Design for the painted decoration of a ceiling, second half 19th century, graphite and watercolor on laid paper, sheet: 4 7/16 x 8 3/4 in. (11.3 x 22.2 cm), Drawings, Jules-Edmond-Charles…

Two Marauders, mid to late 17th century, Etching, Sheet: 7 5/16 x 4 1/2 in. (18.5 x 11.4 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Apollo Supported by a Winged Genius, 1696–1770, Pen and brown ink, brush with pale and dark brown wash, over black chalk, 10-9/16 x 8-9/16 in. (26.8 x 21.7 cm), Drawings, Giovanni Battista…

Design for the painted decoration of a ceiling with the monogram: M, 1830–97, pen and ink, brush and wash over graphite on wove paper, sheet: 10 9/16 x 14 7/8 in. (26.9 x 37.8 cm), Drawings,…

Adam and Eve flanked by two trees, a town in the background, ca. 1512–14, Engraving, 9 1/2 x 6 15/16 in. (24.2 x 17.6 cm), Prints, Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before…

Unidentified Subject: Reclining Nude Male Figure and Cattle, 1615–66, Pen and brown ink (recto); illegible black chalk notations (verso), 9 15/16 x 7 5/16in. (25.2 x 18.6cm), Drawings,…

The Raising of Lazarus, 1595–1616, Etching and engraving, Sheet (trimmed): 17 1/16 × 11 7/16 in. (43.4 × 29.1 cm), Prints, Jacques Bellange (French, Bassigny (?) ca. 1575–1616 Nancy)

Figure Studies: Three Sketches of Cain Killing Abel, with an Altar of Sacrifice at Center, Two Standing Women, a Hand, and a Seated Child with a Squirrel, 1510–61, Pen and brown ink., 8 5/8 x…

Un Coup de Vent non Prédit par Mathieu (de la Drôme), Plate 1 of Croquis d'Hiver, December 3, 1864, Lithograph with notations in pen, sheet: 8 1/2 x 10 in. (21.6 x 25.4 cm), Prints, Honoré…

Three Figures by a Rustic Dwelling, 1582–1656, Pen and brown ink, over traces of black chalk, 8 3/16 x 6 15/16in. (20.8 x 17.6cm), Drawings, Remigio Cantagallina (Italian, Borgo Sansepolcro…

Design for the decoration of the ceiling in the Opéra Comique, Paris, ca. 1845, Pen and ink with watercolor and gouache, sheet: 17 15/16 x 30 7/8 in. (45.5 x 78.5 cm), Drawings,…

Late Picquet, 1894, Transfer lithograph drawn on fine-grained transfer paper; only state (Chicago); printed in black ink on cream simili-vellum, Image: 7 9/16 × 6 1/8 in. (19.2 × 15.5 cm),…

Wooded Landscape with Two Country Carts and Figures, August 1, 1797, Soft-ground etching, hand-colored; second state of two, plate: 12 3/4 x 15 1/2 in. (32.4 x 39.4 cm), Prints, Thomas…

Landscape with hills and a lake, trees in right foreground., 1615–73, Pen and brown ink, on beige paper, 2-1/16 x 5-11/16 in. (5.3 x 14.5 cm), Drawings, Salvator Rosa (Italian, Arenella…

Design for Gray and Pink Curtains with Pink Fringes and a PInk and Gold Pediment, early 19th century, Ink, watercolor and wash, sheet: 8 9/16 x 12 3/8 in. (21.8 x 31.4 cm), Anonymous, British,…

The Little Putney, No. 1 (Little Putney Bridge), 1879, Etching and drypoint; fifth state of five (Glasgow); printed in dark brownish-black ink on cream colored laid paper, as published in 1883,…

Virgin Embracing the Christ Child, ca. 1641, Etching; second state of three, Sheet (trimmed to plate): 5 9/16 × 4 1/2 in. (14.2 × 11.4 cm), Prints, Etched by Stefano della Bella (Italian,…

