Elevation for a Palace Façade, 1770, Pen and black ink, gray, ochre, green and red wash over graphite, 8 3/4 x 16 7/8 in. (22.3 x 42.8 cm), Degana

Songs of Innocence and of Experience: Infant Sorrow, ca. 1825, Relief etching printed in orange-brown ink and hand-colored with watercolor and gold, sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1…

Saint Michael and Saint Giovanni Gualberto (after Andrea del Sarto's Vallombrosa Altarpiece), 1540/41–1609, Black and red chalk, 7-7/8 x 4-1/8 in. (20 x 10.5 cm), Drawings, After Federico…

Combat on a bridge, a horseman and two footsoldiers battle with swords at bottom right, one footsoldier on the ground to left of the horseman, various soldiers with swords on the bridge in the…

A Greenhorn, December 1, 1790, Etching and aquatint, sheet: 12 13/16 x 8 11/16 in. (32.5 x 22 cm), Prints, George Moutard Woodward (British, ca. 1760–1809 London)

Design for a Stage Set, 1830–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Design for Three Chairs Upholstered in Green and Yellow, early 19th century, Ink, watercolor and wash, sheet: 10 5/8 x 14 5/8 in. (27 x 37.2 cm), Anonymous, British, 19th century

Title page to 'The Loves of the Gods', 1531–60, Engraving, sheet: 6 1/8 x 4 3/8 in. (15.5 x 11.1 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576)

Gentleman Seen from the Back Pointing towards a Chateau, 1629, Etching; reverse copy, Sheet (trimmed): 5 1/2 × 3 3/4 in. (14 × 9.5 cm), Prints, Anonymous, French, 17th century, After Abraham…

Head of a Man with a Turban, Etching, Prints, Giovanni Benedetto Castiglione (Il Grechetto) (Italian, Genoa 1609–1664 Mantua)

Drawing of an Interior: Salon, 1857, Pen and blue ink, watercolor, sheet: 8 9/16 x 11 9/16 in. (21.7 x 29.3 cm), Drawings, Anonymous, French, 19th century

View of Munich with Marienkirche on right, late 18th–early 19th century, watercolor, sheet: 7 1/2 x 6 in. (19.1 x 15.2 cm), Drawings, Franz Kobell (German, Mannheim 1749–1822 Munich)

Design for a Mirrored, Marble-topped Cabinet and Two Sofas, early 19th century, Ink and watercolor and wash, sheet: 12 3/16 x 17 1/8 in. (31 x 43.5 cm), Anonymous, British, 19th century

The Glorification of the Virgin, from The Life of the Virgin, ca. 1502, Woodcut, sheet: 11 3/4 x 8 3/8 in. (29.9 x 21.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Hercules driving off the cattle of Geryon, at the right are the nymphs of Hesperides, 1531–76, Engraving and etching, sheet: 11 5/8 x 17 3/8 in. (29.5 x 44.2 cm), Prints, Giulio Bonasone…

Plate 24 from 'The Disasters of War' (Los Desastres de la Guerra):' They can still be of use' (Aun podrán servir), 1810 (published 1863), Etching and burnisher, Plate: 6 5/16 × 10 1/16 in. (16…

Design for a paneled ceiling with a trompe l'oeil dome in London, 19th century, graphite, watercolor, and gold paint, Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),…

Study for 'Night', ca. 1912, Graphite and lithographic crayon on cream wove paper, 8 1/4 x 7 in. (21 x 17.8 cm), Drawings, Aristide Maillol (French, Banyuls-sur-Mer 1861–1944 Perpignan)

One half a Tiled Fireplace Surround, 19th century, Ink and watercolor on tracing paper, sheet: 14 3/8 x 12 in. (36.5 x 30.5 cm), Anonymous, British, 19th century

Design for Three Consoles Decorated with Foliage and Volutes and a Console with a Satyr Head Surmounted by Three Human Figures, Garland and Foliage, 1609–60, Pen and brown ink over some traces…

Design for a Cartouche with a Variant, 1732–1802, Pen and black ink, 7 x 8-5/8 in. (17.8 x 21.9 cm), Carlo Bianconi (Italian, Bologna 1732–1802 Milan)

