Design for a ceiling, second half 19th century, Graphite, pen and black ink, and gray wash, Overall: 10 5/8 x 14 15/16 in. (27 x 38 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died…

Ceiling Design for the 'Petit Salon' of the Duchess of Newcastle, Hôtel Hope, ca. 1867, Gouache, Sheet: 9 7/8 x 14 7/8 in. (25.1 x 37.8 cm), Drawings, Jules-Edmond-Charles Lachaise (French,…

Seated River God and Standing Female Attendant, 1696–1770, Pen and brown ink, brush with pale and dark brown wash, over black chalk, 9-3/16 x 9-3/16 in. (23.3 x 23.4 cm), Drawings, Giovanni…

Saint Gregory the Great Interceding for Souls in Purgatory, 1663–1731, Pen and brown ink, brush and brown wash, over black chalk, 12-5/16 x 8 in. (31.2 x 20.3 cm), arched top, Drawings,…

Cat and Crab (Decoration for a Plate), 1850–1914, Etching and watercolor, sheet: 12 3/8 x 19 1/8 in. (31.5 x 48.5 cm), Prints, Félix Bracquemond (French, Paris 1833–1914 Sèvres)

Kneeling Prelate Holding a Cushion, 1830–71, Red chalk, Overall: 13 3/16 x 11 1/8in. (33.5 x 28.2cm), Drawings, Alexandre Laemlein (French, Hohenfeld 1813–1871 Pontlevoy)

Elevation and transverse section of a domed and colonnaded hall, second half 19th century, graphite, watercolor, and gold paint, Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),…

Saint Eustace (reduced reverse copy in oval), n.d., Engraving, Sheet: 2 9/16 × 2 3/16 in. (6.5 × 5.5 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

St. Dominic, Engraving, sheet: 16 15/16 x 10 15/16 in. (43 x 27.8 cm), Prints, Conrad Lauwers (Flemish, Antwerp, 1632–ca. 1685), After Laurent de La Hyre (French, Paris 1606–1656 Paris)

Study for a Cartouche, Pen and black ink, with brush and gray wash. Framing lines in pen and brown ink., 5 x 4 1/4 in. (12.7 x 10.8 cm), Drawings, Gilles-Marie Oppenord (French, Paris…

Pilate Washing His Hands, from The Passion, 1512, Engraving, Sheet: 4 9/16 × 2 15/16 in. (11.6 × 7.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Resurrection, n.d., Etching, image: 7 11/16 x 4 13/16 in. (19.6 x 12.3 cm), trimmed to image, Prints, Claude Gillot (French, Langres 1673–1722 Paris), Engraved by Jacques Gabriel Huquier…

Standing Male Figure with Right Arm Extended (recto); Seated Male Figure (verso), 1540–97, Pen and brown ink (recto); seated male figure in pen and brown ink (in part cut off) (verso), 7 5/16 x…

The Descent from the Cross, from The Small Passion, ca. 1509, Woodcut, sheet: 5 x 3 7/8 in. (12.7 x 9.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

An 'Académie': One Man Lifting the Legs of Another Man, 1742–43, Etching, sheet: 11 1/8 x 15 3/16 in. (28.2 x 38.5 cm), Prints, Carle (Charles André) Vanloo (French, Nice 1705–1765 Paris)

Plate 12 from 'The Disasters of War' (Los Desastres de la Guerra):This is what you were born for (Para eso habeis nacido), 1810, Etching, drypoint, and burin, Plate: 6 5/16 × 9 5/16 in. (16.1 ×…

Villa Farnesina, Stables, half front elevation and end elevation (recto) Palazzo Salviati-Adimari, plan (verso), early to mid-16th century , Dark brown ink, black chalk, ink wash, and incised…

Battle Scene, 1511–87, Pen and brown ink, brush and brown wash, highlighted with white gouache, over traces of black chalk; squared in black chalk, 5 5/16 x 12in. (13.5 x 30.5cm), Drawings,…

Design for a Ceiling with Decoration Related to Virgil's Sixth Canto, 1758–1823, Pen and brown ink, brush and yellow, pink, blue and green wash over traces of leadpoint; vertical line in…