Medici Coat of Arms on top of a Window of Door Frame, 1652–1725, Pen and brown ink, over traces of black chalk, sheet: 2 1/8 x 2 1/2 in. (5.4 x 6.3 cm), Giovanni Battista Foggini (Italian,…

Almanach for 1639: Louis XIII and Anne of Austria entrusting the Kingdom and the Heir Apparent to the Virgin, 1638, Etching, Sheet (trimmed): 14 1/16 × 10 1/2 in. (35.7 × 26.7 cm), Prints,…

Design with Winged Female Figure, 19th century, Red chalk on laid paper, sheet: 4 3/8 x 6 1/4 in. (11.1 x 15.9 cm), Drawings, Anonymous, French, 19th century

Anne d'Autriche, reine de France, en deuil de cour, Etching, sheet: 14 15/16 x 11 1/2 in. (38 x 29.2 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne…

Saint Christopher, n.d., Woodcut, sheet: 2 3/8 x 1 5/8 in. (6.1 x 4.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

The Library of Pergamus Given to Cleopatra, 1624–63, Pen and brown ink, brush and brown wash. Framing lines in pen and brown ink on mount, 3-11/16 x 6-1/2 in. (9.4 x 16.5 cm), Drawings,…

Design for a Sofa with One WIng-like Arm, Chair and Stool, early 19th century, Graphite, sheet: 8 9/16 x 12 3/8 in. (21.8 x 31.4 cm), Anonymous, British, 19th century

Two Horses, 1624–63, Pen and brown ink. Framing lines in pen and brown ink on mount, 4-5/8 x 4-5/8 in. (11.7 x 11.7 cm), Drawings, attributed to Francesco Allegrini (Italian, Cantiano (?)…

Political-Candour;– i.e.–Coalition-Resolutions of June 14th, 1805.–Pro bono Publico–, June 21, 1805, Hand-colored etching, sheet (clipped impression, plate line showing at bottom): 14 x 10…

Design for Two Gothic Style Armchairs, early 19th century, Ink, watercolor and wash, sheet: 8 9/16 x 12 3/16 in. (21.7 x 31 cm), Anonymous, British, 19th century

Jews' Quarter, Amsterdam, 1889, Etching; cancelled plate (Glasgow); printed in black ink on heavy ivory wove paper, 5 1/8 x 8 1/2 in. (13 x 21.6 cm), Prints, James McNeill Whistler (American,…

Design for a Ceiling Decoration., 1709–20, Pen and brown ink, brush and gray-brown wash, over graphite or leadpoint with ruled and compass construction, Sheet: 8 3/4 x 7 7/8 in. (22.3 x 20…

Little Salute, 1879–80, Etching and drypoint; third state of three (Glasgow); printed in black ink on medium weight ivory laid paper torn from a book, Plate: 3 3/16 × 8 3/8 in. (8.1 × 21.2…

Jupiter's love for Juno rekindled when she puts on Venus's Girdle, 1546, Engraving, sheet: 7 5/16 x 10 1/16 in. (18.5 x 25.5 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna,…

Design for a Man's Tomb, 16th century, Black chalk, pen and brown ink, brush and brown wash, sheet: 17 9/16 x 11 3/4 in. (44.6 x 29.9 cm), Drawings, Anonymous, French, 16th century

Study for the Age of Bronze, 1637, Pen and brown ink, over black chalk, 9 3/16 x 6 3/4in. (23.3 x 17.2cm), Drawings, Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome),…

Two Satyrs in a Landscape, ca. 1505–10, Pen and brown ink, highlighted with white gouache on fine, off-white laid paper, 8-1/2 x 5-15/16 in. (21.6 x 15.1 cm), Drawings, Titian (Tiziano…

Partial Design for the decoration of a ceiling, 1840–97, graphite and watercolor on wove paper; inlaid in blue wove paper, Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),…

The Crucifixion, n.d., Engraving, Sheet: 12 3/8 × 9 5/16 in. (31.5 × 23.6 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Songs of Innocence and of Experience, Shewing the Two Contrary States of the Human Soul: Combined Title Page, ca. 1825, Relief etching printed in orange-brown ink and hand-colored with watercolor…

