Librifly Art Gallery 2.589.713 / 2.589.715 Entries < previous page Page 1176 / 25898 next page > Seated Ecclesiastic, ca. 1662, Etching, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence) Le Niveau Nationale (The National Level), ca. 1789, Hand-colored etching, sheet: 9 15/16 x 12 3/8 in. (25.2 x 31.5 cm), Prints, Anonymous, French, 18th century Design for Pointed Utensil with an Egyptian Style Figure on the Handle, 1548–1612, Pen and brown ink, brush and brown wash, over black chalk., 6 9/16 x 2 1/2 in. (16.6 x 6.4 cm), Drawings,… Plate 18: a noblewoman walking towards the left with a feathered fan, another woman in background to left, from 'Diversi capricci', ca. 1644–47, Etching; third state of four (De Vesme), Sheet: 3… Thenot and Colinet Eat Their Evening Meal, from Thornton's Pastorals of Virgil, 1821, Wood engraving, block: 1 7/16 x 3 in. (3.7 x 7.6 cm), Prints, William Blake (British, London 1757–1827 London) Plate 40 from 'The Disasters of War' (Los Desastres de La Guerra):'He gets something out of It (Algun partido saca), 1810 (published 1863), Etching, drypoint and burin , Plate: 6 7/8 × 8 7/16… Reading by Lamplight, 1859, Etching and drypoint; third state of three (Glasgow); black ink on fine off-white antique laid paper, Plate: 6 1/4 × 4 5/8 in. (15.9 × 11.8 cm), Prints, James… The Goldsmith, 1655, Etching and drypoint, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam) Illustration to 'Count Burckhardt' (Once a Week, September 27, 1862), 1862, Wood engraving, Prints, After James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London) Design for a Marble Topped Table with a Marble Shelf, early 19th century, Ink and watercolor, sheet: 9 1/16 x 11 7/8 in. (23 x 30.2 cm), Anonymous, British, 19th century The Nativity, 1504, Engraving, Sheet: 7 5/16 × 4 3/16 in. (18.5 × 10.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg) Betrayal of Christ, from The Passion, 1508, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.8 × 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg) Design for a Clock: Three Birds, 19th century, Graphite, brush and gray wash, watercolor, gouache, and gold gilt, sheet: 8 3/16 x 11 5/16 in. (20.8 x 28.8 cm), Drawings, Anonymous, French,… Drury Lane Rags, 1888, Transfer lithograph, drawn on medium-grain transfer paper; only state (Chicago); printed in black ink on cream laid paper, Image: 6 5/16 × 5 13/16 in. (16 × 14.7 cm),… Nude Male Figure, 1625–1713, Red chalk on paper faded gray (originally blue-gray ?), 14 x 10 in. (35.6 x 25.4 cm), Drawings, Ascribed to Carlo Maratti (Italian, Camerano 1625–1713 Rome) Apotheosis of Saint Mary Magdalen, 1527–85, Brush and black ink, 12 1/4 x 8 11/16in. (31.1 x 22.1cm), Drawings, After Luca Cambiaso (Italian, Moneglia 1527–1585 Madrid) A procession of horsemen and cannons in the middle ground walking to the left, a cannon and two men to left, from 'Peace and War' (Divers desseins tant pour la paix que pour la guerre), ca.… Christ's Entry into Jerusalem, from The Small Passion (copy), n.d., Woodcut, sheet: 8 1/4 x 5 3/4 in. (21 x 14.6 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg) The Prodigal Son Leaves Home, ca. 1636, Etching, Sheet: 10 1/8 x 12 13/16 in. (25.7 x 32.5 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris) The Sisters, 1894–95, Transfer lithograph with scraping, drawn on thin transparent transfer paper; first state of two (Chicago); printed in black ink on grayish white chine mounted on white… The Parrot, ca. 1891, Drypoint; fourth state of seven, plate: 