Design for a Reredos or Frame and Setting for an Altar Painting, 1552–1626, Sheet: 15 3/16 x 8 3/4 in. (38.5 x 22.2 cm), Drawings, Pomarancio (Cristoforo Roncalli) (Italian, Pomarance ca.…

Design for Three Chairs with Red, Green and Blue Seats, early 19th century, Ink, watercolor and wash, sheet: 8 11/16 x 12 1/4 in. (22 x 31.1 cm), Anonymous, British, 19th century

Virgin and Child on the Crescent with a Diadem, 1514, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.7 × 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Palazzo Alberini-Cicciaporci, half elevation (recto) blank (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 16 9/16 x 11 7/16 in. (42 x 29 cm), Drawings

Model Draping, probably 1889, Transfer lithograph, drawn on coarse-grained transfer paper, with additions in graphite; only state (Chicago); printed in black ink on ivory laid paper, Image: 7 11/16…

The Great Exhibition 'Wot is to Be', Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done,…

Old Houses in the 'Five Points', 1870 (from Scenes of Old New York), 1871, Etching, plate: 6 1/4 x 5 in. (15.8 x 12.7 cm), Prints, Henry Farrer (American, London 1844–1903 New York)

Christ Crucified Between Two Thieves; oval plate, ca. 1641, Etching and drypoint; first state of two, sheet: 2 3/16 x 1 9/16 in. (5.5 x 4 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch,…

An Old Woman Burning Papers, mid-18th–early 19th century, Pen and brown ink, brown wash, over black chalk or graphite, sheet: 4 7/16 x 8 11/16 in. (11.2 x 22.1 cm), Drawings, Nicolai Abraham…

Melencolia I, 1514, Engraving; second state, sheet: 9 9/16 x 7 7/16 in. (24.3 x 18.9 cm) trimmed to plate line, Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), The winged figure…

The Kitchen, [1858] republished 1885, Etching; third state of three (Glasgow); black ink on fine ivory laid paper, Plate: 8 15/16 × 6 3/16 in. (22.7 × 15.7 cm), Prints, James McNeill…

Portrait of Meryon, 1853, Etching on laid paper; first state, sheet: 12 x 8 3/4 in. (30.5 x 22.2 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres), Portraiture was a common means…

Lodge the Pilgrims, 1635, Etching with engraving; first state of two, Sheet (trimmed): 10 3/16 × 12 5/16 in. (25.9 × 31.3 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

The Country Dance (Small Plate), ca. 1637, Etching; fourth state of seven (Mannocci), sheet: 5 1/8 x 7 1/2 in. (13 x 19 cm), Prints, Claude Lorrain (Claude Gellée) (French, Chamagne…

Fall (L'Automne), from 'The Four Seasons', ca. 1641, Etching, Sheet: 3 15/16 × 2 1/4 in. (10 × 5.7 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence),…

Lamp, Late Imperial, 3rd century A.D., Roman, Terracotta, Overall: 1 1/8 x 2 3/4 in. (2.9 x 7 cm), Terracottas

Design for a vase, 19th century, Watercolor and graphite on wove paper, sheet: 14 7/16 x 10 3/8 in. (36.7 x 26.3 cm), Anonymous, French, 19th century

A Travelling Tutor and Monkey Child, 1797, Etching and aquatint, sheet: 11 3/16 x 8 1/16 in. (28.4 x 20.5 cm), Prints, George Moutard Woodward (British, ca. 1760–1809 London)

Design for a Two-sided Bookstand with Shelves (Verso: sketch), early 19th century, Ink and watercolor and wash, sheet: 9 5/16 x 11 13/16 in. (23.7 x 30 cm), Anonymous, British, 19th century

Young Woman Trying to Stop a Bull, ca. 1660, Etching, second state of two, Plate: 6 3/16 × 5 13/16 in. (15.7 × 14.8 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence)

The Galliot of Jean de Vyl of Rotterdam, 1850, Etching on chine collé; third (final) state, plate: 2 11/16 x 4 3/4 in. (6.8 x 12 cm), Prints, Charles Meryon (French, 1821–1868), After…

