The Banquet for the Return of the Prodigal Son, ca. 1636, Etching, Sheet: 10 1/16 × 12 5/8 in. (25.5 × 32 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

The Adoration of the Magi, 1625–30, Pen and brown ink, brush and brown wash, sheet: 9 3/16 x 14 13/16 in. (23.3 x 37.7 cm), Drawings, Guercino (Giovanni Francesco Barbieri) (Italian, Cento…

Plate 80 from 'The Disasters of War' (Los Desastres de la Guerra): 'Will she rise again?' (Si resucitará?), after 1814–15 (published 1863), Etching and burnisher, Plate: 6 3/4 × 8 9/16 in.…

Wood Cutter, 1742, Etching with some engraving, Sheet: 9 5/16 in. × 7 in. (23.7 × 17.8 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After…

Madonna and Child Enthroned with Saint Basil the Great and Saint John the Baptist and Donor, 1540–50, Pen and brown ink, brush and brown wash. Mounted on board, 9 1/8 x 7 5/8in. (23.2 x…

Scene in the Tuileries: The Watering Cart, 1760, Etching, second state, sheet: 4 x 7 7/8 in. (10.2 x 20 cm), Prints, Gabriel de Saint-Aubin (French, Paris 1724–1780 Paris)

Head of a Man in Profile Facing to the Left, 1490–94, Pen and brown ink, over soft black chalk, 4 5/8 x 2 1/16in. (11.7 x 5.2cm), Drawings, Leonardo da Vinci (Italian, Vinci 1452–1519 Amboise),…

Design for the Parish Church of Merkershausen, 1738 (?), Pen and black ink, grey wash, watercolour, over graphite; framing line in pen and black ink, and grey and black wash, by the artist, sheet:…

The Last Supper, from The Small Passion (copy), n.d., Engraving, Sheet: 4 15/16 × 3 3/4 in. (12.6 × 9.6 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), Possibly…

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 7 3/8 x 8 15/16 in. (18.8 x 22.7 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Putti at play, second half 19th century, Graphite and brown wash, image: 4 7/8 x 9 1/2 in. (12.4 x 24.1 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet…

Illustration to 'The Morning Before the Massacre of St. Bartholomew' (Once a Week, August 16, 1862), 1862, Wood engraving, Prints, After James McNeill Whistler (American, Lowell, Massachusetts…

Men Carrying Jars, 1624–63, Pen and brown ink, and brush and brown wash. Framing lines in pen and brown ink on mount, 4-3/8 x 6-3/8 in. (11.1 x 16.2 cm), Drawings, attributed to Francesco…

Triumph of Bacchus who is seated on a carriage at left, 1531–76, Engraving, sheet: 5 7/16 x 8 11/16 in. (13.8 x 22 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576)

Three cupids in front of a facade with pilasters, one holding a trident and another a large shell, ca. 1515–1600, Engraving, Sheet: 7 11/16 × 18 3/8 in. (19.5 × 46.7 cm), Prints,…

The Great Exhibition 'Wot is to Be', Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done,…

Time, Apollo and the Seasons, 1662, Etching; seventh state of seven (Mannocci), sheet: 7 3/16 x 9 7/8 in. (18.3 x 25.2 cm), Prints, Claude Lorrain (Claude Gellée) (French, Chamagne…

Grands Sauteurs!, from La Caricature, 19th century, Lithograph, Overall: 10 1/4 x 13 7/16 in. (26.1 x 34.1 cm), Prints, Alexandre-Gabriel Decamps (French, Paris 1803–1860 Fontainebleau)

Landscape with a woman seated next to a man playing a hurdy-gurdy, ca. 1540, Woodcut, Sheet (Trimmed): 9 1/2 × 14 13/16 in. (24.2 × 37.6 cm), Prints, Domenico Campagnola (Italian, Venice (?)…

Gaetano Rossi Napoletano, n.d., Conté crayon on off white wove paper, 9 13/16 x 7 13/16 in. (25 x 19.8 cm), Drawings, Jean-Baptiste Joseph Wicar (French, Lille 1762–1834 Rome)