Design for a Jardiniere, 19th century, Graphite, watercolor, gouache, and gold gilt, sheet: 11 x 15 7/16 in. (28 x 39.2 cm), Drawings, Anonymous, French, 19th century, Designs: Louis-Charles…

Evariste Boulay-Paty, 1861, Etching on laid paper, plate: 4 1/4 x 4 1/8 in. (10.8 x 10.5 cm), Prints, Charles Meryon (French, 1821–1868), After Pierre Jean David d'Angers (French, Angers…

Bust of a Soldier in Profile, from 'Various heads and figures' (Diverses tétes et figures), 1650, Etching, Plate: 3 5/16 × 2 5/8 in. (8.4 × 6.6 cm), Prints, Stefano della Bella (Italian,…

Sanitorium des Airs, n.d., Pen and black ink, brush and colored wash, 18 3/4 x 13 1/2 in. (47.6 x 34.3 cm), Drawings, Georges Tiret-Bognet (French, born Saint-Servan, 1855)

Seated Woman in Bonnet and Shawl, ca. 1879, Aquatint, drypoint, and etching; printed from canceled plate, sheet: 12 5/8 x 9 13/16 in. (32 x 24.9 cm), Prints, Edgar Degas (French, Paris…

Holy Family with Palm, 1639, Etching; second state of two (Robert-Dumesnil), sheet: 11 1/4 x 7 1/2 in. (28.5 x 19 cm), Prints, Laurent de La Hyre (French, Paris 1606–1656 Paris)

Black Lion Wharf, 1859, Etching; fourth state of four (Glasgow), printed in black ink on fine off-white laid Japan paper, plate: 6 x 8 15/16 in. (15.2 x 22.7 cm), Prints, James McNeill…

Christ Taking Leave of His Mother (Schr. 639), 15th century, Woodcut, hand-colored, sheet: 6 3/4 x 4 13/16 in. (17.1 x 12.3 cm), Prints, Anonymous, German, 15th century

Design for a Stage Set at the Opéra, Paris, 1828–90, Brush and brown and green wash, gouache, over graphite, Irregular sheet: 12 1/2 x 21 5/16 in. (31.7 x 54.1 cm), Drawings, Eugène…

Standing Pregnant Woman (Study for the Pregnant Virgin Mary), 1556–1629, Red chalk, highlighted with white, on blue paper. Squared in black chalk, 11 x 5 9/16in. (28 x 14.1cm), Drawings,…

Ephraim Bueno, Jewish Physician, 1647, Etching, drypoint, and burin; second state of two, image: 8 3/16 x 6 15/16 in. (20.8 x 17.7 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden…

Melchior, from Three Magi series, 1595–1616, Etching, Sheet (trimmed): 11 1/8 × 6 1/4 in. (28.2 × 15.8 cm), Prints, Jacques Bellange (French, Bassigny (?) ca. 1575–1616 Nancy)

Plate 63 from 'The Disasters of War' (Los Desastres de la Guerra): 'Harvest of the dead'' (Muertos recogidos.), 1811–12 (published 1863), Etching and burnished aquatint, Plate: 5 7/8 × 8 1/16…

The Annunciation, before 1557, Etching and Engraving, sheet: 13 9/16 x 10 1/4 in. (34.5 x 26 cm) trimmed to platemark, Prints, Battista Franco (Italian, Venice ca. 1510–1561 Venice)

Domus Aurea, Volta Gialla, grotteschi, details (recto) Unidentified building, thermal window, elevation (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet:…

Design for an Urn on a Pedestal, 19th century, Pen and brown ink, sheet: 13 13/16 x 8 15/16 in. (35.1 x 22.7 cm) uneven, Drawings, Anonymous, French, 19th century

Gallery Ceiling Design, Hôtel Cottier, 1867, Graphite, pen and gray ink, brush and gray wash, watercolor, gilt, 19 1/2 x 13 5/8 in. (49.6 x 34.6 cm), Drawings, Jules-Edmond-Charles Lachaise…

Abandoned: Marshes of the Danube, before 1887, Watercolor and white gouache over graphite, 11 3/4 x 22 1/2 in. (29.8 x 57.1 cm), Drawings, Adolf Schreyer (German, Frankfurt 1828–1899 Kronberg)

The Virgin and Child Appearing to Saint Anthony of Padua and a Hermit, 1615–66, Red chalk, brush and red wash, 13 5/8 x 9 1/8in. (34.6 x 23.1cm), Drawings, Giovanni Angelo Canini (Italian,…

