7 7/8 x 11 3/8 in. (20 x 28.9 cm), Drawings, Anonymous, French, 19th century Design for a Candelabra, ca. 1770–90, Graphite, 9 1/2 x 14 7/16 in. (24.1 x 36.6 cm), Drawings, Anonymous, French, 18th century Adoration of the Magi, 16th century, Pen and brown ink, brush and brown wash, Diameter 2-1/2 in. (6.4 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580) A Sheet of Studies with Architectural Motifs and Two Sketches for a Visitation (Recto). Sketch for a Funerary Monument (Verso), 1652–1725, Pen and brown ink, over black chalk (recto); black… Woman with Shield Seated on Seamonster, published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Engraved by Anonymous, Italian, 16th century,… Seated Woman, Seen from Behind, ca. 1790–95, Pen and brown ink, brush and brown wash, over graphite underdrawing, 13-9/16 x 9-1/2 in. (34.4 x 24.1 cm), Drawings, Anonymous, French, 18th century A peasant woman with a cow at a fountain decorated with the Medici arms, from 'Six animal subjects' (Six sujets d'animaux), ca. 1646, Etching, Sheet (trimmed): 5 5/8 × 5 3/8 in. (14.3 × 13.6… Violinist, Study for 'The Dance Lesson', ca. 1878–79, Pastel and charcoal on green wove paper; squared for transfer in charcoal; letterpress printing on verso, 15 3/8 x 11 3/4 in. (39.1 x 29.8… Portrait of Charles Baudelaire, after his own design of 1848, 1869, Etching, sheet: 10 3/4 x 7 in. (27.3 x 17.8 cm), Prints Mural design picturing riders in a landscape for a lunette in the library of the Chateau de Lude (Sarthe), second half 19th century, oil paint on canvas, Overall: 10 3/8 x 14 7/8 in. (26.3 x 37.8… Study of an Old Man, 1577–1660, Charcoal, highlighted with white chalk, on blue-gray paper, 9 3/4 x 8 1/8in. (24.8 x 20.6cm), Drawings, attributed to Giacomo Cavedone (Italian, Sassuolo… Francesco de Medici, Prince of Tuscany, ca. 1634, Etching, Sheet: 6 15/16 × 4 15/16 in. (17.6 × 12.6 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence) Design for a Mirrored, Marble-topped Sideboard and Four Chairs, early 19th century, Ink and watercolor and wash, sheet: 12 5/16 x 17 3/16 in. (31.2 x 43.6 cm), Anonymous, British, 19th century Seated Man Holding a Club or Other Implement (recto); Two Heads of Grotesque Men in Profile (verso), 1484–1500, Pen and brown ink, brush and brown wash (recto); pen and brown ink (verso), 8 1/4 x… Plate 25 from 'The Disasters of War' (Los Desastres de la Guerra):'These too. (Tambien estos.), 1810, Etching, drypoint, and burin, Plate: 6 7/16 × 9 3/16 in. (16.3 × 23.3 cm), Prints, Goya… Quivira, from 'Game of Geography' (Jeu de la Géographie), 1644, Etching; third state of four, Sheet: 3 1/2 × 2 3/16 in. (8.9 × 5.5 cm), Prints, Etched by Stefano della Bella (Italian,… Elevation of a paneled interior with double doors and gaslight sconces, 1830–97, graphite, pen and ink, watercolor on wove paper; mounted on blue wove paper, Overall: 10 3/4 x 8 11/16 in. (27.3… The Adoration of the Magi, 1500–1571, Pen and brown ink, brush and brown wash, over traces of black chalk, with some traces of white gouache highlights (oxidized); the kneeling male figure at… Two Young Ladies in a Garden, 1873–74, Etching and drypoint, Image: 6 x 4 3/16 in. (15.2 x 10.6 cm), Prints, Anonymous, French, 19th century Simone with Clasped Hands Looking Left, 1923, Drypoint; second state, restrike, plate: 7 5/16 x 5 13/16 in. (18.5 x 14.8 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926… The Agony in the Garden, ca. 1824–27, Brush and brown wash over graphite on wove paper, Overall: 5 1/4 x 7 5/8 in. (13.4 x 19.4 cm), Drawings, Eugène Delacroix (French,… Design for a Wall Decoration over an Arched Doorway with Grimani Arms, 1528–90, Pen and brown ink, brush and brown wash, 6 1/2 x 12 5/16in. (16.5 x 31.3cm), Drawings, Bernardino India… Mr. Vieux-Niais, published in La Caricature no. 134, May 30, 1833, May 30, 1833, Lithograph, Sheet: 13 11/16 × 10 1/4 in. (34.8 × 26 cm), Prints, Honoré Daumier (French, Marseilles… Large Table and Two Small Higher Ones with Vases, 19th century, Pen and ink and gouache, Overall: 14 1/8 x 18 3/8 in. (35.9 x 46.7 cm), Drawings, Anonymous, Chinese, 19th century 2.589.713 / 2.589.715 Entries < previous page Page 1164 / 25898 next page >