Man of Sorrows with Arms Outstretched, ca. 1500, Engraving, Sheet: 4 9/16 × 2 13/16 in. (11.6 × 7.2 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Crucifixion, n.d., Etching, image: 7 5/8 x 4 3/4 in. (19.3 x 12 cm), trimmed to image, Prints, Claude Gillot (French, Langres 1673–1722 Paris), Engraved by Jacques Gabriel Huquier (French,…

The Traghetto, No. 2, 1879–80, Etching and drypoint; eighth state of nine (Glasgow); printed in dark brown ink on ivory laid paper, Plate: 9 1/4 × 11 15/16 in. (23.5 × 30.4 cm), Prints,…

Design for a Military Trophy, 1752–1821, Pen and black ink, brush and brown wash, yellow gouache, 10 15/16 x 8 3/16 in. (27.8 x 20.8 cm), Attributed to Jean Jacques Lagrenée (French, Paris…

Group of Nude Male Figures Kneeling and Standing in Supplication, ca. 1598, Pen and brown ink, brush and brown wash. Squared in red chalk, 6-15/16 x 7-13/16 in. (17.6 x 19.8 cm), Drawings,…

Plate 9: leopard, from 'Various animals' (Diversi animali), ca. 1641, Etching; second state of three (De Vesme), Sheet (trimmed): 3 3/8 × 4 7/16 in. (8.6 × 11.3 cm), Prints, Stefano della…

Meleager and Atalanta, 1643, Etching, sheet: 13 x 15 3/8 in. (33 x 39 cm), Prints, François Chauveau (French, Paris 1613–1676 Paris), After Laurent de La Hyre (French, Paris 1606–1656 Paris)

Sibylle de Cumes, ca. 1635, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 14 1/8 x 8 3/8 in. (35.8 x 21.2 cm), Prints, Gilles Rousselet (French, Paris 1614–1686…

The Bucintoro Moving to the Left (recto); The Bucintoro Moving to the Right (verso), 1712–93, Pen and brown ink, brush with brown and red wash (recto); pen and brown ink (verso), 4 11/16 x 9…

S. Maria in Domnica, portico, elevation (recto) blank (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 17 1/4 x 23 1/4 in. (43.8 x 59 cm), Drawings

The Cook and His Wife, ca. 1496, Engraving, Sheet: 4 1/4 × 2 7/8 in. (10.8 × 7.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Thenot and Colinet Lead Their Flocks Together, from Thornton's Pastorals of Virgil, 1821, Wood engraving, block: 1 3/8 x 2 15/16 in. (3.5 x 7.5 cm), Prints, William Blake (British, London…

Reliquary Design, 19th century, Pen and brown ink with gray and green wash on laid paper, sheet: 13 3/8 x 8 1/16 in. (34 x 20.4 cm), Drawings, Anonymous, French, 19th century

Two dancing male figures in a landscape, 18th century, Gouache on paper. Framing lines in pen and brown ink., 4 11/16 x 3 5/16 in. (11.9 x 8.4 cm), Drawings, Anonymous, French, 18th century

Aeneas's Farewell to Dido, Etching, 6 1/8 x 8 1/4in. (15.5 x 21cm), Prints, Jean Le Pautre (French, Paris 1618–1682 Paris)

Marcus Curtius Leaping into the Chasm, 1734–1802, Black chalk, 10 7/16 x 8in. (26.5 x 20.3cm), Drawings, Gaetano Gandolfi (Italian, San Matteo della Decima 1734–1802 Bologna)

Rest on the flight into Egypt, Mary holding the infant Christ while St. Joseph hands him a fruit, ca. 1639, Etching, Plate: 11 5/8 × 7 7/16 in. (29.5 × 18.9 cm), Prints, Simone Cantarini…

Two Bishops (lower register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858), 19th century, Red, white, and black chalk, on blue-gray paper, 18 13/16 x 12 1/8…

Design for a Stage Set, 1830–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Admiration with Astonishment (Le Brun Travested, or Caricatures of the Passions), January 21, 1800, Etching, printed in brown ink, sheet: 11 5/16 x 8 3/4 in. (28.8 x 22.3 cm), Prints, After…