Design for A Sleigh in the Form of a Griffin, Drawn by a Horse., 1610–64, Pen and brown ink, brush and gray-brown wash, Sheet: 6 5/16 x 9 13/16 in. (16 x 24.9 cm), Stefano della Bella…

Ceiling Design with Grotesques, 19th century, Pen and brown ink, brush and brown wash, over graphite underdrawing, 7 15/16 x 10 15/16 in. (20.2 x 27.8 cm), Antonio Liverani (Italian, 1795–1878)

Drapery Study for a Bishop (lower register); verso: Sketch of a sleeve; (studies for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858), 19th century, Black chalk,…

Design for Five Medieval Brackets, the Central One Bearing a Clock, early 19th century, Graphite, sheet: 10 11/16 x 14 15/16 in. (27.2 x 38 cm), Anonymous, British, 19th century

Plate 21: a poor woman to left, seen from behind, enveloping her child in a shawl, another woman seen from behind to left in background, a woman atop a horse and a man to right in background,…

The Temptation of St. Anthony, 1556, Engraving, sheet: 10 5/16 x 13 3/8 in. (26.2 x 33.9 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels), Pieter van…

Design for the decoration of the fireplace in the library of the Chateau de Mouchy, second half 19th century, graphite, pen and ink, watercolor, and gold paint on wove paper; mounted on wove…

Three Allegorical Figures in a Roundel., 1510–61, Pen and brown ink, brush and brown wash (recto); black chalk lines (verso), 7 5/8 x 7 5/8 in. (19.3 x 19.3 cm) Diameter, Drawings, Battista…

Two Women in Day Dresses, 1875, Watercolor, Sheet: 11 15/16 x 9 5/16 in. (30.3 x 23.6 cm), Drawings, Jules David (French, 1808–1892)

The Martyrdom of Saint Lucy: Her Last Communion before Being Dragged by Oxen, 1556–1630, Pen and brown ink, brush and brown wash, over black chalk, 10 7/16 x 5 11/16in. (26.5 x 14.4cm),…

The Flute Player, 1642, Etching and drypoint; fourth state of four, sheet: 4 1/2 x 5 9/16 in. (11.4 x 14.2 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Cherubs, 16th century, Pen and brown ink, washed, highlighted with white, 6 1/2 x 7 1/4 in. (16.5 x 18.4 cm), Drawings, School of Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483–1520 Rome)

L'Elegant from Journal des Tailleurs, 1848, Hand-colored lithograph, sheet: 10 5/16 x 7 3/4 in. (26.2 x 19.7 cm), Prints, Anonymous, French, 19th century

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 9 9/16 x 2 7/16 in. (24.3 x 6.2 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

David, Solomon, Rehoboam, from The Twelve Kings of Israel, 1520, Woodcut, image: 12 3/4 x 19 5/16 in. (32.4 x 49.1 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Two designs for the decoration of ceilings with figures in clouds, 1830–97, graphite, watercolor, and gold paint on wove papers mounted on cardboard, Drawings, Jules-Edmond-Charles Lachaise…

Le bonne petite soeur, 1765–71, Etching, sheet: 12 13/16 x 9 3/16 in. (32.6 x 23.4 cm), Posters, Philippe Jacques de Loutherbourg (French, Strasbourg 1740–1812 London)

Rest on the Flight into Egypt, ca. 1641, Etching; second state of two, Sheet: 3 1/16 × 2 13/16 in. (7.7 × 7.2 cm), Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence)

Two Grotesque Heads, 1538–73, Engraving, sheet: 4 1/2 x 6 3/16 in. (11.5 x 15.7 cm), Prints, Hans Liefrinck (Augsburg (?) 1518?–1573 Antwerp), After Leonardo da Vinci (Italian, Vinci…

Mercury and Argus, copy in reverse after Cantarini, ca. 1630–1648 or after, Etching, Sheet: 10 1/4 × 11 13/16 in. (26.1 × 30 cm), Prints, After Simone Cantarini (Italian, Pesaro 1612–1648…

