The Artist's Mother Seated at a Table, Looking Left: Three Quarter Length, after 1631, Etching, Sheet: 5 7/8 × 4 9/16 in. (14.9 × 11.6 cm), Prints, After Rembrandt (Rembrandt van Rijn)…

Six Animals, Etching and engraving, second state, sheet: 13 7/16 x 19 3/8 in. (34.1 x 49.2 cm) trimmed to platemark, Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice)

Moses and a Prophet, 1763–64, Etching, first state, sheet: 6 15/16 x 9 3/16 in. (17.6 x 23.3 cm), Prints, Jean Honoré Fragonard (French, Grasse 1732–1806 Paris), After Annibale Carracci…

Naval battle, a rowboat filled with people fighting with muskets to left, people drowning in the sea in the center and right foreground, a ship on its side and burning in the background, from…

Two Acanthus Friezes: Cupid Subduing Two Lions; Heads of Four Seasons, Plate 14 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami), ca. 1648, Etching; fourth state of five,…

Design for a Section of a Domed Corinthian Temple, 1769, Pen and black ink, brush and gray and beige wash over graphite underdrawing, 10 7/8 x 17 3/8 in. (27.6 x 44.1 cm), Drawings, Pierre…

Perspective Drawing of an Interior, early 19th century, Graphite, sheet: 8 9/16 x 12 5/16 in. (21.7 x 31.2 cm), Anonymous, British, 19th century

Scenes from Ancient History, after Polidoro da Caravaggio, 1560–1608, Pen and brown ink, brush and brown wash, over traces of black chalk. Framing lines in black chalk, 4 11/16 x 13 1/8in. (11.9…

A standing sailor talking to a seated Levantine, ca. 1660, Etching; second state of two, Sheet: 7 1/16 × 7 1/4 in. (18 × 18.4 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664…

Rembrandt with Raised Sabre, 1634, Etching with touches of burin, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

God The Father Creating (?) (r.); Study of neo-classical statue of a nude male (v.), 1772–1850, Pen and brown ink over graphite (recto); graphite (verso), 8-3/4 x 6-7/8 in. (22.2 x 17.5 cm),…

May Day Celebrations at Xeuilley, ca. 1624–25, Pen and brown ink, brush and brown wash, sheet: 7 x 13 1/16 in. (17.8 x 33.2 cm), Drawings, Jacques Callot (French, Nancy 1592–1635 Nancy), Born…

Antoine Vitre, typrographe du roi, Etching, third state, image: 12 3/16 x 8 3/8 in. (31 x 21.2 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne…

Standing Man in Exotic Dress, 1765–1810, Red chalk wash, sheet: 16 1/2 x 10 15/16 in. (41.9 x 27.8 cm), Drawings, Attributed to Jakob Matthias Schmutzer (Austrian, Vienna 1733–1811 Vienna)

The Death of Dido, 1624–63, Pen and brown ink, brush and brown wash, over black chalk. Framing lines in pen and brown ink on mount, 3-11/16 x 5-5/16 in. (9.4 x 13.5 cm), Drawings, attributed…

Design for Albert Settee, early 19th century, Ink, watercolor and wash, sheet: 8 15/16 x 11 13/16 in. (22.7 x 30 cm), Anonymous, British, 19th century

Design for a ceiling with allegorical panels, second half 19th century, Graphite, pen and black ink, gilt, gouache, and watercolor, Overall: 12 5/8 x 9 7/16 in. (32.1 x 24 cm), Drawings,…

Design for Urn, ca. 1770–90, Pen and gray and black ink, brush and gray wash, 10 1/8 x 17 5/16 in. (25.7 x 43.9 cm), Drawings, Anonymous, French, 18th century

Design for a Vessel with Two Griffons, 18th century, Pen and gray ink over graphite on laid paper, sheet: 6 7/16 x 5 3/16 in. (16.4 x 13.1 cm), Drawings, Attributed to Anonymous, French, 18th century