A Doge of Venice with a Cardinal, a Councillor and Servants Bearing the Train, 1600–1650, Pen and brown ink, brush and brown wash, 2-1/2 x 5-3/16 in. (6.4 x 13.2 cm), Drawings, Bernardino…

Design for a Mirrored Cabinet and Two Chairs, early 19th century, Ink, watercolor and wash, sheet: 9 1/16 x 11 15/16 in. (23 x 30.3 cm), Anonymous, British, 19th century

Seated Goddess Diana (recto); Studies of a Nude Male Torso Seen from the Rear, and a leg (verso), ca. 1522, Red chalk, 5 3/4 x 3 7/16in. (14.6 x 8.7cm), Drawings, Parmigianino (Girolamo…

Christ on the Mount of Olives (copy in roundel), 15th century, Engraving, Prints, After Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach)

Dance on the Village Square, ca. 1633, Etching, Sheet: 10 3/8 × 13 3/8 in. (26.3 × 34 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Study for a Library (front elevation), 1838, Watercolor, ink and graphite on paper, sheet: 25 9/16 x 17 3/4 in. (64.9 x 45.1 cm), Drawings, Alexander Jackson Davis (American, New York 1803–1892…

Nude Man Seated before a Curtain, 1646, Etching; first state of two, plate: 6 7/16 x 3 3/4 in. (16.3 x 9.6 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Weary, 1863, Drypoint; fourth state of six (Glasgow); printed in black ink on tan Japan, Plate: 8 3/16 x 5 1/4 in. (20.8 x 13.3 cm), Prints, James McNeill Whistler (American, Lowell,…

The Nativity (copy), n.d., Engraving, Sheet: 7 5/16 × 4 15/16 in. (18.5 × 12.5 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Design for a Helmet with a Dragon Presented in Frontal View, 1652–1725, Pen and brown ink, brush and light brown wash, over traces of black chalk, sheet: 7 1/16 x 4 in. (17.9 x 10.1 cm),…

Same Old Coon (Henry Clay), from The Comic Natural History of the Human Race, 1851, Color lithography with watercolor and gum, sheet: 10 11/16 x 7 1/16 in. (27.2 x 17.9 cm), Prints, Henry…

Fabric Design with Diamond Pattern, ca. 1918–25, Gouache and stencil over graphite, 9 7/16 x 7 7/16 in. (24 x 18.9 cm), Drawings, Attributed to Paul Poiret (French, Paris 1879–1944 Paris)

A faun standing in a niche holding aloft a bunch of grapes with his right hand and fruit with his left hand, a dog lower right, ca. 1515–27, Engraving, Sheet (Trimmed): 8 3/8 × 4 1/8 in. (21.2…

Ilustration from Sebastian Brandt, Das Narrenschriff, n.d., Woodcut, Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

A King Fisher on the Banks of the Thames, 1827, Aquatint, sheet: 11 3/16 x 8 9/16 in. (28.4 x 21.8 cm), Prints, Monogrammist JVS (British, active 1827)

Factory Smoke, 1877–79, Monotype printed in black ink on laid paper, sheet: 5 13/16 x 6 13/16 in. (14.7 x 17.3 cm), Prints, Edgar Degas (French, Paris 1834–1917 Paris)

Design for a Stage Set: A Dungeon with High Vaults and a Staircase at Right., 1743–84, Pen and brown ink, brush and brown and gray wash over traces of graphite, sheet: 7 7/8 x 12 1/2 in. (20 x…

Design for White Curtains with White Fringes and a Gold and White Pediment, early 19th century, Ink, watercolor and wash, sheet: 8 9/16 x 15 3/16 in. (21.8 x 38.5 cm), Anonymous, British, 19th century

On the Balcony, ca. 1889, Soft-ground etching; first state of three, plate: 10 15/16 x 8 1/2 in. (27.8 x 21.6 cm), Prints, Mary Cassatt (American, Pittsburgh, Pennsylvania 1844–1926 Le…

