Elevation of a Church or Chapel with designs for ornament and a painted triptych of the Virgin Mary, second half 19th century, graphite, pen and ink, watercolor, gouache, and gold paint on wove…

An Honest Fellow, December 1, 1790, Etching and aquatint, sheet: 13 1/4 x 8 9/16 in. (33.7 x 21.8 cm), Prints, George Moutard Woodward (British, ca. 1760–1809 London)

Figures in a Landscape, 18th century, Black chalk, 7 13/16 x 6 1/16 in. (19.8 x 15.4 cm), Drawings, Anonymous, French, 18th century

Sketches on the Coast Survey Plate, 1854–55, Etching; only state (Glasgow); printed in black ink on a complete sheet of linen-textured ivory laid paper with MBM watermark appearing twice, Plate:…

A faun standing in a niche holding aloft a bunch of grapes in his left hand and holding a bundle of fruit in his right hand, a dog lower left, ca. 1515–1600, Engraving, Sheet (Trimmed): 8 7/16 ×…

Christ Appearing to Mary Magdalen, from The Small Passion, ca. 1510, Woodcut, sheet: 5 1/16 x 3 7/8 in. (12.8 x 9.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

The creation of Eve who emerges from behind Adam, ca. 1530–70, Engraving, sheet: 7 5/8 x 8 7/16 in. (19.3 x 21.4 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after…

The 'Adam and Eve,' Old Chelsea, 1878–79, Etching; third state of three (Glasgow); printed in black ink on buff laid Japan, Plate: 6 7/8 × 11 15/16 in. (17.5 × 30.3 cm), Prints, James…

Speke Hall, No. 1, 1870, Etching and drypoint; printed in black ink on ivory laid paper removed from a book (unrelated pen and brown ink manuscript verso), Image: 8 7/8 × 5 7/8 in. (22.6 × 14.9…

Solomon's Idolatry [I Kings, 11:1-8], ca. 1517, Woodcut, sheet: 13 15/16 x 8 7/8 in. (35.4 x 22.6 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Five grotesque heads, including an elderly man with an oak leaf wreath, 1646, Etching; only state, Plate: 9 11/16 x 7 3/8 in. (24.6 x 18.7 cm), Prints, After Leonardo da Vinci (Italian, Vinci…

Rinaldo and Armida, 1566–1643, Pen and brown ink, brush and brown wash, highlighted with white, on brownish paper, 12-5/16 x 9-1/4 in. (31.2 x 23.5 cm), Drawings, Giovanni Baglione (Italian,…

Jesus Christ, Engraving, sheet: 16 15/16 x 10 11/16 in. (43 x 27.1 cm), Prints, Jean Lenfant (French, 1615–1674), After Laurent de La Hyre (French, Paris 1606–1656 Paris)

The Queen's––[ Ass], April 17, 1787, Hand-colored etching, sheet: 10 11/16 x 8 1/4 in. (27.1 x 21 cm), Prints, Attributed to Henry Kingsbury (British, active ca. 1775–98)

The Standard Bearer, ca. 1510, Engraving, plate: 4 5/8 x 2 3/4 in. (11.8 x 7 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Design for a Gothic Style Sofa Upholstered in Red, early 19th century, Ink, watercolor and wash, sheet: 9 x 11 7/8 in. (22.8 x 30.2 cm), Anonymous, British, 19th century

Design for a Decorative Oval Frame (Recto). Half sketch for a Decorative Oval Frame (Verso)., 1652–1725, Pen and brown ink over traces of black and brown chalk (recto). Pen and brown ink over…

Kneeling St. Francis and St. Nicholas of Bari, 1498–1554, Black chalk, highlighted with white, on blue paper, 15 1/4 x 9 7/16in. (38.7 x 24cm), Drawings, After Moretto da Brescia (Alessandro…

The Crucifixion, from The Small Passion, ca. 1509, Woodcut, sheet: 5 1/16 x 3 7/8 in. (12.9 x 9.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Le Chariot, Etching, image: 14 13/16 x 10 11/16 in. (37.7 x 27.1 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Jacques Fouquieres (Flemish, 1590/91–1659)

