Drawing of an Interior: Chambre à coucher, 1857, Graphite, pen and blue ink, watercolor, sheet: 7 7/8 x 11 3/8 in. (20 x 28.9 cm), Drawings, Anonymous, French, 19th century

Boy Holding Flowers, 18th century, Black and white chalk on blue paper, 5 7/8 x 5 1/2 in. (15 x 14 cm), Drawings, Anonymous, French, 18th century

The Intaglio Printers, 1642, Etching, Sheet (trimmed): 10 3/16 in. × 13 in. (25.8 × 33 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

The Ill-Assorted Couple, ca. 1495, Engraving, sheet: 5 7/8 x 5 7/16 in. (14.9 x 13.8 cm) trimmed to plate line, Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Design for a Stage Set at the Opéra, Paris, 1828–90, Graphite, Irregular sheet: 10 13/16 x 17 1/2 in. (27.4 x 44.4 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Frontispiece to Les Gardes Françaises, 1632, Etching; undescribed first state before letter, Sheet (trimmed): 7 7/16 × 4 1/2 in. (18.9 × 11.5 cm), Prints, Abraham Bosse (French, Tours…

Design for Three Vases, ca. 1770–85, Pen and brown ink, watercolor, and graphite, 14 7/8 x 9 3/16 in. (37.8 x 23.3 cm), Drawings, Anonymous, French, 18th century

Plate 14: shepherdess herding goats, ca. 1641, Etching; third state of three (De Vesme), Sheet (trimmed to plate): 3 3/8 × 4 3/16 in. (8.6 × 10.7 cm), Prints, Stefano della Bella (Italian,…

Plate 16: stag, from 'Various animals' (Diversi animali), ca. 1641, Etching; second state of three (De Vesme), Plate: 3 3/8 × 4 1/4 in. (8.6 × 10.8 cm), Prints, Stefano della Bella (Italian,…

Design for a sepulchral monument with an allegory of Time; verso: Architectural sketch and fragment of a letter, late 17th–early 18th century, Pen and brown ink, red chalk, over black chalk…

Hunters with Dead Game in a Landscape, 1600–1800, Black chalk, reinforced with colored chalks, brush, gouache, and brown ink, on blue paper, 9 3/4 x 15 13/16 in. (24.8 x 40.1 cm), Drawings,…

Plate 4: a deer hunt, two horsemen galloping towards the left behind three dogs and a deer, a group of trees to right, from 'Various Figures' (Agréable diversité de figures), 1642, Etching;…

The Crucifixion, ca. 1475–1500, Metalcut, hand-colored in green and red, plate: 6 5/8 x 4 7/16 in. (16.8 x 11.3 cm), Prints, Anonymous, German, South Germany, 15th century

Grotesque with male figure with lower body and head of acanthus scrolls, ca. 1515–1600, Engraving, Sheet (Trimmed): 8 7/16 × 5 9/16 in. (21.4 × 14.1 cm), Prints, Anonymous, Italian, 16th to…

The Sacrifice of a Ram; naked man at right guiding a ram towards an altar pyre, hooded priest at left with a young attendant, ca. 1515–27, Engraving, Sheet (Trimmed): 4 5/16 in. × 7 in. (11 ×…

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite; Framing lines in pen and red ink, Irregular sheet: 9 3/4 x 8 1/16 in. (24.8 x 20.4 cm), Drawings, Eugène Cicéri (French,…

Rest on the Flight into Egypt, ca. 1641, Etching, third state of four, Sheet (trimmed to plate): 3 3/16 × 5 1/4 in. (8.1 × 13.4 cm), Prints, Etched by Stefano della Bella (Italian, Florence…

Concarneau, ca. 1925, Black chalk and watercolor, 10 15/16 x 15 13/16 in. (27.8 x 40.1 cm), Drawings, Paul Signac (French, Paris 1863–1935 Paris)

Frontispiece for Saltero, ca. 1633, Etching, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence)