Rest on the flight into Egypt, Mary holding the infant Christ with St. Joseph at left, ca. 1640, Etching, Plate: 6 7/8 × 10 7/16 in. (17.5 × 26.5 cm), Prints, Simone Cantarini (Italian,…

Pride (Superbia) from The Seven Deadly Sins, 1558, Engraving, sheet: 10 1/4 x 13 9/16 in. (26 x 34.4 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569…

The Studio, Christmas 1916, 1916, Lithograph, image: 5 1/2 x 4 5/16 in. (14 x 11 cm), Prints, George Bellows (American, Columbus, Ohio 1882–1925 New York)

En plein soleil, 1858, Etching; third state of three (Glasgow); printed in black ink on tan chine, Plate: 3 15/16 × 5 1/4 in. (10 × 13.4 cm), Prints, James McNeill Whistler (American,…

Agrippine Sibyl, from the series of Sibyls, ca. 1530, Woodcut, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Study for a Cartouche, Pen and black ink, with brush and gray wash. Framing lines in pen and brown ink., 5 x 4 3/16 in. (12.7 x 10.7 cm), Drawings, Gilles-Marie Oppenord (French, Paris…

Design for a Chinese-Style Porcelain Candelabra, 19th century, Graphite, watercolor, gouache, and gold gilt, sheet: 18 3/8 x 11 13/16 in. (46.7 x 30 cm), Drawings, Anonymous, French, 19th century

Saint John Before God and the Elders, from The Apocalypse, n.d., Woodcut, sheet: 17 3/8 x 11 15/16 in. (44.1 x 30.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Pattern Book, 1830–70, American, Paper, 8 7/16 x 10 1/2 x 5/8 in. (21.4 x 26.7 x 1.6 cm), Natural Substances

The Virgin Immaculate Crowned by Two Angels, with Angel Musicians in the Foreground, 1555–1630, Pen and brown ink, brown wash, over black chalk, 8 7/8 x 6 13/16in. (22.6 x 17.3cm), Drawings,…

The Schoolmaster, n.d., Woodcut, sheet: 9 3/8 x 6 1/2 in. (23.8 x 16.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Quietude, ca. 1891, Drypoint; fifth state, plate: 10 3/16 x 7 in. (25.9 x 17.8 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise)

Plate 13 from 'The Disasters of War' (Los Desastres de la Guerra):Bitter to be Present (Amarga presencia), 1810 (published 1863), Etching, lavis, drypoint, burin and burnisher, Plate: 5 1/2 × 6…

Portait of Seated Man in Hat, 1782, Etching with roulette, image: 4 5/8 x 3 9/16 in. (11.8 x 9 cm), Prints, Charles Echard (French, Caen 1748–1810 Paris)

Omer II Talon, avocat au Parlement et conseiller du roi, Etching, after first state, image: 12 1/16 x 9 3/16 in. (30.6 x 23.3 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris),…

Venus with Playing Cupids, Chiaroscuro woodcut in black and three tone blocks in beige, brown and dark brown, sheet: 10 1/2 x 15 15/16 in. (26.6 x 40.5 cm), Prints, Attributed to Ugo da Carpi…

Standing Youth Holding a Club (recto); Temptation of Adam and Eve (verso), 1438–61, Brush and gray wash, highlighted with white, on faded blue paper (recto); fragment of the Temptation of Adam…

Fabric Design with Blue Flowers, ca. 1918–25, Gouache and stencil over graphite, 9 7/16 x 7 3/8 in. (24 x 18.7 cm), Drawings, Attributed to Paul Poiret (French, Paris 1879–1944 Paris)

Studies for the Education of the Virgin, 1692–1758, Pen and brown ink, 8 7/16 x 8 15/16in. (21.5 x 22.7cm), Drawings, Agostino Masucci (Italian, Rome 1692–1768 Rome)

Design for a Piano, 19th century, Watercolor on wove paper, sheet: 16 7/8 x 10 5/8 in. (42.8 x 27 cm), Anonymous, French, 19th century