Joachim and the Angel, from The Life of the Virgin, ca. 1504, Woodcut, sheet: 11 3/4 x 8 1/4 in. (29.8 x 21 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Juno watching Jupiter and Io, from 'The Loves of the Gods', 1531–60, Engraving, sheet: 6 9/16 x 4 1/2 in. (16.6 x 11.4 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna,…

Robert Arnauld d'Andilly, conseiller du roi, Etching, second state, sheet: 15 3/16 x 11 11/16 in. (38.5 x 29.7 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de…

Design for the decoration of a wall in Islamic motifs, second half 19th century, graphite on tracing paper glued to cardboard, sheet: 11 5/8 x 7 1/2 in. (29.5 x 19 cm), Drawings,…

The Artist's Son, Titus (copy), n.d., Etching, Prints, After Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Ornament Design with a Trident and Two Fish, 19th century, Pen and brown ink, watercolor, over graphite. Framing lines in pen and gray ink. Design is pasted onto mounting paper., sheet: 13 5/16 x…

The Last Supper, 1523, Woodcut, sheet: 8 7/16 x 11 7/8 in. (21.4 x 30.2 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Minerva and the Arts and Sciences, 16th century, Engraving, sheet: 6 5/16 x 4 1/8 in. (16 x 10.5 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), After…

Christ Disputing with the Doctors; a sketch, 1652, Etching and drypoint; first state of three, sheet: 5 1/16 x 8 7/16 in. (12.9 x 21.5 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch,…

Design for Two Desks, early 19th century, Graphite, sheet: 8 11/16 x 12 5/16 in. (22 x 31.2 cm), Anonymous, British, 19th century

Design for a ceiling with a putto, second half 19th century, Graphite, pen and black ink, gouache, and watercolor, Overall: 9 1/2 x 12 3/8 in. (24.2 x 31.4 cm), Drawings, Jules-Edmond-Charles…

Sibylle Européenne, ca. 1635, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 14 3/16 x 8 7/16 in. (36 x 21.4 cm), Prints, Gilles Rousselet (French, Paris…

Ecce Homo, from The Large Passion, n.d., Woodcut, sheet: 17 5/16 x 11 7/8 in. (43.9 x 30.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Design for Stage Set with a Circular Arcade (recto); Sketch for Stage Set with Circular Arcade (verso), 1698–1765, Pen and brown ink, brush and gray wash, over traces of graphite (recto); pen…

Two Designs for Trophies and a Cartouche, ca. 1768, Pen and black ink with brush and gray wash., 14 3/4 x 8 9/16 in. (37.5 x 21.8 cm.), Jean Charles Delafosse (French, Paris 1734–1789 Paris)

Desire (Le Brun Travested, or Caricatures of the Passions), February 21, 1800, Etching, printed in brown ink, sheet: 11 x 8 3/4 in. (27.9 x 22.2 cm), Prints, After George Moutard Woodward…

Design for a Chest, ca. 1770–90, Graphite, 11 3/8 x 9 1/2 in. (28.9 x 24.2 cm), Drawings, Anonymous, French, 18th century

Portrait of Ulrich Varnbuler, n.d., Woodcut, sheet: 17 3/16 x 12 13/16 in. (43.7 x 32.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Pierrot and Scaramouche show the portrait of Harlequin, n.d., Etching, second state, image: 7 5/16 x 8 7/16 in. (18.5 x 21.4 cm), trimmed to image, Prints, Claude Gillot (French, Langres…

Design for the decoration of a ceiling with a central panel of painted clouds, 1830–97, pen and ink, watercolor, and gouache over graphite on laid paper; mounted on blue wove paper, Overall:…

Two Standing Male Figures and Seated Woman with a Child, 1760s, Pen and brown ink, brush with brown and gray wash, over black chalk. Vertical ruled stylus lines at left and right, 14-13/16 x…

St. Michael Expurging Heresy., 1596–1669, Pen and brown ink, brush and brown wash over traces of black chalk, Sheet: 14 3/4 x 10 5/16 in. (37.4 x 26.2 cm), Drawings, Attributed to Pietro da…

Drawing of a Sword Hilt, 16th–17th century, Western European, Pen and ink on paper, 10 x 4 1/2 in. (25.4 x 11.4 cm), Works on Paper-Drawings

The Standard Bearer, ca. 1501, Engraving, Sheet: 4 1/2 × 2 3/4 in. (11.5 × 7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Lamp, 2nd century A.D., Roman, Terracotta, Length 11.8 cm. H. 4 cm., Terracottas

The Parable of the Good Shepherd, 1565, Engraving; fourth state of four, sheet: 8 3/4 x 11 9/16 in. (22.3 x 29.3 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca.…

Two Men Seen Three- Quarter Length, 1615–73, Pen and brown ink, brown wash, 3-1/2 x 3-1/4 in. (8.8 x 8.2 cm), Drawings, Salvator Rosa (Italian, Arenella (Naples) 1615–1673 Rome)

Christ and the Woman Taken in Adultery, 1590–1646, Brush and blue wash, over slignt traces of black chalk, 7-7/8 x 12-1/4 in. (20.0 x 31.1 cm), Drawings, attributed to Belisario Corenzio…

Fortuna in a Niche, 1498, Pen and greenish brown ink, 12 13/16 x 4 11/16 in. (32.5 x 11.9 cm), Drawings, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), This female nude, thought to…

Head and Front Quarters of a Bull, 1510–61, Pen and brown ink, on beige paper, 4 1/4 x 3 3/16in. (10.8 x 8.1cm), Drawings, Battista Franco (Italian, Venice ca. 1510–1561 Venice)

The Island of Anconetta (recto); Two Feet Wearing Pointed Shoes (verso), 1712–93, Pen and brown ink, brush with brown and gray wash, over red chalk (recto); at upper border appear two feet…

Tracing of a Ballet Costume: St Sebastian, 1922, Pencil on tracing paper, 12 1/16 x 10 11/16 in. (30.6 x 27.2 cm), Léon Bakst (Russian, Grodno 1866–1924 Paris)

Design for a Stage Set, 1830–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Portrait of the Artist., 1884, Pen and brown ink, 6 3/8 x 4 7/16in. (16.2 x 11.3cm), Drawings, Giovanni Boldini (Italian, Ferrara 1842–1931 Paris)

Imaginary Landscape with Classical Ruins; Fountain in Foreground, 1700–1750, Point of a brush and gray wash, over graphite. Framing lines in pen and bronze paint, 5 11/16 x 5 11/16in. (14.5…

Vestal Maiden Asleep in a Chair, ca. 1879, Pen and black ink, 6 15/16 x 4 1/2 in. (17.6 x 11.4 cm), Drawings, Louis-Hector Leroux (French, Verdun 1829–1900 Angers)

The Trinity (copy), n.d., Woodcut, sheet: 5 3/4 x 4 1/4 in. (14.6 x 10.8 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Young Cleric in a Cope Holding a Book, 1702–59, Black chalk, highlighted with white, on gray-washed paper, 14-1/2 x 10-3/16 in. (36.9 x 25.9 cm), Drawings, Placido Costanzi (Italian, Rome…

The Church of St. Etienne-du-Mont, Paris, 1852, Etching and drypoint on green laid paper; fourth state of eight, plate: 9 3/4 x 5 1/16 in. (24.8 x 12.8 cm), Prints, Charles Meryon (French,…

Frontispiece for Il Nino Figlio, 1655, Etching, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence)

Hedgehog Cactus, Echinocereus polyacanthus, May 9, 1912, Watercolor and brown ink over graphite, with page design indicated in graphite, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm),…

The Angel with the Key to the Bottomless Pit , from The Apocalypse, n.d., Woodcut, sheet: 17 3/8 x 12 1/16 in. (44.1 x 30.6 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Four Studies of Nude Men, 1757–1822, Pen and brown ink. Mounted on a card, 8-3/16 x 13 in. (20.8 x 33.0 cm), Drawings, Anonymous, Italian, early 19th century