Dan-l. Lambert the Wonderful Great Pumpkin of Little Brittain [sic], May 4, 1806, Hand-colored etching, Sheet: 8 11/16 × 12 13/16 in. (22.1 × 32.6 cm), Prints, Thomas Rowlandson (British,…

Small Farm on the Banks of the Oise, after Théodore Rousseau, 1850–1914, Etching; touched artist's proof before first described state, sheet: 12 13/16 x 18 1/16 in. (32.5 x 45.8 cm), Prints,…

Much Ado About Nothing, 1828, Hand-colored etching, sheet: 14 1/8 x 9 5/8 in. (35.8 x 24.5 cm), Prints, William Heath ('Paul Pry') (British, London 1795–1840 Hampstead)

Le Bancal Jouant de La Guitar (The Bandy-Legged Man Playing the Guitar), from Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques (Various Hunchbacked Figures,…

Design for a carved pillar next to a doorframe, 19th century, Graphite, partially on tracing paper, Anonymous, British, 19th century

Ruines du Château de Pierrefonds (Ruins of the Château de Pierrefonds, after Viollet-le-Duc), 1858, Etching with drypoint on laid paper; state one of three, plate: 6 x 8 1/8 in. (15.2 x 20.6…

Plate 10 from 'La Tauromaquia': Charles V spearing a bull in the ring at Valladolid, 1816, Etching, burnished aquatint, drypoint and burin, Plate: 9 13/16 × 13 3/4 in. (25 × 35 cm), Prints,…

Little Evelyn, 1896, Transfer lithograph, drawn on white transfer paper with a grained-stone texture; only state (Chicago); printed in black ink on the cream laid paper used for, Image: 6 7/8 × 4…

Design for the Decoration of a Pilaster (recto); Putti with Trophies and Seated Figure with Child (verso), ca. 1529, Red chalk (recto); red chalk studies (verso), 12 13/16 x 8 3/16in. (32.5 x…

Plate 25 from the 'Tauromaquia':They Loose Dogs on the Bull., 1816, Etching, burnished aquatint and drypoint, Plate: 9 5/8 × 13 3/4 in. (24.4 × 35 cm), Prints, Goya (Francisco de Goya y…

The Entombment, from The Passion, 1512, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.7 × 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Nigritane, 1644, Etching, state iii, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence), Designed by Jean Desmarets de Saint-Sorlin (French, 1595–1676)

La Jolie New Yorkaise, 1894, Transfer lithograph, drawn on thin, transparent transfer paper; only state (Chicago); printed in black ink on cream laid Japan, Image: 8 7/8 × 6 3/16 in. (22.6 ×…

Christ among the Doctors, from The Life of the Virgin, Latin Edition, 1511, n.d., Woodcut, sheet: 17 5/16 x 12 in. (43.9 x 30.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Design for Two Vases, ca. 1770–85, Pen and brown ink, and watercolor, 14 7/8 x 9 3/16 in. (37.8 x 23.3 cm), Drawings, Anonymous, French, 18th century

Joseph and Potiphar's Wife, 1512, Engraving; first state, sheet: 7 7/8 x 6 7/16 in. (20 x 16.4 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Thirty-six Acrobats in Six Groups, 1652, Etching; second state of two, Sheet (trimmed): 12 13/16 × 8 7/8 in. (32.5 × 22.5 cm), Prints, Etched by Stefano della Bella (Italian, Florence…

Hooded Male Head (from Sketches on The Coast Survey Plate), 1854–55, Etching; proof impression of the only state (Glasgow 1); this is a fragment cut from the upper portion of 'Sketches on the…

Inside Attire of the French Citizen, 1794, Etching, image: 12 1/8 x 6 7/8 in. (30.8 x 17.5 cm), Prints, After Jacques Louis David (French, Paris 1748–1825 Brussels), baron Dominique Vivant…

Sant'Apollonia, portal, elevation (recto) Sant'Apollonia, portal, plan (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 17 3/16 x 11 9/16 in. (43.7 x…