Unidentified, plan (recto) blank (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 4 1/8 x 5 1/2 in. (10.5 x 14 cm)

Christ and the Woman of Samaria: an Arched Print, 1658, Etching and drypoint, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Eros and Anteros with Psyche Looking at Them, late 18th–19th century, Watercolor, over a sketch in black chalk, sheet: 13 1/4 x 12 1/16 in. (33.6 x 30.6 cm), Drawings, Johannes Riepenhausen…

Design for a Bucket-Like Vessel with a Handle of Non-Figural Interlaces, on a Body Adorned with a River God and Two Putti., 1540–50, Pen and brown ink, partly reworked with pen and darker brown…

Design for a Chandelier with Acanthus Leaf, Grape, and Palmette Motifs, 19th century, Pen and brown ink, sheet: 15 13/16 x 10 7/8 in. (40.1 x 27.6 cm), Drawings, Anonymous, French, 19th century

Plate 19: a Polish nobleman in court dress, standing in center, seen from behind, another nobleman to right in background, from 'Diversi capricci', ca. 1644–47, Etching; third state of four…

The Flight into Egypt: a Night Piece, 1651, Etching with plate tone; first state, Plate: 5 × 4 5/16 in. (12.7 × 11 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Design for ceiling decoration in a house on the Boulevard Haussmann, second half 19th century, Pen and ink, watercolor on wove paper, sheet: 7 15/16 x 9 1/4 in. (20.2 x 23.5 cm), Drawings,…

Designs for Scissors, Punches, and Thimbles, 19th century, Pen and brown ink with gray and yellow wash, sheet: 7 9/16 x 8 3/4 in. (19.2 x 22.2 cm), Drawings, Anonymous, French, 19th century

The Betrothal of the Virgin, from The Life of the Virgin, ca. 1503, Woodcut, sheet: 11 5/8 x 8 1/8 in. (29.5 x 20.7 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Christ Appearing to Saint Mary Magdalen ('Noli Me Tangere')., ca. 1560, Brush and brown wash, highlighted with white gouache, over traces of black chalk, on faded pale brown-blue paper, sheet: 12…

Dead Duck, 1685–1755, Watercolor, sheet: 9 3/8 x 4 7/16 in. (23.8 x 11.3 cm), Drawings, Count Giorgio Durante (Duranti) (Italian, Palazzolo (?) 1685–1755 Palazzolo)

Persian Sibyl, from the series of Sibyls, ca. 1530, Woodcut, Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Kneeling Draped Male Figure, Facing Left, March 25, 1959, Graphite and estompe, 9 x 11 7/16 in. (22.8 x 29 cm), Drawings, Henri Lehmann (French, Kiel 1814–1882 Paris)

Milliner Bird (Minnie Doyle), from The Comic Natural History of the Human Race, 1851, Color lithography with watercolor and gum, sheet: 11 x 7 3/16 in. (28 x 18.3 cm), Prints, Henry Louis…

Assassination of Julius Caesar, 1771–1844, Pen and brown ink with brush and gray wash over graphite, 7 9/16 x 10 9/16in. (19.2 x 26.9cm), Drawings, Vincenzo Camuccini (Italian, Rome 1771–1844…

Le Beveur vu de Face (The Drinker Viewed from the Front), from Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques (Various Hunchbacked Figures, The Hunchbacks,…

Plate 75 from 'The Disasters of War' (Los Desastres de la Guerra): 'Charlatan's Show' (Farándula de charlatanes.), after 1814–15 (published 1863), Etching, aquatint or lavis, drypoint and…

The Little Café au Bois, 1894, Transfer lithograph, drawn on fine-grained transfer paper; only state (Chicago), Image: 8 1/4 × 6 1/8 in. (21 × 15.6 cm), Prints, James McNeill Whistler…

Standing Youth Seen from Behind Holding a Bowl (Ganymede?), ca. 1635–45, Red chalk, Sheet: 10 1/2 x 7 1/2 in. (26.7 x 19.1 cm)., Drawings, Guercino (Giovanni Francesco Barbieri) (Italian,…

