The Annunciation, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach)

Ceiling Design, n.d., Red and black chalk, pen and brown ink, 10 7/16 x 15 3/16 in. (26.5 x 38.5 cm), Drawings, Charles de la Fosse (French, Paris 1636–1716 Paris), La Fosse was one of the…

Satan Smiting Job with Boils, from Illustrations of the Book of Job, 1825–26, Engraving, plate: 8 1/2 x 6 5/8 in. (21.6 x 16.8 cm), Prints, William Blake (British, London 1757–1827 London)

David Watching Bathsheba Bathe, n.d., Engraving with etching, sheet: 16 7/16 x 12 15/16 in. (41.7 x 32.8 cm), Prints, de la Court, After Laurent de La Hyre (French, Paris 1606–1656 Paris)

Pygmalion, from 'Game of Mythology' (Jeu de la Mythologie), 1644, Etching; first state of five, Sheet: 1 7/8 × 2 1/4 in. (4.7 × 5.7 cm), Prints, Etched by Stefano della Bella (Italian,…

The Holy Family, 1750–57, Pen and brown ink, brush and brown wash, over black chalk (recto); red chalk (verso), 10-1/2 x 7-5/8 in. (26.6 x 19.3 cm), Drawings, Giovanni Battista Tiepolo…

De St. Priest, August 18, 1849, Lithograph, sheet: 14 1/4 x 9 15/16 in. (36.2 x 25.2 cm), Prints, Honoré Daumier (French, Marseilles 1808–1879 Valmondois)

Two Designs for the Decoration of a Circular Frieze or Cornice, mid-17th century, Pen and brown ink, brush and brown wash, sheet: 8 7/16 x 8 9/16 in. (21.5 x 21.8 cm) (irregular borders), Circle…

Herdsman on Horseback Drives Animals, ca. 1646, Etching, Plate: 5 9/16 × 5 7/16 in. (14.2 × 13.8 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence)

Drury Lane, [1880–81], Etching; only state (Glasgow); printed in brownish-black ink on cream laid paper, Plate: 6 7/16 × 4 1/8 in. (16.3 × 10.4 cm), Prints, James McNeill Whistler…

Faith, from the series The Seven Virtues, 1530, Engraving; second state, sheet: 6 7/16 x 4 1/4 in. (16.4 x 10.8 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Partial design for ceiling with a border of flowers, 1830–97, graphite, pen and ink, watercolor, and gouache on wove paper, Overall: 8 3/8 x 8 5/16 in. (21.3 x 21.1 cm), Drawings,…

Satyr's Head, 1566–80, Pen and brown ink over traces of chalk, 10 15/16 x 8 1/4 in. (27.8 x 21 cm), Attributed to Adamo (Ghisi) Scultori (Italian, Mantua ca. 1530–1587 Rome)

Imperial Jump-rope (Le Sauteur impérial, grand faiseur de tour), July 1815, Lithograph, hand-colored, sheet: 9 1/8 x 15 5/16 in. (23.2 x 38.9 cm), Prints, Friedrich August Mottu (German, Cologne…

President Cleveland's Awful Treachery: Handing Over the Liberties of America to John Bull, 1890–99, Pen and ink, sheet: 13 1/2 x 11 in. (34.3 x 27.9 cm), Drawings, Frederick Burr Opper…

A Maja standing against a light background (Maja), Etching and drypoint, printed in black ink , Plate: 7 1/2 × 4 3/4 in. (19 × 12 cm), Prints, After Goya (Francisco de Goya y Lucientes)…

Design for a Stage Set at the Opéra, Paris, 1830–90, Watercolor over graphite, sheet: 9 7/16 x 3 3/4 in. (24 x 9.6 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Ecco Homo, from The Small Passion, ca. 1509, Woodcut, sheet: 5 1/16 x 3 13/16 in. (12.8 x 9.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Venus removing a thorn from her left foot while seated on a cloth beside trees and foliage, a hare eating grass before her, ca. 1515–27, Engraving, Sheet (Trimmed): 10 1/8 × 6 11/16 in. (25.7 ×…

Portrait of the Marquis de Biron., ca. 1904, Black chalk, sheet: 16 15/16 x 10 3/8 in. (43.1 x 26.4 cm) maximum, upper border arched, Drawings, Giovanni Boldini (Italian, Ferrara 1842–1931 Paris)

