Librifly Art Gallery 2.589.713 / 2.589.715 Entries < previous page Page 1169 / 25898 next page > Coat of Arms with a Mask, Held by Two Genii, 1527, Engraving, sheet: 3 x 4 5/8 in. (7.6 x 11.7 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden) Design for a Cartouche with a Lion's Head and Nimbus, 1732–1802, Pen and brown ink, brush and green wash with framing lines in gray-green ink, 7 x 8- 7/16 in. (17.8 x 21.4 cm), Carlo… Plate 25 from 'The Disasters of War' (Los Desastres de la Guerra):'These too. (Tambien estos.), 1810 ( published 1863), Etching, drypoint and burin , Plate: 6 1/2 × 9 1/4 in. (16.5 × 23.5… Sphiron, ca. 1639–40, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 13 7/8 x 8 3/8 in. (35.3 x 21.2 cm), Prints, Gilles Rousselet (French, Paris 1614–1686… David in Prayer, 1652, Etching and drypoint, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam) Satan Before the Throne of God, from Illustrations of the Book of Job, 1825–26, Engraving, plate: 8 7/16 x 6 9/16 in. (21.4 x 16.7 cm), Prints, William Blake (British, London 1757–1827 London) The Pic-Nic Orchestra, April 23, 1802, Hand-colored etching and engraving, plate: 10 x 14 in. (25.4 x 35.6 cm), Prints, James Gillray (British, Chelsea 1756–1815 London) Design for a Stage Set, 1830–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau) Lodging Pilgrims, possibly 1635, Etching with engraving, Sheet (trimmed): 10 1/4 × 12 7/16 in. (26 × 31.6 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris) The Progress of Love, 1803, Brush and brown wash over black chalk underdrawing, framing lines in pen and black ink, brush and black wash, sheet: 16 9/16 x 21 5/8 in. (42 x 55 cm), Drawings,… Old Man with a Long Beard, 1761, Etching and drypoint; third state of three (Meyer), plate: 5 1/2 x 4 3/16 in. (14 x 10.6 cm), Prints, Captain William E. Baillie (Irish, County Kilbride… Figures from 'The Deluge' of Michelangelo, 1837–1911, Metalpoint, 7 13/16 x 10 1/8 in. (19.9 x 25.7 cm), Drawings, Alphonse Legros (French, Dijon 1837–1911 Watford, Hertfordshire) Head of a Woman in Profile, 16th century, Black and red chalk, framing lines in pen and black ink, sheet: 4 7/8 x 3 1/4 in. (12.4 x 8.3 cm), Drawings, Anonymous, French, 16th century Margot Leaning Against Her Mother, 1923, Drypoint; second state of two, restrike, plate: 9 13/16 x 6 15/16 in. (24.9 x 17.7 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926… Circe drinking from a cup with the companions of Ulysses in a boat at left, a circular composition, 1531–76, Engraving, sheet: 8 7/16 x 7 15/16 in. (21.5 x 20.2 cm), Prints, Giulio Bonasone… 'What are You Laughing at? To the Victor Belong the Spoils' (from Harper's Weekly), November 25, 1871, Wood engraving, sheet: 15 3/8 x 10 9/16 in. (39 x 26.9 cm), Prints, Thomas Nast (American… The Kitchen, 1858, Etching; second state of three (Glasgow); dark brown ink on buff chine on off-white wove paper (chine collé), Plate: 8 15/16 × 6 1/8 in. (22.7 × 15.6 cm), Prints, James… Contes et nouvelles en vers: Le Savetier, 1795, Etching, third state, sheet: 12 1/8 x 10 1/2 in. (30.8 x 26.6 cm), Prints, Jean Honoré Fragonard (French, Grasse 1732–1806 Paris), Engraved by… George W. Whistler, 1800–1849, 1841–60, Engraving, sheet: 9 5/8 x 7 in. (24.4 x 17.8 cm), Prints, William G. Jackman (British, active America ca. 1841–1860) Design for a Stage Set, 1830–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau) Design for a ceiling painted with clouds and flowering vines, 1830–97, graphite, pen and ink, watercolor on wove