Furniture Designs: Wardrobe, Chair, Bureau and Washstand, n.d., Watercolor, 10 7/8 x 16 3/4 in. (27.6 x 42.5 cm), Drawings, Georges de Feure (French, Paris 1868–1943 Paris)

Plate 18: camel viewed from behind with pyramid at left, from 'Various animals' (Diversi animali), ca. 1641, Etching; second state of three (De Vesme), Plate: 3 3/8 × 4 3/16 in. (8.5 × 10.7…

The Bone of Contention or the English Bull Dog and the Corsican Monkey, June 14, 1803, Hand-colored etching, plate: 9 5/8 x 13 9/16 in. (24.5 x 34.5 cm), Prints, Charles Williams (British,…

Oratio Cassandre Venete, ca. 1489, Books

Two Tables, One Blond the Other Purple Lacquer, both with Vases and Objects, 19th century, Pen and ink and gouache, Overall: 14 1/8 x 18 3/8 in. (35.9 x 46.7 cm), Drawings, Anonymous, Chinese,…

Design for a Ewer, 1734–91, Pen and black ink and brush and gray wash., 9 9/16 x 5 9/16 in. (24.3 x 14.1 cm), Drawings, Jean Charles Delafosse (French, Paris 1734–1789 Paris)

Design for a ceiling with trophies and a trompe l'oeil coffers, 1830–97, pen and ink and wash on wove paper, Overall: 23 5/8 x 18 7/8 in. (60 x 48 cm), Drawings, Jules-Edmond-Charles…

Study for The Allegory of Spring, 1579, Pen and brown ink, over red chalk and black chalk, brush and brown wash, highlighted with white gouache, sheet: 8 11/16 x 13 3/4 in. (22 x 35 cm),…

Young Man Facing Three Quaters Right Wearing a Fur Headdress With a Plume, Jewel and a Headband, ca. 1645–50, Etching, sheet: 4 5/16 x 3 1/8 in. (11 x 8 cm) wide margins, Prints, Giovanni…

Fortitude, 1636, Etching, Sheet (trimmed): 2 15/16 × 1 7/8 in. (7.4 × 4.8 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Sketch for the Judgment of Solomon (?); verso: Dancing Mythological Figures, late 18th–early 19th century, Pen and brown ink, over a sketch in graphite; verso: black chalk., sheet: 14 5/8 x 19…

Design for a Stage Set at the Opéra, Paris, 1830–90, Watercolor over graphite, Irregular sheet: 4 5/8 x 19 in. (11.8 x 48.3 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Design for a Dining Table, with Carved Pedestal-style Leg, early 19th century, Ink, watercolor and wash, sheet: 9 1/2 x 11 7/8 in. (24.2 x 30.2 cm), Anonymous, British, 19th century

Costume Design, 1836–37, Pen and brown ink, pen and black ink, brush and brown wash, graphite, 9 1/2 x 5 7/8 in. (24.2 x 15 cm), Pierre-Numa Bassaget, called Numa (French, active 1830–54),…

Plate 17 from 'Los Caprichos': It is nicely stretched (Bien tirada está.), 1799, Etching, burnished aquatint and burin, Plate: 8 7/16 x 5 7/8 in. (21.4 x 15 cm), Prints, Goya (Francisco de Goya…

Huntress with a Horn, ca. 1733, Red chalk, traces of framing lines in pen and brown ink., 16 9/16 x 10 13/16 in. (42 x 27.5 cm), Drawings, Carle (Charles André) Vanloo (French, Nice 1705–1765…

Italian Woman, ca. 1856–57, Graphite and watercolor on laid paper, sheet: 8 1/4 x 4 1/8 in. (21 x 10.5 cm), Drawings, Attributed to Edgar Degas (French, Paris 1834–1917 Paris)

Design for Three Chairs with Blue, Green and Red Upholstery, early 19th century, Ink, watercolor and wash, sheet: 8 5/8 x 12 1/4 in. (21.9 x 31.1 cm), Anonymous, British, 19th century

