Librifly Art Gallery 2.589.713 / 2.589.715 Entries < previous page Page 1187 / 25898 next page > Standing Woman Looking to Left Background, 1596–98, Red chalk and red wash, 9 3/4 x 6 9/16 in. (24.8 x 16.7 cm), Drawings, Francesco Vanni (Italian, Siena 1563–1610 Siena), Saint Hyacinth,… Grand Course au Clocher Académique, Pl. 2, 1844, Hand-colored lithograph, sheet: 14 1/16 x 20 1/16 in. (35.7 x 50.9 cm), Prints, J. J. Grandville (French, Nancy 1803–1847 Vanves) Saint John the Baptist and Saint John the Evangelist, 15th century, Metalcut; first state, 6-13/16 x 4-25/32 (trimmed to block line), Prints, Master with the Cologne Arms (German, late 15th century)… Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, green and red gouache, Irregular sheet: 12 7/16 x 19 1/2 in. (31.6 x 49.5 cm), Drawings, Eugène Cicéri (French, Paris… Sketching, No. 1, 1861, Etching and drypoint; fourth state of six (Glasgow); cream chine mounted on, Plate: 4 3/4 x 6 7/16 in. (12.1 x 16.4 cm), Prints, James McNeill Whistler (American,… Plate 22 from 'The Disasters of War' (Los Desastres de la Guerra): 'Even worse.' (Tanto y mas), 1810, Etching and burin, Plate: 6 5/16 × 9 15/16 in. (16 × 25.2 cm), Prints, Goya (Francisco de Goya… Study for a Horse's Head, ca. 1650, Red chalk, 8 x 6 5/8in. (20.3 x 16.8cm), Drawings, Circle of Baldassarre Franceschini (il Volterrano) (Italian, Volterra 1611–1690 Florence) (?),… Design for Ceiling, 18th century, Leadpoint or graphite; some pen and brown ink, 11 9/16 x 8 5/16 in. (29.4 x 21.1 cm), Drawings, Workshop of Leonardo Marini (Italian, Piedmontese documented… Coat of Arms of Clement XIII (Rezzonico), 1758–69, Pen and gray wash, Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720–1778 Rome) “The Second Knot”. Interlaced Roundel with an Amazon Shield in its Center, 1521 before, Woodcut, sheet: 10 3/4 x 8 3/8 in. (27.3 x 21.3 cm), Albrecht Dürer (German, Nuremberg 1471–1528… Seated Old Man with Right Arm Upraised (Tithonus) (recto); Seated Nude Youth (figure of Day) (verso), 1621, Red chalk on blue paper, 9 1/4 x 12 11/16 in. (23.5 x 32.2 cm)., Drawings, Guercino… Cupid Resting (copy), n.d., Etching and drypoint, Prints, After Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam) School Courbevoie: Factories by Moonlight, 1882–83, Conté crayon, 9 5/16 x 12 1/4 in. (23.6 x 31.2 cm), Drawings, Georges Seurat (French, Paris 1859–1891 Paris) Design for the painted decoration of a coffered ceiling with initials: VR, 1830–97, pen and ink, watercolor, and gouache on wove paper, sheet: 6 3/16 x 5 5/16 in. (15.7 x 13.5 cm), Drawings,… Witch's Sabbath (Sabbat), ca. 1890, Watercolor, gouache, and graphite on paper, image: 12 13/16 x 9 3/4 in. (32.6 x 24.8 cm), Drawings, Auguste Rodin (French, Paris 1840–1917 Meudon) Resurrection, 16th century, 13 1/4 x 9 1/4 in. (33.7 x 23.5 cm), Drawings, After Luca Cambiaso (Italian, Moneglia 1527–1585 Madrid) ?? The Fall of the Giants, 1615–73, Pen and brown ink, over charcoal, 10 1/4 x 7 11/16in. (26.1 x 19.5cm), Drawings, Salvator Rosa (Italian, Arenella (Naples) 1615–1673 Rome) You'd Be Surprised, 1928–29, published 1929, Etching; fourth state of four, plate: 12 x 4 9/16 in. (30.5 x 11.6 cm), Prints, Walter Richard Sickert (British, Munich 1860–1942 Bathampton, Somerset) C'est Unique! J'ai Pris Quatre Tailles..., from Émotions Parisiennes, published in Le Charivari, February 7, 1840, February 7, 1840, Colored lithograph; second state of two (Delteil), Sheet: 14… Red and White Orchid, April 