San Giorgio, 1879–80, Etching and drypoint; printed in dark brownish-black ink on fine ivory laid paper, Plate: 8 3/16 × 11 15/16 in. (20.8 × 30.4 cm), Prints, James McNeill Whistler…

Design for a Chair, early 19th century, Ink and gouache, sheet: 7 3/16 x 4 7/16 in. (18.3 x 11.2 cm), Attributed to Gillows (British, 19th century)

The Prodigal Son Guarding Pigs, ca. 1636, Etching, Sheet: 10 5/16 x 13 in. (26.2 x 33 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Study of Two Figures, 1837–1911, Graphite, 16 3/4 x 11 in. (42.5 x 27.9 cm), Drawings, Alphonse Legros (French, Dijon 1837–1911 Watford, Hertfordshire)

Design for Trompe L'Oeil Ceiling for Dining Room, Hôtel de Trévise, 1850–1910, Graphite and watercolor, 10 7/8 x 8 3/8 in. (27.6 x 21.3 cm), Drawings, Jules-Edmond-Charles Lachaise (French,…

A Carthusian Saint Visiting the Plague Stricken, 1599–1661, Pen and brown ink, gray wash, and black chalk on paper, 9 9/16 x 13 5/16in. (24.3 x 33.8cm), Drawings, Andrea Sacchi (Italian, Rome…

Melencolia I, 1514, Engraving, image: 9 1/2 x 7 1/2 in. (24.1 x 19.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Pieter Haaringh ('Young Haaringh'), 1655, Etching, drypoint, and burin; first state of five, Plate: 7 13/16 × 5 7/8 in. (19.8 × 14.9 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch,…

Annunciation., 1560–1600, Pen and brown ink, brush and brown wash, over leadpoint or black chalk, on paper washed light brown; squared for transfer, 8-5/8 x 8-1/8 in. (21.9 x 20.6 cm),…

Design for Wall, Hôtel de Beaujon, Paris, 1872, Watercolor, pen and black ink, and gilt over graphite, sheet: 14 1/2 x 6 7/16 in. (36.9 x 16.4 cm), Drawings, Jules-Edmond-Charles Lachaise…

Saint Peter and Saint John at the Gate of the Temple, from The Passion, 1513, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.7 × 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Marine Deity with Attendant Female Figure, 1696–1770, Pen and brown ink, brush and brown wash, highlighted with white gouache, over black chalk, 11 5/8 x 9 7/8in. (29.6 x 25.1cm), Drawings,…

Diogenes in search of an honest man, ca. 1645–47, Etching, sheet: 8 7/16 x 11 15/16 in. (21.5 x 30.4 cm), Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664 Mantua)

The Continence of Scipio, Brown chalk, brush and brown wash, 19 x 11 3/16 in. (48.2 x 28.4 cm), Drawings, François Boucher (French, Paris 1703–1770 Paris)

The Counsellor, King, Warrior, Mother & Child in the Tomb, from The Grave, a Poem by Robert Blair, March 1, 1813, Engraving, plate: 5 5/8 x 8 15/16 in. (14.3 x 22.7 cm), Prints, Luigi…

The Nativity (copy), n.d., Woodcut, Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), Johannes Mommaert

Dance on the Village Square, ca. 1633, Etching, Sheet: 11 1/16 x 13 13/16 in. (28.1 x 35.1 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Design for a Stage Sets: Anteroom with Stairs Leading to a Gallery Composed of a Series of Connected Barrel Vaults, 1698–1765, Pen and gray ink, brush with brown and gray wash, 6 3/16 x 4…

Kick Up at a Hazard Table, ca. 1787–90, Hand-colored etching and aquatint, sheet: 16 1/8 x 21 7/16 in. (40.9 x 54.4 cm), Prints, Thomas Rowlandson (British, London 1757–1827 London), Men from…

The Miniature, 1843–1925, Watercolor, 14 x 10 in. (35.6 x 25.4 cm), Drawings, Attilio Simonetti (Italian, Rome 1843–1925 Rome)

