Plate 6 from 'The Tauromaquia':The Moors make a different play in the ring calling the bull with their burnous., 1816, Etching, burnished aquatint and drypoint, Plate: 9 5/8 x 13 3/4 in. (24.5 x…

Jail Bird, from The Comic Natural History of the Human Race, 1851, Color lithography with watercolor and gum, sheet: 11 1/16 x 7 1/16 in. (28.1 x 18 cm), Prints, Henry Louis Stephens…

Title Page, from Illustrations of the Book of Job, 1825–26, Engraving, plate: 8 1/4 x 6 3/8 in. (21 x 16.2 cm), Prints, William Blake (British, London 1757–1827 London)

The Resurrection, from The Large Passion, n.d., Woodcut, sheet: 17 3/8 x 12 in. (44.1 x 30.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

At the Prado, 1863, reworked ca. 1867, Etching and aquatint on heavy laid paper, final state of two, posthumous impression, plate: 8 3/4 x 6 1/8in. (22.2 x 15.6cm), Prints, Édouard Manet…

Old Beggar Woman with a Gourd, ca. 1629, Etching; second state of two, Sheet: 3 7/8 × 1 7/8 in. (9.8 × 4.7 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

The Foolish Virgins Conversing, ca. 1635, Etching; first state of two, Sheet: 12 3/16 × 15 7/8 in. (31 × 40.3 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Architectural Design with an Altarpiece Framed in a Niche and Surmounted by a Dome, 1735–1817, Pen and brown ink, brush and brown, gray, yellow, and rose wash, with a vertical line in leadpoint…

Design for a Candelabra, 19th century, Pen and brown ink, sheet: 10 3/4 x 6 1/8 in. (27.3 x 15.6 cm), Drawings, Anonymous, French, 19th century

Design for Wall Decor Painted with Putti and Dogs, before 1889, Gouache, 16 1/2 x 9 1/8 in. (41.9 x 23.2 cm), Drawings, Attributed to Jules-Edmond-Charles Lachaise (French, died 1897), Attributed…

Robe Trianon, Dollfus Mieg & Cie, 1865, Hand-colored lithograph, Sheet: 14 3/16 x 10 13/16 in. (36 x 27.4 cm), Prints, Lacour et Morin (French)

Virgin on a Crescent, Title-page from Pelbartus de Temesvar: Stellarium corone (Schr. 2869), 1502, Whiteline woodcut, sheet: 9 13/16 x 6 1/2 in. (25 x 16.5 cm), Prints, Johann Otmar (German,…

The Cowherd, 1636, Etching; third state of six (Mannocci), Sheet: 5 1/2 x 8 1/4 in. (14 x 21 cm), Prints, Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome), The Cowherd is one…

Château de Chenonceau, No 2 (Château de Chenonceau, No 2), 1856, Etching on laid paper; first state of three, plate: 4 5/8 x 7 3/8 in. (11.7 x 18.7 cm), Prints, Charles Meryon (French, 1821–1868)

Design for a Chair, 19th century, Graphite, brush and brown wash, gouache, 7 3/8 x 6 1/4 in. (18.7 x 15.8 cm), Anonymous, French, 19th century

Last Illustration from Dürers Treatise on Fortification, Nuremberg, 1527, n.d., Woodcut, Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Purple Orchids or Lilies, March 24, 1911, Watercolor and brown ink over graphite, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings, Margaret Neilson Armstrong (American, New York…

Hope, 1530, Engraving, sheet: 6 1/2 x 4 5/16 in. (16.5 x 11 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Seated Bishop Holding a Book, ca. 1600, Black chalk(?), highlighted with white chalk on blue paper faded to light brown, 9 5/16 x 7 1/2in. (23.6 x 19cm), Drawings, Attributed to Jacopo Palma…

Head of an Old Woman Looking to Lower Right (Saint Elizabeth), 1584–86, Brush and oil paint on paper, 15 3/8 x 10 13/16in. (39.1 x 27.5cm), Drawings, Federico Barocci (Italian, Urbino ca.…

The Unsafe Tenement (The Old Farm), 1858, Etching; third state of four (Glasgow); printed in black ink on tan (darkened), Plate: 6 1/8 x 8 7/8 in. (15.6 x 22.5 cm), Prints, James McNeill…

