Weary, 1863, Drypoint; fourth state of six (Glasgow); printed in black ink on tissue weight ivory Japan, Plate: 7 11/16 x 5 1/16 in. (19.6 x 12.8 cm), Prints, James McNeill Whistler (American,…

Susanna and the Elders (recto); Architectural design and other scribbles (verso), ca. 1720, Red and black chalks, Sheet: 7 5/8 x 5 3/16 in. (19.4 x 13.1 cm), Drawings, Giovanni Battista…

Greenwich Park, 1859, Etching and drypoint; third state of three (Glasgow); dark brown ink on cream laid paper, Plate: 4 15/16 × 7 7/8 in. (12.6 × 20 cm), Prints, James McNeill Whistler…

Basilica Ulpia, cornice, elevation profile with ornamental detailing; Domus Turciorum, entablature, elevation profile (recto) Domus Turciorum, elevation, perspective (verso), early to mid-16th…

Panorama View on the Islands of Delos, early 19th–late 19th century, Graphite, watercolor, sheet: 9 5/16 x 25 1/16 in. (23.7 x 63.7 cm), Drawings, Johann Michael Wittmer II (German, Murnau…

Dans la Vie: Book Cover, n.d., Graphite, 14 x 20 7/8 in. (35.6 x 53.0 cm), Drawings, Théophile-Alexandre Steinlen (French (born Switzerland), Lausanne 1859–1923 Paris)

Designs for Two Marble Pier Tables with Draperies, early 19th century, Ink, watercolor and wash, sheet: 8 9/16 x 12 5/16 in. (21.7 x 31.2 cm), Anonymous, British, 19th century

Sheet with sketches and designs for two vases, three classical heads en profil and two slave figures (recto); Design for a Vase and a Nude Male Figure (verso), 1652–1725, Pen and brown ink,…

La Jouer de Cornemuse (The Bagpipe Player), from Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques (Various Hunchbacked Figures, The Hunchbacks, The Pygmes,…

Venus tumbling with putti in the clouds, from 'The Loves of the Gods', ca. 1531–76, Engraving, sheet: 6 5/8 x 4 3/8 in. (16.8 x 11.1 cm), Prints, Giulio Bonasone (Italian, active Rome and…

Orpheus and Eurydice, 1763–1856, Pen and brown ink, brush and brown wash, over black chalk, 10 15/16 x 7 11/16in. (27.8 x 19.6cm), Drawings, Attributed to Filippo Pedrini (Italian, Bologna…

Rentrée joyeuse et triomphale des Don-Quichottes Prussiens en Allemagne, après la conquête de la France, sous conduite de l'Aigle autrichien (The Joyous Triumphal Entry of the Prussian Don…

The Dentist (reverse copy), n.d., sheet: 5 1/8 x 3 in. (13 x 7.6 cm), Prints, Jan Muller (Netherlandish, Amsterdam 1571–1628 Amsterdam), After Lucas van Leyden (Netherlandish, Leiden ca.…

Summer, 18th century (?), Pen and bistre washed with India ink and orange gouache on blue paper., 16 15/16 x 22 5/16 in. (43 x 56.6 cm), Drawings, Anonymous, German, 18th century (?)

Title Page from the 'French Set' (Douze Eaux-Fortes d'Après Nature), 1858, Etching; only state (Glasgow); black ink on tan chine on off-white wove paper (chine collé), Sheet: 4 5/16 × 5 3/4 in.…

A Neck of Lamb, a Round of Beef, and a Scrag of Mutton, 1816, Hand-colored etching, sheet: 13 3/4 x 10 in. (35 x 25.4 cm), Prints, Charles Williams (British, active 1797–1830)

Design for a Bookstand on Casters, early 19th century, Ink and watercolor, sheet: 9 5/16 x 11 7/8 in. (23.7 x 30.1 cm), Anonymous, British, 19th century

Jan Six, 1647, Etching, drypoint, burin; fourth state of four, image: 10 1/16 x 8 in. (25.5 x 20.3 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Various Designs for Lighting, 19th century, Pen and brown ink, a: 4 5/8 x 9 1/2 in. (11.7 x 24.1 cm), Drawings, Anonymous, French, 19th century