Male Figure Running (recto); Three Pen Studies of Male Heads (verso), 1609/10–?1675, Pen and brown ink (recto); three pen studies of male heads (verso), 10-1/16 x 7-1/4 in. (25.6 x 18.4 cm),…

A Group of Vultures Waiting for the Storm to 'Blow Over'–'Let Us Prey' (from Harper's Weekly), September 23, 1871, Wood engraving, image: 14 3/16 x 9 5/16 in. (36 x 23.7 cm), Prints, Thomas…

A Golden Eagle, after 1859, Graphite, 3 9/16 x 2 1/16 in. (9 x 5.2 cm), Drawings, Charles Meryon (French, 1821–1868)

A View of the Tiber from the North Bank, with the Temple of Vesta, the Campanile of S. Maria in Cosmedin and the Ponte Rotto, 1819, Brush and brown wash over traces of black chalk. Framing lines…

SS. Giovanni e Paolo, seen from the Villa Mattei, Rome, Watercolor over graphite on blue-gray paper, 9 7/16 x 17 3/8 in. (23.9 x 44.2cm), Drawings, Jean-Achille Benouville (French, Paris…

Le Colin-Maillard, n.d., Etching and engraving, Sheet: 17 5/16 × 11 3/4 in. (44 × 29.8 cm), Prints, Jacques Firmin Beauvarlet (French, Abbeville 1731–1797), After Jean Honoré Fragonard…

Design for a ceiling, second half 19th century, Graphite, gouache, and watercolor, Overall: 10 7/8 x 8 9/16 in. (27.6 x 21.8 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),…

Room elevations, 19th century, Pen and ink and watercolor on laid paper, sheet: 17 1/2 x 13 5/8 in. (44.5 x 34.6 cm), Drawings, Anonymous, French, 19th century

Pietà (after Giovanni Cariani), early to mid-19th century, Graphite. Framing line in graphite., sheet: 5 7/8 x 4 3/4 in. (14.9 x 12 cm), Drawings, Johann David Passavant (German, Frankfurt…

The Crooked Stoop (Old Tom's Chop House) (from Scenes of Old New York), 1870, Etching, sheet: 8 1/16 x 4 3/8 in. (20.4 x 11.1 cm), Prints, Henry Farrer (American, London 1844–1903 New York)

Le Bouvier Assis, 1620–50, Etching, third state, image: 5 11/16 x 8 1/4 in. (14.4 x 21 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Cornelis van Poelenburch (Dutch,…

Seated female nude, 1742, Red chalk, heightened with white on beige paper, 12 3/8 x 10 3/8 in. (31.5 x 26.4 cm), Drawings, François Boucher (French, Paris 1703–1770 Paris)

Trophy with Two Vases, 1600–1800, Pen and black ink, brush and reddish-brown wash, over traces of graphite, sheet: 5 7/8 x 7 11/16 in. (15 x 19.5 cm), After Polidoro da Caravaggio (Italian,…

The Virgin Nursing the Christ Child, 1519, Engraving, Sheet: 4 9/16 x 2 15/16 in. (11.7 x 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Apollon et Daphné, 1644, Etching, first state, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence), Designed by Jean Desmarets de Saint-Sorlin (French, 1595–1676)

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 2 x 4 7/16 in. (5.1 x 11.2 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

The Head of Jean Féraud (1759-1795), a Deputy at the Convention, Carried on a Pike, May 21, 1795., ca. 1795, Pen and brown ink over black chalk., 6 x 7 15/16 in. (15.2 x 20.2 cm), Drawings,…

Design for Tomb of Mamier, 18th century, Pen and black ink, brush and gray wash, graphite, sheet: 14 1/16 x 9 1/4 in. (35.7 x 23.5 cm), Drawings, Anonymous, French, 18th century

Design for Suspended Censer, 1652–1725, Pen and brown ink, brush and brown wash, over traces of black chalk, sheet: 6 1/8 x 6 1/8 in. (15.5 x 15.5 cm), Attributed to Giovanni Battista…