Drawing After an Antique Tabouret, 19th century, Pen and ink on laid paper, sheet: 5 3/16 x 5 3/8 in. (13.1 x 13.6 cm), Drawings, Anonymous, French, 19th century

Saint John Beholding the Seven Golden Candlesticks, from The Apocalypse, n.d., Woodcut, Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Narcissus, 17th century, Etching, sheet: 2 15/16 x 4 1/2 in. (7.5 x 11.5 cm), Prints, Laurent de La Hyre (French, Paris 1606–1656 Paris)

Study for a Massacre of the Innocents, 1560–1636, Black chalk, pen and bistre with gray-brown washes, sheet: 7 3/8 x 5 in. (18.7 x 12.7 cm), Drawings, Circle of Domenico Cresti Passignano…

Plate 6: two studies of children, from 'Collection of various doodles and etching proofs' (Recueil de divers griffonnements et preuves d'eauforte), ca. 1646, Etching, Sheet: 4 in. × 1 9/16 in.…

Arco dei Pantani, Forum of Augustus, cornice, elevation; schematic elevation (recto) Temple of Apollo Sosiano, column base, elevation (verso), early to mid-16th century , Dark brown ink, black…

Uncorking Old Sherry, March 10, 1805, Hand-colored etching, plate: 14 1/16 x 10 in. (35.7 x 25.4 cm), Prints, James Gillray (British, Chelsea 1756–1815 London)

The Savoy Pigeons, 1896, Transfer lithograph, drawn on white transfer paper with a grained-stone texture; only state (Chicago), from the published edition printed from a supplementary stone;…

Chinoiserie, Black chalk with stumping, and graphite with a faint gray wash, 8 3/8 x 8 1/16 in. (21.3 x 20.4 cm.), Drawings, Jean Pillement (French, Lyons 1728–1808 Lyons)

Reclining Male Nude, as Wind God on Clouds, 1765–1810, Red chalk, sheet: 24 1/4 x 18 1/2 in. (61.6 x 47 cm), Drawings, Jakob Matthias Schmutzer (Austrian, Vienna 1733–1811 Vienna)

The Punt, 1861, Etching and drypoint; fourth state of six (Glasgow); printed in black ink on ivory chine mounted on heavy cream wove paper (chine collé), Plate: 4 3/4 x 6 7/16 in. (12.1 x 16.4…

Rest on the Flight into Egypt, ca. 1641, Etching; second state of three, Sheet (trimmed to plate): 6 1/8 × 6 15/16 in. (15.5 × 17.7 cm), Prints, Etched by Stefano della Bella (Italian,…

Hercules and Deianira, from 'Game of Mythology' (Jeu de la Mythologie), 1644, Etching; first state of five, Sheet: 1 3/4 × 2 3/16 in. (4.5 × 5.6 cm), Prints, Etched by Stefano della Bella…

Design for Painted Wall Paneling, Château de Deepdene, 1875–79, Watercolor and gouache, 7 1/4 x 13 1/2 in. (18.4 x 34.3 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),…

Sketch of Fountain, 18th century, Graphite, pen and black ink, 12 5/16 x 8 1/16 in. (31.2 x 20.4 cm), Drawings, Anonymous, French, 18th century

Saint with Angel and Putto, n.d., Pen and brown ink, brush and dark brown ink, over lead point., sheet: 9 15/16 x 8 1/8 in. (25.2 x 20.6 cm), Drawings, After Guercino (Giovanni Francesco…

Caricature, ca. 1776–86, Graphite, brush and wash, 13 x 10 in. (33.0 x 25.4 cm), Drawings, Anonymous, French, 18th century

My Family, Second Stone, 1921, Lithograph, image: 10 1/8 x 8 in. (25.7 x 20.3 cm), Prints, George Bellows (American, Columbus, Ohio 1882–1925 New York)

Design for Two Marble Topped Tables with Carved Legs, early 19th century, Ink, watercolor and wash, sheet: 10 3/4 x 14 15/16 in. (27.3 x 38 cm), Anonymous, British, 19th century

Cortile del Belvedere, Upper Courtyard, stair, plan (recto) blank (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 23 1/4 x 17 5/16 in. (59 x 44 cm),…