Design for Three Sets of Gray Curtains , with Gray and Gold Pediments, early 19th century, Ink, watercolor and wash, sheet: 8 11/16 x 12 5/16 in. (22 x 31.2 cm), Anonymous, British, 19th century

Design for a Table, 19th century, Graphite, pen and black ink, brush and brown ink, 6 7/16 x 9 5/16 in. (16.4 x 23.7 cm), Drawings, Anonymous, French, 19th century

Saint in Ecstasy, 1613–99, Pen and brown ink, washed, on brownish paper, 14 3/8 x 9 7/8in. (36.5 x 25.1cm), Drawings, attributed to Mattia Preti (Il Cavalier Calabrese) (Italian, Taverna…

Design for a Chair, early 19th century, Ink and watercolor, sheet: 6 5/16 x 3 13/16 in. (16.1 x 9.7 cm), Attributed to Gillows (British, 19th century)

Lovers, 15th century, Woodcut; Derschau restrike, sheet: 13 1/16 x 11 1/4 in. (33.1 x 28.6 cm), Prints, Anonymous, German, 15th century

Young Girl Kneeling, 1840–1917, Graphite, stumped on cream paper, Overall: 12 5/8 x 7 11/16 in. (32 x 19.5 cm), Drawings, Auguste Rodin (French, Paris 1840–1917 Meudon)

A Puff Off, ca. 1782, Etching; proof before letters, plate: 11 1/4 x 14 5/16 in. (28.5 x 36.4 cm), Prints, James Sayers (British, 1748–1823)

Design for Red Curtains with Red Fringes and a Gold Pediment, early 19th century, Ink, watercolor and wash, sheet: 9 5/8 x 11 13/16 in. (24.4 x 30 cm), Anonymous, British, 19th century

Songs of Innocence and of Experience: Cradle Song (second plate): Wept for me for thee for all, ca. 1825, Relief etching printed in orange-brown ink and hand-colored with watercolor and gold, sheet:…

St. James and the Magician Hermogenes, 1565, Engraving; first state of three, plate: 10 5/16 x 13 3/8 in. (26.2 x 34 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca.…

St. Christopher (Schr. 2839m), 15th century, Pasteprint, sheet: 5 1/16 x 4 1/8 in. (12.9 x 10.5 cm), Prints, Anonymous, German, 15th century

Design for the decoration of a ceiling with a Chinese blue and white design, 1830–97, pen and ink and watercolor on wove paper, Overall: 10 9/16 x 14 7/8 in. (26.9 x 37.8 cm), Drawings,…

Four Designs for Hanging Light Fixtures, 19th century, Pen and brown ink, sheet: 16 x 9 1/8 in. (40.6 x 23.1 cm), Drawings, Anonymous, French, 19th century

The Penny Boat (Penny Passengers, Limehouse), 1860, Etching and drypoint; second state of two (Glasgow); printed in black ink on cream laid paper removed from an old book., Plate: 3 1/4 x 8 1/4…

Woman Transported by Three Putti, 1696–1770, Pen and brown ink, brush with pale and dark brown wash, over leadpoint or black chalk, 8-3/4 x 8-11/16 in. (22.2 x 22 cm), Drawings, Giovanni…

Design for a ceiling with painted decoration, 1830–97, graphite, watercolor, and gold paint on wove paper; mounted on wove paper, Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),…

Le Petit Predicateur, 18th century, Ething and engraving; second state of two (Portalis), sheet: 11 15/16 x 13 3/8 in. (30.4 x 34 cm), Prints, Nicolas de Launay (French, Paris, 1739–1792),…

The Pilgrims, ca. 1508, Engraving, sheet: 5 15/16 x 4 11/16 in. (15.1 x 11.9 cm) cut to picture line, except lower right, where picture line is slightly cut., Prints, Lucas van Leyden…

Studies of Soldiers and Cart Horses, 1830–75, Graphite, brown wash, 10 x 12 1/8 in. (25.5 x 31.0 cm), Drawings, Isidore Pils (French, Paris 1813/15–1875 Douarnenez)