paper, image: 8 x 10 9/16 in. (20.3 x 26.8 cm), Drawings,… Design for a Porcelain Cup, 19th century, Graphite, watercolor, and gouache, heightened with white, sheet: 10 3/16 x 15 7/8 in. (25.8 x 40.4 cm), Drawings, Anonymous, French, 19th century Le Goût du Jour, No. 21: Les Modernes Incroyables, from Caricatures Parisiennes, ca. 1815, Etching, hand-colored, sheet: 14 5/8 x 10 3/8 in. (37.1 x 26.3 cm), Prints, Georges Jacques Gatine… The Fair, 1895–96, Transfer lithograph, drawn on thin, transparent transfer paper; first state of two, Image: 9 5/16 × 6 1/4 in. (23.6 × 15.8 cm), Prints, James McNeill Whistler (American,… A Woman Distributing Bread from a Basket: Study for 'Feed the Hungry,' in the Chapel of the Seven Corporal Works of Mercy (Les Oeuvres de Miséricorde), Church of Saint-Eustache, Paris,… The Little Girl, 1861–62, Etching and drypoint on laid paper, state one of two, plate: 8 1/8 x 4 5/8in. (20.6 x 11.7cm), Prints, Édouard Manet (French, Paris 1832–1883 Paris) Design for Two Vases, ca. 1770–85, Pen and gray and brown ink, and watercolor, 14 7/8 x 9 3/16 in. (37.8 x 23.3 cm), Drawings, Anonymous, French, 18th century The Barnacle Girl, ca. 1919, Etching; second state of two, plate: 6 7/8 x 4 13/16 in. (17.5 x 12.2 cm), Prints, Walter Richard Sickert (British, Munich 1860–1942 Bathampton, Somerset) The Terrace at the Villa Brancas, 1876, Etching; eighth and final state, plate: 12 11/16 x 17 5/8 in. (32.3 x 44.8 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres) Collège Henri IV (ou Lycée Napoléon), 1863–64, Etching; tenth state, plate: 11 3/4 x 19 in. (29.8 x 48.3 cm), Prints, Charles Meryon (French, 1821–1868) Female Figure with Tripod, 18th century, Graphite, pen and brown ink; framing lines in graphite, 6 13/16 x 3 7/16 in. (17.3 x 8.8 cm), Drawings, Anonymous, French, 18th century Hope (Spes) from The Virtues, ca. 1559–60, Engraving, sheet: 10 5/16 x 11 7/8 in. (26.2 x 30.2 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569… Design for Ceiling of Grand Salon, Hôtel Hope, 1867, Pen and black ink, and gouache, 9 15/16 x 13 3/16 in. (25.2 x 33.5 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),… Design for a Ceiling: Venice Receiving Homage, 1755–60, Pen and black ink, brush and gray-green and blue-gray wash, over black chalk, 11 7/8 x 8 1/16in. (30.2 x 20.5cm), Drawings, Gaspare… Christ in Limbo (reverse copy), n.d., Engraving, Sheet: 4 3/4 × 3 1/8 in. (12 × 7.9 cm), Prints, Bundele, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg) The Raising of Lazarus, small plate, 1642, Etching; first state of two, sheet: 6 x 4 1/2 in. (15.2 x 11.5 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam) Design for a Vase with a Cross-section of its Neck (recto); Design for a Vase with studies of a Muscular Nude Male Figure and figures for a Baptism (verso), 1652–1725, Pen and brown ink, brush… Two Designs for the decoration of walls pierced by pairs of double doors, 1830–97, graphite and watercolor on tracing paper; mounted on heavy wove paper, Overall: 11 7/8 x 9 in. (30.2 x 22.8… Plate 40 from 'Los Caprichos': Of what ill will he die? (De que mal morira?), 1799, Etching and aquatint, Plate: 8 3/8 x 5 13/16 in. (21.3 x 14.8 cm), Prints, Goya (Francisco de Goya y… Design for a Lady's Tomb, 16th century, Black chalk, pen and brown ink, brush and brown wash, sheet: 17 1/2 x 11 11/16 in. (44.4 x 29.7 cm), Drawings, Anonymous, French, 16th century Assembly of male and female scholars gathered around an open book, in the middle ground a man holds aloft an