Partial design for the painted decoration of a ceiling, 1830–97, wash, watercolor, gouache, and gold paint over graphite on wove paper; mounted on blue wove paper, Overall: 10 5/8 x 8 1/4 in. (27…

Virgin and Child with the Monkey, ca. 1498, Engraving, Sheet: 7 1/2 × 4 13/16 in. (19 × 12.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Design for Fringed Curtains, early 19th century, Ink and wash, sheet: 8 11/16 x 12 1/4 in. (22 x 31.1 cm), Anonymous, British, 19th century

Fire, ca. 1630, Etching, Sheet: 5 13/16 × 4 5/16 in. (14.8 × 11 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Theater Design, 18th century, Pen and brown ink heightened with green wash and black ink, sheet: 6 5/8 x 9 3/4 in. (16.8 x 24.8 cm), Drawings, Attributed to Anonymous, French, 18th century

Architectural Fantasy, ca. 1785–90, Red chalk, Diameter: 12 3/4 in. (32.4 cm), Drawings, Jean Laurent Legeay (French, Paris ca. 1710–after 1788 Rome)

Funeral of François Duplessis de Mornay, n.d., Black chalk, heightened with white chalk, on light brown paper. Incised for transfer. Verso darkened with black chalk., 13 x 15 3/4 in. (33.1 x 40…

Christ Appearing to Mary Magdalen, from The Small Passion, ca. 1510, Woodcut, sheet: 5 x 3 7/8 in. (12.7 x 9.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Andromache and Astyanax, ca. 1798, Pen and gray ink with brush and brown wash over traces of black chalk, 11 3/4 x 8 5/8 in. (29.8 x 21.9 cm), Drawings, Pierre Paul Prud'hon (French, Cluny…

Seated Male Nude Resting on a Stick, 1765–1810, Red chalk, sheet: 24 1/4 x 18 9/16 in. (61.6 x 47.1 cm), Drawings, Jakob Matthias Schmutzer (Austrian, Vienna 1733–1811 Vienna)

Mademoiselle Rose Bertin, Dressmaker to Marie-Antoinette, n.d., Etching, Sheet: 4 9/16 × 3 7/8 in. (11.6 × 9.9 cm), trimmed to image, Prints, Jean François Janinet (French, Paris…

Allegory of the Arts, 1796, Pen and black ink, brush and brown wash, over faint black chalk underdrawing, sheet: 9 5/8 x 14 1/8 in. (24.4 x 35.8 cm), Drawings, Joseph Marie Vien (French,…

Wainscott Chair Design with a Panel Depicting Leda and the Swan, Graphite on wove paper, sheet: 12 3/8 x 8 7/8 in. (31.4 x 22.6 cm), Drawings, Anonymous, French, 19th century, Attributed to A. Damon…

Design for Pink Curtains and White Inner Curtains, with a Gold, White and Pink Pediment, early 19th century, Ink, watercolor and wash, sheet: 10 13/16 x 14 15/16 in. (27.4 x 38 cm), Anonymous,…

Plate 10: a horseman and a woman, seen from behind, riding towards the right with a young man following them to left, another horseman and woman to right in the background, from 'Various…

Bearded Male Term Looking Left, ca. 1545–65, Pen and black ink with grey wash, heightened with white, each: 11 7/16 x 3 15/16 in. (29 x 10 cm), Anonymous, French, 16th century

Sketches of Furniture, 19th century, Graphite, pen and brown ink, sheet: 13 1/8 x 8 1/8 in. (33.3 x 20.6 cm), Anonymous, French, 19th century

Fishing Boat, 1879–80, Etching and drypoint; fourth state of six (Glasgow); printed in dark brown ink on ivory laid paper, Plate: 6 1/8 × 9 1/8 in. (15.6 × 23.1 cm), Prints, James McNeill…

Study for Mme Théodore Gobillard, 1869, Graphite on pale buff wove paper, Sheet: 13 1/8 x 17 5/16 in. (33.3 x 44cm), Drawings,