Unidentified, furniture support with winged lion motif, elevation, early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 4 1/2 x 4 9/16 in. (11.4 x 11.6 cm)

A guardian angel walking with a child, ca. 1640, Etching, Sheet: 7 9/16 in. × 5 in. (19.2 × 12.7 cm), Prints, Simone Cantarini (Italian, Pesaro 1612–1648 Verona)

Six designs set in medallions, second half 19th century, Graphite and brown wash, Overall: 9 11/16 x 14 15/16 in. (24.6 x 37.9 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),…

Palazzo Farnese, section (recto) blank (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 17 1/2 x 21 7/8 in. (44.5 x 55.5 cm), Drawings

Jupiter and Juno being received in the heavens by Ganymede and Hebe, from the 'Division of the Universe', 1531–76, Engraving, sheet: 8 1/16 x 10 7/16 in. (20.5 x 26.5 cm), Prints, Giulio…

Polish Groom Bathing Horses, ca. 1662, Etching; artist's proof, Sheet (trimmed to plate): 2 7/8 × 4 15/16 in. (7.3 × 12.6 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence)

Rome and the Tiber Paying Homage to a Pope (Clement XI ?), 1625–1713, Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on beige paper, 9 3/16 x 6 5/16in. (23.4…

Design for the Collège de France, Paris: Elevation of the Wings of the Court with a Transverse Section through Main Front, ca. 1772, Pen and black ink, brush and gray, blue, pink and brown wash…

Persée et Andromede, 1644, Etching, state i, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence), Designed by Jean Desmarets de Saint-Sorlin (French, 1595–1676)

La Rétameuse, 1858, Etching; second state of two (Glasgow); black ink on gray chine on off-white wove paper (chine collé), plate: 4 3/8 x 3 1/2 in. (11.1 x 8.9 cm), Prints, James McNeill…

Portrait Study: Miss Rosalind Birnie Philip, 1896, printed 1903, Transfer lithograph,rawn on white transfer paper with a grained-stone texture; only state (Chicago); printed in black ink on cream…

Partial design for a ceiling decorated with a trompe l'oeil balustrade, 1830–97, graphite and pen and ink on wove paper; inlaid in blue wove paper, Overall: 10 3/8 x 14 13/16 in. (26.3 x 37.6…

The Music Room, 1859, Etching and drypoint; first state of four (Glasgow); black ink on medium weight cream laid paper, Plate: 5 11/16 x 8 3/8 in. (14.4 x 21.3 cm), Prints, James McNeill…

A Ruler's Palace, 19th century, Pen and ink, 5 3/8 x 7 in. (13.7 x 17.8 cm), Drawings, Joseph Lemercier (French, 1803–1887)

Rest on the flight into Egypt, Mary holding the infant Christ while St. Joseph hands him a fruit, ca. 1639, Etching, Sheet: 12 5/16 × 7 13/16 in. (31.3 × 19.9 cm), Prints, Simone Cantarini…

Christ Appearing to His Mother, from The Small Passion, ca. 1510, Woodcut, sheet: 5 x 3 3/4 in. (12.7 x 9.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, sheet: 10 1/4 x 4 5/8 in. (26 x 11.7 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

The Garden, 1891, Transfer lithograph, drawn on medium-grained transfer paper; only state (Chicago); printed in black ink on ivory laid paper, Image: 6 11/16 × 7 5/16 in. (17 × 18.5 cm),…

The Sculptor, 1642, Etching, Sheet (trimmed): 9 13/16 × 12 1/2 in. (25 × 31.7 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Study of a Figure, 1837–1911, Graphite, touched with white on gray-green paper, 14 1/4 x 8 in. (36.2 x 20.3 cm), Drawings, Alphonse Legros (French, Dijon 1837–1911 Watford, Hertfordshire)

Title Page for Porticus Religiosa, n.d., Engraving with etching, sheet: 17 1/16 x 12 1/16 in. (43.3 x 30.6 cm), Prints, Attributed to Nicolas Pitau (French, Paris before 1670–1724), After Laurent…

Fanfan, 1778, Etching, third state of three, sheet: 10 1/8 x 7 3/8 in. (25.7 x 18.8 cm), Prints, Jean Honoré Fragonard (French, Grasse 1732–1806 Paris)

Grotto under a Terrace, 1817, Pen and dark brown ink over graphite. Traces of squaring in graphite., sheet: 10 1/4 x 16 7/8 in. (26 x 42.9 cm), Drawings, Jean-Baptiste-Cicéron Lesueur…

The Death of Matamore, 1850–1914, Etching; fourth and final state, sheet: 12 1/2 x 19 11/16 in. (31.7 x 50 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres)

Design for a Small Stepstool with Front Casters (verso: sketch demonstrating folding mechanism), early 19th century, Pen and ink, sheet: 4 15/16 x 5 3/4 in. (12.5 x 14.6 cm), Anonymous, British,…

La Robe Rouge, 1894, Transfer lithograph, drawn on thin, transparent transfer paper; first state of two (Chicago); printed in black ink on medium weight laid cream laid paper, Image: 7 3/8 × 6…

Le Pate d'Anguilles, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, 1795, Etching; first state of three…

Le Joueur de Violon (The Violin Player), from Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques (Various Hunchbacked Figures, The Hunchbacks, The Pygmes,…

Plate 2: a peasant woman herds two cows across a stream, walking towards the left, from 'Diversi capricci', ca. 1644–47, Etching; third state of four (De Vesme), Sheet: 3 5/16 × 3 15/16 in. (8.4…

Design for a Stage Set at the Opéra, Paris, 1828–90, Graphite, sheet: 9 5/8 x 16 3/4 in. (24.5 x 42.6 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

The Adoration of the Shepherds, Etching and engraving, sheet: 14 3/16 x 17 1/2 in. (36 x 44.5 cm) trimmed R. and L., Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice)

Plate 36 from 'The Disasters of War' (Los Desastres de La Guerra): 'Not [in this case] either' (Tampoco), 1810 (published 1863), Etching, burnished aquatint, drypoint, burin and burnisher, Plate:…

Virgin and Child, 1750–99, Black and red chalk, stumping throughout, 15 3/16 x 9 7/16in. (38.6 x 23.9cm), Drawings, Giuseppe Cades (Italian, Rome 1750–1799 Rome)

Sketch of a Palace's Interior's Foreshortening with Stairs, Statues and Ornaments, 1762–1844, Pen and black ink, brush and grey wash over traces of black chalk, 7 -15/16 x 11- 7/16 in. (20.2 x…

Old Man Shading His Eyes with His Hand, ca. 1639, Etching and drypoint, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Wooded Landscape with Herdsmen Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle, 1797, Soft-ground etching, hand-colored; third state of three, plate: 12 7/8 x 15 1/2 in. (32.7 x…

Plate 28 from 'Los Caprichos': Hush (Chiton.), 1799, Etching, aquatint and burin, Plate: 8 3/8 in. × 6 in. (21.3 × 15.2 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish,…

Antique Subject, 17th century, Pen and brown ink, brush and brown and gray wash. Framing lines in pen and brown ink, graphite., 6 9/16 x 3 7/8 in. (16.7 x 9.9 cm), Drawings, Anonymous, French,…

recto: Drawing after Antique Armor; verso: Drawing of an Architectural Fragment, 19th century, Pen and brown ink on wove paper, sheet: 4 1/8 x 3 1/4 in. (10.4 x 8.2 cm), Drawings, Anonymous,…

Saint Benedict exorcising a demon, ca. 1637–1639, Etching, Sheet (Trimmed): 15 11/16 × 10 5/8 in. (39.8 × 27 cm), Prints, Etched by Simone Cantarini (Italian, Pesaro 1612–1648 Verona),…

Caricature of a Printseller, Pen and black ink, brush and gray and colored wash over traces of black chalk, 6 5/8 x 3 15/16 in. (16.8 x 10 cm.), Drawings, Jean Charles Delafosse (French, Paris…

Deign for a ceiling a a trompe l'oeil sky, second half 19th century, Graphite, pen and black ink, gouache, and watercolor, Overall: 19 3/4 x 13 1/2 in. (50.1 x 34.3 cm), Drawings,…