6 1/4 x 4 5/8 in. (15.9 x 11.7 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise) John Ward, 2nd Viscount Dudley and Ward, 1779–1802, Black and red chalk, varnished, on thin laid paper. Oval., 8-15/16 x 6-9/16 in. (22.7 x 16.7 cm), Drawings, Francesco Bartolozzi (Italian,… Design for the decoration of the stairway in the Chateau d'Ognon of M. deMachy (Oise, France), second half 19th century, Graphite, pen and ink, watercolor, and gouache on wove paper, sheet: 10 1/2… Le Scelerat Damiens, 1757, Etching, sheet: 10 x 7 in. (25.4 x 17.8 cm), Prints, Gabriel de Saint-Aubin (French, Paris 1724–1780 Paris) Three Winged Female Figures, 1696–1770, Pen and brown ink, brush with pale (yellow) brown wash, over black chalk, 9-1/8 x 9-5/8 in. (23.2 x 24.5 cm), Drawings, Giovanni Battista Tiepolo… La Danseuse: A Study of the Nude, probably 1891, Transfer lithograph, drawn on thin, transparent transfer paper; only state (Chicago); printed in blue ink on Japanese gampi paper, Image: 6 3/16 ×… Laocoön and his two sons standing on a pedestal and being attacked by serpents, set before a decaying wall, ca. 1515–27, Engraving, Sheet (Trimmed): 17 7/16 × 12 15/16 in. (44.3 × 32.9… Augustin de Thou, president au Parlement, Etching, sheet: 17 11/16 x 12 15/16 in. (45 x 32.8 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris) Design for the decoration of a gothic niche, second half 19th century, watercolor over graphite on laid paper glued to cardboard, sheet: 8 x 3 3/8 in. (20.3 x 8.5 cm), Drawings,… Virtue: Athena, 1637, Etching, Sheet (trimmed): 8 in. × 5 1/4 in. (20.3 × 13.3 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris) Western Azalea, Azalea occidentalis, July 2, 1912, Watercolor and brown ink over graphite, with page design indicated in graphite, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings,… Temperance (Temperancia), 1530, Engraving, sheet: 6 3/8 x 4 5/16 in. (16.2 x 10.9 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden) Design for a ceiling: the Grand Salon, second half 19th century, Graphite, pen and black ink, and gray wash, Overall: 10 9/16 x 15 1/2 in. (26.9 x 39.4 cm), Drawings, Jules-Edmond-Charles… Peddler of Old Hats, 1742, Etching with some engraving, Sheet: 9 1/4 x 7 in. (23.5 x 17.8 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After… Two Dead Ducks, 1685–1755, Brush with gray, green, blue, black, and orange wash over leadpoint. Traces of framing outlines in pen and black ink at bottom, 6-9/16 x 8-3/8 in. (16.6 x 21.2… Design for a ceiling decorated with clouds and birds, 1830–97, graphite, pen and ink, watercolor and gold paint on wove paper; mounted on blue paper, Overall: 13 3/8 x 19 1/2 in. (33.9 x 49.5… Design for a Stage Set: Casino de St. Etienne, 1830–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau) Man at Desk, Wearing Cross and Chain, 1641, Etching and drypoint, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam) Visit to the New Mother, 1633, Etching with engraving; first state of two, Sheet: 11 5/8 × 14 15/16 in. (29.6 × 38 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris) Pie-Us Ecstacy – or Godliness (the Itinerant Preachers) Great Gain, November 19, 1825, Etching, Plate: 11 1/4 x 8 3/4 in. (28.5 x 22.3 cm), Prints, Thomas Rowlandson (British, London… Composition Study with Three Figures Standing on a Rock, 19th century, Pen and blue ink, over graphite, on tracing paper. Lined., 14 3/4 x 8 3/8 in. (37.4 x 21.2 cm), Drawings, Henri Lehmann… Design for a Stage Set at the Opéra, Paris: A