A Peep into Tottenham Street or Dillitanti Performers in Training, March 9, 1802, Hand-colored etching, sheet: 9 13/16 x 13 7/8 in. (24.9 x 35.3 cm), Prints, Charles Williams (British, active…

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 14 3/16 x 15 5/16 in. (36 x 38.9 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Ornamental sketches with a Griffin and Architectural Elements, 16th century, Pen and brown ink, brush and brown wash over black chalk, 8 x 5 13/16 in. (20.3 x 14.8 cm), Anonymous, French, 16th century

Monkey Despot, from Monkey-Ana or Men, in Miniature, July 1828, Illustrations: etching, Sheet: 8 1/16 x 6 11/16 in. (20.4 x 17 cm), Prints, Thomas Landseer (British, London 1795–1880 London)

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite; squaring lines in pen and red ink, Irregular sheet: 9 5/16 x 5 1/4 in. (23.6 x 13.4 cm), Drawings, Eugène Cicéri (French,…

Feast of Diana, n.d., Etching, fifth state, sheet: 10 5/16 x 16 5/16 in. (26.2 x 41.4 cm), Prints, Claude Gillot (French, Langres 1673–1722 Paris)

Mother of the Artist, n.d., Lithograph, image: 5 7/8 x 6 9/16 in. (14.9 x 16.7 cm), Prints, Thomas Robert Way (British, London 1861–1913 London), After James McNeill Whistler (American,…

Rest on the flight into Egypt, Mary holding the infant Christ while St. Joseph points into the distance, copy after Cantarini, ca. 1637–1639 or after, Etching, Sheet (Trimmed): 6 1/4 × 7 3/4…

Design for the decoration of wall with wood panels and arched bays, second half 19th century, graphite, pen and ink, watercolor, gouache, and gold paint, sheet: 11 7/8 x 8 13/16 in. (30.2 x 22.4…

Figure Studies, 17th century, Black chalk with traces of white chalk on brownish paper, 12 5/8 x 8 1/8 in. (32.1 x 20.6 cm), Drawings, Attributed to Anonymous, French, 17th century

Four Turks and a Black Man, ca. 1662, Etching, Plate: 3 5/16 × 5 3/8 in. (8.4 × 13.7 cm), Prints, Stefano della Bella (Italian, Florence 1610–1664 Florence)

Sibylle Agrippa, ca. 1635, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 14 x 8 3/8 in. (35.5 x 21.2 cm), Prints, Gilles Rousselet (French, Paris 1614–1686…

The custody is as barbarous as the crime (Tan bárbara la seguridad como el delito), ca. 1815, Etching and burin, printed in black ink, Plate: 4 5/16 × 3 7/16 in. (11 × 8.8 cm), Prints, Goya…

Frontispiece for the Instruzione a' Cancellieri, 1635, Etching, state ii, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence)

Standing Male Figure with Left Arm Extended, 18th century, Red chalk, heightened with white, on beige paper, 15 1/4 x 10 7/16 in. (38.7 x 26.5 cm), Drawings, Charles Joseph Natoire (French,…

Rebus: Béranger was not really strong, for he never had the key to the fields, 1863, Etching; fourth state, plate: 12 x 5 7/8 in. (30.5 x 14.9 cm), Prints, Charles Meryon (French, 1821–1868)

The Vampire, 1853, Etching in brown ink on green laid paper; fifth state of ten, Plate: 6 5/8 x 5 1/16 in. (16.9 x 12.8 cm), Prints, Charles Meryon (French, 1821–1868), Meryon was plagued by…

Design for wall decoration in the house of Baron Malet in Jouy-en-Josas (Seine et Gise), 1871, Watercolor, gouache, gold paint, and pen and ink on laid paper, sheet: 14 15/16 x 10 13/16 in. (38 x…

Temperance Enjoying a Frugal Meal, July 28, 1792, Hand-colored etching, sheet: 14 3/8 x 11 13/16 in. (36.5 x 30 cm), Prints, James Gillray (British, Chelsea 1756–1815 London)

