Plate 10: Five Heads of Children, from 'Collection of various doodles and etching proofs' (Recueil de divers griffonnements et preuves d'eauforte), ca. 1646, Etching, Sheet (trimmed): 1 1/16 × 4…

Procession (left-hand portion of border below Sacrifice of Isaac, inlaid-marble pavement, Siena Cathedral), 1520–50, Pen and brown ink, brush and brown wash, over leadpoint or black chalk, 3 3/4…

Copy after a Sculpture of the Sleeping Eros Based on an Antique Model (from Cassiano dal Pozzo's 'Paper Museum'), ca. 1630, Pen and brown ink, brush and brown wash, 8 9/16 x 12 5/8in. (21.7 x…

Design for Two Candlesticks with decorated Bases, early 16th century, Pen and brown ink, brush and brown wash over traces of leadpoint, Image: 14 1/2 x 10 1/2 in. (36.9 x 26.6 cm), Drawings, ? Made…

The Beast with Two Horns Like a Lamb, from The Apocalypse, Latin Edition 1511, ca. 1496, Woodcut, sheet: 17 9/16 x 12 11/16 in. (44.6 x 32.3 cm), Prints, Albrecht Dürer (German, Nuremberg…

Madame Granger, after Ingres, 1867, Etching on japan paper; first state of four, sheet: 13 1/4 x 9 1/4 in. (33.7 x 23.5 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres), After…

Allegory of the Liberal Arts (Astronomy), second half 19th century, Graphite, Overall: 8 15/16 x 10 11/16 in. (22.7 x 27.1 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),…

Ornament Design, 19th century, Pen and ink and watercolor on laid paper, sheet: 18 7/16 x 5 1/2 in. (46.8 x 13.9 cm), Drawings, Anonymous, French, 19th century

Design for a Plate, ca. 1770–90, Pen and gray and brown ink, brush and gray wash, 10 1/8 x 13 3/16 in. (25.7 x 33.5 cm), Drawings, Anonymous, French, 18th century

The Banquet of the Gods, 1534–77, Pen and brown ink, over black chalk, 4 13/16 x 6 9/16in. (12.3 x 16.6cm), Drawings, Guglielmo della Porta (Italian, Porlezza, near Lake Lugano ca. 1500–1577 Rome)

Gentleman Seen from the Back Pointing towards a Chateau, 1629, Etching, Sheet (trimmed): 5 1/2 × 3 11/16 in. (14 × 9.3 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris), After…

Plate 12: head of a child, from 'The Book for Learning to Draw' (Livre pour apprendre à dessiner), ca. 1649, Etching, Plate: 3 3/8 × 2 11/16 in. (8.6 × 6.9 cm), Prints, Stefano della Bella…

The Sleeping Herdsman, ca. 1644, Etching and burin, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

The Holy Family (?), 1488–1560, Pen and brown ink, 13-1/16 x 8-1/4 in. (33.2 x 21.0 cm), Drawings, Baccio Bandinelli (Italian, Gaiole in Chianti 1493–1560 Florence), The Florentine sculptor…

Head of an old Man looking down, facing Left, Etching, Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664 Mantua)

Design for a Lidded Gadrooned Vase with Satyr Heads Holding Garlands, 1652–1725, Pen and brown ink over traces of black chalk, sheet: 9 1/8 x 4 1/2 in. (23.2 x 11.5 cm), Giovanni Battista…

Ladies' Hats, No. 4671, from Journal des Demoiselles, April 1, 1888, Steel engraving with hand coloring and gilt, Sheet: 13 x 9 7/16 in. (33 x 24 cm), Prints, Paul Deferneville (French, active…

Title Page: Comedies of Terence (Publii Terentii Comoediae), 1642, Etching, Sheet: 14 in. × 9 3/8 in. (35.6 × 23.8 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Presentation of Valerius Maximus to King Louis XI, 1862, Prints, Charles Meryon (French, 1821–1868)

A Loaded Wagon and Several Human Figures., 1610–64, Pen and brown ink over traces of graphite, light sketch in graphite in the background, Sheet: 3 9/16 x 5 7/16 in. (9.1 x 13.8 cm),…