Aeneas and the Cumaean Sibyl Entering the Infernal Regions, 1610–62, Pen and brown ink, brush and blue wash, highlighted with white, over black chalk, on blue-gray paper, 9 x 12-5/8 in. (22.9 x…

The Banquet of Anthony and Cleopatra, 1763–64, Etching, first state, sheet: 6 13/16 x 4 13/16 in. (17.3 x 12.3 cm), Prints, Jean Honoré Fragonard (French, Grasse 1732–1806 Paris), After…

The Clock Tower, ca. 1852, Graphite with red chalk on laid paper (a narrow strip added at right), 14 1/2 x 10 3/8 in. (36.8 x 26.4 cm), Drawings, Charles Meryon (French, 1821–1868)

Drapery Study for a Monk (lower register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858), 19th century, Black and white chalk, traces of red chalk, on gray…

Innsbruck from the series Civitates Orbis Terrarum, vol. V, plate 59, 1590, Etching, sheet: 14 15/16 x 20 5/16 in. (38 x 51.6 cm), Prints, After Joris Hoefnagel (Netherlandish, Antwerp…

Barrel Cactus, May 24, 1912, Watercolor and brown ink over graphite, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings, Margaret Neilson Armstrong (American, New York 1867–1944 New York)

Sibyl Announcing the Birth of Christ to the Emperor Augustus, 1505–71, Pen and brown ink, brush and pale brown wash, over black chalk, 10 1/2 x 8 1/16in. (26.6 x 20.4cm), Drawings, Bartolomeo…

Pride of California, Lathyrus Splendens, April 10, 1914, Watercolor and brown ink over graphite, with page design indicated in graphite, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm),…

Design for Fringed Curtains Surrounding Three Windows, early 19th century, Graphite, sheet: 10 11/16 x 14 15/16 in. (27.2 x 38 cm), Anonymous, British, 19th century

Portrait of Virginie Cardinal's Favorite, the Actor Crochard (illustration for La Famille Cardinal by Ludovic Halévy), ca. 1880, Black ink printed on laid paper, mounted on heavy paper…

Three Designs for Covered Vases, 18th century, Graphite, Sheet: 4 13/16 x 2 15/16 in. (12.2 x 7.5 cm), Drawings, Anonymous, French, 18th century

Study of a Seated Woman, 1702–85, Black chalk stumped, highlighted with white chalk, on light brown paper, 11 7/16 x 8 5/16in. (29.1 x 21.1cm), Drawings, Pietro Longhi (Pietro Falca)…

Study of a Fire Urn, ca. 1770–90, Brush and gray and brown wash on laid paper, sheet: 12 5/8 x 7 3/4 in. (32.1 x 19.7 cm), Attributed to Anonymous, French, 18th century

Plate 48 from 'The Disasters of War' (Los Desastres de la Guerra): 'Cruel tale of woe!'(Cruel Lástima!), 1811–12 (published 1863), Etching, burnished lavis, burin and burnisher, Plate: 5 7/8 in.…

Flora, ca. 1560–70, Engraving, sheet: 16 1/4 x 11 5/16 in. (41.2 x 28.7 cm) trimmed to platemark, Prints, Engraved by Anonymous, Italian, second half of the 16th century, Designed by ?…

Design for a Ceiling Decoration., 1709–20, Pen and brown ink, brush and gray-brown wash, over graphite or leadpoint with ruled and compass construction, Sheet: 7 11/16 x 8 11/16 in. (19.6 x…

Design for a Chandelier, ca. 1770–90, Pen and black ink, 19 5/8 x 14 3/16 in. (49.8 x 36 cm), Drawings, Anonymous, French, 18th century

The Musicians, 1524, Engraving, sheet: 4 5/8 x 3 in. (11.7 x 7.6 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

The Agony in the Garden, ca. 1657, Etching and drypoint, sheet: 4 3/8 x 3 5/16 in. (11.1 x 8.4 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Design for a Suite of Furniture, A Double-sided Sofa, Two Chairs and Two Armchairs (Verso: sketch for shelves and a mirror), early 19th century, Graphite, sheet: 10 3/4 x 14 15/16 in. (27.3 x 38…