14, 1918, Watercolor and brown ink over graphite, with detail in graphite, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings, Margaret Neilson Armstrong… Head of Woman in Profile; Apollo and Daphne, published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Engraved by Anonymous, Italian, 16th century,… Project for a Domed Building with Colonnaded Façade, 18th century, Pen and black ink, brush and gray and pink wash; scale in pieds at bottom, 12 15/16 x 16 15/16 in. (32.9 x 43 cm),… The Surgeon (copy), n.d., Prints, After Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden) Berthe Morisot, 1872, Etching and drypoint on laid paper, first state of three, plate: 4 11/16 x 3 1/8in. (11.9 x 7.9cm), Prints, Édouard Manet (French, Paris 1832–1883 Paris) Plate C from the 'Disparates': Animal Folly, ca. 1816–23 (published before 1877), Etching, burnished aquatint and drypoint, Plate: 9 5/8 × 13 3/4 in. (24.5 × 35 cm), Prints, Goya (Francisco… Kneeling Youth Facing Left, 1577–1660, Black chalk highlighted with white on blue paper, 12 1/4 x 9 7/8in. (31.1 x 25.1cm), Drawings, Giacomo Cavedone (Italian, Sassuolo 1577–1660 Bologna) Visiting the Prisoners (Visiter les prisonniers), Etching; first state of two (Join-Lambert and Préaud), sheet: 10 1/2 x 13 1/8 in. (26.6 x 33.3 cm), Prints, Abraham Bosse (French, Tours… Seated Figure of Mercury, 1503–40, Black chalk, 12 x 8 1/8in. (30.5 x 20.6cm), Drawings, Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore), The… Heads of Two Saints, 1495–1510, Metalpoint, reworked with brush and brown wash, highlighted with white gouache, on beige prepared paper, 7 5/16 x 5 3/4 in. (20.1 x 14.4 cm), Drawings, After… Behemoth and Leviathan, from Illustrations of the Book of Job, 1825–26, Engraving, plate: 8 1/2 x 6 5/8 in. (21.6 x 16.8 cm), Prints, William Blake (British, London 1757–1827 London) Plate 1: a monument with statues and a coat of arms in the center, a draughstman on the ground beneath a tree to right, two groups of lovers to left in the background, from 'Various… Aeneas and Anchises, 1611–74, Brush and grey ink, heightened with white bodycolor. Framing line in brush and grey ink with white bodycolor, sheet: 8 1/4 x 11 13/16 in. (21 x 30 cm),… Design for a Stage Set, 1830–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau) Design for Female Figures for the Trevi Fountain, 18th century, Graphite, pen and brown ink, 4 15/16 x 9 3/8 in. (12.5 x 23.8 cm), Drawings, Anonymous, French, 18th century The printer Valère Maxime being presented to King Louis XI, after an earlier miniature, 1860, Etching and drypoint, printed on laid paper; fourth state of seven (Schneiderman), plate: 6 3/4 x 7… Apollo Seated on Clouds, Two Figures at Left, 1696–1770, Pen and brown ink, brush with pale and dark brown wash, over black chalk, 8-9/16 x 8-13/16 in. (21.8 x 22.4 cm), Drawings, Giovanni… Thames Warehouses, 1859, Etching and drypoint; fifth state of five (Glasgow); black ink on extremely fine laid Japan paper, Plate: 2 15/16 × 7 15/16 in. (7.4 × 20.2 cm), Prints, James… Design for a ceiling, second half 19th century, Graphite, gouache, and watercolor, sheet: 6 13/16 x 7 11/16 in. (17.3 x 19.6 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),… Reclining Female Figure on a Chariot drawn by Two Centaurs, published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Engraved by Anonymous, Italian,… Death on horseback holding a trumpet, from 'The five deaths' (Les cinq Morts), ca. 1648, Etching