Plate 10 from 'Los Caprichos': Love and death (El amor y la muerte), 1799, Etching, burnished aquatint and burin, Plate: 8 3/8 x 6 in. (21.3 x 15.2 cm), Prints, Goya (Francisco de Goya y…

Capture of Two Galleys at Byserta, 1628, Etching, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence)

View of Pompeii, 19th century, Pen and black and gray ink, sheet: 10 1/8 x 13 9/16 in. (25.7 x 34.5 cm), Drawings, Anonymous, French, 19th century

Title page: Cupid, from 'Game of Mythology' (Jeu de la Mythologie), 1644, Etching, Sheet: 2 in. × 3 9/16 in. (5.1 × 9.1 cm), Prints, Etched by Stefano della Bella (Italian, Florence…

Design for Painted Corner and Frieze of the Choir in the Church of the Servi in Bologna., December 11, 1629, Pen and brown ink, brush with blue, green, orange and brown wash over traces of…

The Great Exhibition 'Wot is to Be', Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done,…

Lord-tolan prenant sa leçon de dance, La Passions, No. 7, 19th century, Hand-colored etching, sheet: 14 1/4 x 10 1/8 in. (36.2 x 25.7 cm), Prints

Drapery Study for a Cleric (lower register); verso: Sleeve of a Cleric; (studies for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858), 19th century, Black chalk,…

Le Cavalier, Etching, sheet: 7 5/16 x 7 9/16 in. (18.5 x 19.2 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris)

Saint Anthony of Padua holding the Christ Child, ca5–1636, Etching, Sheet: 3 3/8 × 2 9/16 in. (8.6 × 6.5 cm), Prints, Simone Cantarini (Italian, Pesaro 1612–1648 Verona)

Virgin and Child with the Monkey (reverse copy), n.d., Engraving, Sheet: 2 5/8 × 2 3/16 in. (6.7 × 5.5 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Hercules Killing the Hydra of Lerna, After 1552, Etching and engraving, state II, sheet: 12 1/2 x 8 7/8 in. (31.8 x 22.6 cm), Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice)

Design for a Ceiling with Swans and Cornucopias, 19th century, Graphite, gouache, pen and brown ink, with gold gilt, 13 1/4 x 15 3/8 in. (33.6 x 39.1 cm), Drawings, Anonymous, French, 19th century

Saint Andrew, Apostle, with Transverse Cross, Book, and Fish, verso: Architectural sketch in red chalk, 1576–1623, Pen and brown ink, brush and gray-brown wash, over red chalk (recto); design for…

Design for One-Quarter of a Ceiling Decoration, 1730–1997, Pen and brown ink, brush and brown wash, over graphite, with ruled and compass construction, 8 1/2 x 10in. (21.6 x 25.4cm),…

Design for Ceiling at Fontainebleau, second half 19th century, Graphite and gouache, 18 5/8 x 12 3/8 in. (47.3 x 31.4 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),…

La Vieille aux loques, 1858, Etching and drypoint; third state of four (Glasgow); printed in black ink on fibrous cream laid Japan paper, Plate: 8 1/4 x 5 13/16 in. (21 x 14.8 cm), Prints,…

Panel of ornament (Schr. 2006m), 15th century, Woodcut, hand-colored, with stencil, Overall: 7 7/8 x 3 11/16 in. (20 x 9.3 cm), Anonymous, German, 15th century

Saint Michael and the Dragon, from the Apocalypse, n.d., Engraving, plate: 11 3/4 x 8 7/16 in. (29.8 x 21.5 cm), Prints, Jean Duvet (French, ca. 1485–after 1561)

The Castel Nuovo in Naples, with a View of Mount Vesuvius, ca. 1737–53, Pen and brown ink, brush and brown and gray wash, over black chalk, 13 1/8 x 19 7/16 in. (33.4 x 49.4 cm), Drawings,…