Design for a Stage Set, 1830–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Design for an Ornamental Initial: B, 1567–1638, Pen and brown ink, brown wash, over black chalk. On blue paper, 7-5/16 x 7-1/4 in. (18.5 x 18.4 cm), Drawings, Teodoro della Porta (Italian,…

The Crayfish at Longchamps, 1822, Lithograph; second state of two, Sheet: 8 7/16 x 12 1/8 in. (21.5 x 30.8 cm), Prints, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris)

The Long Gallery, Louvre, 1894, Transfer lithograph with stumping, drawn on fine-grained transfer paper; only state (Chicago); printed in black ink on ivory wove paper, Image: 8 1/2 × 6 1/4 in.…

Embroidery Pattern with Seven Wreaths and Four Corner Pieces, 1521 before, Woodcut, sheet: 8 1/4 x 10 5/8 in. (21 x 27 cm), Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), After Leonardo…

Procession (left-hand portion of border below Sacrifice of Isaac, inlaid-marble pavement, Siena Cathedral), 1520–50, Pen and brown ink, brush and brown wash, over leadpoint or black chalk, 3 3/4…

Scene at a Fair: A Magician, 18th century, Pen and brown ink, brush and brown wash, 6 7/16 x 5 1/16 in. (16.4 x 12.8 cm), Drawings, Anonymous, French, 18th century

'The Farewell', late 18th–19th century, Graphite, red chalk, sheet: 15 11/16 x 14 15/16 in. (39.9 x 38 cm), Drawings, Johannes Riepenhausen (German, Goettingen 1788–1860 Venice)

Adoration of the Shepherds, 16th century, Pen and brown ink, brush and brown wash, Diameter 2-1/2 in. (6.4 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca.…

The Bride Taken Home (La Mariée reconduite chez elle), 1633, Etching, sheet: 10 3/8 x 13 1/8 in. (26.4 x 33.4 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

The Mocking of Christ, from the Circular Passion, 1509, Engraving, Diameter: 11 1/4 in. (28.5 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Design for Wall Panelling, 19th century, Pen and black ink, brush and pink wash, 6 x 11in. (15.2 x 27.9cm), Drawings, Charles Monblond (French, 19th century)

Songs of Innocence and of Experience: The Little Black Boy, ca. 1825, Relief etching printed in orange-brown ink and hand-colored with watercolor and gold, sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1…

Design for a Railroad Station, 19th century, Graphite heightened with white on heavy wove paper, sheet: 7 3/8 x 10 3/8 in. (18.8 x 26.3 cm), Drawings, Anonymous, French, 19th century

Designs for an Etui and a Chatelaine, Pen and gray and black ink with brush and rose, violet, yellow, blue, and green wash. Two border lines in pen and black ink., 9 1/2 x 5 7/8 in. (24.1 x 14.9…

Plan and Elevation of the Capuchin Tabernacle of Luneville, 1787, Pen and black ink, brush and gray wash over graphite underdrawing., 10 5/16 x 15 5/8 in. (26.2 x 39.7 cm), Adrian La Touvenot…

River God (Tigris), sketch (recto) blank (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 10 3/8 x 15 13/16 in. (26.3 x 40.1 cm), Drawings

La Lac du Bois de Boulogne, n.d., Etching, Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres)

The Genius of Castiglione, ca. 1645–47 (published 1648), Etching, 14 x 9 5/8 in. (35.5 x 24.5 cm), Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664 Mantua),…

A Naked Truth, or Nipping Frost, February 2, 1803, Hand-colored etching, sheet: 8 5/8 x 14 3/4 in. (21.9 x 37.4 cm), Prints, After (?) Charles Williams (British, active 1797–1830)

Man seen from the Front, holding a Rope in his right Hand, 16th century, Engraving, sheet: 6 1/8 x 4 7/16 in. (15.5 x 11.3 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna,…

Caricature of a Man Holding a Tricorne, Seen from Behind, 1760 (?), Pen and black ink, gray wash, 7 3/4 x 4 13/16 in. (19.7 x 12.2 cm), Drawings, Giovanni Battista Tiepolo (Italian, Venice…