Plate 33 from 'Los Caprichos':To the Count Palatine (Al Conde Palatino.), 1799, Etching, aquatint, drypoint and burin, Plate: 8 7/16 x 5 7/8 in. (21.4 x 15 cm), Prints, Goya (Francisco de Goya…

Virgin on a Grassy Bench, ca. 1503, Engraving, Sheet: 4 1/2 × 2 13/16 in. (11.4 × 7.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Plate 53 from 'Los Caprichos':What a golden beak! (Que pico de Oro!), 1799, Etching, burnished aquatint and burin, Plate: 8 7/16 x 5 7/8 in. (21.4 x 15 cm), Prints, Goya (Francisco de Goya y…

Marcus Curtius Leaping into the Chasm (recto); Study of a Seated Crowned Female Figure (verso), 1638–1721, Pen and brown ink, brush and brown wash, highlighted with white, on brownish paper…

'L'Abandonnée', 1860–1917, Graphite, stumped, 7 9/16 x 11 7/8 in. (19.4 x 30.4 cm), Drawings, Auguste Rodin (French, Paris 1840–1917 Meudon)

Architectural Fantasy: Figures on a Grand Staircase (recto); Studies for the Frame of a Shaped Field (verso), 1712–93, Pen and brown ink, brush and brown wash, over red chalk (recto); pen and…

Design for a Very Large Cabinet, with Renaissance Ornament and Lamps, early 19th century, Graphite, sheet: 10 3/4 x 14 13/16 in. (27.3 x 37.7 cm), Anonymous, British, 19th century

Design for a Folding Screen, Pen and gray ink, brush and gray wash over traces of black chalk and graphite, 13 7/8 x 4 5/8 in. (35.2 x 11.7 cm), Jacques de Lajoüe (French, Paris 1686–1761 Paris)

David in Prayer, 1652, Etching and drypoint, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Plate 50 from 'The Disasters of War' (Los Desastres de la Guerra): 'Unhappy mother!.' (Madre Infeliz!), 1811–12 (published 1863), Etching, burnished aquatint and drypoint, Plate: 6 1/8 × 8 1/16…

Saint John the Baptist in the desert, copy in reverse after Cantarini, ca. 1637–1639 or after, Etching, Sheet (Trimmed): 6 9/16 × 6 9/16 in. (16.6 × 16.6 cm), Prints, After Simone…

View of New York from Brooklyn Heights, 1849, Hand-colored lithograph, image: 11 5/16 x 16 7/8 in. (28.7 x 42.9 cm), Prints, Frances Flora Bond Palmer (American (born England), Leicester…

The Holy Family and the infant John the Baptist, 1531–76, Engraving, sheet: 14 3/16 x 10 in. (36 x 25.4 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576),…

Two sea gods accompanied by four nymphs, 1531–76, Engraving, sheet: 14 x 10 1/2 in. (35.6 x 26.7 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576)

Study of Ancient Soldiers, 17th century, Red chalk, 7 1/4 x 12 3/8 in. (18.4 x 31.4 cm), Drawings, Anonymous, French, 17th century

Sketch for Figure on Whistler Monument, 1840–1917, Graphite, stumped, on cream paper, 12 7/8 x 9 7/8 in. (32.7 x 25.1 cm), Drawings, Auguste Rodin (French, Paris 1840–1917 Meudon)

Firelight (Joseph Pennell, No. 1), 1896, Transfer lithograph, drawn on white transfer paper with a grained-stone texture, Image: 6 9/16 × 5 1/2 in. (16.7 × 14 cm), Prints, James McNeill…

Design for Bed, 19th century, Graphite, 7 15/16 x 10 5/16 in. (20.2 x 26.2 cm), Anonymous, French, 19th century

Woman returning from a hunt carrying a boar in her right hand and a stick on her left shoulder to which a hare and two ducks are tied, ca. 1515–27, Engraving, Sheet (Trimmed): 6 7/16 × 4 3/4…

Theatrical Pleasures, Plate 5: Feasting in the Saloon, ca. 1835, Hand-colored etching, plate: 10 13/16 x 8 13/16 in. (27.5 x 22.4 cm), Prints, Theodore Lane (British, Isleworth ca. 1800–1828 London)

