L'Homme au Ventre Tombant et au Chapeau Très Élevé (The Man with a Drooping Belly and a Very Tall Hat), from Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains…

Head of a Bearded Man Looking to Upper Right, 1634–89, Black chalk on blue paper, 6 7/8 x 6 1/4in. (17.5 x 15.8cm), Drawings, Ciro Ferri (Italian, Rome 1634?–1689 Rome)

Design for Ceiling Decoration in the Hôtel de Pless, Berlin, second half 19th century, Watercolor, gouache, and gold paint, sheet: 8 1/2 x 9 7/8 in. (21.6 x 25.1 cm), Drawings,…

Head of a Woman Looking to Upper Left., 1590–1600, Charcoal, highlighted with white chalk, on blue paper faded light- brown, sheet: 16 15/16 x 14 1/16 in. (43 x 35.7 cm), Drawings, Attributed…

Sudarium Held by Two Angels, 1513, Engraving, Sheet: 4 in. × 5 1/2 in. (10.1 × 14 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

View of the Rhone river near Saint-Genis-Laval, south of Lyons, after 1667, Pen and brown ink, brown wash, on brown paper; framing line in pen and brown ink, possibly by the artist, sheet: 4 5/16 x…

Female Actor in Ballet Costume, n.d., Pen and black ink over chalk, 17 1/4 x 11 7/8 in. (43.8 x 30.2 cm), Drawings, After (?) Jean Berain (French, Saint-Mihiel 1640–1711 Paris), Drawing with…

Disparates (Los Proverbios), ca. 1816–23 (published 1864), Etching and burnished aquatint, Plate: 9 5/8 × 13 15/16 in. (24.4 × 35.4 cm), Prints, Goya (Francisco de Goya y Lucientes)…

The Terrace, Luxembourg, 1894, Transfer lithograph with stumping, drawn on fine-grained transfer paper; only state (Chicago); printed in black ink on fine cream laid paper, Image: 3 15/16 × 8 1/2…

Idealized Head Looking Right, Copied after the Antique, 1800, Red chalk, sheet: 17 7/16 x 11 9/16 in. (44.3 x 29.4 cm), Drawings, Johann Evangelist Kastner (Austrian, Weiher 1776–1827 Vienna)

Plate 33 from 'The Disasters of War' (Los Desastres de La Guerra): 'What more can be done?' (Qué hai que hacer mas?), 1810 (published 1863), Etching, lavis, drypoint, burin and burnisher, Plate:…

Nine designs for the painted decoration of an interior, possibly for the Hôtel Rothschild, Vienna, second half 19th century, graphite and pen and ink on various papers glued to cardboard, mount:…

Portrait of Jacques Callot, ca. 1636, Etching with engraving; third state of three, Sheet: 10 1/4 x 6 in. (26 x 15.3 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Spiraea, June 30, 1912, Watercolor and brown ink over graphite, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings, Margaret Neilson Armstrong (American, New York 1867–1944 New York)

Adam and Eve, from the Small Passion, copy, n.d., Woodcut, Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), Johann Mommard

Design for Three Small Elevated Armchairs, early 19th century, Ink, watercolor and wash, sheet: 8 11/16 x 12 1/4 in. (22 x 31.1 cm), Anonymous, British, 19th century

Design for a Stage Set at the Opéra, Paris, 1828–90, Graphite, brush and brown wash, and gouache, sheet: 2 x 3 3/16 in. (5.1 x 8.1 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890…

Arch of Constantine and Colosseum with sheep grazing in foreground, from 'Six large views, four of Rome, and two of the Roman countryside' (Six grandes vues, dont quatre de Rome et deux de la…

The Great Exhibition 'Wot is to Be', Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done,…

The Angel Departing from the Family of Tobias, 1641, Etching and drypoint, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

David Playing the Harp Before Saul, ca. 1508, Engraving; third state, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

The Martyrdom of St. Thomas Becket, Archbishop of Canterbury, ca. 1748, Pen and black ink, brush and black and gray wash, heightened with white, over traces of black chalk, on gray-green paper, 13…