Woman with a Churn, 1854, Conté crayon on wove paper, 11 1/4 x 7 5/16 in. (28.6 x 18.5 cm), Drawings, Jean-François Millet (French, Gruchy 1814–1875 Barbizon)

Two lovers, a man pulling a woman toward a bed, from 'The Loves of the Gods', 1531–60, Engraving, sheet: 5 1/2 x 4 3/16 in. (14 x 10.7 cm), Prints, Giulio Bonasone (Italian, active Rome and…

Design for a Wall Decoration with Peacock, Cranes, and Sunflowers for the Restaurant in Hotel Langham (Paris), 1896–98, Pen and black, blue, and metallic ink, watercolor, over graphite, 18 5/16 x…

Self Portrait, ca. 1730, Black chalk, heightened with white, on brown paper; verso: faint white chalk sketch of a male figure, 16 1/8 x 9 5/8 in. (41 x 24.5 cm), Drawings, Jean Marc Nattier…

Saints Anthony, Sebastian and Christopher, ca. 1470–90, Metalcut with dot punch, hand-colored; laid down on wooden book cover, 10-15/16 x 6-5/16 in.; 11 x 7-3/4 in., Prints, Anonymous,…

The Feast of Belshazzar (Daniel 5:1-4), 1560–1631, Pen and brown ink, brush and brown wash, over black chalk, 6-7/16 x 4-1/2 in. (16.4 x 11.4 cm), Drawings, attributed to Giovanni Balducci…

Design for a Stage Set at the Opéra, Paris, 1830–90, Watercolor over graphite, Irregular sheet: 10 1/2 x 13 1/4 in. (26.7 x 33.6 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890…

Design for Red Curtains with a Gold Pelmet, early 19th century, Ink, watercolor and wash, sheet: 9 5/8 x 11 15/16 in. (24.5 x 30.3 cm), Anonymous, British, 19th century

Designs for Overmantles, 18th century, Pen and brown ink, brush and gray wash, graphite., sheet: 10 13/16 x 7 9/16 in. (27.4 x 19.2 cm), Drawings, Anonymous, French, 18th century

Plate 4 from 'The Disasters of War' (Los Desastres de la Guerra): 'The women give courage' (Las mugeres dan valor), 1810 (published 1863), Etching, burnished aquatint, lavis, drypoint and…

The Virgin and Child Holding Scapulars, 1712–93, Red chalk, traces of gouache highlight, on gray (originally blue) paper, 5 5/8 x 4 5/8in. (14.3 x 11.8cm), Drawings, Attributed to Francesco…

Castrica Fratina, 17th century, Watercolor, sheet: 6 x 7 15/16 in. (15.2 x 20.2 cm), Drawings, Vincenzo Leonardi (Italian, Rome ca. 1590–ca. 1646 Rome)

Plate 15 from 'Los Caprichos': Pretty Advice (Bellos consejos), 1799, Etching, engraving, and aquatint, before burnishing and burin retouches, Plate: 8 9/16 in. × 6 in. (21.8 × 15.3 cm),…

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, brush and red and yellow wash, Irregular sheet: 8 5/16 x 20 11/16 in. (21.1 x 52.6 cm), Drawings, Eugène Cicéri (French,…

Calvary (Golgotha), 1517, Engraving; fifth state, sheet: 11 1/4 x 16 1/8 in. (28.6 x 41 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

The Deposition of Christ, from The Large Passion, n.d., Woodcut, sheet: 17 5/16 x 12 in. (43.9 x 30.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Le Magnifique, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, 1795, Etching and engraving; second state of…

Plate 10 from 'The Disasters of War' (Los Desastres de la Guerra):Nor [do these] either (Tampoco), 1810 (published 1863), Etching and burin, Plate: 5 13/16 × 8 1/2 in. (14.8 × 21.6 cm), Prints,…

Betrayal of Christ, from The Passion, 1508, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.8 × 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Six Studies of Animal Heads and of a Cartouche, 1527–96, Pen and brown ink, with head in upper left corner drawn in red chalk, 8 × 5 3/16 in. (20.3 × 13.1 cm), Drawings, Pellegrino Tibaldi…