Design for the Frame of a Funerary Plaque with the Coat of Arms of Roger II de Saint Lary, Duc de Bellegarde, ca. 1619–30, Pen and brown ink, brush and brown and blue wash, over traces of…

The Three Fates, 1527–85, Pen and brown ink, 4 1/2 x 11 1/4in. (11.4 x 28.5cm), Drawings, Luca Cambiaso (Italian, Moneglia 1527–1585 Madrid)

Job rebuked by his Friends, from Illustrations of the Book of Job, 1825–26, Engraving, plate: 8 1/2 x 6 5/8 in. (21.6 x 16.8 cm), Prints, William Blake (British, London 1757–1827 London)

The Old Gate of the Palais de Justice, Paris, 1854, Etching and drypoint on laid paper; first of two states, plate: 3 7/16 x 3 3/8 in. (8.8 x 8.5 cm), Prints, Charles Meryon (French, 1821–1868)

St. Jerome in his Study (Schr. 2679a), 15th century, Metalcut, hand-colored, sheet: 8 1/4 x 6 in. (21 x 15.3 cm), Prints, Anonymous, German, 15th century

Cléobule, ca. 1639–40, Engraving (figure by Couvay) and etching (background by Bosse), sheet: 14 1/16 x 8 5/16 in. (35.7 x 21.1 cm), Prints, Jean Couvay (French, Arles ca. 1605–1663…

Le triomphe de la coquetterie, 18th century, Etching and engraving, sheet: 14 3/4 x 19 in. (37.5 x 48.3 cm), Prints, Anonymous, French, 18th century

Finding the bodies of Saints Peter and Paul (fragment), ca. 1647–51, Etching, sheet: 7 1/4 x 7 7/16 in. (18.4 x 18.9 cm), Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian,…

Drawing of an Interior: Atelier, 1857, Graphite, pen and blue ink, watercolor, sheet: 8 x 11 9/16 in. (20.3 x 29.3 cm), Drawings, Anonymous, French, 19th century

Dido Reine de Cartage/ une Muse, 17th century, Pen and brown ink, brush and gray wash, graphite., 5 5/8 x 4 7/8 in. (14.3 x 12.4 cm), Drawings, Anonymous, French, 17th century

Pygmalion and Galatea, Brown chalk, 13 7/8 x 8 3/4 in. (35.2 x 22.2 cm), Drawings, François Boucher (French, Paris 1703–1770 Paris)

Vignette with an Allegorical Figure of Astronomy, ca. 1798, Pen and brown ink, brush with blue, rose, yellow, and brown wash, over black chalk. Framing lines in pen and brown ink, 8 x 7 15/16in.…

Design for a paneled ceiling, 19th century, pen and ink, watercolor, Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris, 1820)

Illustration for a Book: Coronation of an Emperor (?), 1696–1770, Black chalk. Horizontal and vertical centering lines ruled in faint black chalk, 3-1/16 x 6-1/8 in. (7.7 x 15.6 cm),…

Designs for Four Decorated Tables., 1723–1808, Graphite with brush and brown wash, sheet: 15 5/16 x 9 7/16 in. (38.9 x 24 cm), Drawings, Antonio Asprucci (Italian, Rome 1723–1808 Rome)

Design for wallpaper featuring strapwork, rinceaux, and cartouches filled with bouquets of roses, 1830–97, gouache on wove paper, Overall: 12 13/16 x 9 3/4 in. (32.5 x 24.8 cm), Drawings,…

Study of a Pediment, 18th century, Pen and brown ink over graphite, sheet: 4 x 7 7/16 in. (10.1 x 18.9 cm), Attributed to Anonymous, French, 18th century

Alexander and Porus, 1771–1844, Pen and brown ink over graphite, 10 1/2 x 16in. (26.7 x 40.6cm), Drawings, Vincenzo Camuccini (Italian, Rome 1771–1844 Rome)

Plate 3 from the 'Disparates': Ridiculous Folly, ca. 1816–23 (published 1864), Etching, aquatint and drypoint, Plate: 9 7/16 × 13 3/4 in. (24 × 35 cm), Prints, Goya (Francisco de Goya y…

The Bath, 1890–91, Drypoint, soft-ground etching and aquatint, printed in black ink from one plate; fifth state of seventeen (Mathews & Shapiro), plate: 12 9/16 x 9 3/4 in. (31.9 x 24.8 cm),…

Teals, 1853, Etching, Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres)

A tree and figure, 18th century, Red chalk, 7 1/4 x 4 7/8 in. (18.4 x 12.4 cm), Drawings, Anonymous, French, 18th century

The Smith's Yard, 1895, Transfer lithograph drawn on thin, transparent transfer paper; only state (Chicago), as published; printed from a supplementary stone on medium-weight ivory wove paper with…

Plate 64 from 'Los Caprichos': Bon voyage (Buen Viage.), 1799, Etching, burnished aquatint and burin, Plate: 8 7/16 x 6 in. (21.5 x 15.3 cm), Prints, Goya (Francisco de Goya y Lucientes)…

The Crucifixion, from The Small Passion, ca. 1509, Woodcut, sheet: 5 x 3 13/16 in. (12.7 x 9.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

The Presentation in the Temple: Oblong Plate, Etching, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

The Old Louvre, Paris, after Zeeman, 1865–66, Etching on laid paper; fifth state of seven (Schneiderman), plate: 6 9/16 x 10 1/2 in. (16.7 x 26.7 cm), Prints, Charles Meryon (French,…

Design for Three Tub Chairs, early 19th century, Ink, watercolor and wash, sheet: 9 1/2 x 11 7/8 in. (24.2 x 30.2 cm), Anonymous, British, 19th century

Hanging Lantern, 19th century, Pen and ink and gouache, Overall: 14 1/8 x 18 3/8 in. (35.9 x 46.7 cm), Drawings, Anonymous, Chinese, 19th century

The Pool, 1859, Etching and drypoint; sixth state of six (Glasgow); printed in black ink on extremely fine laid Japan, Plate: 5 3/8 x 8 3/8 in. (13.7 x 21.3 cm), Prints, James McNeill Whistler…

The Five Orders of Periwigs, November 1761, Etching; first state of two, sheet: 11 7/8 x 8 5/8 in. (30.2 x 21.9 cm), Prints, Hogarth here applied the terminology of classical architecture to…

Design for Ceiling Decoration in the Dining Room, Hôtel de Pless, Berlin, second half 19th century, Watercolor, gouache, and gold paint on wove paper, sheet: 8 1/16 x 8 13/16 in. (20.4 x 22.4…

Designs for a Chandelier and a Plaster Mount, 19th century, Pen and brown ink, image: 16 5/16 x 14 1/2 in. (41.5 x 36.9 cm), Drawings, Anonymous, French, 19th century

Two Designs for Ornamental Panels, second half 19th century, Graphite, pen and black ink, watercolor and gilt, 9 3/8 x 12 1/4 in. (23.8 x 31.1 cm), Drawings, Jules-Edmond-Charles Lachaise…

Portrait of a Silversmith, Seated, 19th century, Pen and brown ink, brush and brown wash, 7 7/8 x 5 7/8 in. (20 x 14.9 cm), Drawings, Ernest Meissonier (French, Lyons 1815–1891 Paris)

La Promenade en Bokei; Le Suprême Bon-Ton No. 26, 1816, Etching, hand-colored, plate: 8 7/8 x 10 3/4 in. (22.5 x 27.3 cm), Prints, Adrien Pierre Godefroy, Le Jeune (French, 1777–1865)

Design for a Stage Set at the Opéra, Paris, 1830–90, Watercolor, gouache, and graphite, Irregular sheet: 8 5/8 x 14 1/16 in. (21.9 x 35.7 cm), Drawings, Eugène Cicéri (French, Paris…

Sheet with Figure Studies (double sided), 17th century, Pen and brown ink, sheet: 8 7/8 x 12 in. (22.6 x 30.5 cm), Drawings, Pietro Novelli, called Il Monrealese (Italian, Monreale 1603–1647…

Design for an Allegorical Print, Pen and black ink, 5 3/4 x 3 7/8 in. (14.6 x 9.9 cm.), Drawings, Louis Lafitte (French, Paris 1770–1828 Paris)

The Annunciation, Pen and red and brown ink, red and brown wash, heightened with white., 5 9/16 x 8 11/16 in. (14.1 x 22 cm), Drawings, Anonymous, French, 16th century

