Seated Ecclesiastic, ca. 1662, Etching; touched proof, Sheet: 3 9/16 × 2 1/4 in. (9.1 × 5.7 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence)

Francois de Villemontee, conseiller d'etat ordinaire, Etching, image: 11 7/16 x 9 3/16 in. (29 x 23.3 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de…

Design for Four Vases, ca. 1770–85, Pen and brown ink, and black chalk, 14 7/8 x 9 3/16 in. (37.8 x 23.4 cm), Drawings, Anonymous, French, 18th century

The Flagellation (Schr. 308c), 15th century, Woodcut, hand-colored, sheet: 1 7/8 x 1 5/16 in. (4.8 x 3.3 cm), Prints, Anonymous, German, 15th century

The Virgin Surrounded by Many Angels, 1518, Woodcut, sheet: 11 11/16 x 8 5/16 in. (29.7 x 21.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 4 7/16 x 5 1/2 in. (11.2 x 13.9 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Burying the Dead, 1635, Etching with engraving, Sheet: 11 3/8 x 13 1/2 in. (28.9 x 34.3 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Seated Women Holding Aloft a Sword, and Supported by Two Putti, 1696–1770, Pen and brown ink, brush with pale (yellow) and dark brown wash, over black chalk, 10-1/16 x 8 in. (25.6 x 20.3…

St. Gangulphus, 1650, Engraving and etching, sheet: 17 1/16 x 11 5/8 in. (43.3 x 29.6 cm), Prints, C. Visscher

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite and gouache, Irregular sheet: 2 x 7 1/2 in. (5.1 x 19 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Replacements in the Parisian Guard Playing Cards in 1795, ca. 1795, Pen and brown ink over traces of black chalk, 6 9/16 x 4 9/16 in. (16.6 x 11.6 cm), Drawings, baron Dominique Vivant Denon…

Drawing after a Lithograph of a Recumbent Lion., n.d., Brush and black and gray wash, graphite and black chalk, Sheet: 7 3/8 x 12 3/8 in. (18.7 x 31.4 cm), Drawings, After Antonio Canova…

The Angel sounding the Sixth Trumpet, from the Apocalypse, n.d., Engraving, plate: 11 7/8 x 8 9/16 in. (30.2 x 21.8 cm), Prints, Jean Duvet (French, ca. 1485–after 1561)

Design for a Stage Set, 1830–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Two Hermits in the Wilderness, 1625–84, Pen and brown ink, brown wash, on beige paper, 6 1/2 x 10 1/2in. (16.5 x 26.7cm), Drawings, Domenico Maria Canuti (Italian, Bologna 1625–1684 Bologna)

Design for Door, 18th century, Pen and brown ink, over graphite or leadpoint, with ruled and compass construction, 13 x 17 13/16 in. (33 x 45.3 cm), Drawings, Workshop of Leonardo Marini…

Draped Male Figure Standing in a Niche, 1655–1730, Pen and brown ink, brush with brown and gray wash, on light brown washed paper, 12 5/8 x 8 3/8in. (32.1 x 21.3cm), Drawings, attributed to…

The Head of a Woman Looking Up (Judith)., 1625–26, Red and black chalk, on originally blue paper now faded to light brown-gray, 13 1/4 × 8 7/8 in. (33.6 × 22.6 cm), Drawings, Guido Reni…

Designs for Two Candelabras and Two Urns, 19th century, Pen and brown ink, a: 7 1/2 x 6 3/8 in. (19 x 16.2 cm), Drawings, Anonymous, French, 19th century

Raymond Diocrès Speaking During His Funeral (from the Life of Saint Bruno of Cologne), 1628–29, Pen and dark brown ink, brush and brown wash, highlighted with white gouache, over soft black…

Caricature of a Woman in a Large Hat, 1920, Graphite, sheet: 14 x 10 in. (35.5 x 25.4 cm), Drawings, Enrico Caruso (Italian, 1873–1921)