Triton and Siren in Tendrils, 1510, Engraving, sheet: 2 1/8 x 4 3/8 in. (5.4 x 11.1 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Design of an Interior with Portraits and Ornate Decorations., n.d., Pen and brown ink over traces of graphite, sheet: 10 9/16 x 15 7/8 in. (26.8 x 40.3 cm), Drawings, Antonio Galli Bibiena…

Kneeling Figure Wearing a Cope, n.d., Red chalk, heightened with white chalk, on beige paper, 16 7/16 x 10 5/16 in. (41.8 x 26.2 cm), Drawings, Joseph Marie Vien (French, Montpellier 1716–1809…

Virgin and Child on a Grassy Bench, 1503, Engraving, plate: 4 1/2 x 2 13/16 in. (11.5 x 7.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Sultana wearing a turban, in profile to the right, from 'Several heads in the Persian style' (Plusieurs têtes coiffées à la persienne), 1649–50, Etching; second state of two, Sheet (trimmed):…

Academy Study of a Young Man, ca. 1649, Etching; touched proof, Sheet: 6 in. × 3 9/16 in. (15.2 × 9 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence)

Pheasants at Dawn, 1850–1914, Etching, sheet: 11 7/16 x 16 1/8 in. (29 x 41 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres)

Saint Jerome in His Study, 1514, Engraving, Sheet: 9 5/8 × 7 3/8 in. (24.5 × 18.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Christ as the Man of Sorrows with the Instruments of the Passion., 1517, Engraving, sheet: 4 5/8 x 2 7/8 in. (11.7 x 7.3 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

The Crucifixion (Round), n.d., Engraving, Diameter: 1 3/8 in. (3.5 cm), Prints, Anonymous, German, 16th century, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Small Stove and Two Tall Objects, 19th century, Pen and ink and gouache, Overall: 14 1/8 x 18 3/8 in. (35.9 x 46.7 cm), Drawings, Anonymous, Chinese, 19th century

Witches' Sabbath (recto); Figures Gathered around a tree (verso), 1615–73, Pen and brown ink, brush and brown wash (recto and verso); framing lines in black chalk, 8-9/16 x 12-1/2 in. (21.8 x…

Saint Onuphrius, ca. 1460–70, Woodcut; hand-colored, 5-3/4 x 4-1/2 in., Prints, Anonymous, German, Augsburg, 15th century

The Beheading of Saint John the Baptist, 1510, Woodcut, sheet: 7 11/16 x 5 1/8 in. (19.5 x 13 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Interior with Figures, 18th century, Pen and brown ink, brush and brown wash over red chalk., 4 3/8 x 6 9/16 in. (11.1 x 16.6 cm), Drawings, Anonymous, French, 18th century

The Russian Schube, 1896, Transfer lithograph with scraping, drawn on white transfer paper with a grained-stone texture; first state of two (Chicago); printed in black ink on cream laid paper,…

Design for a bedroom, 19th century, Graphite, 14 x 18 7/8 in. (35.6 x 47.9 cm), Henri Perron (French, 19th century)

Jacob Wrestling with the Angel, 1601–68, Pen and brown ink, brush and brown wash over traces of black chalk, 10 3/4 x 7 9/16in. (27.3 x 19.2cm), Drawings, attributed to Giulio Benso (Italian,…

Instruments of Human Sustenance (Humani Victus Instrumenta): Agriculture, after 1569, Engraving, sheet: 14 11/16 x 9 13/16 in. (37.3 x 25 cm), Prints, In the manner of the circle of Giuseppe…

Design for a Vase, 19th century, Pen and brown ink, brush and green, gray, and lavender wash, over graphite., sheet: 9 5/16 x 6 5/8 in. (23.6 x 16.8 cm), Drawings, Anonymous, French, 19th century

Design for a Stage Set at the Opéra, Paris, 1830–90, Watercolor over graphite, sheet: 9 7/16 x 3 1/2 in. (23.9 x 8.9 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

The Visitation of Our Lady (Luke 1:39-56)(recto); Zachariah (verso), 1681–1767, Red chalk. Verso: faint red chalk studies for the figures of Joseph and Zechariah, 11-1/2 x 10-7/16 in. (29.2 x…