Partial design for the decoration of a ceiling with scrollwork and a border of ribbons and berries, 1830–97, graphite, watercolor, and gold paint on laid paper; mounted on wove paper, Overall: 8…

Elevation for a Wall Tomb, Pen and black ink with brush and gray and blue wash over graphite underdrawing, 9 1/16 x 7 13/16 in. (23 x 19.9 cm.), Drawings, Attributed to Jean Michel Moreau the…

Vulcan seated hammering on an anvil flanked by Venus and three cupids, ca. 1515–27, Engraving, Sheet (Trimmed): 4 1/4 × 6 7/8 in. (10.8 × 17.4 cm), Prints, Marco Dente (Italian, Ravenna, active…

The Seine, seen from Passy, 1850–1914, Etching; only state, sheet: 12 1/4 x 17 in. (31.1 x 43.2 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres)

Bird, Perhaps an Egret, Seen in Profile with One Wing Lifted, 1685–1755, Brush with yellow, gray, black, and brown wash over graphite, sheet: 7 3/16 x 5 5/16 in. (18.3 x 13.5 cm), Drawings,…

Plate 15 from 'Los Caprichos': A pretty piece of advice (Bellos consejos), 1799, Etching, burnished aquatint and burin, Plate: 8 7/16 × 5 15/16 in. (21.5 × 15.1 cm), Prints, Goya (Francisco de…

Mushrooms (The Small Plate), ca. 1922, Etching; first state of three, plate: 8 15/16 x 6 15/16 in. (22.7 x 17.6 cm), Prints, Walter Richard Sickert (British, Munich 1860–1942 Bathampton, Somerset)

Studies for a Costume, 1494–1540, Pen and brown ink, brush and brown wash, 12 7/8 x 8 1/4in. (32.7 x 21cm), Drawings, circle of Rosso Fiorentino (Italian, Florence 1494–1540…

Polish horseman with a bow and arrow, seen from behind with his horse facing right, a circular composition, from 'Figures on Horseback' (Cavaliers nègres, polonais et hongrois), ca. 1651,…

Designs for the painted decoration of ceiling timbers monogrammed 'PB', second half 19th century, pen and ink, watercolor, and gold paint on wove paper, sheet: 10 7/8 x 8 7/8 in. (27.7 x 22.6…

The Tapestry at Michelfeld, n.d., Woodcut, sheet: 5 1/4 x 12 in. (13.3 x 30.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Three Marys at the Tomb, etching, image: 17 3/8 x 11 9/16 in. (44.2 x 29.3 cm), trimmed to image, Prints, Jacques Bellange (French, Bassigny (?) ca. 1575–1616 Nancy)

Plate 17: a man wearing a plumed hat in center facing right, a woman walking towards the left in the background, from 'Diversi capricci', ca. 1644–47, Etching; third state of four (De Vesme),…

A winged putto, second half 19th century, graphite and watercolor on wove paper; mounted on wove paper, Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet…

Baptism of Christ, 15th century, engraving, sheet: 6 1/4 x 6 1/4 in. (15.9 x 15.9 cm), Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach)

“The Sixth Knot”. Interlaced Roundel with Seven Wreaths, 1521 before, Woodcut, sheet: 10 3/4 x 8 5/16 in. (27.3 x 21.1 cm), Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), After…

Scheveningen, Wind-chairs and Shadows, 1887, Etching, only state, plate: 3 3/16 x 4 3/4 in. (8.1 x 12.1 cm) (trimmed to plate line), Prints, Walter Richard Sickert (British, Munich 1860–1942…

The So-Called Stables of Maecenas at Tivoli, n.d., Black chalk, 17 15/16 x 12 5/8 in. (45.6 x 32 cm), Drawings, Louis Chaix (French, Marseilles 1740–1811 Paris)

A dwarf (Un enano), 1778, Etching printed in black ink, Plate: 8 3/16 × 5 7/8 in. (20.8 × 14.9 cm), Prints, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux),…