Free Trade Wharf, 1877, Etching and drypoint; fourth state of eight (Glasgow) as published by the Fine Art Society; printed in black ink on fine ivory Japan, Plate: 3 7/8 x 7 3/8 in. (9.8 x 18.7…

The Procession of the Holy Sacrament, ca. 1648, Etching, state iii, sheet: 13 1/8 x 18 11/16 in. (33.4 x 47.5 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence)

Design after François Duquesnoy, tomb of Ferdinand van den Eynden, Red chalk, 14 3/8 x 9 1/8 in. (36.5 x 23.1 cm), Drawings, Anonymous, French, 18th century

Elevation of a wall decorated with the dove of the holy ghost, second half 19th century, Elevation of a wall decorated with the dove of the holy ghost, sheet: 13 x 13 11/16 in. (33 x 34.7 cm),…

Santa Maria Maggiore, Sforza Chapel, elevation (recto) Unknown, entablature, partial cornice, and column or pilaster base profile (verso), early to mid-16th century , Dark brown ink, black chalk,…

Plate 43 from 'Los Caprichos': The sleep of reason produces monsters (El sueño de la razon produce monstruos), 1799, published 1908–12, Etching and aquatint on wove paper, Plate: 8 1/2 x 6…

Sin of Adam and Eve, 1529, Engraving, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Design for Furniture, 19th century, Pen and black ink, brush and gray wash. Framing lines in pen and black ink., sheet: 13 7/16 x 8 15/16 in. (34.1 x 22.7 cm), Anonymous, French, 19th century

Figures before an Altar, n.d., Red chalk., 8 1/4 x 5 7/8 in. (20.9 x 15 cm), Drawings, Bernard Picart (French, Paris 1673–1733 Amsterdam)

Venice, n.d., Watercolor on paper, 8 x 12 3/4 in. (20.3 x 32.4 cm), Drawings, Félix-François-Georges-Philibert Ziem (French, Beaune 1821–1911 Paris)

St. Paul, Hermit, 1615–73, Pen and brown and black ink, brown wash, over black chalk, corrected and highlighted with gray gouache, 11-1/2 x 7-5/8 in. (29.2 x 19.4 cm), Drawings, Salvator…

Landscape with Figures near a Tomb, 1656–1727, Pen and brown ink, 10 1/4 x 8 3/16in. (26 x 20.8cm), Drawings, Gian Antonio Burrini (Italian, Bologna 1656–1727 Bologna)

Harlequin menaces Scaramouche with a Torch, n.d., Etching, second state, image: 7 5/16 x 8 7/16 in. (18.6 x 21.4 cm), trimmed to image, Prints, Claude Gillot (French, Langres 1673–1722…

The Virgin and Child Resting Outside a City Gate, 1560–1609, Pen and brown ink, brush with traces of brown wash, on light brown beige paper; traces of framing outlines in pen and brown ink, sheet:…

Design for Two Caskets, early 19th century, Ink and wash, sheet: 8 11/16 x 12 5/16 in. (22 x 31.3 cm), Anonymous, British, 19th century

Two Tables, One Low with Large Vase and Objects, One Higher with Covered Pot, Lion and Small Bowl, 19th century, Pen and ink and gouache, Overall: 14 1/8 x 18 3/8 in. (35.9 x 46.7 cm),…

Design for a ceiling, second half 19th century, Graphite, pen and black ink, gouache, and watercolor, Overall: 13 3/8 x 23 5/16 in. (33.9 x 59.2 cm), Drawings, Jules-Edmond-Charles Lachaise…

Saint Christopher Facing Left (copy), n.d., Engraving, Sheet: 4 1/2 in. × 3 in. (11.5 × 7.6 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Speculum Romanae Magnificentiae: Subjects after Antique Cameos and Gems, ca. 1550–77, Engraving. State i before numbers, Prints, Anonymous, Italian, 16th century, After Battista Franco…

Design for Chandelier, 18th century, Pen and gray ink, brush and gray wash, watercolor, 11 7/16 x 7 5/8 in. (29 x 19.4 cm), Drawings, Anonymous, French, 18th century