Figure Studies: Two Standing and Two Seated Men, 1609/10–?1675, Pen and brown ink, brush and brown wash, 6-7/16 x 11-9/16 in. (16.4 x 29.4 cm), Drawings, Micco Spadaro (Domenico Gargiulo)…

Saint Eustace, ca. 1501, Engraving, Sheet: 13 7/8 × 10 9/16 in. (35.3 × 26.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

The Butcher's Dog, 1896, Transfer lithograph, drawn on white transfer paper with a grained-stone texture; fourth state of four; printed in black ink on medium weight ivory laid paper, Image: 7 1/8…

Design for the Vestibule of the Chateau de Lude (Sarthe), second half 19th century, oil paint on wove paper, Overall: 10 3/8 x 14 3/4 in. (26.3 x 37.5 cm), Drawings, Jules-Edmond-Charles…

The Virgin and Christ Child Served by Angels, 1640, Etching; first state of three (Robert-Dumesnil), sheet: 11 1/2 x 15 7/8 in. (29.2 x 40.4 cm), Prints, Laurent de La Hyre (French, Paris…

Ten designs for the decoration of houses, including at least one for the stairway of the Chateau d'Ognon of M. deMachy (Oise, France), second half 19th century, Graphite, pen and ink, and…

Design for Four Table Ends, early 19th century, Ink and watercolor, sheet: 7 11/16 x 9 13/16 in. (19.5 x 24.9 cm), Anonymous, British, 19th century

A Buck, December 1, 1790, Etching and aquatint, sheet: 13 5/16 x 8 7/16 in. (33.8 x 21.5 cm), Prints, George Moutard Woodward (British, ca. 1760–1809 London)

Pink Flower Pattern, 19th century, Graphite, watercolor, and gouache on gray paper, 13 3/16 x 9 15/16 in. (33.5 x 25.3 cm), Drawings, Anonymous, French, 19th century

Faith (Fides) from the series The Virtues, ca. 1559–60, Engraving; first state of two, sheet: 9 1/2 x 11 7/8 in. (24.2 x 30.2 cm), Prints, Pieter Bruegel the Elder (Netherlandish, Breda (?)…

Ornamental design of three children holding up a fountain, 19th century, Etching, Plate: 8 1/8 × 6 11/16 in. (20.7 × 17 cm), Auguste Pequegnot (French, 1819–1878), After Stefano della…

House with a Turret, rue de la Tixéranderie, Paris, ca. 1881–82, Etching on laid paper, Plate: 9 1/2 x 5 3/16 in. (24.1 x 13.1 cm), Prints, Edmond Gosselin, after Charles Meryon (French,…

Head of a very old Man facing right, Etching, Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664 Mantua)

Two Winged Children with Bodies Turning into Ornament Blowing Bubbles, ca. 1653, Etching, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence)

The Baptism of Christ (recto); Kneeling Figure (?) in a Landscape (verso), 1612–75, Pen and brown ink, brush and brown wash, over red chalk (recto); pen and brown ink (verso), 7-3/4 x 6-1/16…

Studies for the Archangel Gabriel (recto and verso), ca. 1645, Red and black chalk, over graphite, on light brown paper (verso, same media), 16 1/2 x 10 3/8 in. (41.9 x 26.4 cm), Drawings,…

A Faun or Satyr Preparing a Pig for Sacrifice, published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Engraved by Anonymous, Italian, 16th…

New France, from 'Game of Geography' (Jeu de la Géographie), 1644, Etching, Sheet: 3 7/16 × 2 3/16 in. (8.8 × 5.5 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664…

Saint George on Horseback, 1505–8, Engraving, Sheet: 4 7/16 × 3 7/16 in. (11.2 × 8.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

The Virgin Appearing to Saint John, Frontispiece to the Apocalyppse, 1511, Woodcut, sheet: 7 1/4 x 7 3/16 in. (18.4 x 18.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)