Eight designs for decorative borders, 1830–97, Graphite, watercolor, and gold paint on wove papers; mounted on wove paper, Overall: 9 7/16 x 12 5/16 in. (24 x 31.3 cm), Drawings,…

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, sheet: 9 3/4 x 14 3/4 in. (24.8 x 37.5 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

The Rape of the Sabine Women, 1781, Red chalk, over traces of black chalk, lightly squared in black chalk, 10 1/8 x 14 15/16 in. (25.7 x 37.9 cm), Drawings, Charles Nicolas Cochin II (French,…

Ceiling Design with the Glorification of the Name of Jesus (recto); Aurora and Cephalus (verso), 1680–1744, Pen and brown ink, brush and brown wash, highlighted with white, on blue-gray…

Design for a Vessel, 18th century, Pen and black ink, brush and gray wash on laid paper, sheet: 4 9/16 x 6 7/8 in. (11.6 x 17.5 cm), Drawings, Anonymous, French, 18th century

Plate18 from 'The Disasters of War' (Los Desastres de la Guerra): 'Bury them and keep quiet.' (Enterrar y callar.), 1810–20, published 1863, Etching, burnished lavis, drypoint and burin, Plate:…

Three Wall Lights Composed out of Armor, early 19th century, Graphite, sheet: 9 3/4 x 6 7/8 in. (24.7 x 17.4 cm), Anonymous, British, 19th century

Rue Pirouette aux Halles (Rue Pirouette aux Halles, Paris, after Laurence), 1860, Etching with drypoint, plate: 6 1/8 x 4 9/16 in. (15.6 x 11.6 cm), Prints, Charles Meryon (French, 1821–1868),…

Saint John the Baptist Biting a Piece of Fruit, ca. 1641, Etching; third state of three, Sheet (trimmed): 7 1/16 × 5 5/16 in. (17.9 × 13.5 cm), Prints, Stefano della Bella (Italian, Florence…

One Begs in Vain at the Door of the Deaf, from Twelve Flemish Proverbs, ca. 1568, Engraving, Plate (diameter): 7 in. (17.8 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?)…

Triton and Siren in Tendrils, ca. 1510, Engraving, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, gouache, heightened with white, Irregular sheet: 11 7/8 x 7 7/16 in. (30.1 x 18.9 cm), Drawings, Eugène Cicéri (French,…

Design for an Arabesque with Cupid and Psyche, 1720–40, Pen and gray ink, brush and gray wash, 12 1/2 x 8 5/16 in. (31.8 x 21.1 cm), Circle of Claude Gillot (French, Langres 1673–1722 Paris)

A Man Making Water, 1630, Etching; New Holl.'s fourth state of five, Sheet: 3 1/8 × 1 7/8 in. (8 × 4.7 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Lettuce Seller, 1742, Etching with some engraving, Sheet: 9 7/16 x 7 3/8 in. (24 x 18.8 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After…

Ecce Homo, from The Small Passion, ca. 1509, Woodcut, sheet: 5 x 3 13/16 in. (12.7 x 9.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Two Angels, Study for the Val de Grâce, 17th century, Black chalk, heightened with white chalk on light brown antique laid paper, squared in red chalk, 9 x 11 3/8 in. (22.8 x 28.9 cm),…

The Riva, No. 2, 1879–80, Etching and drypoint; only state (Glasgow); printed in dark brown ink on fine buff laid paper, Plate: 8 1/4 × 11 15/16 in. (21 × 30.4 cm), Prints, James McNeill…

Abraham about to Sacrifice Isaac, 1612–56, Pen and brown ink, over traces of black chalk, 8 1/8 x 11 1/4in. (20.6 x 28.5cm), Drawings, attributed to Francesco Fracanzano (Italian, Monopoli…

The Lamentation, 1840–45, Graphite partly worked over with pen and black ink and heightened with white; graphite framing line, 17 3/8 x 20 3/4 in. (44.1 x 52.7 cm), Drawings, Johann…

Illustration for a Book: Reception of a Bishop Leading an Army at a City Gate, 1696–1770, Black chalk. Horizontal and vertical centering lines ruled in faint black chalk, 3-1/8 x 6-1/4 in. (8.0…