Study of a Garden Sculpture: Iole, 1727–1804, Pen and brown ink, brush and brown wash, over black chalk, 10 7/8 x 4 15/16in. (27.7 x 12.6cm), Drawings, Giovanni Domenico Tiepolo (Italian,…

Battle of the Titans, 1624–63, Pen and brown ink, brush and brown wash. Framing lines in black chalk, and pen and brown ink on mount, 3-7/16 x 4-13/16 in. (8.8 x 12.2 cm), Drawings, attributed…

Two Turks in Turbans, ca. 1662, Etching, Sheet (trimmed to plate): 3 1/2 × 3 11/16 in. (8.9 × 9.3 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence)

Design for a Stage Set, 1830–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Saints Nicholas, Ulrich and Erasmus, n.d., Woodcut, sheet: 8 3/8 x 5 5/8 in. (21.2 x 14.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Costume Design, 1836–37, Pen and brown ink, brush and brown wash, graphite, 9 5/8 x 5 7/8 in. (24.5 x 15 cm), Drawings, Pierre-Numa Bassaget, called Numa (French, active 1830–54)

Design for Fringed Curtains, early 19th century, Ink and wash, sheet: 8 11/16 x 12 3/16 in. (22 x 31 cm), Anonymous, British, 19th century

Portrait of Lambinet, 19th century, Graphite, sheet: 1 7/8 x 1 13/16 in. (4.8 x 4.6 cm), Drawings, Anonymous, French, 19th century

Arch of Septimius Severus, Rome, 1505–71, Pen and ink, brush and brown wash, 11 1/16 x 10 1/8in. (28.1 x 25.7cm), Drawings, attributed to Bartolomeo Neroni (Il Riccio) (Italian, Siena…

Three Scenes from the Life of the Prophet Daniel, 1564, Pen and black ink. Framing line in pen and black ink., sheet: 12 3/16 x 8 7/16 in. (30.9 x 21.5 cm), Drawings, Jost Amman (Swiss, Zurich…

Wooded Landscape with Herdsmen and Cows, August 1, 1797, Aquatint (sugar-lift process), printed in brown ink, plate: 10 7/8 x 13 11/16 in. (27.6 x 34.7 cm), Prints, Thomas Gainsborough…

Design fo the Allegory of the Arts, second half 19th century, Graphite, gouache, and watercolor, Overall: 10 7/16 x 14 3/4 in. (26.5 x 37.4 cm), Drawings, Jules-Edmond-Charles Lachaise (French,…

The Flight into Egypt, from The Life of the Virgin, from the Latin Edition, 1511, Woodcut, 11 3/4 x 8 3/4 in. (29.8 x 22.2 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

House with a Turret, rue de la Tixéranderie, Paris, 1852, Etching on laid paper; fourth state of five, plate: 9 11/16 x 5 3/16 in. (24.6 x 13.1 cm), Prints, Charles Meryon (French, 1821–1868)

Cavalry Engagement, 1624–63, Pen and brown ink. Framing lines in pen and brown ink on mount, 3-9/16 x 5-1/16 in. (9.0 x 12.9 cm), Drawings, attributed to Francesco Allegrini (Italian, Cantiano…

The Betrayal of Christ, (Christ Taken Captive), from the Circular Passion, 1509, Engraving, Diameter: 11 1/4 in. (28.5 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

The Last Supper, 1634–89, Brush and brown wash, highlighted with white, over black chalk, on brownish paper, 13 3/4 x 8 7/8in. (35 x 22.6cm), Drawings, Ciro Ferri (Italian, Rome 1634?–1689 Rome)

Design for Grate, 19th century, Graphite, partially on tracing paper, Anonymous, British, 19th century

St. Mary Magdalene on the Clouds, 1518, Engraving, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Plate 4: bear, from 'Various animals' (Diversi animali), ca. 1641, Etching; third state of three (De Vesme), Sheet (trimmed to plate): 3 1/4 × 4 1/8 in. (8.3 × 10.4 cm), Prints, Stefano della…