Portrait of Cosimo de' Medici and Marguerite Louise d'Orleans, His Wife, 1661, Etching, Sheet (trimmed): 5 5/16 × 5 5/16 in. (13.5 × 13.5 cm), Prints, Etched by Stefano della Bella (Italian,…

L'Enclos, Etching, sheet: 7 11/16 x 7 5/16 in. (19.5 x 18.5 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris)

Illustration for a Book: Scene of Combat, 1696–1770, Black chalk. Horizontal and vertical centering lines ruled in faint black chalk, 3-1/8 x 6-3/16 in. (8.0 x 15.7 cm), Drawings, Giovanni…

An Oriental Chieftain Resting, 1727–1804, Pen and brown ink, brush and brown wash, over black chalk, sheet: 7 13/16 x 10 9/16 in. (19.9 x 26.8 cm), Drawings, Giovanni Domenico Tiepolo…

Widow Bird, from The Comic Natural History of the Human Race, 1851, Color lithography with watercolor and gum, sheet: 11 x 7 1/16 in. (28 x 17.9 cm), Prints, Henry Louis Stephens (American,…

Head of Minerva, from 'Various heads and figures' (Diverses tétes et figures), 1650, Etching, Plate: 3 7/16 × 2 5/8 in. (8.8 × 6.6 cm), Prints, Stefano della Bella (Italian, Florence…

The Betrothal of Philip and Joanna, n.d., Woodcut, sheet: 6 13/16 x 5 3/4 in. (17.3 x 14.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Théagène, ca. 1639–40, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 13 15/16 x 8 3/8 in. (35.4 x 21.3 cm), Prints, Gilles Rousselet (French, Paris 1614–1686…

Design for a Stage Set at the Opéra, Paris (recto); Man with Cane (verso), 1840–90, Graphite, sheet: 9 11/16 x 12 13/16 in. (24.6 x 32.5 cm), Drawings, Eugène Cicéri (French, Paris…

Plate 16 of the 'Tauromaquia': The same man throws a bull in the ring at Madrid., 1816, Etching, burnished aquatint, drypoint and burin, Plate: 9 5/8 × 13 7/8 in. (24.5 × 35.2 cm), Prints,…

Figures in Classical Ruins, 1691–1765, Pen and brown ink, brown wash, gray wash over black chalk, 8 7/8 x 13in. (22.5 x 33cm), Drawings, Giovanni Paolo Panini (Italian, Piacenza 1691–1765 Rome)

Two Women in an Art Gallery, 1868, Watercolor, Sheet: 11 5/16 x 8 7/8 in. (28.7 x 22.6 cm), Drawings, Jules David (French, 1808–1892)

The Virgin Immaculate Appearing to Four Saints, 1634–89, Black chalk. Squared in black chalk, 10 3/4 x 8 9/16in. (27.3 x 21.8cm), Drawings, Ciro Ferri (Italian, Rome 1634?–1689 Rome), The…

Domus Augustiana, cornice, elevation in profile, ornamental detailing (recto) Unidentified, cornice, elevation in profile, ornamental detailing (verso), early to mid-16th century , Dark brown…

Farmyard in Normandy, ca. 1831, Graphite and gray wash, 7 1/8 x 9 7/8 in. (18.1 x 25.1 cm), Drawings, Théodore Rousseau (French, Paris 1812–1867 Barbizon)

The Holy Family with Saint Anne and Saint John in a classical landscape; verso: The Holy Family with Saint Anne and Saint John, late 18th–19th century, Pen and black and brown ink; verso: pen…

Nobleman Giving Alms to Beggar in Piazza near the Coliseum, 1813, Pen and brown ink with wash, heightened with white (that has oxidized), 16 1/8 x 21 1/4 in. (41.0 x 54.0 cm), Drawings, Conrad…

The Death of Maitre Andre, n.d., Etching; second state, image: 7 5/16 x 8 15/16 in. (18.6 x 22.7 cm), trimmed to image, Prints, Claude Gillot (French, Langres 1673–1722 Paris), Engraved by…