A Centaur Abducting a Nymph, 1727–1804, Pen and brown ink, brush and brown wash, over traces of graphite or lead, sheet: 7 11/16 x 9 1/8 in. (19.5 x 23.1 cm), Drawings, Giovanni Domenico…

Poet Virgil Suspended in a Basket, 1525 , Engraving; third state, sheet: 6 1/2 x 7 3/8 in. (16.5 x 18.7 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

The Knight and Man-at-Arms, n.d., Woodcut, sheet: 15 1/4 x 11 3/16 in. (38.7 x 28.4 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Kneeling Woman, 17th century, Red chalk on light brown paper, 11 7/16 x 9 9/16in. (29 x 24.3cm), Drawings, Attributed to Mattia Preti (Il Cavalier Calabrese) (Italian, Taverna 1613–1699 Valletta)

Design for Altar and Chapel, Farnborough, 1880–86, Pen and black ink, watercolor, gouache, and gilt, 13 5/8 x 9 1/4 in. (34.6 x 23.5 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died…

St. Sebastian (Schr. 2858a), 15th century, Pasteprint, sheet: 5 9/16 x 4 5/16 in. (14.1 x 10.9 cm), Prints, Anonymous, German, 15th century

Saint Eustace, ca. 1501, Engraving, Sheet: 14 1/8 × 10 1/4 in. (35.8 × 26.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

The Massacre of the Innocents (Right side) with group of male figures attacking women and children; classical buildings in the background, 1517, Woodcut, Block: 20 11/16 × 16 3/8 in. (52.6 ×…

Design for a Wall Elevation, ca. 1770–80, Pen and black ink with brush and gray, brown, green, and blue washes over graphite underdrawing., Sheet: 7 3/4 × 10 1/4 in. (19.7 × 26.1 cm), Étienne…

Hangman's House, Tours, 1888, Etching and drypoint; third state of three (Glasgow); printed in black ink on thick ivory laid paper, Plate: 5 3/16 × 3 7/8 in. (13.1 × 9.8 cm), Prints, James…

St. Swithbert, 1650, Engraving and etching, sheet: 17 5/16 x 11 7/8 in. (44 x 30.1 cm), Prints, C. Visscher

The Bath House, n.d., Woodcut, sheet: 15 1/4 x 11 1/16 in. (38.7 x 28.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

A Woman from Savoy, 1742, Etching with some engraving, Sheet: 9 3/16 x 6 5/8 in. (23.4 x 16.9 cm), Prints, Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692–1765 Paris),…

Partial design for a ceiling to be painted with a trompe l'oeil iron railing and roses, second half 19th century, graphite and watercolor on wove paper, Drawings, Jules-Edmond-Charles Lachaise…

The Antiquary's Last Will and Testament (The English Dance of Death, plate 2), April 1, 1814, Etching and aquatint with watercolor, image: 4 13/16 x 8 1/4 in. (12.2 x 21 cm), Prints, Thomas…

Plate 6: battery of cannons firing on a city, from 'Various Military Caprices' (Varii capricci militari), ca. 1641, Etching; second state of four, Sheet (trimmed to plate): 3 1/2 × 5 9/16 in. (8.9…

Virgin and Child on the Crescent with a Diadem, 1514, Engraving, Sheet: 4 5/8 in. × 3 in. (11.8 × 7.6 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Frontispice to Theatre Italien, n.d., Etching; second state, image: 7 11/16 x 8 3/4 in. (19.6 x 22.3 cm), trimmed to image, Prints, Claude Gillot (French, Langres 1673–1722 Paris), Engraved…

Figures in the Portico of Sainte-Geneviève le Panthéon, Paris, 1776–79, Pen and brown ink, brush and gray and brown wash, over black chalk, 7 1/8 x 6 in. (18.1 x 15.3 cm), Drawings, Gabriel…

Vertical Oval Vignette of a Mountainous Landscape with Two Shepherds in the Foreground., late 17th century, Pen and brown ink. Framing outlines in pen and brown ink, sheet: 9 3/8 x 7 3/16 in. (23.8…

California Poppy, Eschscholtzia Californica, 1909–14, Watercolor and brown ink over graphite, with page design indicated in graphite, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm),…

The Virgin at top center in clouds with clasped hands and right foot raised, surrounded by cherubin; below, the twelve apostles stand together gesturing upwards, 1517, Engraving, Sheet (Trimmed…