A Martyr Saint Reading, 1734–1802, Pen and brown ink, brush and wash, 10 1/8 x 7 1/4in. (25.7 x 18.4cm), Drawings, Gaetano Gandolfi (Italian, San Matteo della Decima 1734–1802 Bologna)

Head of Christ, 1810–50, Graphite, 8 1/8 x 10 3/8 in. (20.7 x 26.3 cm), Drawings, Andre-Jacques-Victor Orsel (French, Oullins 1795–1850 Paris)

Self-Portrait, Leaning on a Stone Wall, 1639, Etching, sheet: 6 5/16 x 6 5/16 in. (16 x 16 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Male Nude with Left Arm Upraised, and a Further Study of His Head, 1607–56, Red chalk, 10 1/2 x 6 5/8in. (26.7 x 16.9cm), Drawings, Aniello Falcone (Italian, Naples 1607–1656 Naples)

Ceiling and Cove Designs for Stairway, Hôtel Rothschild, Vienna, 1850–1910, Graphite, pen and gray ink, brush and gray wash, on tissue paper mounted on cardboard, 12 5/8 x 20 3/4 in. (32.1 x…

Pentecost, from The Small Passion, ca. 1510, Woodcut, sheet: 5 x 4 3/4 in. (12.7 x 12.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Ornamental family tree with man planting a tree and garden beyond, 18th century, Pen and gray, black and brown ink, black chalk, brush and gray wash., sheet: 5 7/16 x 3 5/16 in. (13.8 x 8.4…

Design for a Jewel Coffer on a Writing Stand, 1770–75, Pen and black ink, brush and gray and colored wash, with graphite underdrawing, 14 1/8 x 9 3/8 in. (35.9 x 23.8 cm), Anonymous, French,…

Plate 45 from 'Los Caprichos: There is Plenty to Suck (Mucho hay que chupar.), 1799, Etching and burnished aquatint, Plate: 8 1/16 x 5 7/8 in. (20.4 x 14.9 cm), Prints, Goya (Francisco de Goya…

Design for Wall Decoration with Two Female Figures, 16th century, Pen and brown ink, brush and brown wash, over black chalk, 8 11/16 x 16 5/16 in. (22.1 x 41.4 cm), Drawings, Il Pomarancio…

Margot Wearing a Bonnet (No. 2), 1923, Drypoint; second state of two, restrike, plate: 2 11/16 x 2 5/16 in. (6.9 x 5.9 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926…

The Great Exhibition 'Wot is to Be', Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done,…

Two Standing Male Figures, 1540–96, Pen and brown ink over black chalk underdrawing. On beige paper, 9 3/16 x 6in. (23.3 x 15.2cm), Drawings, attributed to Jacopo Zucchi (Italian, Florence…

Design for Green Curtains with Green Fringes and a Gold Pediment, early 19th century, Ink, watercolor and wash, sheet: 7 1/2 x 12 5/16 in. (19 x 31.2 cm), Anonymous, British, 19th century

Plate 64 from 'The Disasters of War' (Los Desastres de la Guerra): 'Cartloads to the cemetary''(Carretadas al cementerio.), 1811–12 (published 1863), Etching, aquatint, drypoint, burin and…

Smell, ca. 1638, Etching, Sheet: 10 5/16 × 12 15/16 in. (26.2 × 32.8 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Chine, 1644, Etching, state iii, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence), Designed by Jean Desmarets de Saint-Sorlin (French, 1595–1676)

Cover: The Voyage to New Zealand (1842 - 46), 1866, Etching on laid paper, plate: 9 x 6 3/8 in. (15.2 x 23.8 cm), Prints, Charles Meryon (French, 1821–1868)

Allegory of Forgetfulness, ca. 1570, Pen and brown ink, brush and pale gray wash, over traces of black chalk, on beige paper, Diameter: 3-11/16 in. (9.4 cm), Drawings, Giorgio Vasari (Italian,…

St. Peter and St. John Healing a Lame Man at the Gate of the Temple, Etching and engraving, second state, sheet: 9 13/16 x 16 in. (25 x 40.6 cm) trimmed to platemark, Prints, Battista Franco…