Fox Hunt, 1736, Etching, image: 11 15/16 x 10 11/16 in. (30.3 x 27.2 cm), Prints, Jean-Baptiste Oudry (French, Paris 1686–1755 Beauvais)

The Blessed John Mata, n.d., Engraving with etching, sheet: 16 7/8 x 10 15/16 in. (42.9 x 27.8 cm), Prints, Nicolas Pitau (French, Paris before 1670–1724), After Laurent de La Hyre (French,…

Figure Studies, 1659–1734, Pen and brown ink, brush and gray wash, over red and a little black chalk, 11 3/16 x 7 1/2in. (28.4 x 19cm), Drawings, Sebastiano Ricci (Italian, Belluno…

Design for an Oil Lamp, 19th century, Graphite, brush and gray wash, and gouache, sheet: 16 9/16 x 11 1/4 in. (42.1 x 28.5 cm), Drawings, Anonymous, French, 19th century

The Wise Virgins before Christ, ca. 1635, Etching and engraving, Sheet: 13 in. × 15 7/8 in. (33 × 40.3 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Sheet of Monogram Designs, 19th century, Pen and blue ink, watercolor, gouache, and gold gilt, sheet: 9 11/16 x 13 9/16 in. (24.6 x 34.4 cm), Drawings, Anonymous, French, 19th century

Raising of Lazarus, 1645–1650, Etching, sheet: 8 11/16 x 12 3/8 in. (22 x 31.4 cm), Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664 Mantua), This print…

Venetian Capriccio: Landscape with a Farm Building, Sarcophagus, and Fountain (recto); Monument (verso), n.d., Pen and light brown ink, brush and gray wash (recto); soft black chalk, or graphite,…

Time and Truth, 1696–1770, Pen and brown ink, brush with pale and dark brown wash, over black chalk, 10 x 9-3/16 in. (25.4 x 23.4 cm), Drawings, Giovanni Battista Tiepolo (Italian, Venice…

Signalement Des Chouans et Autres Contrevolutionaires, ca. 1793, Etching, plate: 11 9/16 x 8 1/4 in. (29.4 x 21 cm), Prints, Anonymous, French, 18th century

Entellus and Dares fighting in front of classical ruins, 1520–25, Engraving, Sheet (Trimmed): 12 1/4 × 10 3/8 in. (31.1 × 26.3 cm), Prints, Marco Dente (Italian, Ravenna, active by…

The Old Testament (or Synagogue), from the series of Sibyls, ca. 1530, Woodcut, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Roman Scene, 1499–1543, Pen and brown ink, brush and brown wash, highlighted with white, 13-1/4 x 7-1/4 in. (33.8 x 18.5 cm), Drawings, After Polidoro da Caravaggio (Italian, Caravaggio ca.…

Design for a paneled ceiling painted with putti, birds, and floral motifs, 19th century, graphite, pen and ink, watercolor and gold paint on laid paper, Drawings, Jules-Edmond-Charles Lachaise…

Christ in the House of Martha and Mary, ca. 1640, Pen and brown ink, brown wash, over traces of graphite, 8 3/16 x 6 9/16 in. (20.8 x 16.6 cm), Drawings, François Perrier (French,…

Procession of Monstrous Figures, 1615, Etching, frieze 1 of 8 plates, sheet: 3 3/4 x 12 5/16 in. (9.6 x 31.3 cm), Prints, Wendel Dietterlin, the Younger (German, active Strasbourg ca. 1614–69)

House with a Turret, rue de la Tixéranderie, Paris, 1852, Etching on heavy laid paper; third state of four, plate: 9 11/16 x 5 3/16 in. (24.6 x 13.1 cm), Prints, Charles Meryon (French, 1821–1868)

The Head of Pompey Presented to Julius Caesar (recto); Study for an Elaborate Door Frame (verso), 1675–1741, Pen and brown ink, brush and brown wash, over red and black chalk; traces of white…

Lapwings and Teals, 1862, Etching, Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres)

Designs for Door Hardware, ca. 1775–85, Pen and brown ink, brush and brown, yellow, and blue wash. Framing lines in pen and ink., 9 1/4 x 16 1/4 in. (23.5 x 41.3 cm), Drawings, Anonymous,…

St. Simon, ca. 1510, Engraving, sheet: 4 1/2 x 2 3/4 in. (11.4 x 7 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Design for a Mirrored Sideboard with Turned Legs Rocaille Ornament (Verso: Sketch for a Desk), early 19th century, Ink and wash, sheet: 8 1/2 x 12 1/4 in. (21.6 x 31.1 cm), Anonymous, British,…

Touch (Le Toucher), ca. 1638, Etching, sheet: 10 3/16 x 12 7/8 in. (25.8 x 32.7 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

A Day When You Do Not Pay–Twenty-Five-Degree Heat (Un jour ou l'on ne paye pas. Vingt-cinq degres de chaleur ), from Le Public du Salon, published in Le Charivari, May 17, 1852, May 17,…

Frontispiece to Jerusalem, the Emanation of the Great Albion, [ca. 1804–20] (?), White line engraving, printed in orange ink, sheet: 8 7/8 x 6 7/16 in. (22.5 x 16.3 cm), Prints, William…

The Adoration of the Kings, n.d., Woodcut, sheet: 2 3/8 x 1 5/8 in. (6.1 x 4.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Christ's Entry into Jerusalem, 15th century, Metalcut, hand-colored in green, yellow and red, sheet: 4 1/8 x 3 1/16 in. (10.5 x 7.8 cm), Prints, Anonymous, German, 15th century

Design for a Candelabra, 19th century, Pen and brown ink, sheet: 9 1/8 x 5 1/2 in. (23.1 x 13.9 cm), Drawings, Anonymous, French, 19th century

Study for the Allegory of San Gimignano and Colle Val d'Elsa, 1563, Pen and brown ink, highlighted with white gouache, traces of squaring in black chalk (on top of drawing surface), over traces…

Design for a Sculpture consisting of a Satyr and Satyress holding a Vase, 1652–1725, Pen and brown ink, brush and gray-brown wash, over traces of black chalk or graphite, sheet: 7 7/16 x 4 1/2…

Design for a Worktable, early 19th century, Graphite, sheet: 8 7/16 x 12 3/16 in. (21.5 x 31 cm), Anonymous, British, 19th century

Plate 2 of the 'Tauromaquia': Another way of hunting on foot, 1816, Etching, burnished aquatint, drypoint and burin, Plate: 9 9/16 x 13 7/8 in. (24.3 x 35.2 cm), Prints, Goya (Francisco de Goya…

Allegorie des mariages faits par la Ville de Paris a la naissance du Duc de Bourgogne, 1752, Etching, between second and third states, sheet: 7 3/4 x 6 1/8 in. (19.7 x 15.5 cm), Prints, Gabriel…

The Mass of Saint Gregory, late 15th century, Metalcut with traces of hand-coloring; second state, 13-7/8 x 19-15/16 in.; 10-5/8 x 7-7/16 in., Prints, Master of the Church Fathers' Border…

The Virgin and Child with Two Male Saints, 1577–1660, Charcoal, brush and brown wash, white oil paint, on brown paper, 12 1/16 x 8 3/4in. (30.7 x 22.3cm), Drawings, Giacomo Cavedone…

Apollo Standing in His Chariot, 1696–1770, Pen and brown ink, brush with pale and dark brown wash, over black chalk, 9-1/2 x 9-9/16 in. (24.2 x 24.3 cm), Drawings, Giovanni Battista Tiepolo…

Design for a Vestibule, 19th century, Graphite, pen and black ink, watercolor, 9 9/16 x 10 7/8 in. (24.3 x 27.7 cm), Drawings, Anonymous, French, 19th century

The Wife-Beater, ca. 1633, Etching with engraving, Sheet (trimmed): 10 1/8 × 13 1/16 in. (25.7 × 33.1 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Anatomical drawing, 18th century, Pen and ink, brush and gray wash on blue paper, sheet: 8 3/8 x 13 5/16 in. (21.2 x 33.8 cm), Drawings, Anonymous, French, 18th century

Design for Tomb Monument, 18th century, Graphite and gouache, image: 6 5/16 in. (16 cm), Drawings, Anonymous, French, 18th century