Large Grotesque Head Being Strangled by its Own Hair, 1727, Pen and brown ink, sheet: 12 7/8 x 8 1/2 in. (32.7 x 21.6 cm), Drawings, Gaetano Piccini (Italian, active Rome, 1710–30)

Plate 12: sheep and ram in a pasture, from 'Various animals' (Diversi animali), ca. 1641, Etching; third state of three, Plate: 3 1/4 × 4 5/16 in. (8.3 × 10.9 cm), Prints, Stefano della…

The Four Avenging Angels, from The Apocalypse, n.d., Woodcut, sheet: 17 3/8 x 11 15/16 in. (44.1 x 30.3 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

The Holy Family, 15th century, Engraving; first state, sheet: 7 5/16 x 6 9/16 in. (18.6 x 16.6 cm), Prints, Anonymous, German, 15th century

Monime, 1647, Engraving (figure by Rousselet) and etching (background by Bosse), sheet: 13 7/16 x 8 7/16 in. (34.1 x 21.5 cm), Prints, Gilles Rousselet (French, Paris 1614–1686 Paris), Abraham…

King Bird (Robert P. King and Alexander Baird), from The Comic Natural History of the Human Race, 1851, Color lithography with watercolor and gum, sheet: 10 5/8 x 7 in. (27 x 17.8 cm), Prints,…

Punchinello with Dumpling or Fritter, 1696–1770, Pen and brown ink, brush and brown wash, over leadpoint or black chalk, 12 x 8-7/16 in. (30.5 x 21.4 cm), Drawings, Circle of Giovanni…

The Flight into Egypt, 1700–(?), Engraving., 33.0 x 22.7 cm., Prints, Francesco Polanzani (Italian, Noale near Venice 1700–after 1783 Venice (?)), After Jacques Stella (French, Lyons…

Study, 1879, Lithograph with scraping on a prepared half-tint ground; only state (Chicago), Image: 10 1/4 × 6 1/2 in. (26 × 16.5 cm), Prints, James McNeill Whistler (American, Lowell,…

Plate 9: two horsemen at left galloping uphill towards the right, a horse and seated man to right, from 'Various landscapes' (Divers paysages), ca. 1641, Etching; second state of two, Sheet…

Groups of Men Talking, 1610–64, Pen and brown ink on paper, 2 1/16 x 4 1/8in. (5.2 x 10.5cm), Drawings, Stefano della Bella (Italian, Florence 1610–1664 Florence)

Group of Standing and Seated Female Figures (recto); Costumed Female Figure (verso), 1624–63, Red chalk (recto). Pen and brown ink sketch of a costumed female figure (verso), 4-1/8 x 5-9/16…

Design for a Pilaster with Two Candelabra Grotesques and Three Masks, ca. 1540–60, Pen and brown ink, brush and brown wash, Giuseppe Salviati (Giuseppe Porta, called Il Salviati) (Italian,…

Ceres, from 'Game of Mythology' (Jeu de la Mythologie), 1644, Etching; first state of five, Sheet: 1 13/16 × 2 3/16 in. (4.6 × 5.5 cm), Prints, Etched by Stefano della Bella (Italian,…

Drapery Study for a Cleric (lower register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858), 19th century, Black chalk, stumped, heightened with white chalk,…

Design for a Canopied Bed with Pale Blue and White Hangings, early 19th century, Ink, watercolor and wash, sheet: 8 9/16 x 12 5/16 in. (21.7 x 31.3 cm), Anonymous, British, 19th century

The Persian, 1632, Etching; New Holl.'s first state of three, Sheet: 4 5/8 × 3 1/2 in. (11.8 × 8.9 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Plate 5: a barefoot peasant on horseback crossing a river, another peasant on horseback and leading a horse on a bank to right in the background, from 'Diversi capricci', ca. 1644–47, Etching;…

Mother and Daughter (La Mère Malade), 1897, Transfer lithograph with stumping, drawn on thin, transparent transfer paper; only state (Chicago); printed in black ink on fine cream Japan paper,…

Design for a Stage Set at the Opéra, Paris, 1825–90, Graphite, heightened with white, Irregular sheet: 9 5/8 x 11 1/16 in. (24.5 x 28.1 cm), Drawings, Eugène Cicéri (French, Paris…