Designs for the Decoration of a Frieze and Corner Motifs (recto); Design for Two Frames Decorated with Volutes, Garlands and the Head of a Putto (verso), 1652–1725, Pen and brown ink, over traces…

Christ on the Mount of Olives, from The Large Passion, n.d., Woodcut, sheet: 17 3/8 x 12 in. (44.1 x 30.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Study of Boy's Head; the Queen of Sheba Before Solomon., 1580–94, Black and red chalk, partly highlighted with white chalk, on blue paper, 11 3/4 x 7 13/16 in. (29.8 x 19.8 cm), Drawings,…

Portrait of Alfred Rethel, looking up; verso: Studies of two heads, 19th century, Graphite, sheet: 8 1/4 x 5 1/4 in. (21 x 13.3 cm), Drawings, Heinrich Karl Anton Mücke (German, 1806–1891)

Il Gobbo dei Carracci, 1736, Etching and aquatint, brown ink, sheet: 11 5/8 x 7 5/8 in. (29.6 x 19.4 cm), Prints, Arthur Pond (British, London 1701–1758 London), After Annibale Carracci…

Ground Plan for Second Floor of a Palace, n.d., Pen and black ink, brush and gray wash over graphite, 9 3/4 x 16 3/4 in. (24.8 x 42.6 cm), Degana

Departure for the Fields, ca. 1638–41, Etching; third state of four (Mannocci), sheet: 5 3/16 x 7 3/16 in. (13.1 x 18.2 cm), Prints, Claude Lorrain (Claude Gellée) (French, Chamagne…

The Holy Family with Angels, 1603–5, Black chalk highlighted with white chalk on blue paper, 14 1/8 x 10 5/8 in. (35.9 x 27 cm), Drawings, Pomarancio (Cristoforo Roncalli) (Italian, Pomarance…

Shipbuilder's Yard, Liverpool, 1875, Drypoint; first state of four (Glasgow); printed in black ink on ivory laid paper, Plate: 10 13/16 x 5 7/8 in. (27.5 x 14.9 cm), Prints, James McNeill…

A Group of Figures Surrounding Two Bird-coops, 1697–1768, Pen and brown ink over lead or graphite underdrawing, 8 3/16 x 11 9/16 in. (20.8 x 29.4 cm), Drawings, Bernardo Bellotto (Italian,…

Design for a Table, 1698–1765, Pen and brown ink, brush with gray and brown wash, over traces of graphite or black chalk, sheet: 6 5/8 x 6 3/8 in. (16.8 x 16.2 cm), Drawings, Giovanni…

A Lady in a Hunting Costume with a Lady in Walking Costume on a Mountain Path from La Mode Illustrée, 1881, Hand-colored lithograph, sheet: 14 13/16 x 10 3/8 in. (37.6 x 26.4 cm), Prints,…

The Holy Family with the Three Hares, n.d., Woodcut, sheet: 15 7/16 x 11 1/16 in. (39.2 x 28.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Summer, 1735, Etching with engraving, sheet: 10 3/16 x 9 5/8 in. (25.9 x 24.5 cm), Prints, Charles Joseph Natoire (French, Nîmes 1700–1777 Castel Gandolfo), Benoît Audran II (French, Paris…

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite; Squaring lines in pen and red ink, Irregular sheet: 10 3/8 x 3 1/2 in. (26.3 x 8.9 cm), Drawings, Eugène Cicéri (French,…

Design for a Stage Set, 1830–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Design for a ceiling, second half 19th century, Graphite and watercolor, Overall: 15 5/8 x 21 1/4 in. (39.7 x 54 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),…

Drawing of Two 'Americans' for Ballet de la Douairière de Billebahaut, 1626, Pen and brown ink, watercolor with silver and gold ink, 8 15/16 x 6 7/8 in. (22.7 x 17.5 cm), Drawings, Daniel…

Horatius Cocles Defending the Bridge, 1527–85, Pen and brown ink, 8 x 12-1/4 in. (20.3 x 31.1 cm), Drawings, After Luca Cambiaso (Italian, Moneglia 1527–1585 Madrid)