armillary sphere, another group of scholars in the background, ca. 1515–27,… Prodigieux Effet Produit dans la Masse au Salon de 1840, 1840, Lithograph, image: 6 5/8 x 9 in. (16.8 x 22.9 cm), Prints, Anonymous, French, 19th century Nude female figure standing with clasped hands, n.d., Graphite on cream paper, Overall: 14 1/8 x 9 1/16 in. (35.9 x 23 cm), Drawings, Auguste Rodin (French, Paris 1840–1917 Meudon) Young Cleric Kneeling before a Pope, 1663–1716, Pen and brown ink, brush and brown wash, over black chalk, 7 5/16 x 4 9/16in. (18.5 x 11.6cm), Drawings, Pietro Antonio de' Pietri (Italian,… Inauguration de la statue equestre de Louis XV, 1766, Etching, before legend, image: 7 3/16 x 4 7/16 in. (18.3 x 11.3 cm), trimmed to image, Prints, After Gabriel de Saint-Aubin (French, Paris… Horsemen and Soldiers, 1610–64, Pen and brown ink on paper, 3 1/2 x 5 1/2in. (8.9 x 14cm), Drawings, Stefano della Bella (Italian, Florence 1610–1664 Florence) Design for a Stage Set at the Opéra, Paris, 1830–90, Brush and brown and green wash, over graphite, sheet: 9 1/2 x 3 in. (24.1 x 7.6 cm), Drawings, Eugène Cicéri (French, Paris… Architectural Capriccio: Vaulted Passageway Leading to a Square, 1712–93, Pen and brown ink, brush and brown wash, over traces of black chalk. Framing lines in pen and brown ink, 8 x 9 5/8in.… Christ Giving the Host to a Holy Abbess, 1690, Pen and brown ink, brush and gray wash. Squared in black chalk, 15-11/16 x 9-3/16 in. (39.9 x 23.3 cm), Drawings, Giovanni Battista Gaulli (Il… La Coupe Enchantee, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, published in 1795, Etching and engraving;… Self-Portrait with Plumed Cap and Lowered Sabre, 1634, Etching; second state of three, plate: 5 1/8 x 4 1/4 in. (13 x 10.8 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden… Nemesis (The Great Fortune), ca. 1501, Engraving, Sheet: 13 1/16 × 9 1/16 in. (33.1 × 23 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg) Plate 1: Two palms and a coat of arms frame the title and dedication, title page for 'Various Figures' (Agréable diversité de figures), 1642, Etching; fourth state of five (De Vesme), Sheet: 3… Old Man in Meditation, Leaning on a Book, ca. 1645, Etching and drypoint, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam) Design for Gothic Tracery and Paneling, early 19th century, Ink and watercolor and wash, sheet: 9 7/16 x 11 7/8 in. (24 x 30.2 cm), Drawings, Anonymous, British, 19th century Design for Ceiling, 18th century, Leadpoint or graphite with ruled and compass construction, 10 7/8 x 12 1/2 in. (27.7 x 31.8 cm), Drawings, Workshop of Leonardo Marini (Italian, Piedmontese… Design for a Stage Set at the Opéra, Paris, 1825–90, Graphite, heightened with white, Irregular sheet: 12 1/2 x 16 7/16 in. (31.7 x 41.7 cm), Drawings, Eugène Cicéri (French, Paris… An Apparition, 1615–73, Pen and brown ink, lightly washed, 7 3/8 × 5 1/2 in. (18.7 × 13.9 cm), Drawings, Salvator Rosa (Italian, Arenella (Naples) 1615–1673 Rome) Design for the decoration of a beamed ceiling, 1840–97, graphite and watercolor on wove paper; inlaid in blue wove paper, Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),… Design for Chalice with Arms of Jean-François Paul LeFevre de Caumartin, Bishop of Vannes, 18th century, Pen and brown ink, brush and gray wash, brush and yellow wash, sheet: 13 15/16 x 8 1/16… Designs for painted panels, 1830–97, graphite, watercolor, and gold paint on wove paper, Overall: 10 15/16 x 10 5/8 in. (27.8 x 27 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died… Head of Bearded Old Man, 1805, Reddish-brown chalk, sheet: 23 9/16 x 17 in. (59.9 x 43.2 cm), Drawings, Jakob Matthias Schmutzer (Austrian, Vienna 1733–1811 Vienna) The Vision, ca. 1630, Etching; first state of five (Mannocci), sheet: 4 3/16 x 6 13/16 in. (10.7 x 17.3 cm), Prints, Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome) The Festival of Fools, after 1570, Engraving; second state of three, sheet: 11 13/16 x 16 3/4 in. (30 x 42.5 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca.… Plate 9: leopard, from 'Various animals' (Diversi animali), ca. 1641, Etching; third state of three (De Vesme), Plate: 3 3/8 × 4 3/16 in. (8.5 × 10.7 cm), Prints, Stefano della Bella… Suzanne Manet at Bellevue, 1880, Brush and black wash over graphite on wove paper, 6-3/16 x 4-5/8 in. (15.7 x 11.7 cm), Drawings, Édouard Manet (French, Paris 1832–1883 Paris) Armed Three-Master Anchored Near a City from The Sailing Vessels, ca. 1555–56, Engraving; first state of two, plate: 9 1/8 x 11 9/16 in. (23.2 x 29.4 cm), Prints, Frans Huys (Netherlandish,… A Foreshortened View of a Ceiling Corner Decorated with Statues, Putti and Garlands, n.d., Pen and brown ink brush and blue wash over traces of black chalk, 6 1/8 × 10 1/16 in. (15.6 × 25.5… Plate 52 from 'Los Caprichos': What a tailor can do! (Lo que puede un Sastre!), 1799, Etching, burnished aquatint, drypoint and burin, Plate: 8 3/8 x 5 15/16 in. (21.3 x 15.1 cm), Prints, Goya… The Death of the VIrgin, from The Life of the Virgin, Latin Edition, 1511, 1511, Woodcut, sheet: 17 5/16 x 11 13/16 in. (44 x 30 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg) Phalaris Having Perillus Thrown into the Bronze Bull, 17th century, Etching with engraving; second state of three, Plate: 5 15/16 × 7 13/16 in. (15.1 × 19.9 cm), Prints, Stefano della Bella… Drawing for title page 'Le Petit Journal', 19th century, Brush and gray wash over graphite underdrawing, 15 5/16 x 12 3/4 in. (38.9 x 32.4 cm), Drawings, Made by (?) Hubert Clerget (French,… Design for mural decoration surrounding a door: landscape with classical ruins, 1830–97, black chalk heighted with white on beige wove paper; mounted on blue wove paper, Overall: 14 3/4 x 10… Calvary with the Three Crosses, ca. 1503, Woodcut, sheet: 8 3/8 x 5 13/16 in. (21.2 x 14.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg) Two Women in Day Dresses: Preparatory drawing for a fashion plate from Le Moniteur de la Mode, October 19, 1886, Watercolor, Sheet: 14 x 10 5/8 in. (35.5 x 27 cm), Drawings, Jules David… Plate 1: a pack horse, from 'Various animals' (Diversi animali), ca. 1641, Etching; third state of three (De Vesme), Plate: 3 7/16 × 4 5/16 in. (8.7 × 10.9 cm), Prints, Stefano della Bella… Plate 20 from the 'Tauromaquia':The agility and audacity of Juanito Apiñani in [the ring] at Madrid., 1816, Etching and aquatint, Plate: 9 5/8 × 13 7/8 in. (24.5 × 35.3 cm), Prints, Goya… Christ Between His Parents Returning from the Temple, n.d., Etching, Sheet (trimmed): 3 13/16 × 5 15/16 in. (9.7 × 15.1 cm), Prints, After Rembrandt (Rembrandt van Rijn) (Dutch, Leiden… S. Pietro in Montorio, Tempietto, section (recto) blank (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 17 1/2 x 11 5/8 in. (44.5 x 29.5 cm) Design for a Pink Sofa and Two Mauve Chairs, early 19th century, Ink, watercolor and wash, sheet: 10 13/16 x 14 15/16 in. (27.5 x 37.9 cm), Anonymous, British, 19th century Design for Ceiling, 18th century, Graphite or leadpoint with ruled and compass construction, 9 3/16 x 11 5/16 in. (23.3 x 28.7 cm), Drawings, Workshop of Leonardo Marini (Italian, Piedmontese… A Kingfisher on a Branch, 16th century, Watercolor and gouache over traces of black chalk, sheet: 4 1/2 x 7 1/16 in. (11.5 x 18 cm), Drawings, Jacques Le Moyne de Morgues (French, Dieppe ca.