Rugged Wooded River Landscape with Travellers on a Road and a Town Beyond, early 17th century, Pen and brown ink; framing line in pen and brown ink, sheet: 4 1/16 x 4 7/8 in. (10.3 x 12.4 cm),…

Grands Magasins de la Place Clichy, Exposition Annuelle de Blanc, 19th century, Wood engraving, Overall: 10 1/4 x 7 3/16 x 1/8 in. (26 x 18.2 x 0.3 cm), Books, Georges Redon (French, 1869–1943)

The Head of Saint John the Baptist Brought to Herod, n.d., Woodcut, sheet: 7 5/8 x 5 1/8 in. (19.4 x 13 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Plate 21: horse, from 'Various animals' (Diversi animali), 1641, Etching; second state of three (De Vesme), Plate: 3 7/16 × 4 7/16 in. (8.7 × 11.2 cm), Prints, Stefano della Bella (Italian,…

Design for wallpaper featuring blue shields surmouted by crowns, 1830–97, graphite and gouache on wove paper, Overall: 12 3/8 x 9 7/16 in. (31.4 x 24 cm), Drawings, Jules-Edmond-Charles…

Cardinal Mazarin, ministre d'Anne d'Autriche et de Louis XIV, Etching, image: 11 9/16 x 9 1/4 in. (29.3 x 23.5 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Philippe de…

Songs of Innocence and of Experience: The Divine Image, ca. 1825, Relief etching printed in orange-brown ink and hand-colored with watercolor and gold, sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1…

Plate 73 from 'The Disasters of War' (Los Desastres de la Guerra): 'Feline pantomime' (Gatesca pantomima.), after 1814–15 (published 1863), Etching, burin and burnisher, Plate: 6 7/8 × 8 3/8…

Saturn in the guise of a horse being suckled by the nymph Philyra, ca 1513–76, Engraving, sheet: 12 5/8 x 16 15/16 in. (32.1 x 43 cm), Prints, Giulio Bonasone (Italian, active Rome and…

Partial design for a decorative panel painted in rinceaux, 19th century, graphite and gouache on wove paper; inlaid in blue wove paper, Drawings, Jules-Edmond-Charles Lachaise (French, died…

Design for the painted decoration of a coffered ceiling incorporating the initial: H, 1830–97, gouache and oil paint on laid paper, sheet: 8 3/4 x 6 1/8 in. (22.2 x 15.5 cm), Drawings,…

Two Galleys Sailing Behind an Armed Three-Master with Phaeton and Jupiter in the Sky, from the series of Ships, 1561–65, Engraving; first state of two, sheet: 10 1/4 x 13 1/2 in. (26.1 x 34.3…

A lion, dragon and fox fighting each other, an inscribed banderole above, an oval composition, ca. 1515–27, Engraving, Sheet (Trimmed to image): 4 3/16 × 6 1/4 in. (10.7 × 15.9 cm), Prints,…

Mercury and Argus, ca0–1648, Etching, Sheet (Trimmed): 10 3/16 × 11 15/16 in. (25.8 × 30.3 cm), Prints, Simone Cantarini (Italian, Pesaro 1612–1648 Verona)

The Circumcision, from The Life of the Virgin, n.d., Woodcut, sheet: 11 5/8 x 8 1/4 in. (29.5 x 21 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Les Nouvellistes, 1752, Etching, early state, sheet: 4 1/4 x 6 in. (10.8 x 15.2 cm), Prints, Gabriel de Saint-Aubin (French, Paris 1724–1780 Paris)

Saint Cecilia standing in the centre accompanied by Saint Paul, the Magdalene, Saint John the Evangelist, and Saint Augustine, 1531, Engraving, Sheet: 12 11/16 × 7 1/2 in. (32.2 × 19 cm),…

Saint Anthony Reading, 1519, Engraving, Sheet: 3 3/4 × 5 9/16 in. (9.5 × 14.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Procession of Six Horsemen in Profile View Facing Left., 1610–64, Pen and brown ink over traces of graphite; traces of framing outlines in pen and brown ink, Sheet: 1 7/16 x 6 1/8 in. (3.6 x…