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 14 1/4 x 8 9/16 in. (36.2 x 21.8 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Christ on the Cross with The Virgin and Saint John (Schr. 452c), 15th century, Woodcut, hand-colored, sheet: 3 3/16 x 2 3/8 in. (8.1 x 6.1 cm), Prints, Anonymous, German, 15th century

Nude woman (Venus) reclining in a landscape, 1517, Engraving, Sheet (trimmed to plate): 3 3/4 × 5 5/16 in. (9.5 × 13.5 cm), Prints, Domenico Campagnola (Italian, Venice (?) 1500–1564 Padua),…

Plate with Ten Bacchanal Scenes, Etching, sheet: 8 7/16 x 11 1/16 in. (21.5 x 28.1 cm), Prints, Etched by Jean Philippe Guy Le Gentil, comte de Paroy (French, 1750–1824)

The Visitation (Schr. 59), 15th century, Woodcut, hand-colored, sheet: 2 5/8 x 2 1/4 in. (6.7 x 5.7 cm), Prints, Anonymous, German, 15th century

Gilbert de Choiseul-Praslin, eveque de Comminges, Etching, sheet: 16 3/4 x 13 5/16 in. (42.5 x 33.8 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de Champaigne…

Zephyr and Flora, 1696–1770, Pen and dark brown ink, brush with pale and dark brown wash, over black chalk, 9 x 9 in. (22.9 x 22.8 cm), Drawings, Giovanni Battista Tiepolo (Italian, Venice…

Ornamental drawings (recto) blank (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 15 9/16 x 3 3/16 in. (39.5 x 8.1 cm)

The Fête of Bacchus, n.d., Etching and engraving, fifth state, plate: 8 5/8 x 14 1/2 in. (21.9 x 36.8 cm), Prints, Claude Gillot (French, Langres 1673–1722 Paris)

Design for a Four-poster Bed with Pink, Brown and White Draperies, early 19th century, Ink, watercolor and wash, sheet: 9 1/2 x 11 7/8 in. (24.1 x 30.2 cm), Anonymous, British, 19th century

Figures Unloading Cargo from Sailing Vessels, 19th century, Pen and black ink, over black chalk, on beige paper., 11 x 6 9/16 in. (27.9 x 16.7 cm), Drawings, Pierre Puvis de Chavannes (French,…

The Turkish Family, ca. 1496, Engraving, sheet: 4 x 2 7/8 in. (10.2 x 7.3 cm). Trimmed to platemark., Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Religion Kneeling before a Monstrance, Attended by Putti, 1559–1613, Pen and brown ink, brush and brown wash, over black chalk, 8 11/16 x 7in. (22 x 17.8cm), Drawings, Cigoli (Ludovico…

The Crucifixion, from The Passion, 1511, Engraving, Sheet: 4 3/4 × 3 1/16 in. (12 × 7.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

L'Amoureux, 15th century, Metalcut, sheet: 4 1/2 x 2 3/4 in. (11.5 x 7 cm), Prints, Anonymous, German, 15th century

Christ on the Mount of Olives, from The Passion (copy), 1567, Engraving, Sheet: 4 7/16 × 2 13/16 in. (11.3 × 7.2 cm), Prints, Mario Cartaro (Italian, born Viterbo, active Rome ca. 1557–88,…

Hercules playing a lyre, a lionskin draped over his shoulder, published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Anonymous, Italian, 16th…

Portrait of Anton Heinrich Springer (1825-1895), mid-19th century, Graphite, touches of red chalk, heightened with white, on tan paper, 10 11/16 x 8 1/16 in. (27.2 x 20.4 cm), Drawings, Henri…

Plate 6: cows crossing a valley to left, a group of trees to left, a horseman and other cows in the background, a round composition, from 'Roman landscapes and ruins' (Paysages et ruines de Rome),…

A satyr and a ram attacking each other, the satyr weilding a club with his right hand, a shield resting against a small column at center, buildings in the background, ca. 1515–27, Engraving,…