The Virgin with Child on the Crescent, 1523, Engraving, sheet: 4 5/8 x 3 in. (11.7 x 7.6 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

The Raising of Lazarus: The Larger Plate, ca. 1632, Etching and engraving; New Holl.'s fifth state of nine, Sheet: 14 7/16 × 10 3/16 in. (36.7 × 25.8 cm), Prints, Rembrandt (Rembrandt van…

Pride (Superbia), from the series The Seven Deadly Sins, 1558, Engraving, sheet: 8 7/8 x 11 5/8 in. (22.5 x 29.5 cm), Prints, Pieter van der Heyden (Netherlandish, ca. 1525–1569), After…

The Annunciation to the Shepherds, 1510–92, Pen and brown ink, brush and brown wash, highlighted with white, on green-washed paper, 11-5/16 x 9-1/2 in. (28.7 x 24.1 cm), Drawings, Attributed…

The Assumption of the Virgin, 1536–1614, Pen and brown ink, brush and brown wash. Squared in red and black chalk, 9 13/16 x 5 3/4in. (25 x 14.6cm), Drawings, Cesare Nebbia (Italian, Orvieto…

Venice, The Horses of St. Mark's (Fourth Version), 1915, Etching; third state, plate: 7 7/16 x 4 15/16 in. (18.9 x 12.5 cm), Prints, Walter Richard Sickert (British, Munich 1860–1942…

Study of a Head of a Man, 1837–1911, Red chalk, 11 1/2 x 8 5/8 in. (29.2 x 21.9 cm), Drawings, Alphonse Legros (French, Dijon 1837–1911 Watford, Hertfordshire)

Design for a Dining Table, early 19th century, Ink, watercolor and wash, sheet: 9 9/16 x 11 7/8 in. (24.3 x 30.1 cm), Anonymous, British, 19th century

Potiphar's Wife Accusing Joseph (copy), n.d., Engraving, plate: 4 3/4 x 6 7/16 in. (12 x 16.3 cm), Prints, After Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Landscape with Mercury, 1668, Etching, sheet: 7 7/8 x 9 7/8 in. (20 x 25.1 cm), Prints, After Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome), Etched by Dominique…

Hongrie, 1644, Etching, state iii, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence), Designed by Jean Desmarets de Saint-Sorlin (French, 1595–1676)

Design for a Stage Set, Pen and black ink with brush and black, gray and rose wash, 5 1/4 x 5 1/8 in. (13.4 x 13 cm), Claude Nicolas Ledoux (French, Dormans 1736–1806 Paris)

Scenes from Ancient History, after Polidoro da Caravaggio, 1560–1608, Pen and brown ink, brush and brown wash, 4 1/2 x 12in. (11.4 x 30.5cm), Drawings, Andrea Boscoli (Italian, Florence ca.…

Design for a Stage Set at the Opéra, Paris, 1830–90, Brush and red, yellow, and brown wash, over graphite, Irregular sheet: 14 5/8 x 7 11/16 in. (37.1 x 19.6 cm), Drawings, Eugène Cicéri…

View of Kynsburg over the Weistritz River Valley in Silesia, late 18th–19th century, Gouache over graphite, 18 11/16 x 25 13/16 in. (47.5 x 65.5 cm), Drawings, Johann Heinrich Bleuler…

The Sudarium Held by One Angel, 1516, Etching, Sheet: 7 3/16 × 5 3/16 in. (18.3 × 13.2 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Design for a Cartouche flanked by winged Sirens with a Coat of Arms containing a Fleur-de-Lis, 1732–1802, Pen and brown ink over traces of leadpoint, 7 5/8 x 6 9/16 in. (19.4 x 16.6 cm),…

Joy with Tranquility (Le Brun Travested, or Caricatures of the Passions), January 21, 1800, Hand-colored etching, printed in brown ink, sheet: 10 x 7 1/16 in. (25.4 x 17.9 cm), Prints, After…

Design for the painted decoration of a coffered ceiling with the monogram: H, 1830–97, pen and ink and watercolor on wove paper, sheet: 6 11/16 x 12 3/8 in. (17 x 31.5 cm), Drawings,…