Design for the painted decoration of a baker's shop, second half 19th century, graphite and watercolor on wove paper, sheet: 3 1/8 x 7 3/16 in. (7.9 x 18.3 cm), Drawings, Jules-Edmond-Charles…

Design for a Trompe L'Oeil Ceiling with a Loggia, n.d., Pen and ink and wash, 11-1/4 x 7-1/4 in. (28.6 x 18.4 cm), Faustino Trebbi (Italian, Budrio [Bologna] 1761–1836 Bologna), After Girolamo…

Ladies Bathing, 1717, Pen and gray ink, brush and gray wash, heightened with white, over traces of graphite, contours incised., 2 15/16 x 4 3/8 in. (7.5 x 11.1 cm), Drawings, Claude Simpol…

Designs for Tables, ca. 1770–90, Pen and gray and black ink, brush and yellow and gray wash, over black chalk, 8 1/2 x 13 1/4in. (21.6 x 33.7cm), Drawings, Anonymous, French, 18th century

Saint John the Baptist in Prison Sends His Disciples to Question Jesus, 1598–1616, Pen and brown ink, brush and gray wash, sheet: 5 3/8 x 11 1/16 in. (13.7 x 28.1 cm), Drawings, Ermenegildo…

Songs of Innocence and of Experience: Night, ca. 1825, Relief etching printed in orange-brown ink and hand-colored with watercolor and gold, sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1 cm),…

Saint Remi (lower register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858), 19th century, Black chalk, stumped, white chalk, on light gray paper, 18 3/16 x 11…

Bust of a Warrior Wearing a Plumed Helmet, Looking Toward Spectator Over His Right Shoulder (recto); Sketch of a Leg (verso), 1605–9, Red chalk on light brown paper, 4 13/16 x 3 1/2in. (12.2…

Abduction of Proserpine, 1516, Etching, Sheet: 12 3/16 × 8 3/8 in. (30.9 × 21.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Death of Ananias, 1518, Woodcut, key block only, Sheet: 8 11/16 × 14 5/8 in. (22.1 × 37.2 cm), Prints, Ugo da Carpi (Italian, Carpi ca. 1480–1532 Bologna), After Raphael (Raffaello Sanzio…

Mother and Child, No. 1, 1891 and 1895, Transfer lithograph with scraping and stumping, drawn on fine-grained transfer paper; second state of two (Chicago); printed in black ink on fine white…

Girl with a Bowl, 1895, Transfer lithograph, drawn on thin, transparent transfer paper; only state (Chicago); printed in black ink on cream Japanese vellum, Image: 5 3/8 × 2 5/8 in. (13.6 × 6.7…

The Tax Collectors (Les Traitants), 1778, Etching, Sheet: 9 1/4 × 7 1/8 in. (23.5 × 18.1 cm), Prints, Jean Honoré Fragonard (French, Grasse 1732–1806 Paris)

The Music Room, 1859, Etching; second state of four (Glasgow); Fine antique laid paper with a greenish cast, Plate: 5 11/16 x 8 1/2 in. (14.4 x 21.6 cm), Prints, James McNeill Whistler…

Plate 27 from the 'Tauromaquia': The celebrated picador, Fernando del Toro, draws the fierce beast on with his pike, 1816, Etching, burnished aquatint, drypoint and burin, Plate: 9 5/8 × 13 3/4…

Landscape with Wayfarers, 1740–99, Brush and brown ink, over graphite or black chalk. Framing line in pen and black ink., sheet: 7 11/16 x 6 5/8 in. (19.5 x 16.8 cm), Drawings, Ferdinand…

The Martyrdom of St. Catherine, ca. 1627, Etching; second state of two (Pacht Bassani), sheet: 8 1/4 x 10 3/8 in. (21 x 26.3 cm), Prints, Claude Vignon (French, Tours 1593–1670 Paris)

Design for an Ewer, 19th century, Pen and brown ink, brush and red wash, heightened with white., sheet: 14 3/8 x 8 3/8 in. (36.5 x 21.3 cm), Drawings, Anonymous, French, 19th century

Saint Jerome Extracting a Thorn from the Lion's Foot, Lyons 1508 (copy), n.d., Woodcut, Block: 7 11/16 × 5 1/2 in. (19.6 × 14 cm), Prints, After Albrecht Dürer (German, Nuremberg…