The Dream of the Doctor, ca. 1498, Engraving, Sheet: 7 3/8 × 4 11/16 in. (18.7 × 11.9 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Design for a Wall Decoration, 18th century, Pen and ink, brush and grey wash, 6 1/4 x 7 3/4 in. (15.9 x 19.7 cm), Drawings, Anonymous, French, 18th century

Ornament Design for a Thesis on the Device: Quest' un soccorso, ca. 1656, Etching with engraving?, Sheet: 9 11/16 × 13 3/8 in. (24.6 × 34 cm), Prints, Stefano della Bella (Italian, Florence…

Design for a Tomb for a Cardinal, 16th century, Pen and brown ink, brush and brown wash, sheet: 8 11/16 x 10 1/2 in. (22 x 26.7 cm), Drawings, Anonymous, French, 16th century

Isabel of Bourbon, Queen of Spain and wife of Philip IV (D. Isabel de Borbon, Reyna de España, muger de Felipe Quarto), 1778, Etching and drypoint, Plate: 14 5/8 × 12 3/8 in. (37.2 × 31.5…

Head of an Old Woman, 1485–1547, Pen and ink on buff paper, 8 x 6-1/2 in. (20.3 x 16.5 cm), Drawings, Sebastiano del Piombo (Sebastiano Luciani) (Italian, Venice (?) 1485/86–1547 Rome)

Unidentified, Ionic capitals, two front and side elevations (recto) Doric impost, elevation of entablature (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines,…

Empire du grand Mogor, 1644, Etching, state iii, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence), Designed by Jean Desmarets de Saint-Sorlin (French, 1595–1676)

Design for a Stage Curtain, 1830–90, Watercolor over graphite, sheet: 9 1/4 x 14 5/16 in. (23.5 x 36.3 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

The Palaces, 1879, Etching, drypoint and open bite (?); fifth state of six (Glasgow); Printed in black ink on fine ivory laid paper, plate: 9 15/16 x 14 in. (25.2 x 35.6 cm), Prints, James…

Ecce Homo, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach)

Studies of Hands and Feet, early 18th century, Red and black chalk, heightened with white, on beige paper. Framing lines in pen and brown ink. Lined., 7 11/16 x 9 5/8 in. (19.6 x 24.5 cm),…

Peace (Piece) and Plenty (Political Portraits No. 1), ca. 1820, Hand-colored etching and aquatint, sheet: 7 3/16 x 4 5/16 in. (18.3 x 10.9 cm), Prints, Anonymous, British, 19th century

Old Man with a Long Beard, 1761, Etching; first state of three (Meyer), plate: 5 1/2 x 4 1/8 in. (14 x 10.5 cm), Prints, Captain William E. Baillie (Irish, County Kilbride 1723–1810 London),…

Quinta Valle at Castello, 1764–1835, Pen and brown ink, brush and gray wash, over traces of black chalk, 4 13/16 x 7 13/16in. (12.3 x 19.9cm), Drawings, Giacomo Guardi (Italian, Venice (?)…

Monastery of Mega Spileon, Greece, 1896, Pen and brown and black ink, brush and brown and gray ink, graphite, heightened with white gouache, 8 x 4 9/16 in. (20.3 x 11.6 cm), Drawings, Peter…

Design for Dining Room Ceiling, Château de Cangé, second half 19th century, Pen and black ink, watercolor, gouache, 7 1/16 x 6 7/8 in. (17.9 x 17.5 cm), Drawings, Jules-Edmond-Charles…

Charing Cross Railway Bridge, 1896, Transfer lithograph with stumping, scraping and incising, drawn on white transfer paper with a grained-stone texture; only state (Chicago); printed in black ink…

Scenes from the Life of Christ and Other Figure Studies, 1610–64, Pen and brown ink, 7 1/2 x 11in. (19.1 x 27.9cm), Drawings, Stefano della Bella (Italian, Florence 1610–1664 Florence)

Coaching – Four in Hand – A Swell Turn-out, 1876, Hand-colored lithograph, image: 11 x 15 7/8 in. (28 x 40.3 cm), Prints

Self Portrait as a Young Man, 1733, Etching, second state of three, Plate: 4 5/8 x 3 15/16 in. (11.7 x 10 cm), Prints, Jean Étienne Liotard (Swiss, Geneva 1702–1789 Geneva)