The Resurrection, 1521, Engraving; first state, image: 4 5/8 x 12 15/16 in. (11.7 x 32.9 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Aeneas's Farewell to Dido, Pen and black ink, 6 5/8 x 8 1/2 in. (16.9 x 21.6 cm.), Drawings, Jean Le Pautre (French, Paris 1618–1682 Paris)

Designs for a Palmette Motif with Tendrils (recto); studies for a Male Figure and Decorative Sculpture (verso), 1652–1725, Pen and brown ink, over traces of graphite. Verso: Pen and brown ink,…

Two Women and Two Cupids, published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Engraved by Anonymous, Italian, 16th century, After Battista…

Drapery Study for Sainte Clotilde (middle register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858), 19th century, Black chalk, stumped, traces of red…

Bust of a Man Facing Right, 1591–1666, Pen and dark brown ink, brush with brown and gray-brown wash, sheet: 5 3/8 x 6 in. (13.7 x 15.3 cm), Drawings, Guercino (Giovanni Francesco Barbieri)…

Replacements in the Parisian Guard Playing Cards, ca. 1795, Black chalk, 6 9/16 x 4 7/16 in. (16.6 x 11.3 cm), Drawings, baron Dominique Vivant Denon (French, Givry 1747–1825 Paris)

Blasted Trees and Flattened Crops, from Thornton's Pastorals of Virgil, 1821, Wood engraving; second state, block: 1 3/8 x 2 7/8 in. (3.5 x 7.3 cm), Prints, William Blake (British, London…

A Small Town on the Crest of a Slope, 1504–1507, Pen and brown ink, 11 x 8-9/16 in. (27.9 x 21.7 cm), Drawings, Fra Bartolomeo (Bartolomeo di Paolo del Fattorino) (Italian, Florence…

Young Man with a Skull, ca. 1519, Engraving; first state, sheet: 6 1/4 x 5 3/4 in. (15.9 x 14.6 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Los Disparates (Los Proverbios), ca. 1816–23 (published 1864), Etching, Sheet: 13 1/8 × 18 7/8 in. (33.3 × 48 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos…

Design for Upright Decorative Panels, 18th century, Red chalk over black chalk, sheet: 13 3/4 x 10 3/8 in. (35 x 26.3 cm), Drawings, Anonymous, French, 18th century

Virgin and Child Enthroned with Saint Anthony Abbot, Saint Peter, Saint Paul, Saint Julian the Hospitaler, Saint Roch, and Saint Mary Magdalen?, 1522–23, Pen and brown ink, highlighted with…

Papal Cartouche, ca. 1740–41, Pen and brown ink, brush and brown wash over traces of black chalk, Overall: 10 3/16 x 6 15/16in. (25.9 x 17.6cm), Carl Frederick Adelcrantz (Swedish,…

Fragment of a Composition with a Reclining Semi-Nude Man Surrounded by Soldiers and Other Onlookers in a Landscape, 1634–1705, Pen and brown ink. Squared for transfer in red chalk, 15 11/16 x…

Man Stabbing Himself, 1591–1666, Pen and brown ink, squared in black chalk, sheet: 6 5/8 x 7 3/4 in. (16.9 x 19.7 cm), Drawings, Circle of Guercino (Giovanni Francesco Barbieri) (Italian,…

Part of the Entrance of the Polish Legation (Q.X.Y.), 1633, Etching, state i, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence)

The Adoration of the Lamb, from The Apocalypse, Latin Edition, 1511, 1511, Woodcut, block: 15 3/8 x 10 15/16 in. (39 x 27.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Vulcan seated hammering on an anvil flanked by Venus and three cupids, ca. 1515–27, Engraving, Sheet (Trimmed): 4 3/16 × 6 7/8 in. (10.7 × 17.5 cm), Prints, Marco Dente (Italian, Ravenna,…

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, brush and brown and green wash, Irregular sheet: 10 7/8 x 6 5/16 in. (27.6 x 16.1 cm), Drawings, Eugène Cicéri (French,…

Judith Holding up the Head of Holofernes, 1625–1713, Pen and brown ink, over red chalk, 10 1/16 x 7 1/16in. (25.5 x 18cm), Drawings, Carlo Maratti (Italian, Camerano 1625–1713 Rome)

The Death of the Virgin, from The Life of the Virgin, 1510, Woodcut, sheet: 11 9/16 x 8 3/16 in. (29.4 x 20.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Libye, 1644, Etching, state iii, Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence), Designed by Jean Desmarets de Saint-Sorlin (French, 1595–1676)

Little Venice (The Little Venice), 1879–80, Etching and drypoint; second state of two (Glasgow); printed in black ink with selectively wiped ink on medium weight cream wove paper, Plate: 7 5/16…

The Magic Lantern, 1737, Etching with some engraving, Sheet (trimmed): 9 3/8 × 7 3/16 in. (23.8 × 18.3 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris…

Fish Shop, Venice, 1879–80, Etching and drypoint; fifth state of nine ( Glasgow) with extensive pencil alterations on shop, street, arch and figures (brown wash in the window, blue/grey on…

Firelight (Mrs. Joseph Pennell), 1896, Transfer lithograph, drawn on white transfer paper with a grained-stone texture, Sheet: 12 1/8 in. × 9 in. (30.8 × 22.9 cm), Prints, James McNeill…

Designs for Arched Doorway, 19th century, Pen and black ink, watercolor, 10 1/8 x 5 1/2in. (25.7 x 14cm), Drawings, Charles Monblond (French, 19th century)

Design for a Silver-Gilt Vessel, 18th century, Pen and brown ink, brush and greenish-yellow wash, sheet: 6 5/16 x 16 7/16 in. (16 x 41.7 cm), Drawings, Anonymous, French, 18th century

Plate 7 from 'The Disasters of War' (Los Desastres de la Guerra): What courage! (Que valor!), 1810 ( published 1863), Etching, aquatint, drypoint, burin and burnisher, Plate: 6 x 8 3/16 in. (15.3…

Portrait of a Man in a Monastic Habit, 1699–1758, Black chalk, stumped, highlighted with white, on gray-green paper, 11 5/8 x 8 13/16in. (29.6 x 22.4cm), Drawings, Bartolommeo Nazari…

Venus et Adonis, 1644, Etching, state i, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence), Designed by Jean Desmarets de Saint-Sorlin (French, 1595–1676)

The Infant St. John the Baptist Holding up His Robe, ca. 1649, Etching; second state of three, Sheet (trimmed): 5 9/16 × 3 5/8 in. (14.1 × 9.2 cm), Prints, Etched by Stefano della Bella…

Mercury at the right telling the story of Pan and Syrinx, 1531–76, Engraving with etching, sheet: 8 11/16 x 12 5/8 in. (22 x 32.1 cm), Prints, Giulio Bonasone (Italian, active Rome and…

Nude Male Figure, Rear View, 18th century, Red and black chalk on buff paper, 15-1/8 x 10-1/8 in. (38.4 x 25.7 cm), Drawings, Attributed to Giovanni da San Giovanni

Christ Child With New Year's Wish (Schr. 784), 15th century, Woodcut, hand-colored (modern restrike), sheet: 8 5/16 x 6 5/8 in. (21.1 x 16.8 cm), Prints, Anonymous, German, 15th century

Head of man in Profile to Left, 1503–40, Red chalk (face) and black chalk (hair, beard, and eyes), 2-13/16 x 2-3/16 in. (7.1 x 5.6 cm), Drawings, Attributed to Parmigianino (Girolamo Francesco…

Design for the decoration of a ceiling with circular medallions, 1830–97, graphite and watercolor on laid paper; mounted on wove paper, Overall: 10 5/16 x 14 13/16 in. (26.2 x 37.6 cm),…

Whistler's 'Portrait of Himself', 1888, Roulette, aquatint and etching; seventh state of seven, plate: 12 15/16 x 8 13/16 in. (32.8 x 22.4 cm), Prints, Henri-Charles Guérard (French, Paris…

The Ascension, from The Little Passion, ca. 1510, Woodcut, sheet: 5 x 3 7/8 in. (12.7 x 9.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Design for Two Chairs, ca. 1770–90, Pen and black ink, brush and gray wash over graphite; framing lines in pen and brown ink., 8 3/4 x 13 7/8 in. (22.2 x 35.2 cm), Drawings, Anonymous, French,…

The Man of Sorrows with Angels, 15th century, Metalcut, hand-colored in green, yellow, and red, sheet: 2 3/8 x 1 13/16 in. (6 x 4.6 cm), Prints, Anonymous, German, 15th century, After Master…

Madere, 1644, Etching, state iii, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence), Designed by Jean Desmarets de Saint-Sorlin (French, 1595–1676)

Two Women, a Lion, and a Putto on Clouds, 1696–1770, Pen and brown ink, brush with pale (yellow) and dark brown wash, over black chalk, 9-1/4 x 10-7/16 in. (23.5 x 26.5 cm), Drawings,…

The Journalist, With a View of Auckinleck, or the Land of Stones (Picturesque Beauties of Boswell, Part the First), May 15, 1786, Etching, Sheet: 10 9/16 × 11 7/16 in. (26.9 × 29.1 cm),…

Elevation and Plan for a Round Mausoleum, Pen and black ink with brush and gray and brown wash over graphite underdrawing., 16 15/16 x 11 1/8 in. (43.1 x 28.2 cm.), Drawings, Jean Charles…

The Caress, ca. 1891, Drypoint; second state, plate: 7 3/4 x 5 3/4 in. (19.7 x 14.6 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise)

Lithograph from Baron Taylor's Voyages Pittoresques, 1820–78, Lithograph, Sheet: 8 15/16 × 11 9/16 in. (22.7 × 29.4 cm), Prints, Godefroy Engelmann (German (born France), Mulhouse…

Three Designs for Plate Borders (recto); Three Designs for Plate Borders (verso), 19th century, On recto, graphite, watercolor, gouache, and gold gilt. Framing lines in graphite. On verso, brush…

Coat of Arms with Cock, ca. 1502, Engraving, 7 3/8 x 4 in. (18.8 x 10.2 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Virgin and Child with Saint Catherine, Francis of Assisi and John the Baptist, 1620–70, Engraving, sheet: 16 1/8 x 11 7/16 in. (41 x 29.1 cm), Prints, Giovanni Battista Bonacina (Italian,…

Designs for Ceiling, 19th century, Pen and gray, black and red ink, brush and gray wash, 15 7/8 x 10 1/2in. (40.3 x 26.7cm), Drawings, Charles Monblond (French, 19th century)

Madonna and Child seated on clouds and surrounded by angels, copy in reverse after Cantarini, ca9 or after, Etching, Sheet (Trimmed): 5 9/16 × 4 1/2 in. (14.1 × 11.5 cm), Prints, After…

Studies of Landscape, Trees, and Exotic Fruit, ca. 1885, Watercolor and ink over graphite, 12 1/2 x 18 3/4 in. (31.8 x 47.6 cm), Drawings, Auguste Renoir (French, Limoges 1841–1919 Cagnes-sur-Mer)

If he Is guilty, let him die quickly (Si es deliquente qe. muera presto), ca. 1815, Etching, printed in black ink with platetone, Plate: 4 9/16 × 3 3/4 in. (11.6 × 9.5 cm), Prints, Goya…

Cavaliers in a City Square, early 17th century, Pen and brown ink, 9 7/16 x 8 3/16 in. (24 x 20.8 cm), Drawings, Jean de Saint-Igny (French, Rouen ca. 1595/1600–1647 Paris)

Design for a Candelabra, 19th century, Pen and brown ink, sheet: 8 7/8 x 5 3/16 in. (22.5 x 13.2 cm), Drawings, Anonymous, French, 19th century

Palazzo Pontifici, Sala Regia, coffer panels, reflected ceiling plan (recto) blank (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 17 5/16 x 11 7/16 in.…

Design for Salon Ceiling, Hôtel Candamo, ca. 1873, Pen and black ink, watercolor, 7 7/8 x 12 3/8 in. (20 x 31.4 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),…

The Bonnet, ca. 1891, Drypoint; third state of three, plate: 7 3/8 x 5 1/2 in. (18.7 x 14 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise)