Wounded Crane with an Arrow in its Breast Before Setting Sun, late 19th–early 20th century, Pen and ink on buff stock, 4 x 4 9/16 in. (10.2 x 11.6 cm), Drawings, Max Klinger (German, Leipzig…

Arch of Septimius Severus, panel, elevation (recto) blank (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 11 9/16 x 17 1/4 in. (29.3 x 43.8 cm)

St. John the Baptist in the Desert, 1513, Engraving, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Pegu, 1644, Etching, state iii, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence), Designed by Jean Desmarets de Saint-Sorlin (French, 1595–1676)

Lagoon Capriccio with an Obelisk, ca. 1750–70, Pen and brown ink, brush and gray wash, over black chalk, 9 3/8 x 14 7/16in. (23.8 x 36.6cm), Drawings, Francesco Guardi (Italian, Venice…

La Belle Jardinière, 1894, Transfer lithograph with stumping and scraping, drawn on thin, transparent transfer paper; only state (Chicago); printed in black ink on fine laid Japan, Image: 8 3/4 ×…

Death carrying a child, from 'The five deaths' (Les cinq Morts), ca. 1648, Etching; second state of three, Sheet (trimmed within platemark): 7 in. × 5 13/16 in. (17.8 × 14.7 cm), Prints,…

The Crucifixion (Round), ca. 1519, Engraving, Diameter: 1 7/16 in. (3.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Balthasar Carlos, Prince of Spain and Son of Philip IV (D. Baltasar Carlos Principe de España. Hijo del Rey D. Felipe IV), from Etchings after Velazquez, 1778, Etching and drypoint printed in…

Design for a painted ceiling with putti on clouds in a central oval, 1830–97, Graphite, watercolor, and gold paint on wove paper; mounted on wove paper, Overall: 9 7/16 x 12 3/8 in. (23.9 x…

The Gallery of the Palace of Justice, ca. 1638, Etching; first state of two, Sheet (trimmed): 9 7/8 × 12 9/16 in. (25.1 × 31.9 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Deer hunt, from 'Animal hunts' (Chasses à différents animaux), ca. 1654, Etching, Sheet (trimmed to plate): 5 7/8 in. × 9 in. (15 × 22.9 cm), Prints, Stefano della Bella (Italian, Florence…

James McNeill Whistler, 1874, Etching; proof, plate: 5 1/8 x 3 7/8 in. (13 x 9.8 cm), Prints, Percy Thomas (British, London 1846–1922 London)

Two Different Halves of Cartouches Each Showing an Eagle Fighting a Serpent, 1646, Etching, proof with additions in brown pen and ink and black chalk, sheet: 4 1/16 x 7 3/8 in. (10.3 x 18.8…

Big Fish Eat Little Fish, 1557, Engraving; fourth state of four, Plate: 9 1/16 × 11 13/16 in. (23 × 30 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569…

Standing Female Figure, ca. 1739–40, Etching, sheet: 4 1/2 x 2 15/16 in. (11.4 x 7.5 cm), Prints, Pierre Ignace Parrocel (French, 1702–1775)

The Adoration of the Shepherds, Gouache over black chalk underdrawing, on paper, mounted on canvas, 16 1/4 x 11 in. (41.3 x 27.9 cm), Drawings, François Boucher (French, Paris 1703–1770…

Les neuf Muses, 1644, Etching, state i, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence), Designed by Jean Desmarets de Saint-Sorlin (French, 1595–1676)

An Architectural Capriccio; a View Through a Great Arch with an Obelisk in a Piazza in the Middle Distance, 18th century, Pen and black ink, brush and gray wash, 8 1/4 x 11 in. (20.9 x 28.0…

The Penance of Saint John Chrysostom, ca. 1496, Engraving, Sheet: 7 1/8 × 4 5/8 in. (18.1 × 11.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