Designs for Two Servers and Two Compote Dishes, 19th century, Pen and brown ink, image: 7 3/8 x 10 7/8 in. (18.7 x 27.6 cm), Drawings, Anonymous, French, 19th century

Christ Crowned with Thorns, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach)

Design for Arched Window, Farnborough, 1880–86, Graphite, watercolor, gouache, and gilt, 14 5/8 x 2 7/8 in. (37.1 x 7.3 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),…

The Flagellation, from the Circular Passion, 1509, Engraving, Diameter: 11 1/8 in. (28.3 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden), Lucas van Leyden is said to…

L'Inspiration Favorable, n.d., Etching, sheet: 17 5/16 x 12 1/2 in. (44 x 31.8 cm), Prints, After Jean Honoré Fragonard (French, Grasse 1732–1806 Paris), Engraved by Louis Michel Halbou…

The Washerwomen (Les Laveuses), 1771, Etching and aquatint printed in brown ink, sheet: 13 3/8 x 9 9/16 in. (34 x 24.3 cm), Prints, Jean-Baptiste Le Prince (French, Metz 1734–1781…

Design for a Clock with Two Cherubs, 19th century, Graphite, pen and black ink, brush and gray wash, watercolor, and gouache, 10 5/16 x 9 1/2 in. (26.2 x 24.2 cm), Drawings, Anonymous, French,…

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 2 11/16 x 5 7/8 in. (6.8 x 15 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Six Designs for the Decoration of Rectangular Reliefs, 1762–1844, Pen and brown ink, brush and grey wash over traces of black chalk, 4 5/16 x 5 7/8 in. (10.9 x 15 cm), Giuseppe Bernardino…

Allegorical Figure of Purity with a Unicorn and Two Putti (recto); Study of the Same Figures (verso), 1642, Red chalk and red wash, on beige paper (recto); faint red chalk sketches for the same…

Manet Seated, Turned to the Right, 1864–65, Etching and drypoint; first state of four, plate: 7 11/16 x 5 1/8 in. (19.5 x 13 cm), Prints, Edgar Degas (French, Paris 1834–1917 Paris)

Repose, ca. 1890, Drypoint; fifth state of five, plate: 9 1/16 x 6 9/16 in. (23 x 16.7 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise)

The Visitation, ca. 1649, Graphite, red chalk, pen and black ink, brush and brown and gray wash, white gouache, framing lines in pen and black ink, sheet: 15 3/8 x 10 13/16 in. (39 x 27.5 cm),…

Plate 2 from the 'Disparates': Folly of Fear, ca. 1816–23 (published ca. 1848), Etching, burnished aquatint, and drypoint, Plate: 9 5/8 × 13 11/16 in. (24.5 × 34.7 cm), Prints, Goya (Francisco…

The Annunciation (recto); Faint View of Buildings (verso), 1472–1517, Pen and brown ink (kneeling angel at left), faint black chalk (the hardly legible standing figure of the Virgin at…

Design for a ceiling painted with clouds, trellises, and roses, second half 19th century, graphite, watercolor, and gouache on wove paper; mounted on blue wove paper, Drawings,…

Time and Truth, 1696–1770, Pen and brown ink, brush with pale and dark brown wash, over black chalk, 10-5/16 x 10-3/16 in. (26.2 x 25.8 cm), Drawings, Giovanni Battista Tiepolo (Italian,…

Design for a sepulchral monument; verso: Design for a sepulchral monument, late 17th–early 18th century, Pen and brown ink, over red chalk and black chalk or graphite, red and brown wash; verso:…

Roman or Greek Warriors Celebrating after a Victory., 1503–40, Pen and brown ink, brush and brown wash, highlighted with white gouache, on beige paper, 4 5/8 x 8 7/8in. (11.8 x 22.5cm),…

Landscape with a Large Villa on a Hilltop, 1759, Red chalk, pen and brown ink, gray wash, over traces of black chalk for the figures and animals, heightened with white. Sheet composed of three…