Bacchante et jeune satyre, n.d., Etching, sheet: 4 11/16 x 3 7/8 in. (11.9 x 9.8 cm), Prints, Attributed to Jean Honoré Fragonard (French, Grasse 1732–1806 Paris)

Scene of Martyrdom, 1615–66, Pen and brown ink, brush and gray-brown wash, over red chalk (recto); illegible red chalk notations (verso), 7 3/8 x 5in. (18.7 x 12.7cm), Drawings, Giovanni…

Grotesque designs featuring griffin, birds, and dolphins, 1830–97, pen and ink, wash and watercolor over graphite on wove paper, Overall: 19 7/16 x 12 15/16 in. (49.4 x 32.8 cm), Drawings,…

Descent from the Cross, 1633, Etching and burin, sheet: 20 9/16 x 15 1/16 in. (52.2 x 38.3 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

The Adoration of the Shepherds: with the Lamp, Etching and drypoint, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Plate 2 from the 'Disparates': Folly of Fear, ca. 1816–23 (published 1864), Etching, burnishing, aquatint, and drypoint, sheet: 12 5/8 x 18 7/8 in. (32 x 48 cm), Prints, Goya (Francisco de Goya…

The Pond, 1640, Etching; first state of two (Robert-Dumesnil), sheet: 4 1/2 x 6 13/16 in. (11.4 x 17.3 cm), Prints, Laurent de La Hyre (French, Paris 1606–1656 Paris)

Plate 11 from 'The Disasters of War' (Los Desastres de la Guerra):Neither do these (Ni por esas), 1810, Etching, lavis, drypoint and burin, Plate: 6 5/16 × 8 3/8 in. (16.1 × 21.2 cm), Prints,…

Illustration from the Ritter von Turn, 1493, n.d., Woodcut, Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Two studies for Saint Ulrich of Augsburg, ca. 1505–8, Pen and brown ink, sheet: 7 3/8 x 6 3/8 in. (18.8 x 16.2 cm), Drawings, Hans Burgkmair (German, Augsburg 1473–1531 Augsburg)

Part of the Entrance of the Polish Legation (N. O. P.), 1633, Etching, state i, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence)

Title Page, The Caricature Magazine, or Mirror of Mirth, November 19, 1808, Hand-colored etching, Sheet: 13 11/16 × 9 7/16 in. (34.7 × 23.9 cm), Prints, Thomas Rowlandson (British, London…

Design for a Large Mirrored Cabinet Adorned with Two Lamps, early 19th century, Graphite, sheet: 10 11/16 x 14 7/8 in. (27.1 x 37.8 cm), Anonymous, British, 19th century

Young Women in a Landscape with Architectural Fragments, ca. 1773, Pen and brown ink, with brush and brown, gray, and blue washes, over a red chalk counterproof, 14 3/8 x 11 1/4 in. (36.6 x 28.7…

Calypso trying to detain Ulysses as a child prepares his armour at right and Mercury falls from the sky, 1531–76, Engraving, sheet: 15 11/16 x 11 7/16 in. (39.8 x 29 cm), Prints, Giulio…

Profile of a Design for a Tomb with a Male Bust, 16th century, Graphite, pen and brown ink, sheet: 17 13/16 x 11 9/16 in. (45.3 x 29.4 cm), Drawings, Anonymous, French, 16th century

The Adoration of the Shepherds, 1837, Pen and brown ink, brush and brown wash, over graphite, 12 1/2 x 7 7/8in. (31.8 x 20cm), Drawings, Tommaso Minardi (Italian, Faenza 1787–1871 Rome)

Design for the decoration of a ceiling with urns, swags, and portrait medallions in the four corners, 1830–97, pen and ink and watercolor on wove paper, Overall: 13 1/8 x 19 3/8 in. (33.4 x…

A Wicked Piece, ca. 1922, Etching and engraving; second state of three, plate: 7 x 4 5/8 in. (17.8 x 11.7 cm), Prints, Walter Richard Sickert (British, Munich 1860–1942 Bathampton, Somerset)

Portrait of a Man, 16th century, Charcoal, stumped, black and red chalk, some lines reinforced with pen and gray ink, 9 3/4 x 6 11/16 in. (24.8 x 17 cm), Drawings, Anonymous, French, 16th century

Design for Elevation of the Duchess of Newcastle's Bedroom, Hôtel Hope, 1867, Gouache, watercolor, and gilt, 11 x 9 3/4 in. (27.9 x 24.8 cm), Drawings, Jules-Edmond-Charles Lachaise (French,…

The Great Exhibition 'Wot is to Be', Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done,…

Staircase in the Palazzo Barberini, Palestrina, mid-18th century, Pen and brown ink, brush and brown wash, over black chalk, heightened with white, 9 1/16 x 8 15/16 in. (23 x 22.7 cm),…

Spring, 1635–37, Etching; first state of two, Sheet: 10 3/16 × 12 15/16 in. (25.8 × 32.8 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Laceing [sic] a Dandy, January 26, 1819, Hand-colored etching, image: 13 3/16 x 8 3/8 in. (33.5 x 21.3 cm), Prints, Anonymous, British, 19th century, Dandies needed help to achieve the silhouette…

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 2 13/16 x 7 15/16 in. (7.1 x 20.2 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

The Rape of the Sabines, n.d., Brush and blue-gray gouache, heightened with white, on beige paper. Ruled framing lines in graphite; margins washed in blue., 5 11/16 x 30 1/16 in. (14.4 x 76.4…

Design for a monument; verso: Architectural sketches, late 17th–early 18th century, Pen and brown ink, brown wash, over black chalk or graphite; verso: black chalk or graphite, locally…

Charles Pratt, Baron Camden (later 1st Earl Camden), 1764–1802, Black and red chalk, varnished, on thin laid paper. Oval., 6 x 5 in. (15.2 x 12.7 cm), Drawings, Francesco Bartolozzi…

Head of a Young Woman Wearing a Turban, 1577–1668, Red chalk, a little black and white chalk, on blue paper, 10 3/8 x 7 5/16in. (26.3 x 18.6cm), Drawings, Alessandro Tiarini (Italian,…

Reclining nude female figure, n.d., Graphite, 12 1/8 x 7 3/4 in. (38 x 19.7 cm), Drawings, Auguste Rodin (French, Paris 1840–1917 Meudon)

Plate 10: a family in center foreground, various figures and horses in middleground, a windmill in center background, from 'Various landscapes' (Divers paysages), ca. 1641, Etching; second state…

Design for a Tomb of Epitaph (recto); An Unfinished Variation of a Tomb or Epitaph (verso), 1652–1725, Pen and brown ink over traces of black chalk (recto and verso), sheet: 9 7/16 x 8 1/8 in.…

Landscape with a Farm House and a Bell Tower, 1582–1656, Pen and brown ink., 5 13/16 x 8 9/16in. (14.8 x 21.8cm), Drawings, Remigio Cantagallina (Italian, Borgo Sansepolcro ca. 1582–1656 Florence)

Grotesque Head With a Bulging Forehead Looking to the Right Within a Circle, 1727, Pen and brown ink, sheet: 12 7/8 x 8 1/2 in. (32.7 x 21.6 cm), Drawings, Gaetano Piccini (Italian, active…

The Maker of Scales, n.d., Pen and black ink, brush and brown and gray wash, and graphite, 4 1/8 x 8 1/16 in. (10.4 x 20.5 cm), Drawings, Jean Michel Moreau the Younger (French, Paris…

The Holy Family, 1512–13, Drypoint, sheet: 8 1/4 x 7 5/16 in. (21 x 18.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Hall of Quiet Study, 19th century, Watercolor, Drawings, Anonymous, Chinese, Canton, 19th century

Design for Gray Curtains with Pink Fringes, and White and Gold Pediments, ca. 1820, Ink, watercolor and wash, sheet: 8 9/16 x 12 5/16 in. (21.7 x 31.2 cm), Anonymous, British, 19th century

The Bride Taken Home, 1633, Etching, Sheet: 11 3/4 × 14 3/4 in. (29.9 × 37.5 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

The Resurrection (copy), n.d., sheet: 4 1/2 x 3 in. (11.4 x 7.6 cm), Prints, Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam), After Lucas van Leyden (Netherlandish, Leiden ca.…

Landscape, 17th century, Pen and brown ink touched with Chinese white on tinted paper, 8 3/4 x 13 1/2 in. (22.3 x 34.3 cm), Drawings, Anonymous, French, 17th century

Repas de Corps. Epoque Mémorable de 1821, 1821, Lithograph, sheet: 14 x 14 15/16 in. (35.5 x 37.9 cm), Prints

The Medici vase, a large vase to right decorated with a representation of the sacrifice of Iphigenia, on a garden terrace, a teenage boy seated to left with a pen and paper with a drawing of the…

The Siege of a Fortress, n.d., Woodcut, sheet: 8 7/8 x 13 1/2 in. (22.5 x 34.2 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

The Monstrous Pig of Landser, ca. 1496, Engraving, Sheet: 4 11/16 in. × 5 in. (11.9 × 12.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

The Birth of the Virgin, from The Life of the Virgin, ca. 1503, Woodcut, sheet: 11 5/8 x 8 1/8 in. (29.5 x 20.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Ecce Homo, 1510, Engraving; first state, sheet: 11 3/8 x 17 15/16 in. (28.9 x 45.6 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Eagle Wharf, 1859, Etching; only state (Glasgow); Black ink on medium weight fibrous oriental laid paper, Plate: 5 1/2 x 8 1/2 in. (14 x 21.6 cm), Prints, James McNeill Whistler (American,…

Standing Countryman Holding a Staff, 1654–1719, Red chalk, 11 7/16 x 8 1/4in. (29.1 x 21cm), Drawings, Giovan Gioseffo dal Sole (Italian, Bologna 1654–1719 Bologna)

Designs for an Ewer and Clock, 19th century, Graphite, watercolor, and gouache, sheet: 11 3/16 x 15 15/16 in. (28.4 x 40.5 cm), Drawings, Anonymous, French, 19th century

Saint Andrew, 1595–1616, Etching, Sheet: 12 5/8 × 7 7/8 in. (32 × 20 cm), Prints, Jacques Bellange (French, Bassigny (?) ca. 1575–1616 Nancy)

The Golden Age, ca. 1878, Black chalk heightened with white on faded blue paper, 18 7/16 x 12 in. (46.8 x 30.4 cm), Drawings, Auguste Rodin (French, Paris 1840–1917 Meudon), Redolent of the…

Almanach for 1639: Louis XIII and Anne of Austria Entrusting the Kingdom and the Prince under the Protection of the Virgin, 1639, Etching, Sheet (trimmed): 7 7/8 × 16 3/8 in. (20 × 41.6 cm),…

Design for Four Brackets with Foliate and Rocaille Ornament, early 19th century, Ink and wash, sheet: 9 1/2 x 11 7/8 in. (24.2 x 30.1 cm), Anonymous, British, 19th century

A Hedgehog (Erinaceus roumanicus), before 1584, Watercolor and gouache on vellum, Sheet: 8 1/8 x 12 1/16 in. (20.7 x 30.7 cm), Drawings, Hans Hoffmann (German, Nuremberg ca.…

Le petit saint Bernard, Etching, second state, sheet: 11 5/16 x 8 3/16 in. (28.8 x 20.8 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne (French,…

Story of Cupid and Psyche as told by Apuleius, 1530–60, Engraving, 10 1/2 × 16 1/8 × 9/16 in. (26.7 × 41 × 1.5 cm), Books, Master of the Die (Italian, active Rome, ca. 1530–60),…

European Sibyl, from the series of Sibyls, ca. 1530, Woodcut, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Procession of Monstrous Figures, 1615, Etching, frieze 1 of 8 plates, sheet: 3 7/16 x 8 3/8 in. (8.8 x 21.2 cm), Prints, Wendel Dietterlin, the Younger (German, active Strasbourg ca. 1614–69)

Design for a Small Cabinet Between Curtains, early 19th century, Graphite, sheet: 8 1/2 x 12 5/16 in. (21.6 x 31.2 cm), Anonymous, British, 19th century

Design for Export Furniture, ca. 1800, Watercolor over graphite, sheet approx.: 11 x 16 in. (27.9 x 40.6 cm), Drawings, Anonymous, Chinese, 19th century

Centaur with a Club, and Two Satyrs, 1727–1804, Pen and dark brown ink, brush and dark brown wash, 7-5/8 x 10-7/8 in. (19.3 x 27.6 cm), Drawings, Giovanni Domenico Tiepolo (Italian, Venice…

Study for a Virgin and Child with Two Angels (recto); Two Studies of Hands (verso), 1544–97, Red chalk on off-white paper. Recto: squared in red chalk, 10-5/16 x 9-15/16 in. (26.2 x 25.2…

Bust of a Youth Looking to Upper Left (recto); Study of Drapery (verso), 1610–56, Black and red chalk, on blue paper (recto); slight study of drapery (?) in black chalk (verso), 7 15/16 x 6…

Epimetheus opening Pandora's box, 1531–76, Engraving, Plate: 6 9/16 × 4 5/16 in. (16.7 × 11 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576)

Billy Lackbeard and Charley Blackbeard playing at Football, February 7, 1784, Hand-colored etching, Sheet: 9 9/16 × 13 11/16 in. (24.3 × 34.7 cm), Prints, Thomas Rowlandson (British, London…

The Mirror, ca. 1891, Drypoint; sixth state of six, plate: 8 7/8 x 6 9/16 in. (22.5 x 16.7 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise)

a. Hand of Saint Remi; b. Hand of Saint Remi; c. Drapery Study for Acolyte Holding Book (middle register); (studies for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858),…

Illustration for a Book: Frontispiece with a Female Allegorical Figure (Religion?) and a Putto, 1696–1770, Black chalk, reworked with traces of red chalk. Horizontal and vertical centering…

The Mouth of Truth, ca. 1514, Woodcut, sheet: 16 3/16 x 11 1/2 in. (41.1 x 29.2 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

The Nativity with Scenes of The Annunciation, The Adoration of the Shepherds, The Crucifixion and The Resurrection, 1620–76, Etching, Sheet (trimmed): 10 13/16 × 13 1/16 in. (27.5 × 33.2…

The Babylonian Whore, n.d., Woodcut, sheet: 15 1/4 x 10 7/8 in. (38.7 x 27.6 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

The Virgin Surrounded by Many Angels, 1518, Woodcut, sheet: 11 15/16 x 8 5/8 in. (30.3 x 21.9 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

A Martyrdom, 1648–1737, Pen and brown ink, brush and brown wash. Squared in black chalk, 10-3/4 x 8-1/16 in. (27.3 x 20.5 cm), Drawings, attributed to Serafino Brizzi (Italian, Bologna…

Youth Reading, 1612–66, Pen and brown ink, brush and brown wash, 8 3/4 x 7 11/16in. (22.3 x 19.5cm), Drawings, Circle of Pier Francesco Mola (Italian, Coldrerio 1612–1666 Rome)

Pidgeon Hole. A Convent Garden Contrivance to Coop up the Gods, February 20, 1811, Hand-colored etching, Sheet: 9 5/8 x 13 3/4 in. (24.5 x 34.9 cm), Prints, Thomas Rowlandson (British, London…

Christ Crowned with Thorns, from The Small Passion, ca. 1509, Woodcut, sheet: 5 x 3 7/8 in. (12.7 x 9.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Little Hell Gate, Harlem, ca. 1880–89, Etching, plate: 3 7/8 x 6 in. (9.9 x 15.2 cm), Prints, Henry Farrer (American, London 1844–1903 New York)

Architectural Design Presenting Two Alternate Solutions (in two fragments), 17th century, Pen and brown ink, brush and brown wash, over leadpoint., 10 3/4 x 3 5/16 in. (27.3 x 8.4 cm),…

St. Andrew, ca. 1510, Engraving, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

A Fir Tree in the Forest of the Landes, Aquitane, 1909, Black chalk, graphite, pen and ink, and white wash on brown wove paper, sheet: 15 1/16 x 11 5/16 in. (38.3 x 28.8 cm), Drawings,…

A Little Cheque (The Small Plate), 1915, Etching and engraving; second state of two, plate: 5 7/8 x 3 15/16 in. (15 x 10 cm), Prints, Walter Richard Sickert (British, Munich 1860–1942…

Two Figures on Horseback, a Soldier Walking Behind, 17th century, Pen and brown ink, over red chalk (recto); pen and brown ink, over black chalk (verso), 9 15/16 x 7 5/16in. (25.2 x 18.6cm),…

Farmyard, 18th century, Brush and brown wash, watercolor and gouache over black chalk on grey-brown washed paper., 9 3/8 x 13 in. (23.8 x 33 cm), Drawings, Jean-Baptiste-Denis Lempereur (French,…

The Engraver Joseph Tourny, 1857, Etching; sixth printing on Japanese vellum, plate: 9 1/16 x 5 11/16in. (23 x 14.4cm), Prints, Edgar Degas (French, Paris 1834–1917 Paris)

Two Crouching Nude Male Figures, ca. 1640, Black chalk heightened with white on beige paper; two vertical ruled lines in red chalk, center, 6 3/4 x 11 1/8 in. (17.1 x 28.2 cm), Drawings, Simon…

Three designs for decorative borders, 1830–97, pen and ink, wash and watercolor over graphite on wove paper, Overall: 19 7/16 x 13 7/16 in. (49.4 x 34.2 cm), Drawings, Jules-Edmond-Charles…

James McNeill Whistler, 1874, Etching, with lithographic tone?, plate: 5 1/8 x 3 13/16 in. (13 x 9.7 cm), Prints, Percy Thomas (British, London 1846–1922 London)

Plate 1: two children sitting on the ground, the child on the right drawing while the child on the left holding the album, the title page from 'The Book for Learning to Draw' (Livre pour apprendre…

Young Shepherd on Horseback, Etching, sheet: 7 5/16 x 9 13/16 in. (18.5 x 25 cm), Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664 Mantua)

Cain in the center holding a mirror watching his sacrifice seated near Adam and Eve, in the background an angel expelling them from Paradise, ca. 1530–50, Engraving, sheet: 9 1/4 x 12 5/8 in.…

Group of Allegorical figures: Sketch for a Ceiling Decoration ?, 1657–1747, Pen, brown ink, gray wash over black chalk, 10 9/16 x 7 11/16in. (26.8 x 19.5cm), Drawings, Francesco Solimena…

A Valet Putting Away the Luxurious Clothing of His Master, mid to late 17th century, Etching, Sheet (trimmed): 11 3/8 × 7 3/4 in. (28.9 × 19.7 cm), Prints, Abraham Bosse (French, Tours…

Jan Six, 1647, Etching, drypoint, and burin, Sheet: 9 5/8 × 7 5/8 in. (24.4 × 19.3 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Design for a Bucket-Like Vessel with a Handle of Interlaced Figures, on a Body Adorned with Bucrania, Garlands, and Three River Gods., 1540–50, Pen and brown ink, brush and brown wash, over…

Design for Red Curtains with Gold Fringes and a Gold, Red and White Pediment, early 19th century, Ink, watercolor and wash, sheet: 10 5/8 x 15 1/4 in. (27 x 38.8 cm), Anonymous, British, 19th century

Italian Picture Dealers Humbugging My Lord Anglaise, May 30, 1812, Hand-colored etching, Sheet: 13 11/16 x 9 3/4 in. (34.8 x 24.8 cm), Prints, A handsome English lord visiting Italy is introduced to…

Return of the Holy Family from Egypt (recto); Studies for the Return from Egypt (verso), 1599–1600, Pen and brown ink, brush and brown wash, over black chalk (recto and verso), 6-7/8 x 8-1/8…

The Holy Kinship with Lute Playing Angels, 1511, Woodcut, Sheet: 8 11/16 × 8 11/16 in. (22 × 22 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)