Framed Design for a Stage Set with Arches, Stairs, Human Figure and Sphinx Statue., 1772–1842, Pen and brown ink, brush with brown and gray wash, Sheet: 11 x 8 1/8 in. (28 x 20.6 cm),…

The puny Cryptogamia, 1860, Etching on wove paper, plate: 2 3/4 x 2 1/4 in. (7 x 5.7 cm), Prints, Charles Meryon (French, 1821–1868)

Portrait of a Young Man, 1834, Graphite, sheet: 9 7/8 x 7 15/16 in. (25.1 x 20.1 cm), Drawings, Adolf Senff (German, Halle 1785–1863 Ostrau)

Kneeling Male Figure with Outstretched Arms (recto); Semi-Nude Seated Male Figure seen from Behind (verso), 1537–91, Red chalk (recto and verso), 11 3/4 x 7 5/16in. (29.9 x 18.6cm),…

Christ on the Cross, ca. 1485, Woodcut, hand-colored, printed on vellum., image: 11 5/16 x 6 15/16 in. (28.8 x 17.7 cm), Prints, Anonymous, German, Franconia, 15th century

Design for a Cabinet in Moorish Style, 19th century, Graphite, with framing lines in graphite, 10 5/8 x 6 7/16 in. (27 x 16.4 cm), Anonymous, French, 19th century

Two putti on clouds, second half 19th century, Oil paint over graphite, image: 5 11/16 x 5 13/16 in. (14.5 x 14.8 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),…

Design for a Cartouche with an Annunication above and a Kneeling Figure with Staff Below., 1652–1725, Pen and brown ink, over traces of black chalk, sheet: 2 5/8 x 2 13/16 in. (6.7 x 7.1…

Clothing Beggars (Vêtir les nus), Etching, sheet: 11 1/8 x 14 in. (28.2 x 35.5 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, with squaring lines in pen and red ink, Irregular sheet: 7 7/8 x 4 15/16 in. (20 x 12.6 cm), Drawings, Eugène Cicéri (French,…

Architectural Fantasy, 19th century, Pen and black and gray ink, 4 5/8 x 5 7/8 in. (11.8 x 15 cm), Drawings, Joseph Lemercier (French, 1803–1887)

They Refused This...the Ignoramuses!! (Ils m'ont refusé ça...les ignares!!), April 6, 1859, Lithograph; second state, Sheet: 10 3/8 × 14 1/4 in. (26.3 × 36.2 cm), Prints, Honoré Daumier…

The Wise Virgins Conversing, ca. 1635, Etching, Sheet (trimmed): 9 in. × 12 13/16 in. (22.8 × 32.6 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

A Wooden Substitute, or Any Port in a Storm, January 19, 1821, Hand-colored etching, Plate: 11 7/8 x 8 3/4 in. (30.2 x 22.2 cm), Prints, Possibly by Theodore Lane (British, Isleworth ca.…

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, sheet: 11 1/16 x 19 7/16 in. (28.1 x 49.4 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Ornamental drawings (recto) blank (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 11 1/2 x 3 1/2 in. (29.2 x 8.9 cm)

Design for Two Urns, ca. 1770–90, Pen and brown ink, graphite, 9 3/16 x 14 15/16 in. (23.4 x 37.9 cm), Drawings, Anonymous, French, 18th century

Design for a Fireplace Iron, Mantle Candlesticks and a Clock, 19th century, Pen and brown ink, sheet: 10 1/16 x 9 1/16 in. (25.6 x 23 cm), Drawings, Anonymous, French, 19th century

Spain, Scotland, and Switzerland, from Pictures of Extra Articles and Visitors to the Exhibition, ca. 1851, Wood engraving, sheet: 4 3/4 x 13 7/8 in. (12.1 x 35.3 cm), Prints, Richard Doyle…

Two Figures in an Architectural Setting: A Female Nude Seated in a Profile View and a Seated Male Nude in a Three-Quarter View with the Left Leg Bent, ca. 1550, Pen and brown ink, red and…

The Triumph of Mordecai, 1515, Engraving; first state, sheet: 8 5/16 x 11 9/16 in. (21.1 x 29.4 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

The Flight into Egypt, from The Life of the Virgin, Latin Edition, 1511, 1511, Woodcut, sheet: 16 1/4 x 11 7/8 in. (41.3 x 30.2 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Christ Disputing with the Doctors; a sketch, 1652, Etching and drypoint; first state of three, sheet: 5 3/16 x 8 11/16 in. (13.2 x 22 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden…

Back View of a Seated Male Nude, 1599–1661, Red chalk on beige paper, 15-5/8 x 10-7/16 in. (39.7 x 26.5 cm), Drawings, Circle of Andrea Sacchi (Italian, Rome (?) ca. 1599–1661 Rome)

Design for a Stage Sets Groin-vaulted Stairway Leading to a Gallery with Another Stairway to a Second Story at Left (recto); Slight Sketch Traced Through form the Recto and Reworked (verso).,…

Saint Judas, n.d., Woodcut, sheet: 2 3/8 x 1 5/8 in. (6.1 x 4.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Studies of Hands, 1837–1911, Metalpoint on prepared paper, 9 3/16 x 13 1/4 in. (23.4 x 33.7 cm), Drawings, Alphonse Legros (French, Dijon 1837–1911 Watford, Hertfordshire)

Moses on Sinai (Le tables de Loi judaique), 1773, Etching, sheet: 14 3/16 x 19 3/8 in. (36.1 x 49.2 cm), Prints, Simon Julien (French, Toulon 1735–1800 Paris)

The Church at Eragny, ca. 1894–95, Black chalk, 9 3/8 x 12 1/16 in. (23.8 x 30.7 cm), Drawings, Camille Pissarro (French, Charlotte Amalie, Saint Thomas 1830–1903 Paris)

Figure Studies: Seated Female Holding a Book, Two Heads of Bearded Men, Seated Male Nude, and Four Sketches for Christ Judging (recto); Studies for Cain Slaying Abel (verso), 1548–1628, Pen…

Gentleman Seen from the Back Indicating a Landscape, after 1629, Etching; reverse copy, sheet: 5 3/8 x 3 9/16 in. (13.6 x 9 cm), Prints, Anonymous, French, 17th century, After Abraham Bosse…

Design for a sepulchral monument with a seated female figure; verso: Design for a statue of a standing male figure and fragment of a letter, late 17th–early 18th century, Pen and brown ink, over…

Plate 9: Marine Bull, from 'Various figures and doodles' (Diverses figures et griffonnemens), ca. 1646, Etching, Sheet (trimmed): 2 3/16 × 4 5/16 in. (5.5 × 11 cm), Prints, Stefano della…

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, sheet: 10 3/16 in. (25.8 x 27.7 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Saint Anthony and Saint Paul in the Desert, ca. 1503, Woodcut, sheet: 8 7/16 x 5 5/8 in. (21.4 x 14.2 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Plate 18: camel viewed from behind with pyramid at right, from 'Various animals' (Diversi animali), after 1641, Etching; reverse copy, Sheet: 3 3/8 × 4 1/16 in. (8.5 × 10.3 cm), Prints,…

Design for a Stage Set at the Opéra, Paris, 1830–90, Pen and brown ink, watercolor, over graphite, sheet: 10 5/8 x 15 1/4 in. (27 x 38.8 cm), Drawings, Eugène Cicéri (French, Paris…

Christ on the Cross between the Virgin and Saint John, 1516, Woodcut, sheet: 10 15/16 x 8 7/8 in. (27.8 x 22.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Polish man with a mustache wearing a fur coat and a hat with a feather, ca. 1648, Etching, Sheet: 3 7/16 x 2 7/16 in. (8.7 x 6.2 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664…

Circle of Theives: Agnello Brunelleschi Attacked By a Six-Footed Serpent , from Dante's Inferno, Canto XXVV, ca. 1825–27, Engraving, plate: 9 1/2 x 13 5/16 in. (24.1 x 33.8 cm), Prints,…

The Martyrdom of St. Catherine, 1577, Pen and brown ink, brush and brown wash, some white highlighting, over black chalk, 9 1/2 x 7 5/16in. (24.2 x 18.5cm), Drawings, Tiburzio Passarotti…