with engraving; second state of three, Sheet: 6 13/16 x 5 13/16 in. (17.3 x 14.7 cm), Prints, Etched… Allegorical Composition with Figures of Painting and Fame, 1663–1716, Pen and brown ink, brush and brown wash, highlighted with white, over charcoal, on blue paper (recto); slight… Design for a Stage Set at the Opéra, Paris, 1825–90, Brush and brown wash, over graphite, Irregular sheet: 10 9/16 x 14 1/8 in. (26.8 x 35.8 cm), Drawings, Eugène Cicéri (French, Paris… Illustration from 'L'Ariane' by Desmarets de Saint-Sorlin; Palamede on Horseback Confronts His Enemies while Searching for Epicharis, 1639, Etching, Sheet (trimmed): 7 9/16 × 5 13/16 in. (19.2… The Three Trees, 1643, Etching with drypoint and engraving, plate: 8 3/8 x 10 15/16 in. (21.3 x 27.8 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam), The Three… The Baptism of Christ in the River Jordan, ca. 1510, Engraving; first state, sheet: 5 5/8 x 7 1/4 in. (14.4 x 18.3 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden) Christ Crucified between the Two Thieves: The Three Crosses, ca. 1660, Drypoint, Sheet: 15 1/16 x 17 1/2 in. (38.2 x 44.4 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669… Crouching Tiger, n.d., Pen and black ink, black chalk, on wax paper, 19 5/16 x 14 9/16 in. (49.1 x 37 cm), Drawings, Evert Louis van Muyden (Swiss, Albano Laziale 1853–1922 Orsay) Design for Four Vases, ca. 1770–85, Pen and brown ink, black chalk, and watercolor, 14 7/8 x 9 3/16 in. (37.8 x 23.3 cm), Drawings, Anonymous, French, 18th century Design for an arched stained glass window, showing two alternative patterns, 1869, graphite, pen and ink, wash, and watercolor on wove paper, Overall: 15 x 10 1/2 in. (38.1 x 26.7 cm),… Design for Three Vases, ca. 1770–85, Pen and black ink, and black chalk, 14 13/16 x 9 3/16 in. (37.7 x 23.3 cm), Drawings, Anonymous, French, 18th century Chariot of Apollo, 1700–1734, Pen and brown ink and wash over traces of graphite, sheet: 6 7/16 x 9 1/2 in. (16.4 x 24.1 cm), Drawings, Attributed to Sir James Thornhill (British, Woolland,… Job accepting Charity, from Illustrations of the Book of Job, 1825–26, Engraving, plate: 8 1/2 x 6 5/8 in. (21.6 x 16.8 cm), Prints, William Blake (British, London 1757–1827 London) The Four Seasons, mid to late 17th century, Etching and engraving, Sheet (Roundel): 11 3/4 × 11 13/16 in. (29.8 × 30 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris) Design for a Mirrored Sideboard with Rococo Ornament, and Casket, early 19th century, Ink and watercolor, sheet: 9 1/2 x 11 13/16 in. (24.2 x 30 cm), Anonymous, British, 19th century Design for Curtains with Pink, Green and White Floral Fabric and Pink and Green Fringes, ca. 1820, Ink, watercolor and wash, sheet: 8 9/16 x 12 5/16 in. (21.8 x 31.2 cm), Anonymous, British,… Purple Pinguicula, March, 1911, Watercolor and brown ink over graphite, with details in brown ink, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings, Margaret Neilson Armstrong (American,… Margot Wearing a Bonnet (No. 5), 1923, Drypoint; second state, restrike, plate: 6 15/16 x 5 9/16 in. (17.7 x 14.2 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le… Design for a Chandelier, 19th century, Pen and brown ink, sheet: 13 3/4 x 10 1/2 in. (35 x 26.7 cm), Drawings, Anonymous, French, 19th century Designs for Silver, Pen and black ink, brush and black and gray wash, with framing lines in pen and black ink., 7 15/16 x 12 7/8 in. (20.2 x 32.7 cm), Drawings, Jean Guillaume Moitte (French,… Christ Carrying the Cross, from the Circular Passion, 1509, Engraving, Diameter: 11 1/4 in. (28.6 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden) Mythological Scene, from the Legend of Cupid and Psyche, early 19th–mid 19th century, Graphite, on tracing paper, 16 3/8 x 23 7/8 in. (41.6 x 60.6 cm), Drawings, Bonaventura Genelli (German,… The Second Oriental Head (reverse copy), 18th century, Etching, Prints, John Smith (British, Chichester ca. 1717–1764 Chichester), After Rembrandt (Rembrandt van Rijn) (Dutch, Leiden… The Departure of the Prodigal Son, 1862–63, Point of brush and brown ink, brush and brown wash, over graphite (recto); graphite (verso), 6 x 12 5/16 in. (15.2 x 32.9 cm), Drawings, James… Le Faucon, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, published in 1795, Etching and engraving; third state… The Farm Yard, April 29, 1786, Hand-colored etching, plate: 11 1/2 x 15 3/8 in. (29.2 x 39 cm), Prints, Attributed to Henry Kingsbury (British, active ca. 1775–98) Three Men in a Landscape near Sculptures, 18th century, Pen and brown ink, sheet: 12 5/16 x 7 15/16 in. (31.3 x 20.1 cm), Drawings, Martin Johann Schmidt (Austrian, Grafenwörth 1718–1801 Stein) Saint Ambrose, ca. 1492, Woodcut, sheet: 11 1/4 x 6 5/8 in. (28.6 x 16.8 cm), Prints, Possibly Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg) Oval design for a ceiling painted with putti in clouds, second half 19th century, Oil on canvas, Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French,… Architectural Perspective for a Stage Set with a Bridge, Statues and a Fountain in the Background and Human Figures in the Foreground, 1660–1710, Pen and brown ink over traces of leadpoint, 10… Design for a Stage Set, 1828–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau) Little Draped Figure, Leaning, 1893, Transfer lithograph, drawn on fine-grained transfer paper; only state (Chicago); printed in black ink on cream laid Japamese vellum, image: 7 1/16 x 5 3/4… Plate 54 from 'Los Caprichos': The shamefaced one (El Vergonzoso.), 1799, Etching and aquatint, Plate: 8 7/16 x 5 7/8 in. (21.4 x 14.9 cm), Prints, Goya (Francisco de Goya y Lucientes)… Mars and Cupid (recto); Female Standing Figure with a Helmet and a Shield (Bellona?) (verso), 1501–63, Pen and brown ink, brush and brown wash (recto and verso); possible traces of black… Design for a Stage Set, 1830–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau) Plate 35 from 'Los Caprichos': She fleeces him (Le descañona.), 1799, Etching and burnished aquatint, Plate: 8 7/16 in. × 6 in. (21.4 × 15.2 cm), Prints, Goya (Francisco de Goya y… Rustic Scene – A Woman Washing Clothes in a Stream, 18th century, Gouache, 5 3/4 x 4 5/8 in. (14.6 x 11.7 cm), Drawings, Anonymous, French, 18th century Standing Warrior, n.d., Pen and brown ink, brush and gray and brown wash, 12 1/8 x 9 7/8 in. (30.8 x 20.5 cm), Drawings, Bartolomeo Pinelli (Italian, Rome 1781–1835 Rome) A Stag Beetle, Watercolor heightened with white on vellum, sheet: 6 3/4 x 4 1/2 in. (17.2 x 11.5 cm), Drawings, Pierre Joseph Redouté (French, 1759–1840) Lace Design, 19th century, Pen and ink with wash, sheet: 2 13/16 x 10 3/8 in. (7.1 x 26.3 cm), Drawings, Anonymous, French, 19th century Saint Michael, n.d., Woodcut, sheet: 24 x 1 5/8 in. (61 x 4.