Tent, 1830–90, Graphite, Irregular sheet: 5 1/16 x 5 11/16 in. (12.9 x 14.5 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau) Studies of the Christ Child, 1513–14, Red chalk, Sheet: 8 5/8 x 6 9/16 in. (22 x 16.7 cm), Drawings, Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483–1520 Rome), This animated sheet… Standing Figure of Saint Peter Holding Book and Keys., 1536/7–1615, Pen and two shades of brown ink, brush and pale brown wash, over traces of black chalk, 9 1/2 x 5 1/16 in. (24.2 x 12.9… Design for Two Bookstands on Casters, early 19th century, Ink and watercolor and wash, sheet: 9 1/8 x 11 7/8 in. (23.1 x 30.2 cm), Anonymous, British, 19th century Saint John the Baptist Baptizing the Multitude, 1554–56, Pen and brown ink, brush and brown wash. , 9 5/16 x 12 11/16in. (23.7 x 32.3cm), Drawings, Pellegrino Tibaldi (Italian, Puria di… Study for the Figure of Aeolus, 1549–51, Red chalk, sheet: 11 9/16 x 7 3/16 in. (29.4 x 18.2 cm), Drawings, Pellegrino Tibaldi (Italian, Puria di Valsolda 1527–1596 Milan), This is a study for… A Frigate at Sea, 17th century, Pen and black ink, gray wash, brown ink, over black chalk, on vellum. Mounted on board., 9 13/16 x 7 1/2 in. (25 x 19 cm), Drawings, Pierre Puget (French,… Océanie: Îlots à Uvea (Wallis): Pêche aux Palmes, 1845 (Oceania: Fishing, near islands with palms in the Uea or Wallis Group, 1845), 1863, Etching with drypoint on laid paper, plate: 6 3/4 x… Plate 2: a peasant woman removing her shoes in center, another peasant woman and two cows in a stream to left, a bridge to right in the background, from 'Various landscapes' (Divers paysages),… The Smith's Yard, 1895, Transfer lithograph drawn on thin, transparent transfer paper; only state (Chicago), as published; printed from a supplementary stone on medium-weight ivory wove paper with… Sketch for Adoration of the Kings, 17th century, Pen and brown ink, brush and brown wash., 7 3/16 x 9 11/16 in. (18.2 x 24.6 cm), Drawings, Anonymous, French, 17th century The Nativity, from The Life of the Virgin, Latin Edition, 1511, 1511, Woodcut, 11 3/4 x 8 3/8 in. (29.8 x 21.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg) Général sans pareil (The Peerless General), Summer 1815, Hand-colored etching, plate: 11 5/8 x 7 5/16 in. (29.5 x 18.6 cm), Prints, Anonymous, French, 19th century Study for a Pendentive: Figures of Saint Peter and Saint Paul, 1590–1646, Brush and brown wash, highlighted with white, on blue paper, 10-3/16 x 8-7/16 in. (25.9 x 21.5 cm), Drawings,… Price's Candle-Works (Price's Candle Factory), 1876/1877, Drypoint; ninth state of thirteen (Glasgow); printed in black ink on dark ivory Japan, Plate: 5 13/16 × 8 13/16 in. (14.8 × 22.4… The Virgin with the Swaddled Child, 1520, Engraving, Sheet: 5 1/2 × 3 3/4 in. (14 × 9.6 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg) Design for Rococco-style wall and cove ornament in the salon of the Hotel de Luynes, owned by the Duc de Sabran, second half 19th century, pen and ink and watercolor on wove paper, Overall: 14 5/16… Left Half of a Cartouche with Griffin and Acanthus Scroll, 1732–1802, Pen and brown ink, brush and dark green wash, 7 11/16 x 3 5/8 in. (19.6 x 9.2 cm), Attributed to Carlo Bianconi… French Liberty. British Slavery, December 21, 1792, Hand-colored etching, plate: 9 13/16 x 14 in. (24.9 x 35.5 cm), Prints, James Gillray (British, Chelsea 1756–1815 London), A tattered… Mythological Scene, 1771–1844, Lead graphite, 7 1/4 x 9 1/8in. (18.4 x 23.2cm), Drawings, Vincenzo Camuccini (Italian, Rome 1771–1844 Rome) Elaborate Design for a Chandelier, 19th century, Pen and brown ink, sheet: 19 1/8 x 16 5/16 in. (48.5 x 41.4 cm), Drawings, Anonymous, French, 19th century Illustration from The Comedie of Terence, 19th century reprint, n.d., Woodcut, sheet: 3 1/2 x 5 5/8 in. (8.9 x 14.