Design for a Wall Elevation with Halved Alternate Designs for the Doorway (recto); Designs for a Quarter of a Ceiling, Design for a Wall Elevation (verso), 1774–90, Pen and gray ink over black…

Eleven designs for the decoration of interiors, 1830–97, graphite and black chalk on various papers; mounted on cardboard, Overall: 12 1/4 x 18 3/4 in. (31.1 x 47.7 cm), Drawings,…

Faust, ca. 1652, Etching, drypoint, and engraving; first state of three, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

A Woman Making Water, late 18th/early 19th century, Etching, Sheet: 3 7/16 × 2 11/16 in. (8.7 × 6.9 cm), Prints, After Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam),…

Portrait of Miss L...,or A Door Must Be Either Open or Closed, 1876, Drypoint on laid paper; only state, Plate: 15 1/4 x 8 1/2 in. (38.8 x 21.6 cm), Prints, James Tissot (French, Nantes…

Design for Stern of the Boat 'Lorox', 1757, Pen and black and gray ink, brush and black and gray wash, 10 1/4 x 9 1/2 in. (26.1 x 24.2 cm) cut along border of design, Drawings, Anonymous, French,…

Design for a Stage Set, 1830–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Design for a Candelabra, 18th century, Pen and brown ink. Framing lines in pen and brown ink., sheet: 10 1/2 x 8 1/16 in. (26.6 x 20.5 cm), Anonymous, French, 18th century

Design for Three Low Uphostered Arm Chairs, early 19th century, Graphite, sheet: 10 3/4 x 15 1/16 in. (27.3 x 38.2 cm), Anonymous, British, 19th century

Sheet of Studies with a Woman Lying Ill in Bed, etc., ca. 1641/42, Etching, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

The Herd Returning in Stormy Weather, 1651, Etching; second state of two (Mannocci), sheet: 6 7/8 x 9 3/16 in. (17.5 x 23.3 cm), Prints, Claude Lorrain (Claude Gellée) (French, Chamagne…

A man playing the violin in center, turned towards the left in profile, a seated woman to left playing with her dancing child, another woman standing and pointing behind a tree to left, seated…

Anatomical drawing, 18th century, Pen and ink, brush and gray wash on blue paper, sheet: 8 5/16 x 13 3/16 in. (21.1 x 33.5 cm), Drawings, Anonymous, French, 18th century

Head of a Warrior, 1597–1601, Red chalk, 11 1/8 x 7 5/8in. (28.2 x 19.4cm), Drawings, Cavaliere d'Arpino (Giuseppe Cesari) (Italian, Arpino 1568–1640 Rome)

Studies for a Rest on the Flight into Egypt, 1571–1639, Pen and brown ink, brush and brown wash, over red chalk (the faint sketch of Saint Joseph and the donkey at left background is entirely in…

Design for Wall Paneling and Ceiling in Pompeiian Style, Château de Deepdene, 1875–79, Watercolor, 12 7/8 x 4 1/8 in. (32.7 x 10.4 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died…

Twenty-four Cavaliers Fighting in Two Columns, 1652, Etching, Sheet: 8 11/16 × 11 13/16 in. (22 × 30 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence)

Costume Design, 1836–37, Pen and brown ink, brush and brown wash, graphite, 9 1/2 x 5 7/8 in. (24.2 x 15 cm), Drawings, Pierre-Numa Bassaget, called Numa (French, active 1830–54)

Designs for Fireplace Iron, Mantle Candlesticks and a Clock, 19th century, Pen and brown ink, sheet: 10 11/16 x 9 in. (27.1 x 22.8 cm), Drawings, Anonymous, French, 19th century

Saint Benedict at the School in Rome, ca. 1630–35, Red chalk, brush and red wash, squared in red chalk, 8 7/8 x 14in. (22.6 x 35.6cm), Drawings, Andrea Lilli (Lilio) (Italian, Ancona ca.…

Persian Woman or Man Holding a Tray, 19th century, Watercolor and gouache, sheet: 7 3/4 x 4 1/4 in. (19.7 x 10.8 cm), Drawings, Anonymous, Persian, 19th century