A Man Seen from the Back Leaning on a Croquet Mallet, 1629, Etching; first state of two, Sheet: 5 3/8 × 3 11/16 in. (13.7 × 9.3 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Ephraim Bonus, Jewish Physician, Etching and drypoint, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Plate 13 from 'The Disasters of War' (Los Desastres de la Guerra): Bitter to be Present (Amarga presencia), 1810, Etching, drypoint and burin, Plate: 5 9/16 × 6 11/16 in. (14.1 × 17 cm),…

Design for Blue and Gold Curtains with Gold Fringes and a Gold Pediment, early 19th century, Ink, watercolor and wash, sheet: 9 5/8 x 11 15/16 in. (24.5 x 30.4 cm), Anonymous, British, 19th century

Saint Michael Fighting the Dragon, from The Apocalypse, 1498, Woodcut, Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), With the Apocalypse series, Dürer raised the medium…

Looking into the Hand Mirror (No. 1), 1923, Drypoint; restrike, Plate: 7 5/16 × 4 7/8 in. (18.6 × 12.4 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le…

Drunken Silenus Riding on an Ass, 17th century, Black chalk. Framing lines in red chalk., 3 5/8 x 7 15/16 in. (9.20 x 20.1 cm), Drawings, Jacques Sarazin (French, Noyon 1592–1660 Paris)

The Beggars, 1879–80, Etching and drypoint; seventh state of seventeen (Glasgow); printed in black ink on heavy ivory wove paper, Plate: 11 15/16 × 8 1/4 in. (30.3 × 21 cm), Prints, James…

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 5 3/4 x 4 1/16 in. (14.6 x 10.3 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Portrait of a Mother and Child, n.d., Black chalk, heightened with white chalk, over red chalk underdrawing, on beige paper, 14 1/8 x 10 9/16 in. (35.9 x 26.9 cm), Drawings, François André…

Young Woman Standing in Traditional Neapolitan Dress, 1755–1821, Watercolor, over graphite., 14 3/4 x 11 1/8in. (37.5 x 28.2cm), Drawings, Giovanni Battista ('Titta') Lusieri (Italian, Rome…

Reclining Nude, late 18th or early 19th century, Black, white, and red tempera on blue paper, 3 1/8 x 8 5/8 in. (7.9 x 21.9 cm), Drawings, Anonymous, French, 18th century

Study sheets with sketches of interiors, animals, sculpture, figures, notes, 16th century, Pen and brown ink, each sheet: 4 5/16 x 6 1/8 in. (11 x 15.5 cm), Drawings, Anonymous, German, 16th century…

Ornamental Design(?), 18th century, Pen and brown ink, brush with brown and gray wash, over leadpoint or graphite; with ruled and compass construction, 6 x 7 5/16 in. (15.2 x 18.6 cm),…

A Flint, 1811, Hand-colored etching, sheet: 13 1/4 x 8 7/8 in. (33.7 x 22.6 cm), Prints, Anonymous, British, 19th century

View of 'Porta nel Duomo di Siena', 1816–73, Pen and brown ink, brush and brown wash, over black chalk (or graphite), Sheet: 10 1/16 × 7 3/8 in. (25.5 × 18.7 cm), Drawings, Giovanni…

Le Vent d'Orient, Red chalk, 15 1/2 x 10 7/8 in. (39.3 x 27.6 cm), Drawings, Edme Bouchardon (French, Chaumont 1698–1762 Paris)

Design for Ceiling with Cherubs, second half 19th century, Graphite, watercolor, and gouache, 5 5/8 x 9 1/2 in. (14.3 x 24.1 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),…

Preparation for the Crucifixion, 15th century, Woodcut, hand-colored, sheet: 4 5/16 x 3 3/8 in. (11 x 8.5 cm), Prints, Anonymous, German, 15th century

The Crucifixion, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach)

Side View of Design for Altar, second half 19th century, Watercolor, 12 1/2 x 7 1/16 in. (31.8 x 18 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet…