Plate 22: cart horse, from 'Various animals' (Diversi animali), ca. 1641, Etching; third state of three, Plate: 3 7/16 × 4 7/16 in. (8.8 × 11.2 cm), Prints, Etched by Stefano della Bella…

Design for Two Ornamented Tabletop Mirrors, early 19th century, Graphite, sheet: 8 5/8 x 12 1/4 in. (21.9 x 31.1 cm), Anonymous, British, 19th century

Studies of the Heads of Saskia and Others, 1636, Etching, sheet: 6 1/16 x 5 1/16 in. (15.4 x 12.9 cm), Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

Christ on the Cross, 1508, Engraving, Sheet: 5 1/4 × 3 7/8 in. (13.4 × 9.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Gentleman Seated at a Table, n.d., Black chalk, heightened with white, on beige paper, 17 15/16 x 11 7/16 in. (45.5 x 29 cm), Drawings, François de Troy (French, Toulouse 1645–1730 Paris)

Artist Sketching a Young Girl, n.d., Red chalk. Framing lines in pen and brown ink., 10 1/16 x 13 5/16 in. (25.5 x 33.8 cm), Drawings, Hubert Robert (French, Paris 1733–1808 Paris)

The Clock Tower, Paris (La Tour de l'Horloge), 1852, Etching with engraving on laid paper; state four of ten, plate: 10 1/4 x 7 5/16 in. (26.1 x 18.5 cm), Prints, Charles Meryon (French, 1821–1868)

Studies of Flying Putti (recto); Composition Studies (verso), 1575–1642, Pen and brown ink (recto); pen and brown ink; female figure at lower left in black chalk (verso), 6 1/8 × 8 3/8 in. (15.6…

Design for the decoration of a ceiling, second half 19th century, watercolor and gouache over graphite on wove paper, sheet: 10 9/16 x 14 15/16 in. (26.9 x 37.9 cm), Drawings,…

Knight, Death, and the Devil, 1513, Engraving, sheet: 9 9/16 x 7 3/8 in. (24.3 x 18.8 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 6 3/16 x 4 7/8 in. (15.7 x 12.4 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Dance of St. Mary Magdalene, 1519, Engraving; first state, sheet: 11 5/16 x 15 9/16 in. (28.7 x 39.5 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Study for the Muse Thalia, 19th century, Black chalk, stumping, on gray paper, Sheet: 18 5/16 x 8 5/8 in. (46.5 x 21.9cm), Drawings, Paul Baudry (French, 1828–1886)

Design for a Study Ceiling, second half 19th century, Graphite, watercolor, and gouache, 6 1/8 x 7 1/4 in. (15.6 x 18.4 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897),…

L'Homme au Gros Ventre Orné d'une Rangée de Boutons (Man with a Large Belly Decorated with a Row of Buttons), from Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les…

Dancing Girl, 1889, Transfer lithograph drawn on coarse grained transfer paper; only state (Chicago); cream India mounted on heavy ivory wove paper, 14 3/8 x 11 in. (36.5 x 27.9 cm), Prints,…

Von Ungluckes Fal, title page chapter 37 from Sebastian Brandt, Das Narrenschrift, n.d., Woodcut, sheet: 8 1/4 x 5 11/16 in. (21 x 14.5 cm), Prints, Albrecht Dürer (German, Nuremberg…

Landscape, mid-17th century, Pen and brown ink, 10 1/2 x 14 13/16 in. (26.7 x 37.6 cm), Drawings, Ercole Bazicaluva (Italian, born Pisa (?), ca. 1600, active Florence ca. 1638)

Mocking of Christ (copy), n.d., sheet: 4 1/2 x 2 7/8 in. (11.4 x 7.3 cm), Prints, After Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Abraham Dismissing Hagar, 1599–1661, Red chalk; highlighted with white lead which has turned black, Sheet: 7 3/8 x 7 1/2 in. (18.7 x 19.1 cm), Drawings, Andrea Sacchi (Italian, Rome (?) ca.…

Il Mondo Festeggiante: Entrance of Cosimo III de' Medici, 1661, Etching, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence)

Frieze with Tritons and Dolphins, Plate 13 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami), ca. 1648, Etching, Sheet: 3 3/8 × 9 5/8 in. (8.6 × 24.4 cm), Prints, Stefano…

Lamentation over the Dead Christ at the Foot of the Cross (recto); Studies for the Burial of Christ (verso), 1620–30, Pen and brown ink, on blue paper, 8 3/4 x 11in. (22.3 x 28cm), Drawings,…

The Israelites Gathering Manna, ca. 1547, Etching and engraving, second state, sheet: 15 3/16 x 23 3/4 in. (38.6 x 60.3 cm) trimmed to platemark, Prints, Battista Franco (Italian, Venice ca.…

Georges-Auguste Couthon at the National Convention in 1793, ca. 1793, Black chalk, 6 7/16 x 4 1/8 in. (16.4 x 10.5 cm.), Drawings, baron Dominique Vivant Denon (French, Givry 1747–1825 Paris)

Songs of Innocence and of Experience: Infant Joy, ca. 1825, Relief etching printed in orange-brown ink and hand-colored with watercolor and gold, sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1 cm),…

Bust portrait of Frans Floris, 1531–76, Engraving, sheet: 7 5/16 x 5 3/16 in. (18.5 x 13.2 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), Bartsch thinks that…

Veneration (Le Brun Travested, or Caricatures of the Passions), January 21, 1800, Etching, printed in brown ink, sheet: 10 15/16 x 8 7/8 in. (27.8 x 22.5 cm), Prints, After George Moutard…

Plate 29 from 'The Disasters of War' (Los Desastres de la Guerra):: 'He deserved it' (Lo merecia), 1810 ( published 1863), Etching, drypoint, burin and burnisher, Plate: 6 7/8 × 8 1/2 in. (17.4…

Domus Augustiana, cornice, profile projection (recto) Ara Grimani, base (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 8 7/16 x 13 11/16 in. (21.5 x…

The Rendezvous, 1843–1925, Watercolor, 14 1/16 x 10 1/16in. (35.7 x 25.6cm), Drawings, Attilio Simonetti (Italian, Rome 1843–1925 Rome)

Study of Figures from Michelangelo's Last Judgment, Sistine Chapel, 1540–50, Red chalk, 5 7/16 x 8 3/16 in. (13.8 x 20.8 cm), Drawings, After Michelangelo Buonarroti (Italian, Caprese…

Bain-froid Chevrier (Chevrier's cold bath establishment, or The School Baths, Paris), 1864, Etching; fourth state of five, plate: 5 1/8 x 5 5/8 in. (13 x 14.3 cm), Prints, Charles Meryon…

Hercules and Omphale, 1689–1767, Pen and brown ink, brush and brown wash, over red chalk. Squared in black chalk, 11 5/8 x 7 3/4in. (29.6 x 19.7cm), Drawings, Gaspare Diziani (Italian,…

Portrait of Johann Anton Koch, ca. 1823, Graphite, sheet: 7 7/16 x 6 1/16 in. (18.9 x 15.4 cm), Drawings, Hieronymus Hess (Swiss, Basel 1799–1850 Basel)

Ornamental drawings (recto) blank (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 10 1/4 x 4 7/8 in. (26.1 x 12.4 cm)

Boy with a Trumpet, ca. 1507, Engraving, sheet: 4 3/8 x 3 1/4 in. (11.1 x 8.3 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Illustration for a Book: Meeting Between Two Generals (?) before a Fortified Town, 1696–1770, Black chalk. Horizontal and vertical centering lines ruled in faint black chalk, 4-7/16 x 7-9/16…

The Martyrdom of Saint Lawrence, 1557–1622, Black chalk, highlighted with traces of white chalk, on blue-gray paper, 16 x 11-3/8 in. (40.6 x 28.9 cm), Drawings, Leandro Bassano (Italian, Bassano…

A European Jay, ca. 1863, Graphite, 3 13/16 x 2 11/16 in. (9.7 x 6.8 cm), Drawings, Charles Meryon (French, 1821–1868)

Au Bon Marché-Comptoir des Modes, Chapeaux de Dentelles et de Crêpe, Été 1891, 1891, Wood engraving, Overall: 9 9/16 x 6 1/8 x 1/16 in. (24.3 x 15.6 x 0.1 cm), Books

Head of a Woman with a Veil, 1782, Reddish-brown chalk, sheet: 23 1/2 x 17 5/16 in. (59.7 x 44 cm), Drawings, Jakob Matthias Schmutzer (Austrian, Vienna 1733–1811 Vienna)

Walk-through of an Influential Critic (La Promenade du Critique Influent), June 24, 1865, Lithograph; second state, Image: 9 7/16 x 8 9/16 in. (24 x 21.8 cm), Prints, Honoré Daumier (French,…

Portico Octavia, pediment and entablature, elevation; pediment, elevation (recto) Temple of Antoninus and Faustina, entablature, elevation (verso), early to mid-16th century , Dark brown ink,…

Charity, from the series The Seven Virtues, 1530, Engraving; first state, sheet: 6 5/16 x 4 5/16 in. (16 x 11 cm), Prints, Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden)

Study No. 1: Mr. Thomas Way, 1896, Transfer lithograph, drawn on white transfer paper with a grained-stone texture; only state (Chicago); printed in black ink on grayish white chine mounted on…

Justice, 1636, Etching, Sheet (trimmed): 2 15/16 × 1 7/8 in. (7.4 × 4.7 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Design for a Stage Set, 1830–90, Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

Plate 13: buffalo lying down, from 'Various animals' (Diversi animali), ca. 1641, Etching; third state of three (De Vesme), Plate: 3 3/8 × 4 3/16 in. (8.5 × 10.7 cm), Prints, Stefano della…

The Tyresmith, 1890, Transfer lithograph, drawn on medium-grained transfer paper; printed in black ink, Image: 6 11/16 × 6 7/8 in. (17 × 17.5 cm), Prints, After James McNeill Whistler…

Lunar Law, No. 2, 1866, Etching, printed on laid paper; fourth state of six, plate: 4 7/8 x 3 1/2 in. (12.4 x 8.9 cm), Prints, Charles Meryon (French, 1821–1868)

The Drunken Silenus, 1560–1609, Engraving on Silver, 9 1/4 x 9 1/8in. (23.5 x 23.2cm), Prints, After Annibale Carracci (Italian, Bologna 1560–1609 Rome)

The resurrection of Christ, holding a banner in his right hand, soldiers surrounding the tomb, some falling away, 1561, Etching and Engraving, Sheet: 11 1/4 in. × 7 in. (28.5 × 17.8 cm),…

Soldiers Marching in Water, 19th century, Pen and ink, 10 3/4 x 8 3/4 in. (27.3 x 22.2 cm), Drawings, Charles-Henri Pille (French, Essones 1844–1897 Paris)

Theodoric, 1650, Engraving and etching, state III of IV, sheet: 20 1/2 x 15 1/8 in. (52.1 x 38.4 cm), Books

Plate C: The dogs let loose on the bull., ca. 1816, Etching, burnished aquatint, drypoint and burin, Sheet: 9 5/8 x 13 3/4 in. (24.51 x 35cm), Prints, Goya (Francisco de Goya y Lucientes)…

Rest on the flight into Egypt, Mary holding the infant Christ with St. Joseph at right, copy after Cantarini, ca0 or after, Etching, Plate: 7 5/16 × 10 7/16 in. (18.5 × 26.5 cm), Prints,…

Design for Fireplace and Grate, 19th century, Ink and watercolor on linen, Anonymous, British, 19th century

Plate 7: ox, from 'Various animals' (Diversi animali), ca. 1641, Etching; second state of three (De Vesme), Plate: 3 1/4 × 4 1/8 in. (8.3 × 10.5 cm), Prints, Stefano della Bella (Italian,…

The Lamentation, from The Small Passion, ca. 1509, Woodcut, sheet: 5 1/8 x 3 7/8 in. (13 x 9.9 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Design for a Sculpture or Monument, 19th century, Graphite on laid paper, sheet: 12 13/16 x 7 7/8 in. (32.6 x 20 cm), Anonymous, French, 19th century

Design for decorative border to a ceiling with a putto carrying a basket of flowers, 1830–97, graphite and watercolor on wove paper; mounted on cardboard, Drawings, Jules-Edmond-Charles…