Joseph Telling His Dream to Jacob, 1512, Engraving; first state, sheet: 4 15/16 x 6 9/16 in. (12.5 x 16.7 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

A Warrior Subduing Another (recto); Warrior Seen in Bust-Length with Fantastic Helmet (verso), 1460–64, Pen and brown ink, brush and brown wash, over black chalk or leadpoint (recto and…

Unidentified, funerary altar, plan and elevations (recto) S. Giovanni Laterano, Oratorio della Santa Croce, paneling, elevation (verso), early to mid-16th century , Dark brown ink, black chalk,…

Inside Attire of the French Citizen, 1794, Etching with some aquatint, image: 12 1/8 x 7 in. (30.8 x 17.8 cm), Prints, After Jacques Louis David (French, Paris 1748–1825 Brussels), baron…

Design for the decoration of a ceiling, second half 19th century, Pen and ink and watercolor on wove paper, sheet: 3 3/8 x 4 1/2 in. (8.6 x 11.5 cm), Drawings, Jules-Edmond-Charles Lachaise…

Courtyard, Chelsea Hospital, 1888, Lithograph with stumping; only state (Chicago); printed on black ink on grayish white chine mounted on white plate paper, Image: 8 7/16 × 6 3/8 in. (21.5 ×…

Design for a Monument, 18th century, Pen and brown ink, brush and brown wash, heightened with white over black chalk, 9 3/8 x 6 1/2 in. (23.8 x 16.5 cm), Drawings, attributed to Gabriel de…

Village Festival (La Vogue), ca. 1920, Black chalk and watercolor on paper, 6 x 11 1/4 in. (15.3 x 28.7 cm), Drawings, Paul Signac (French, Paris 1863–1935 Paris)

Silentium, 1862–64, etching on blue laid paper, final state (II), from 1905 Strölin edition, plate: 8 x 5 15/16in. (20.3 x 15.1cm), Prints, Édouard Manet (French, Paris 1832–1883 Paris)

Venus, Cupid and Satyr, 1527–85, Brush and ink, 13 5/8 x 9 1/2in. (34.6 x 24.1cm), Drawings, After Luca Cambiaso (Italian, Moneglia 1527–1585 Madrid)

The Visitation, ca. 1516, Engraving, sheet: 4 1/4 x 3 3/16 in. (10.8 x 8.1 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Famous Men and Women from Classical and Biblical Antiquity, 1450s, Pen and brown ink, brush and watercolor of various hues, traces of gold paint, 12 3/16 x 7 7/8 in. (31 x 20 cm), Drawings,…

An Old Turk Seated on a Stone, ca. 1662, Etching, Sheet: 3 13/16 × 2 13/16 in. (9.7 × 7.2 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence)

Study of a Man's Head, 1494–1556, Red chalk; stumping, sheet: 5 1/4 x 4 1/2 in. (13.3 x 11.4 cm), Drawings, Jacopo da Pontormo (Jacopo Carucci) (Italian, Pontormo 1494–1556 Florence)

Belphegor, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, 1795, Etching and engraving; second state of three…

A Building, 1797, Pen and brown ink, washed., 4 1/4 x 8 in. (10.8 x 20.3 cm), Drawings, Misbach (French, active ca. 1800)

Design for a ceiling with ribbon bearing putti, second half 19th century, Graphite, pen and black ink, gilt, gouache, and watercolor, Overall: 17 3/16 x 19 9/16 in. (43.6 x 49.7 cm), Drawings,…

The Old Smith's Story, 1896, Transfer lithograph, drawn on thin, transparent transfer paper; only state (Chicago); printed in black ink on medium weight ivory laid paper, sheet: 11 1/16 x 8 7/8…

A Lady and a Rose Bush, 1913, Pen and ink, watercolor, and lead white on laid paper, sheet: 11 7/8 x 7 15/16 in. (30.2 x 20.2 cm), Drawings, Charles Martin (French, Montpellier 1884/88–1932/34…