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg) Longshore Men, 1859, Etching and drypoint; second state of four (Glasgow); black ink on medium weight dark ivory laid paper, Plate: 5 15/16 x 8 7/8 in. (15.1 x 22.5 cm), Prints, James McNeill… Four Figures Studies, One of a Standing Archer, 1624–63, Pen and brown ink. Framing lines in pen and brown ink on mount, 4-5/8 x 3-5/16 in. (11.7 x 8.4 cm), Drawings, attributed to Francesco… Mercury and Argus, ca. 1630–1648, Etching, Sheet (Trimmed): 10 1/8 × 11 13/16 in. (25.7 × 30 cm), Prints, Simone Cantarini (Italian, Pesaro 1612–1648 Verona) Faith (Fides), from the series The Seven Virtues, 1530, Engraving; first state, sheet: 6 5/8 x 4 5/16 in. (16.8 x 11 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden) Songs of Innocence and of Experience: The School Boy, ca. 1825, Relief etching printed in orange-brown ink and hand-colored with watercolor and gold, sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1… Pietà with Angels in front of the Cross, 1546, Engraving, 14 3/16 x 8 1/8 in. (36 x 20.6 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), After Michelangelo… Study for the Pietà, 1604, Charcoal, highlighted with white gouache, squared in charcoal, on blue paper, 9 5/16 x 5 7/8in. (23.6 x 15cm), Drawings, Giulio Cesare Procaccini (Italian, Bologna… Plate 25 from 'Los Caprichos': Yes, he broke the pot (Si quebró el cantaro.), 1797–98, published 1799, Etching and aquatint, before drypoint, image: 7 1/16 x 5 1/4 in. (17.9 x 13.3 cm),… The Mystic Marriage of Saint Catherine, 1612–48, Red chalk, 4 11/16 x 4 1/4 in. (11.9 x 10.8 cm), Drawings, Simone Cantarini (Italian, Pesaro 1612–1648 Verona) The Barefooted Child, ca. 1896–97, Drypoint and aquatint, printed in color from three plates; fifth state of five, plate: 9 5/8 x 12 9/16 in. (24.4 x 31.9 cm), Prints, Mary Cassatt… Illustration for a Book: Attacks on the Walls of a City, 1696–1770, Black chalk. Horizontal and vertical centering lines ruled in faint black chalk, 3 x 6-1/16 in. (7.6 x 15.4 cm), Drawings,… Drapery Study for a Bishop (lower register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858), 19th century, Red and white chalk, traces of black chalk, on… Winged Female Figure, River God, and a Nude Boy, 1696–1770, Pen and brown ink, brush and pale and dark brown wash, over black chalk, 8-9/16 x 8-9/16 in. (21.8 x 21.7 cm), Drawings, Giovanni… The Flagellation, from The Small Passion, ca. 1509, Woodcut, sheet: 5 x 3 13/16 in. (12.7 x 9.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg) Preparatory Drawing of a Ceiling for Etching after Boucher Drawing, mid-18th century, Red chalk, 9 3/8 x 11 3/16 in. (23.8 x 28.4 cm), Drawings, Jean Charles François (French, Nancy… Saint Philip Benizi Converting Two Wicked Women at the City of Todi, 1608–9, Brush and gray wash, highlighted with white gouache, on brownish paper, 9-15/16 x 13-9/16 in. (25.3 x 34.5 cm),… Group of Five Allegorical Figures, 1624–63, Pen and brown ink. Framing lines in pen and brown ink, 6 x 5-1/4 in. (15.3 x 13.3 cm), Drawings, attributed to Francesco Allegrini (Italian, Cantiano… The Shipwreck, ca. 1638–41, Etching, fifth state of five (Mannocci), sheet: 5 1/8 x 7 5/16 in. (13 x 18.5 cm), Prints, Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome) A slave holds a camel by the bridle, from 'Several heads in the Persian style' (Plusieurs têtes coiffées à la persienne), 1649, Etching; second state of two, Plate: 4 × 2 15/16 in. (10.1 ×… Two Boys with a Helmet and Standard, 1527, Engraving, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden) 2.589.713 / 2.589.715 Entries < previous page Page 1187 / 25898 next page >