Potier et Brunet, Dans le duo des Anglaises pour Rire, from Théâtre des Variétés, January 1815, Etching, hand-colored, plate: 11 7/16 x 8 1/4 in. (29 x 20.9 cm), Prints

Saint Anthony of Padua adoring the Christ Child in Glory, copy after Cantarini, ca0 or after, Etching, Plate: 10 3/8 × 7 1/16 in. (26.3 × 18 cm), Prints, After Simone Cantarini (Italian,…

Compassion (Le Brun Travested, or Caricatures of the Passions), January 21, 1800, Hand-colored etching, printed in brown ink, sheet: 11 7/16 x 8 13/16 in. (29 x 22.4 cm), Prints, After George…

The Latest Fashions Expressly Designed and Prepared for the Milliner, Dressmaker and Draper and Illustrated Household Journal, from Le Moniteur de la Mode, 1880–82, Hand-colored lithograph,…

The Miraculous Mass of Saint Martin of Tours with the Apparition of a Ball of Fire above His Head, 1582–1647, Pen and brown ink, 7 3/16 x 4 1/8in. (18.2 x 10.5cm), Drawings, Giovanni…

Gentleman Seated in an Armchair, late 17th century–early 18th century, Red, black, and white chalk, on beige paper, 12 1/16 x 9 1/8 in. (30.7 x 23.2 cm), Drawings, Charles de la Fosse (French,…

The Frightened Naïad (Une naïade échevelée recule d'efroi à la vue d'un lion), ca. 1740, Etching, sheet: 19 11/16 x 13 3/16 in. (50 x 33.5 cm), Prints, Jean-Baptiste Marie Pierre (French,…

Bust of a Young Man, n.d., Red chalk, 6 7/8 x 5 1/4 in. (17.4 x 13.4 cm), Drawings, Jean de Saint-Igny (French, Rouen ca. 1595/1600–1647 Paris)

Man Holding a Scroll, ca. 1645–50, Etching, sheet: 4 1/4 x 3 3/16 in. (10.8 x 8.1 cm) wide margins, Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664 Mantua)

“The Third Knot”. Interlaced Roundel with Eight Wreaths and a Scalloped Shield in its Center, 1521 before, Woodcut, sheet: 10 3/4 x 8 3/8 in. (27.3 x 21.3 cm), Albrecht Dürer (German,…

Venus removing a thorn from her left foot while seated beside trees and foliage, a hare eating grass before her, ca. 1515–27, Engraving, Sheet (Trimmed): 10 1/16 × 6 11/16 in. (25.5 × 17…

St. Paul preaching at Athens (Copy of Raphael's tapestry, reversed), 16th century, Pen and brown ink, washed with India ink, 10 3/8 x 13 7/8 in. (26.4 x 35.2 cm), Drawings, After Raphael…

Studies for Groups of Walking Dressed Figures, 1712–93, Pen and brown ink, brush and brown wash, on blue paper faded to blue-brown, 5 15/16 x 11in. (15.1 x 28cm), Drawings, Francesco Guardi…

The Resurrection, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach)

Apotheosis of George Washington, ca. 1799, Black chalk, 17 15/16 x 21 3/4 in. (45.5 x 55.2 cm), Drawings, Attributed to Étienne Pallière (French, Bordeaux, 1761–1820)

Design for the painted decoration of a coffered ceiling with initials: VR, 1830–97, pen and ink, watercolor, and gouache on wove paper, sheet: 6 9/16 x 5 7/16 in. (16.7 x 13.8 cm), Drawings,…

Drawing of an Interior: Bedroom, 1857, Graphite, pen and blue ink, watercolor, sheet: 7 3/8 x 11 5/8 in. (18.7 x 29.5 cm), Drawings, Anonymous, French, 19th century

Design for a Chandelier, 19th century, Pen and brown ink, sheet: 15 5/8 x 10 5/16 in. (39.7 x 26.2 cm), Drawings, Anonymous, French, 19th century

The Duet, 1894, Transfer lithograph with stumping, drawn on thin, transparent transfer paper; only state (Chicago); printed in black ink on cream, laid Japanese vellum, Sheet: 13 1/16 x 8 3/8…