Design for a Painted Ceiling, second half 19th century, Pen and black ink, watercolor, and gouache, 7 3/8 x 10 7/8 in. (18.7 x 27.6 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died…

Head of a Man, 1549, Pen and iron gall ink (laid down), 6 x 4 1/8 in. (15.2 x 10.5 cm), Drawings, Sebald Beham (German, Nuremberg 1500–1550 Frankfurt)

View of a Coast Line (from Sketches on the Coast Survey Plate), 1854–55, Etching; proof impression of the only state (Glasgow 1); this is a fragment cut from the upper portion of 'Sketches on…

Justice, ca. 1499, Engraving, Sheet: 4 3/16 × 3 1/16 in. (10.7 × 7.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

A Femme avare galant Escroc, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, published in 1795, Etching and…

Pan reclincing near a large vase set in a landscape, ca. 1645, Etching, Sheet (trimmed to plate line): 4 1/2 × 8 3/8 in. (11.4 × 21.2 cm), Prints, Giovanni Benedetto Castiglione (Il…

Elevation of a Domed Corinthian Temple, 18th century, Pen and black ink, brush and gray wash, over graphite, 10 5/8 x 15 1/16 in. (27 x 38.2 cm), Drawings, Anonymous, French, 18th century

Virgin and Child, 1775, Etching, Sheet: 5 5/16 x 3 15/16 in. (13.5 x 10 cm), Prints, After Simone Cantarini (Italian, Pesaro 1612–1648 Verona)

Washerwoman by a Brook, n.d., Pen and ink, brush and gray wash, over traces of black chalk, 13 x 8 7/16 in. (33 x 21.5 cm), Drawings, Attributed to Jean Pillement (French, Lyons 1728–1808 Lyons)

Design for an ornamented stone pedastal surmounted by an urn, 1830–97, graphite and watercolor heightened with white on wove paper; mounted on laid paper, Overall: 10 11/16 x 8 1/4 in. (27.2 x…

The Fashions of the Day – or Time Past and Time Present: The Year (1740) a Lady's Full Dress of Bombazeen – The Year (1808) Lady's Undress of Bum-be-seen, ca. 1808, Hand-colored etching, Plate:…

Studies of a Head and a Hand, 1510, Red chalk, 5-9/16 x 8-1/16 in. (14.2 x 20.5 cm), Drawings, Andrea del Sarto (Andrea d'Agnolo) (Italian, Florence 1486–1530 Florence)

Virgin and Child with Saint John the Baptist and Saint Paul, 1524–1606, Pen and brown ink, brown wash, over traces of black chalk, on blue paper, 16 1/8 x 10 7/8in. (40.9 x 27.6cm), Drawings,…

Design for a Clock, ca. 1781–85, Pen and black and brown ink, brush and yellow, green, gray, and rose wash, 14 3/8 x 9 5/8 in. (36.5 x 24.5 cm), Anonymous, French, 18th century, This drawing of…

The Visitation, ca. 1516, Engraving, sheet: 4 1/4 x 3 1/4 in. (10.8 x 8.3 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Chicago Nominee: 'I knew him, Horatio; a fellow of infinite jest...Where be your gibes now?–Hamlet, Act IV [sic], Scene 1', 1864, Wood engraving, Sheet: 12 x 16 5/8 in. (30.5 x 42.2 cm),…

Bacchanals, 18th Century, Red chalk squared with black, sheet: 10 3/4 x 16 1/4 in. (27.3 x 41.3 cm), Drawings, Anonymous, French, 18th century

Design for the Base of a Vessel with Two Satyrs., 1652–1725, Pen and brown ink, brush and brown wash, over traces of black chalk, sheet: 3 7/8 x 3 3/4 in. (9.9 x 9.6 cm), Giovanni Battista…

Design for a Stage Set, 1830–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Entombment, 19th century, Etching, sheet: 10 5/8 x 7 13/16 in. (27 x 19.8 cm), Prints, Anonymous, German, 19th century, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Model Draping, 1890, Transfer lithograph, drawn on coarse-grained transfer paper, with additions in graphite; only state (Chicago); printed in black ink on modern laid paper, sheet: 9 5/8 x 7 1/2…