Design for a Double Tomb, 16th century, Black chalk, pen and brown ink, watercolor, sheet: 17 1/2 x 11 1/2 in. (44.4 x 29.2 cm), Drawings, Anonymous, French, 16th century

Evening, New York Harbor, 1884, Etching, Plate: 9 3/4 × 13 7/16 in. (24.7 × 34.2 cm), Prints, Henry Farrer (American, London 1844–1903 New York)

Beggar Leaning on a Stick (reverse copy), 1851, Etching, Sheet: 3 3/8 x 2 1/2 in. (8.6 x 6.4 cm), Prints, F. Bradshaw (British, active mid-19th century), After Rembrandt (Rembrandt van Rijn)…

The Lantern in Winter, Water in Summer, 1737, Etching with some engraving, Sheet: 9 1/2 x 7 5/16 in. (24.1 x 18.5 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris…

Study of a Kneeling Youth and of the Head of Another, 1500, Metalpoint on pale pink-beige prepared paper, 8 11/16 x 4 1/2 in. (22 x 11.5 cm), Drawings, Perugino (Pietro di Cristoforo Vannucci)…

San Lorenzo, Library, Ricetto, portal to Ricetto, elevation; plan (recto) San Lorenzo, Library, Ricetto, portal to Ricetto, section; details (verso), early to mid-16th century , Dark brown ink,…

Figures, 1624–63, Pen and brown ink. Framing lines in pen and brown ink on mount, 2-11/16 x 3-7/16 in. (6.8 x 8.8 cm), Drawings, attributed to Francesco Allegrini (Italian, Cantiano (?)…

St. Paschal Baylon Adoring the Blessed Sacrament, 17th century, Pen and brown ink, gray and cream oil paint, on paper, mounted on wood, 16 7/16 x 12 3/8 in. (41.7 x 31.5 cm), Drawings, Claude…

Jeanne, 1882, Etching and aquatint on laid paper, image: 6 1/8 x 4 3/16 in. (15.5 x 10.7 cm), Prints, Édouard Manet (French, Paris 1832–1883 Paris)

Amador Jean-Baptiste de Vignerod, abbe de Richelieu, Etching, third state, sheet: 12 3/8 x 9 1/8 in. (31.4 x 23.2 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe…

Mercury and Herse, n.d., Engraving, Sheet: 19 15/16 x 15 11/16 in. (50.7 x 39.8 cm), Prints, François Jourd'heuil (French, Poitiers 1759–1781 Paris), After Laurent de La Hyre (French, Paris…

Design for a Pen and Ink Stand, 19th century, Pen and gray ink, brush and gray and yellow wash. Framing lines in pen and black ink., sheet: 11 x 17 9/16 in. (28 x 44.6 cm), Anonymous, French,…

Study for Clovis (middle register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858), 19th century, Red, black, and white chalk, stumped, 18 5/8 x 12 in. (46.7 x…

Architectural Capriccio: A Palace Colonnade., 1712–93, Pen and brown ink, brush and brown wash over black chalk. Framing outlines in pen and brown ink, sheet: 10 13/16 x 7 1/2 in. (27.4 x 19.1…

Smell, 1635–38, Etching, Sheet: 10 1/8 × 12 13/16 in. (25.7 × 32.5 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

St. Anthony, ca. 1521, Engraving, sheet: 4 1/2 x 2 15/16 in. (11.5 x 7.5 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Design for Stage Set, 1698–1765, Pen and brown ink, brush and gray wash, sheet: 7 1/4 x 4 7/8 in. (18.4 x 12.4 cm), Drawings, Attributed to Giovanni Battista Natali III (Italian, Pontremoli,…

Plate 23: two hounds, from 'Various animals' (Diversi animali), ca. 1641, Etching; second state of three (De Vesme), Plate: 3 3/8 × 4 5/16 in. (8.6 × 11 cm), Prints, Stefano della Bella…

Abraham and Isaac (reverse copy), n.d., Etching, Prints, After Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Woman on a Staircase, 1928–29, Drypoint; only state, plate: 5 3/4 x 3 13/16 in. (14.6 x 9.7 cm), Prints, Walter Richard Sickert (British, Munich 1860–1942 Bathampton, Somerset)