Half-Figure of a Nude Man Facing Right, 1640's, Pen and brown ink, brush and brown wash, 6 7/16 x 7 3/16 in. (16.4 x 18.2 cm), Drawings, Guercino (Giovanni Francesco Barbieri) (Italian, Cento…

Man in a Cloak and Fur Cap, Leaning against a Bank, ca. 1630, Etching, Sheet: 4 9/16 × 3 1/4 in. (11.6 × 8.3 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Stéphane Mallarmé, 1892, Transfer lithograph, drawn on thin, transparent transfer paper; only state (Chicago); printed in gray-black ink on ivory laid paper, Image: 3 13/16 × 2 3/4 in. (9.7 ×…

A woman in labor imploring the aid of Lucina set within a decorative cartouche, from the 'Loves, Rages and Jealousies of Juno', 1531–76, Engraving, sheet: 5 3/16 x 4 in. (13.1 x 10.2 cm),…

Abraham Sending Away Hagar, 1516, Engraving, sheet: 5 7/8 x 4 15/16 in. (14.9 x 12.6 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Design for a Stage Set: Backdrop of Tropical Landscape, 1830–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Plate 9: the Arch of Constantine to left, seen from the side, part of the Colosseum to right, various horses and figures in foreground and background, a round composition, from 'Roman landscapes…

The Entry of the Baron of Caprice to the Home of Miss Favors (Entré du Baron du Caprice chez Melle des Faveurs), second half 18th century, Etching, sheet: 13 3/4 x 9 1/16 in. (35 x 23 cm),…

Design for a Vessel, 19th century, Pen and ink on laid paper, sheet: 12 15/16 x 7 15/16 in. (32.8 x 20.2 cm), Drawings, Anonymous, French, 19th century

Walnut Seller, 1738, Etching with some engraving, Sheet: 9 1/8 × 6 5/8 in. (23.2 × 16.8 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris), After…

Le Mari Confesseur, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795, published in 1795, Etching; first state of…

Sheet of Sketches, 1753, Etching, image: 7 1/4 x 4 5/8 in. (18.4 x 11.8 cm), Prints, François Boucher (French, Paris 1703–1770 Paris), After Abraham Bloemaert (Netherlandish, Gorinchem…

Design for a Stage Set at the Opéra, Paris, 1825–90, Graphite, Irregular sheet: 11 3/16 x 12 5/16 in. (28.4 x 31.3 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Villa Giulia, Casino, elevation, early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 16 15/16 x 23 1/16 in. (43 x 58.5 cm), Drawings

Exotic Flower, 1868, Etching and aquatint on laid paper, final state (of two), 6 13/16 x 4 1/2in. (17.3 x 11.4cm), Prints, Édouard Manet (French, Paris 1832–1883 Paris), In the manner of…

Unidentified palace, plan (recto) blank (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 13 3/16 x 22 13/16 in. (33.5 x 58 cm), Drawings

Fruit-Shop, Paris (Greengrocer's Shop, Paris), [1892–93], Etching and drypoint; only state (Glasgow); printed in black ink on buff laid paper, Plate: 4 15/16 × 8 9/16 in. (12.5 × 21.7 cm),…

Imaginary Coastal Landscape with Ruins, 1500–1564, Pen and brown ink, 8 3/4 x 14 3/16in. (22.2 x 36cm), Drawings, Domenico Campagnola (Italian, Venice (?) 1500–1564 Padua) ?

Design for a ceiling, second half 19th century, Graphite, gilt, and watercolor, Overall: 10 3/8 x 14 3/4 in. (26.4 x 37.5 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),…

Wellington House (The Little Visitor), ca. 1915, Etching; only state, plate: 6 x 4 1/2 in. (15.2 x 11.4 cm), Prints, Walter Richard Sickert (British, Munich 1860–1942 Bathampton, Somerset)

The Thames, 1896, printed 1903 or 1904, Lithotint with scraping; third state of three, a posthumous impression printed by Goulding (Chicago); printed in black ink on a fine laid paper with a…