The Fashions of 1830: A Further Degree of Perfection (Encore un dégré de perfection: Modes de 1830), 1829, Lithograph, hand-colored, sheet: 11 x 8 1/2 in. (27.9 x 21.6 cm), Prints,…

The Babylon Harlot seated on the Seven-Headed Beast, from the Apocalypse, n.d., Engraving, plate: 11 7/8 x 8 11/16 in. (30.1 x 22 cm), Prints, Jean Duvet (French, ca. 1485–after 1561)

Study for a Raising of Lazarus (recto); half length study of bearded nude male figure, and a man and woman with donkey (verso), 1615–73, Red chalk highlighted with white chalk, 10-7/8 x 8-3/8…

Ascension of a Bishop Saint, 1634–1705, Black chalk, 14 1/2 x 10 1/8in. (36.9 x 25.7cm), Drawings, Luca Giordano (Italian, Naples 1634–1705 Naples)

Portrait of Meyer-Heine, ca. 1872, Etching; first state of three, sheet: 14 1/2 x 11 in. (36.8 x 27.9 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres)

Design for a Desk with Classical Ornament, early 19th century, Ink and wash, sheet: 8 9/16 x 12 1/4 in. (21.8 x 31.1 cm), Anonymous, British, 19th century

Standing Female Figure, ca. 1739–40, Etching, sheet: 4 1/2 x 2 15/16 in. (11.5 x 7.4 cm), Prints, Pierre Ignace Parrocel (French, 1702–1775)

Knight, Death and the Devil, 1513, Engraving, sheet: 9 1/2 x 7 3/8 in. (24.2 x 18.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Willibald Pirckheimer, 1524, Engraving, Sheet: 7 5/16 × 4 11/16 in. (18.6 × 11.9 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Design for a seal for 'Commerce': Den Koop Handel, 18th century (?), Pen and brown ink, 7 3/16 x 8 7/8 in. (18.2 x 22.6 cm), Drawings, Anonymous, Dutch, 18th century

Plate 14 from 'Los Caprichos': What a sacrifice! (Que sacrificio!), 1799, Etching, drypoint and aquatint, Plate: 7 13/16 x 5 13/16 in. (19.8 x 14.8 cm), Prints, Goya (Francisco de Goya y…

Sheet of Figure Studies, Probably after the Antique (recto); Ornamental Designs (verso), 1501–56, Pen and brown ink, brush and brown wash (recto); pen and brown ink (verso), 11-3/8 x 7-7/16…

Mad-seller, in Malabar Cast, from Indian Trades and Castes, ca. 1840, Watercolor and gouache, sheet: 14 3/8 x 10 3/8 in. (36.5 x 26.4 cm), Drawings, Anonymous, Indian, 19th century

Study of the Henri II Staircase Ceiling at the Louvre Palace, Late 18th century, Pen and black ink, brush and gray wash. Framing lines in pen and black ink., 12 1/4 x 5 3/8 in. (31.1 x 13.7…

Saint Mark writing his gospel, winged lion at the right, 1531–76, Engraving, sheet: 7 1/16 x 11 9/16 in. (18 x 29.4 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna,…

Design for a Stage Set, 1830–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Ponte del Piovan, 1879–80, Etching and drypoint; fifth state of six (Glasgow); printed in brownish-black ink on very fine ivory laid paper, Plate: 9 × 6 in. (22.9 × 15.3 cm), Prints, James…

Man with Crayfish and Urn of Water, published ca. 1599–1622, Engraving. Third state., plate: 3 7/16 x 4 7/8 in. (8.8 x 12.4 cm), Prints, Engraved by Anonymous, Italian, 16th century, After…

Unidentified, Ionic capital, elevation (recto) blank (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 11 7/16 x 17 1/8 in. (29 x 43.5 cm)

The Four Angels Restraining the Winds, from the Apocalypse series, n.d., Woodcut, Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