A Wind God, 1669, Black chalk, highlighted with white, on brownish paper, 7 7/16 x 13 1/8in. (18.9 x 33.3cm), Drawings, Pietro da Cortona (Pietro Berrettini) (Italian, Cortona 1596–1669 Rome),…

Portrait of Benjamin Fillon, 1876, Etching; third state of three, sheet: 13 1/8 x 9 5/8 in. (33.3 x 24.4 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres)

The Nativity, n.d., Woodcut, sheet: 2 3/8 x 1 5/8 in. (6.1 x 4.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Crowd in Front of the Tuileries Palace During the Wedding of Napoleon to Marie-Louise of Austria, ca. 1810, Pen and gray ink, brush and gray wash, over black chalk, 16 3/8 x 12 1/8 in. (41.6 x…

Design for a Porcelain Candelabra with Seven Branches, 19th century, Graphite, brush and gray and yellow wash, and gouache, sheet: 17 1/4 x 11 7/16 in. (43.8 x 29 cm), Drawings, Anonymous,…

Earth, ca. 1648, Etching, Sheet (trimmed): 9 13/16 × 12 1/2 in. (24.9 × 31.7 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Well-a-day, Is this my Son Tom, ca. 1773, Etching and engraving, sheet: 19 1/4 x 14 3/16 in. (48.9 x 36 cm), Prints, Probably after Samuel Hieronymus Grimm (Swiss, Bern 1733–1794 London…

Ten Cavaliers Forming a Circle, 1652, Etching, Plate: 8 11/16 × 11 5/8 in. (22 × 29.5 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence)

The Foolish Virgins Rejected, ca. 1635, Etching, Sheet: 8 3/4 × 12 11/16 in. (22.2 × 32.2 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Christ Carrying the Cross, from The Passion, 1512, Engraving, Sheet: 4 9/16 × 2 15/16 in. (11.6 × 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

The Voyage of Jacob in Egypt, ca. 1647, Etching; third state of four, Sheet (trimmed): 7 1/8 × 10 11/16 in. (18.1 × 27.2 cm), Prints, Etched by Stefano della Bella (Italian, Florence…

Coronation of the Czar Alexander I, Moscow, September 1801, 1801, Watercolor, sheet: 13 x 19 11/16 in. (33 x 50 cm), Drawings, Lieutenant-Captain Cheleyev (Russian, active early 19th century)

Monocle Right Eye, Portrait of J. M. Whistler, ca. 1889, Lithograph, sheet: 15 1/4 x 11 3/8 in. (38.8 x 28.9 cm), Prints, Mortimer Menpes (Australian, Port Adelaide 1855–1938 Pangbourne, England)

Christ Nailed to The Cross, from The Small Passion, edition Venice, 1612, 1612, Woodcut, sheet: 8 1/16 x 5 13/16 in. (20.5 x 14.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Design for a Stage Set at the Opéra, Paris, 1828–90, Graphite, brush and brown and gray wash, and gouache, Irregular sheet: 8 3/4 x 3 1/8 in. (22.3 x 7.9 cm), Drawings, Eugène Cicéri…

The Adoration of the Magi, 1511, Woodcut, sheet: 11 1/2 x 8 5/8 in. (29.2 x 21.9 cm) trimmed to block line, Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

The Herd at the Watering Place, 1635, Etching; third state of three (Mannocci), sheet: 4 5/16 x 6 15/16 in. (11 x 17.7 cm), Prints, Claude Lorrain (Claude Gellée) (French, Chamagne…

Design for a Stage Set, Showing Right Half Only, 1698–1772, Attributed to Prospero Zanichelli (Italian, Reggio Emilia 1698–1772 Reggio Emilia)

Ecstatic Christ, ca. 1510–11, Pen and two shades of carbon black ink, traces of black chalk underdrawing, 6 11/16 x 9 7/16 in. (16.9 x 24.0 cm), Drawings, Hans Baldung (called Hans Baldung…

The Holy Family with Five Angels, ca. 1503, Woodcut, sheet: 8 1/2 x 5 3/4 in. (21.6 x 14.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)