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg) The infant Hercules killing the snakes, set within an elaborate frame, from the 'Loves, Rages and Jealousies of Juno', 1531–76, Engraving, sheet: 5 3/16 x 3 15/16 in. (13.2 x 10 cm), Prints,… St Paul overcoming the viper, within an architectual setting, an oval composition, ca. 1540–70, Engraving, Sheet: 9 7/16 in. × 6 in. (24 × 15.2 cm), Prints, Giulio Bonasone (Italian, active… Plate 2: La Place Dauphine, on the coast of Pont Neuf, the equestrian statue of Louis XIII in center, seen from the back and numerous figures, from 'Various Figures' (Agréable diversité de… Christ on the Cross, with the Virgin and Saint John, 15th century, Woodcut, sheet: 9 7/16 x 6 15/16 in. (24 x 17.7 cm), Prints, Anonymous, 15th century Little Arthur, 1857–58, Etching; fourth state of four (Glasgow); printed in black ink on off-white chine mounted on off-white wove paper, Plate: 2 5/16 x 1 15/16 in. (5.9 x 4.9 cm), Prints,… The Triubute Money: Christ at center right gesturing to man at his left with coins in his hand, other figures surrounding them; columns and drapery in the background, ca. 1564–89, Engraving… Crowned Heads, from Pictures of Extra Articles and Visitors to the Exhibition, ca. 1851, Wood engraving, sheet: 4 3/4 x 13 7/8 in. (12.1 x 35.3 cm), Prints, Richard Doyle (British, London… Design for the Decoration of the Ceiling in the Hôtel de Pless, Berlin, or the Chateau de Cangé in the Loire, second half 19th century, Watercolor, gouache, and gold paint, Drawings,… Plate 24 from 'The Disasters of War' (Los Desastres de la Guerra):' They can still be of use.' (Aun podrán servir), 1810, Etching before burnisher, Plate: 6 5/16 × 10 1/16 in. (16.1 × 25.6… Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, watercolor, and gouache, Irregular sheet: 11 5/16 x 20 11/16 in. (28.7 x 52.5 cm), Drawings, Eugène Cicéri (French, Paris… Design for a Mirrored Sideboard with Diminishing Legs, Floral and Rocaille Ornament, early 19th century, Ink and wash, sheet: 8 5/8 x 12 1/4 in. (21.9 x 31.1 cm), Anonymous, British, 19th century The Country Dance (Large Plate), ca. 1637, Etching; third state of four (Mannocci), sheet: 7 13/16 x 10 1/16 in. (19.8 x 25.6 cm), Prints, Claude Lorrain (Claude Gellée) (French, Chamagne… Allegory of Painting with Putti, 18th century, Pen and brown ink, brown and gray wash over black chalk; verso: faint black chalk sketches, 7 3/8 x 10 11/16 in. (18.7 x 26.9 cm), Drawings,… Design for a Stage Set Showing the Interior of a Fortress or Dungeon., 1751–1831, Pen and brown ink, brush and brown and gray wash, sheet: 7 1/16 x 9 5/16 in. (18 x 23.6 cm), Pietro di… Caricature of Georges-Auguste Couthon (called Aristide, 1756-1794), President of the Convention in 1793, on the way to the guillotine on July 28, 1794 (10 Thermidor, An II), ca. 1794, Pen, black… Phaeton, from 'Game of Mythology' (Jeu de la Mythologie), 1644, Etching; first state of five, Sheet: 2 1/16 × 2 1/4 in. (5.3 × 5.7 cm), Prints, Etched by Stefano della Bella (Italian,… The Great Exhibition 'Wot is to Be', Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done,… Design for a Torchère, ca. 1770–90, Pen and brown ink, brush and brown wash. Framing lines in pen and brown ink with brush and green wash, Sheet: 18 1/2 × 12 3/16 in. (47 × 31 cm), Jean… The Virgin Walking to the Right Carrying the Christ Child, 1503–40, Red chalk, over stylus sketch, 6 13/16 x 5 9/16in. (17.3 x 14.1cm), Drawings, Parmigianino (Girolamo Francesco Maria… The Flying Raven, Ex Libris for The Raven by Edgar Allan Poe, 1875, Lithograph on simili-parchment, Sheet: 6 1/8 x 11 5/8 in. (15.6 x 29.5 cm), Prints, Édouard Manet (French, Paris 1832–1883 Paris) Design for a Sword Hilt, ca.1550, probably Nuremberg, German, probably Nuremberg, Pen, ink, wash, paper, 8 1/2 x 11 3/8 in. (21.5 x 28.8 cm), Works on Paper-Drawings, Original designs for… Illustration from Revelations Sancte Birgitte, Koberger Nuremberg 1500 (Latin Text), n.d., Woodcut, sheet: 11 5/8 x 8 1/4 in. (29.5 x 21 cm), Prints, Albrecht Dürer (German, Nuremberg… L'Armoire à glace (The Mirrored Wardrobe), 1922, Etching; first state, plate: 11 11/16 x 7 3/4 in. (29.7 x 19.7 cm), Prints, Walter Richard Sickert (British, Munich 1860–1942 Bathampton, Somerset) Design for an Iron Railing, 18th century, Pen and brown ink, brush and brown wash, sheet: 9 15/16 x 15 3/16 in. (25.2 x 38.5 cm), Anonymous, French, 18th century The Dream of an Inhabitant of Mongolia (La Fontaine Fables, Book XI, Fable IV), after Moreau, 1850–1914, Etching, sheet: 15 3/4 x 11 5/8 in. (40 x 29.5 cm), Prints, Félix Bracquemond (French,… Design for a One-armed Gothic Style Sofa and Chair, early 19th century, Ink and wash, sheet: 8 5/8 x 12 5/16 in. (21.9 x 31.2 cm), Anonymous, British, 19th century Covena, Brodiaea capitata, var. pauciflora, June 8, 1912, Watercolor and brown ink over graphite, with page design indicated in graphite, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm),… Design for a Lady's Tomb, 16th century, Black chalk, pen and brown ink, brush and brown wash, sheet: 17 5/16 x 11 9/16 in. (43.9 x 29.3 cm), Drawings, Anonymous, French, 16th century Hope (Spes) from the series The Virtues, 1559–60, Engraving, Plate: 8 7/8 x 11 9/16 in. (22.6 x 29.3 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569… Introduction of Citizen Volpone & His Suite, at Paris.–Vide, The Moniteur, & Cobbetts Letters, November 15, 1802, Hand-colored etching, sheet: 9 13/16 x 14 in. (25 x 35.6 cm), Prints, James… Design for a Theatre, 18th century, Graphite, sheet: 4 1/2 x 2 5/8 in. (11.4 x 6.7 cm), Drawings, Anonymous, French, 18th century Design for Cove Section, second half 19th century, Pen and black ink, watercolor, and gouache, 5 7/8 x 11 1/4 in. (14.9 x 28.6 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),… A Pole Leading a Horse by the Bridle and Speaking with Two Other Men, ca. 1662, Etching, Sheet (trimmed to plate): 3 1/16 × 4 1/16 in. (7.7 × 10.3 cm), Prints, Stefano della Bella (Italian,… The Descent from the Cross with Saint Francis and Another Friar, 1619, Pen and brown ink, brush and brown and gray wash, highlighted with gold., 14 5/16 x 11 1/8in. (36.4 x 28.3cm), Drawings,… Arrie, 1647, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 13 3/4 x 9 in. (34.9 x 22.8 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), Abraham… America (L'Amerique), Etching, sheet: 8 5/8 x 5 3/4 in. (21.9 x 14.6 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris) The Old Thames: 'Black Lion Wharf,' an Etching, 1895, Wood engraving, image: 11 3/16 x 16 7/8 in. (28.4 x 42.9 cm), Prints, After James McNeill Whistler (American, Lowell, Massachusetts… 2.589.713 / 2.589.715 Entries < previous page Page 1176 / 25898 next page >