The Penance of Saint John Chrysostom, ca. 1496, Engraving, Sheet: 7 1/16 × 4 3/16 in. (18 × 10.6 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

A procession of horse-drawn cannon carriages to left, horsemen in combat and a dead horse to right, battle on a bridge in center background, from 'Peace and War' (Divers desseins tant pour la paix…

La Mer, 1850–1914, Etching on laid paper; fourth and final state, Sheet: 17 5/16 x 12 1/8 in. (44 x 30.8 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres)

Studies for Coffee Urns, Arched-top Altars, and an Altar Project for the Baptistery of Florence Cathedral (Recto). Studies for Chapels and Portals (Verso)., 1652–1725, Pen and light brown ink,…

Design for a Chimneypiece, 19th century, Graphite, partially on tracing paper, Anonymous, British, 19th century

Female Figure with Anchor, 18th century, Graphite, pen and black ink, 6 15/16 x 3 7/8 in. (17.6 x 9.9 cm) irregular, Drawings, Anonymous, French, 18th century

Coat of Arms with a Skull, 1503, Engraving, Sheet: 8 9/16 × 6 1/4 in. (21.8 × 15.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Drawing for a Chimney-piece, ca. 1850, Pen and brown ink with brush and brown wash over graphite, 8 1/4 x 13 15/16 in. (20.9 x 35.4 cm), Delorme

Margot la Critique, n.d., Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres)

Landscape – Cottage in a Wood, 18th century, Gouache, 4 3/8 x 6 5/16 in., Drawings, Anonymous, French, 18th century

A 'Maja' standing against a dark background (Maja), Etching, aquatint and burnishing, printed in black ink, with platetone, Plate: 7 3/8 × 4 7/8 in. (18.8 × 12.4 cm), Prints, Goya (Francisco de…

Various figures of horse ballet, 1652, Etching, Sheet: 12 1/16 × 8 1/2 in. (30.7 × 21.6 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence)

Echo of the Concours Galland (Echo du Concours Galland), 19th century, Pen and black ink, blue wax crayon, and graphite, 6 7/8 x 11 1/16 in. (17.4 x 28.1 cm), Drawings, O. Deleiderrier (Swiss…

Presents Offered to the Bride, ca. 1633, Etching; first state of two, Sheet: 12 1/8 x 15 3/4 in. (30.8 x 40 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Study of a Seated Male Nude, late 18th–19th century, Black and white chalk, sheet: 20 11/16 x 16 3/4 in. (ca. 52.5 x 42.5 cm), Drawings, Philipp Otto Runge (German, Wolgast 1777–1810 Hamburg)

Sheet of Sketches, 1753, Etching, image: 5 3/8 x 8 in. (13.7 x 20.3 cm), Prints, François Boucher (French, Paris 1703–1770 Paris), After Abraham Bloemaert (Netherlandish, Gorinchem…

Plate 59 from 'Los Caprichos': And still they don't go! (Y aun no se van!), 1799, Etching and aquatint, Plate: 8 7/16 x 5 15/16 in. (21.4 x 15.1 cm), Prints, Goya (Francisco de Goya y…

The Crucifixion with Four Angels, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach)

Temple of Minerva, elevation of cornice (recto) Temple of Minerva, elevation of capital and base (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 11 9/16…

Saint Cecilia Playing the Organ, 1650s, Red chalk, sheet: 11 7/16 x 7 5/8 in. (29 x 19.3 cm), Drawings, Guercino (Giovanni Francesco Barbieri) (Italian, Cento 1591–1666 Bologna), Cecilia was a…

The Convalescent (Suzanne Manet), 1879–81 (?), Etching, drypoint, and aquatint in brown ink on tan laid paper, final state of three, plate: 5 x 3 15/16in. (12.7 x 10cm), Prints, Édouard…