The Flower Girl (La Petite Marchande de Fleurs), n.d., Watercolor on paper, 10 7/8 x 8 in. (27.6 x 20.4 cm.), Drawings, Antoine Louis François Sergent Marceau (French, Chartres 1751–1847 Nice)

Caricature, 19th century, Graphite and watercolor, sheet: 7 1/16 x 4 7/8 in. (17.9 x 12.4 cm), Drawings, Anonymous, French, 19th century

Saint Jerome in His Study, 1514, Engraving, Sheet: 10 7/8 × 8 7/8 in. (27.7 × 22.6 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Part of the Entrance of the Polish Legation (L and M), 1633, Etching, state i, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence)

Bather Drying Herself, ca. 1892, Charcoal and pastel, heightened with white chalk, on tracing paper (mounted on cardboard), Sheet: 10 3/8 x 10 3/8 in. (26.4 x 26.4cm), Drawings, Edgar Degas…

The Forge–Passage du Dragon, 1894, Transfer lithograph with stumping, drawn on thin transparent transfer paper; first state of four (Chicago); printed in black ink on medium weight ivory laid…

Design for Dining Room Ceiling, Hôtel de Behague, 1870, Gouache, 6 7/16 x 10 9/16 in. (16.3 x 26.8 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet…

Design for an Adam-style Mantel, with a Marble Surround and Iron Firebox, late 18th–early 19th century, Graphite, grey and pink wash, sheet: 12 3/8 x 13 5/16 in. (31.4 x 33.8 cm), Anonymous,…

Design for an Urn (recto); Sketches (verso), ca. 1775–90, Pen and brown ink (recto); red chalk (verso), 10 1/16 x 5 11/16 in. (25.6 x 14.4 cm), Anonymous, French, 18th century

La Jeunesse indifférente, Engraving, sheet: 9 5/16 x 10 7/8 in. (23.7 x 27.6 cm), Prints, Pierre Dupin (ca. 1690–1751), After Laurent de La Hyre (French, Paris 1606–1656 Paris)

Drawing for a Memorial Tablet: Two Winged Children Holding an Empty Oval in a Frame with Gryphons, n.d., Pen and brown ink and wash, Drawings, Follower of Federico Zuccaro (Zuccari) (Italian,…

Cymon and Iphigenia, May 2, 1796, Hand-colored etching, sheet: 9 3/4 x 10 9/16 in. (24.8 x 26.8 cm), Prints, James Gillray (British, Chelsea 1756–1815 London)

Plate 21 from ' Los Caprichos': How they pluck her! (¡Qual la descañonan!), 1799, Etching and burnished aquatint, Plate: 8 7/16 x 5 3/4 in. (21.4 x 14.6 cm), Prints, Goya (Francisco de Goya…

The Doctor, 1894, Transfer lithograph, drawn on thin, transparent transfer paper; only state (Chicago); printed in black ink on medium weight off-white, smooth, glossy, Image: 7 9/16 × 6 1/16…

Composition Study with Figures Distributing Bread, 19th century, Pen and blue ink, over graphite, on tracing paper. Lined., 14 7/8 x 8 3/16 in. (37.8 x 20.8 cm), Drawings, Henri Lehmann (French,…

Saint Simon, 1523, Engraving, Sheet: 4 5/8 × 2 15/16 in. (11.7 × 7.5 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Design for a Carpet, 19th century, Pen and black ink, gouache, sheet: 10 9/16 x 10 9/16 in. (26.8 x 26.8 cm), Drawings, Anonymous, French, 19th century

Romanesque Style Font and Plan, mid-19th century, Graphite, ink and wash on pale blue paper, Anonymous, British, 19th century

Frontispiece for Le Véritable Plan et Pourtrait de la Maison de la Ste. Vierge, 1649, Etching; second state, Sheet: 9 5/8 × 9 1/2 in. (24.5 × 24.1 cm), Prints, Stefano della Bella (Italian,…

Hortulana, from Hortulanae series, 1611, Etching and engraving with drypoint, Sheet (trimmed): 12 1/2 × 6 15/16 in. (31.7 × 17.6 cm), Prints, Jacques Bellange (French, Bassigny (?) ca.…