Design for a Decorated Ceiling with Statues and Stucco, 18th century, Pen and light brown ink, brush and gray wash, over traces of leadpoint, Image: 9 9/16 x 7 1/16 in. (24.3 x 17.9 cm), Attributed…

Illustration to 'Count Burckhardt' (Once a Week), 1862, Wood engraving; proof, Prints, After James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London)

Imaginary Landscape with Classical Ruins, 1700–1750, Point of a brush and gray wash, over graphite. Framing lines in pen and brown ink and bronze paint, 5 11/16 x 5 11/16in. (14.5 x 14.5cm),…

Venus in the Forge of Vulcan (Aeneid VIII: 370 ff), 1699–1768, Black chalk, highlighted with white chalk, on blue-green paper, Total: 12-11/16 x 17 in. (32.2 x 43.2 cm), Drawings, Stefano…

Shepherd and Shepherdess Conversing in a Landscape, ca. 1651, Etching; state five of seven (Mannocci), sheet: 7 7/8 x 10 7/16 in. (20 x 26.5 cm), Prints, Claude Lorrain (Claude Gellée)…

Two Designs for Carved Panels, 16th century, Black chalk, pen and brown ink, brush and brown wash, sheet: 18 5/8 x 13 1/8 in. (47.3 x 33.3 cm), Drawings, Anonymous, French, 16th century

Portrait of Charles Baudelaire in Profile, 1862–67, Etching on blue laid paper, only state, from 1905 Strölin edition, plate: 5 1/8 x 2 15/16 in. (13 x 7.5 cm), Prints, Édouard Manet…

A Man on Crutches, 1878, Brush and lithographic ink on transfer paper, 10 11/16 x 7 3/4 in. (27.1 x 19.7 cm), Drawings, Édouard Manet (French, Paris 1832–1883 Paris)

Head of a bearded Man with a Turban facing Right, Etching, Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664 Mantua)

Domine, Quo Vadis, 1592–1664, Black chalk, highlighted with white, on brown paper; cropped to the shape of a lunette, 7-5/16 x 10-7/16 in. (18.5 x 26.5 cm), Drawings, Jacopo Vignali…

Songs of Innocence and of Experience: London, ca. 1825, Relief etching printed in orange-brown ink and hand-colored with watercolor and gold, sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1 cm),…

Design for a Mirrored Sideboard with Rococo Ornament, and Casket, early 19th century, Ink and watercolor, sheet: 9 7/16 x 11 3/4 in. (24 x 29.9 cm), Anonymous, British, 19th century

Anne-Sophie Herbert, comtesse de Carnarvon, Etching, first state, sheet: 13 3/4 x 10 9/16 in. (34.9 x 26.8 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Anthony van Dyck…

Plate 69 from 'Los Caprichos': Blow (Sopla.), 1799, Etching, aquatint, drypoint and burin, Plate: 8 1/4 × 5 3/4 in. (20.9 × 14.6 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish,…

La Vieille Femme Assise, Etching, first state, sheet: 7 5/16 x 9 9/16 in. (18.5 x 24.3 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Cornelis van Poelenburch (Dutch, Utrecht…

Coat of Arms with a Skull, 1503, Engraving, Plate: 8 11/16 x 6 1/4 in. (22.1 x 15.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), In this stunning engraving, Dürer…

A bearded man wearing a tasseled headdress facing left, from the series 'Heads in Oriental Headdress', ca. 1648–50, Etching, sheet: 7 x 5 13/16 in. (17.8 x 14.8 cm), Prints, Giovanni…

Brevet d'Invention. Chapeaux de soie d'une seule pièce..., 19th century, Wood engraving, Sheet: 20 7/8 x 14 1/8 in. (53 x 35.8 cm), Prints, Anonymous, French, 19th century

Le Pont au Change, 1854, Etching with additions in graphite; seventh state, Sheet: 7 3/16 x 14 1/16 in. (18.2 x 35.7 cm), Prints, Charles Meryon (French, 1821–1868), While Paris was becoming…

Plate 12 from the 'Tauromaquia': The crowd hamstrings the bull with lances, sickles, banderillas and other arms., 1816, Etching, burnished aquatint and drypoint, Plate: 9 13/16 x 13 3/4 in. (25 x…