Design for wallpaper with Roman key border, rinceaux, and medallions, 1830–97, gouache on wove paper, image: 7 13/16 x 9 3/8 in. (19.8 x 23.8 cm), Drawings, Jules-Edmond-Charles Lachaise…

Two Views of a Design for a Shallow (Drinking?) Bowl wih Handles, 1652–1725, Pen and brown ink, brush and light brown wash, over traces of black chalk, sheet: 8 5/8 x 6 5/8 in. (21.9 x 16.8…

The Martyrdom of Saint John, from The Apocalypse, Latin Edition 1511, 1511, Woodcut, sheet: 17 1/4 x 11 15/16 in. (43.8 x 30.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Erythrean Sibyl, from the series of Sibyls, ca. 1530, Woodcut, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Black Lion Wharf, 1859, Etching, Plate: 5 7/8 × 8 11/16 in. (15 × 22.1 cm), Prints, James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London)

Design for Two Cups, 19th century, Pen and brown ink, watercolor. Framing lines in pen and blue ink and brush and blue wash. Design pasted onto cream mounting paper., sheet: 13 1/8 x 9 3/4 in. (33.3…

The Dance of St. Mary Magdalene (copy), n.d., sheet: 11 3/8 x 15 1/4 in. (28.9 x 38.7 cm), Prints, After Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

A Lady and Her Cook, 19th century, Graphite pencil, watercolor, and gouache on paper, 10 1/4 x 8 15/16 in. (26 x 22.7 cm), Drawings, Anonymous, French, 19th century

Bust-Length Study of a Bearded Man with Cap in Three-Quarter View, 1510–92, Pastel and charcoal on blue paper, 5 1/4 x 4 1/2in. (13.3 x 11.4cm), Drawings, Jacopo Bassano (Jacopo da Ponte)…

Drawing for a Book Illustration--Cleopatra, 18th century, Pen and black ink, brush and gray wash, red chalk, Sheet: 6 5/16 x 4 1/2 in. (16 x 11.5 cm), Drawings, Anonymous, French, 18th century

The Dirty Bride or the Marriage of Mopsus and Nisa, 1570, Engraving; first state of four, Sheet: 8 3/4 x 11 3/8 in. (22.2 x 28.9 cm), Prints, Pieter Bruegel the Elder (Netherlandish, Breda (?)…

Hearing, ca. 1638, Etching, Sheet (trimmed): 10 1/2 × 13 1/4 in. (26.7 × 33.7 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Large Ecce Homo, 1510, Engraving; first state, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Portrait of Simon von Liebenstein (?), ca. 1516, Charcoal (cut out along the contours, laid down twice), 9 x 6 7/8 (22.9 x 17.6 cm), Drawings, Hans Schwarz (German, Augsburg 1492–after 1521…

Washerwomen in a Ruined Gallery, ca. 1760, Pen and brown ink, brush and brown wash, heightened with white gouache, over a graphite underdrawing., 8 5/8 x 10 7/8 in. (22.1 x 27.6 cm), Drawings,…

Design for a Vase, Pen and black ink over graphite underdrawing, 8 3/8 x 6 3/16in. (21.3 x 15.7cm), L.N. Percenet (French, born 1736)

Head of a Woman (Konstantinowka), n.d., Black brush and ink, sheet: 18 7/16 x 15 3/16 in. (46.9 x 38.5 cm), Drawings, Alexej von Jawlensky (Russian, Torzhok 1864–1941 Wiesbaden)

Design for an Overdoor Decoration (recto); Rinceaux (verso), ca. 1670–90, Pen and brown ink, brush and brown wash, over traces of black chalk (recto); rinceaux in red chalk (verso), 11-5/16 x…

Design for the treatment of a wall with a pattern of lattices, vines, and bamboo, second half 19th century, Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet…

Allegory of Fortune, 1612–50, Pen and brown ink, brown wash, over black chalk, highlighted with white, 12 x 8 3/8in. (30.5 x 21.3cm), Drawings, attributed to Pietro Testa (Italian, Lucca…