Foothills Larkspur, Delphinium scaposum, May 13, 1912, Watercolor and brown ink over graphite, with page design indicated in graphite, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings,…

Head of an old Man facing Left, Etching, sheet: 7 3/16 x 5 11/16 in. (18.2 x 14.5 cm), Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664 Mantua)

Design for one section of a ceiling painted with trees and lattices, second half 19th century, Graphite, pen and black ink, and watercolor, sheet: 10 11/16 x 8 9/16 in. (27.2 x 21.7 cm),…

James Ryan, Center Fielder, Chicago, from World's Champions, Second Series (N43) for Allen & Ginter Cigarettes, 1888, Commercial lithograph, Sheet: 2 15/16 x 3 1/4 in. (7.4 x 8.3 cm), Trade cards…

Two Male Heads, 19th century, Conté crayon and wash. Laid paper., 8 1/8 x 11 7/8 in. (20.7 x 30.2cm), Drawings, Honoré Daumier (French, Marseilles 1808–1879 Valmondois)

Rotherhithe (Wapping), 1860, Etching and drypoint; third state of three (Glasgow); printed in black ink on fine ivory laid Japan, Image: 10 7/8 x 7 7/8 in. (27.6 x 20 cm), Prints, James…

Fortune standing on a globe and emptying a purse of coins, ca. 1635–1636, Etching, Sheet (Trimmed): 9 1/8 × 5 1/2 in. (23.1 × 13.9 cm), Prints, Simone Cantarini (Italian, Pesaro 1612–1648…

Design for the decorative border around a ceiling, 1830–97, graphite and watercolor on tracing paper; mounted on wove paper, Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),…

Town in an Alpine Valley, n.d., Pen and brown ink, brush and brown, blue-gray and reddish washes, heightened with white and blue gouache over graphite, 12 3/16 x 16 15/16 in. (30.9 x 43.1 cm),…

Cartouche with Title: Nouvelles inventions de Cartouches, 17th century, Etching; copy, Sheet: 4 3/4 × 3 9/16 in. (12.1 × 9.1 cm), Prints, Anonymous, 17th century, After Stefano della Bella…

Fumette, 1858, Etching; fifth state of five (Glasgow); printed in black ink on tan chine on off-white wove paper (chine collé), Plate: 6 7/16 x 4 1/4 in. (16.3 x 10.8 cm), Prints, James…

Design for a Stage Set, 1830–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Virgin and Child with Saint Anne and John the Baptist, ca. 1550, Pen and brown ink, brush and brown wash, over black chalk, highlighted with white and light pink gouache, 8-1/2 x 7-1/4 in. (21.6…

The Apse of Notre-Dame, Paris, 1854, Etching, Prints, Charles Meryon (French, 1821–1868)

The Adoration of the Shepherds, before 1764, Etching and aquatint, printed in brown ink; only state, image: 10 15/16 x 16 5/16 in. (27.8 x 41.4 cm), Prints, Francesco Bartolozzi (Italian,…

Swan and Iris (Sketch after Cecil Lawson's 'Swan and Iris'), [1883], Etching; third state of six (Glasgow); printed in brownish-black ink on medium weight ivory laid paper, Plate: 5 9/16 × 3 5/16…

Healing the Infirm (Jésus-Christ guérit plusieurs malades en Galilée), Etching, sheet: 8 7/8 x 6 5/16 in. (22.6 x 16.1 cm), Prints, Claude Vignon (French, Tours 1593–1670 Paris)

Disparates (Los Proverbios), ca. 1816–23, Etching, aquatint, lavis, drypoint, burin and burnishing, Plate: 9 1/2 × 13 13/16 in. (24.2 × 35.1 cm), Prints, Goya (Francisco de Goya y…

Portrait of Mme Sévigné, 17th century, Black chalk and colored chalks, 12 1/4 x 10 in. (29.2 x 25.4 cm), Drawings, After Claude Lefèbvre (French, Fontainebleau 1632–1675 Paris)