Charivari, ca. 1633, Etching with engraving; first state of two, Sheet (trimmed): 10 in. × 12 15/16 in. (25.4 × 32.8 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

A Belted Pig and Two Cupids (or Geniuses) with a Butterfly (or Moth), published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Engraved by…

Design for decoration of a wall with painted panels separated by pilasters, 1830–97, graphite and watercolor on laid paper, Overall: 10 5/8 x 14 13/16 in. (27 x 37.6 cm), Drawings,…

A gentleman seen from behind walking into a church, ca. 1629, Etching, Sheet (trimmed): 6 1/16 × 3 15/16 in. (15.4 × 10 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris), After…

Title Page: Le Brun Travested, or Caricatures of the Passions, January 21, 1800, Etching, printed in brown ink, sheet: 7 5/16 x 8 11/16 in. (18.5 x 22.1 cm), Prints, Thomas Rowlandson (British,…

Potiphar's Wife Acuses Joseph, 1512, Engraving; third state, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Venus and Cupid, 1527–85, Pen and ink, 13 1/2 x 9 1/16 in. (34.3 x 23.0 cm), Drawings, After Luca Cambiaso (Italian, Moneglia 1527–1585 Madrid)

The Good Samaritan, 1689–1767, Pen and brown ink, brush and brown wash, highlighted, on beige paper. Framing lines in pen and brown ink, 8 1/16 x 12 11/16in. (20.4 x 32.2cm), Drawings,…

Plate 5 from the 'Disparates': Flying Folly, ca. 1816–23 (private printing ca4), Etching and aquatint, Plate: 9 5/8 × 13 7/8 in. (24.5 × 35.2 cm), Prints, Goya (Francisco de Goya y…

Acolyte with Open Book (middle register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858), 19th century, Red, white, and black chalk, on gray paper, 19 x 11 3/4…

Le Jouer de Vielle (The Hurdy-Gurdy Player), from Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques (Various Hunchbacked Figures, The Hunchbacks, The Pygmes,…

The Artist's Mother with Her Hand on Her Chest, 1631, Etching; New Holl's fourth state of six, Sheet: 4 3/4 x 3 9/16 in. (12 x 9.1 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden…

The toilet of Psyche who is seated in the centre being attended to, 1531–76, Engraving, sheet: 8 11/16 x 6 1/4 in. (22 x 15.9 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna,…

The Martyrdom of the Apostle Thomas, 1638–1646, Pen and brown ink, brush and brown wash, spots of red wash at upper right and left, 6 7/8 x 6 1/8in. (17.4 x 15.6cm), Drawings, Giovanni…

Putti with the Attributes of the Arts, 1627–1703, Pen and brown ink, brush and brown wash over some charcoal, 5 9/16 x 7 3/8in. (14.2 x 18.8cm), Drawings, Domenico Piola (Italian, Genoa…

Rape of Europa, ca. 1636, Etching with drypoint, Sheet (Trimmed): 8 15/16 × 12 3/8 in. (22.7 × 31.4 cm), Prints, Simone Cantarini (Italian, Pesaro 1612–1648 Verona)

Portrait of a Woman, 19th century, Brush and black and gray wash, heightened with white, over graphite, sheet: 13 7/16 x 10 3/16 in. (34.1 x 25.8 cm), Drawings, Anonymous, French, 19th century

A Little Game of Bagatelle, Between Old Abe the Rail Splitter & Little Mac the Gunboat General, 1864, Lithograph, sheet: 12 1/2 x 19 1/8 in. (31.7 x 48.5 cm), Prints

Landscape with a Memorial Scene, ca. 1760–80, Pen and brown ink with red chalk underdrawing, 11 3/8 x 8 1/16 in. (28.9 x 20.5 cm), Workshop of Ennemond Alexandre Petitot (French, Lyons…

St. Andrew, ca. 1510, Engraving, sheet: 4 7/16 x 2 3/4 in. (11.3 x 7 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)