… Artist Drawing a Portrait of a Man, n.d., Woodcut, sheet: 5 1/4 x 5 7/8 in. (13.3 x 14.9 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg) Hippomenes and Atalanta, from 'Game of Mythology' (Jeu de la Mythologie), 1644, Etching; first state of five, Sheet: 1 13/16 × 2 3/16 in. (4.6 × 5.6 cm), Prints, Etched by Stefano della… St. Mary Magdalene on the Clouds (copy), 1518 (?), Engraving, sheet: 4 5/8 x 2 15/16 in. (11.7 x 7.4 cm), Prints, After Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden) Saint Cajetan of Thiene Holding the Infant Jesus, 1730–40, Pen and brown ink, brush and gray wash. Framing lines in pen and gray ink, 8-15/16 x 6-7/8 in. (22.7 x 17.4 cm), Drawings, Gaetano… Hedysarum Pabulare, 1909–14, Watercolor and brown ink over graphite, with page design indicated in graphite, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings, Margaret Neilson… The Last Judgment (Schr. 619), 15th century, Woodcut, hand-colored, sheet: 3 1/16 x 2 3/8 in. (7.7 x 6 cm), Prints, Anonymous, German, 15th century Design for Festival Architecture for an Entry into Paris for the King of Sweden, Frederick I of Hesse, 18th century, Pen and gray ink, gray wash over traces of black chalk. Border line in pen… Portrait of Marie Antoinette, 1786–1800, Stipple engraving and etching, printed in colors, plate: 17 5/16 x 11 3/4 in. (44 x 29.8 cm), Prints, John Curtis (British, active 1786–1800), After… La Mère Gérard, 1858, Etching; fourth state of four (Glasgow); printed in black ink on brownish-gray chine on off-white wove paper (chine collé), Plate: 5 × 3 9/16 in. (12.7 × 9 cm),… Teal Among the Reeds, 1850–1914, Etching on laid paper; fourth and final state, Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres) Fumette, 1858, Etching; fifth state of five (Glasgow); printed in black ink on thin cream laid Japan, Plate: 6 3/8 × 4 5/16 in. (16.2 × 10.9 cm), Prints, James McNeill Whistler (American,… Two Designs for Doorways with Alternate Overdoor Decoration, second half 19th century, Graphite, pen and black ink, and watercolor, Both designs 8 3/4 x 4 3/4 in. (22.2 x 12.1 cm), Drawings,… Tiddy-Doll, the Great French-Gingerbread-Baker; Drawing Out a New Batch of Kings, His Man Hopping Talley, Mixing Up the Dough, January 23, 1806, Hand-colored etching, sheet: 10 1/4 x 15 1/16 in. (26… The Holy Family with Saint John the Baptist, copy after Cantarini, ca. 1639–1648 or after, Etching, Sheet: 6 9/16 × 8 15/16 in. (16.7 × 22.7 cm), Prints, After Simone Cantarini (Italian,… The Pregnancy of Callisto Discovered by Diana, 1612–66, Pen and brown ink, over black and red chalk, 7 3/4 x 11 3/16in. (19.7 x 28.4cm), Drawings, Antonio Molinari (Italian, Venice… Plate 11: a young horseman, seen from the front, leading another horse, from 'Diversi capricci', ca. 1644–47, Etching; third state of four, Sheet: 3 1/4 × 4 1/8 in. (8.3 × 10.5 cm),… St. Joachim Embracing St. Anna, 1520, Engraving, sheet: 4 3/16 x 2 3/4 in. (10.6 x 7 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden) The Kitchen, [1858] republished 1885, Etching with drypoint cancellation lines; from the cancelled plate (Glasgow), plate: 8 7/8 x 6 1/8 in. (22.5 x 15.6 cm), Prints, James McNeill Whistler… 2.589.713 / 2.589.715 Entries < previous page Page 1169 / 25898 next page >