Life Drawing, mid-18th century, Red chalk, 16 11/16 x 11 5/16 in. (42.4 x 28.8 cm), Drawings, Attributed to Carle (Charles André) Vanloo (French, Nice 1705–1765 Paris)

Mythological Scene, 1602–30, Pen and brown ink, brush and brown wash, over black chalk, 7-3/4 x 5-3/4 in. (19.7 x 14.6 cm), Drawings, attributed to Antonio Gandini (Italian, documented…

Design for a Stage Set at the Opéra, Paris, 1825–90, Graphite, brush and brown wash, sheet: 11 x 17 15/16 in. (27.9 x 45.5 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)

The Lamp, 1890–91, Drypoint, soft-ground etching and aquatint, printed in color from three plates; fourth state of four (Mathews & Shapiro), plate: 12 11/16 x 9 15/16 in. (32.2 x 25.3 cm),…

Old Battersea Bridge, 1879, Etching and drypoint; seventh state of seven (Glasgow); printed in dark brown ink on ivory laid paper, Plate: 7 13/16 × 11 5/8 in. (19.9 × 29.5 cm), Prints, James…

Plate 11: dogs, from 'Various animals' (Diversi animali), ca. 1641, Etching; third state of three (De Vesme), Sheet (trimmed to plate): 3 3/8 × 4 1/4 in. (8.6 × 10.8 cm), Prints, Stefano della…

Pallas, from 'Game of Mythology' (Jeu de la Mythologie), 1644, Etching; first state of five, Sheet: 1 7/8 × 2 3/16 in. (4.8 × 5.6 cm), Prints, Etched by Stefano della Bella (Italian,…

Virgin and Child with a Pear, copy, n.d., Engraving, Sheet: 6 13/16 × 4 5/16 in. (17.3 × 11 cm), Prints, After Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

The Madonna on the Crescent, Frontispiece to The Life of the Virgin, ca. 1511, Woodcut, sheet: 7 7/8 x 7 1/2 in. (19.9 x 19.1 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

The Muff, February 16, 1787, Hand-colored etching, sheet: 10 9/16 x 8 1/16 in. (26.9 x 20.4 cm), Prints, Attributed to Henry Kingsbury (British, active ca. 1775–98)

The Square Tower, 1637, Etching; second state of two (Mannocci), sheet: 7 11/16 x 5 11/16 in. (19.5 x 14.4 cm), Prints, Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome)

Landscape with Figures: The Silver Age, 1624–63, Pen and brown ink, brush and brown wash. Framing lines in black chalk, and in pen and brown ink on mount, 3-7/16 x 4-5/8 in. (8.7 x 11.7 cm),…

The Traghetto, No. 2, 1879–80, Etching and drypoint; eighth state of nine (Glasgow); printed in dark brown ink on medium weight ivory laid paper, Plate: 9 3/8 × 11 15/16 in. (23.8 × 30.4…

The Raising of Lazarus: The Smaller Plate, 1642, Etching, Prints, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

The Angel in the Sun calling the Birds of Prey, from the Apocalypse, n.d., Engraving; second state of two, plate: 11 7/8 x 8 5/8 in. (30.2 x 21.9 cm), Prints, Jean Duvet (French, ca. 1485–after…

Youth, 1636, Etching; second state of two, Sheet (trimmed): 10 7/16 in. × 13 in. (26.5 × 33 cm), Prints, Abraham Bosse (French, Tours 1602/1604–1676 Paris)

Design for a Cartouche with a Religious Subject in the Central Compartment, 16th century, Pen and brown ink, brush and brown wash, over leadpoint (?), 11-3/16 x 5-1/8 in. (28.4 x 13.0 cm),…

Monk (lower register); verso: Drapery Study for a Bishop (lower register); (studies for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858), 19th century, Black chalk on…

Design for an Oval Ceiling, probably for Pless Residence, second half 19th century, Graphite and brush with brown wash; squaring in graphite on laid paper, sheet: 13 7/16 x 19 3/8 in. (34.1 x…

Perspective of a Church's Interior, 18th century, Graphite on yellowish paper, Sheet: 6 x 4 9/16 in. (15.3 x 11.6 cm), Pietro Bosio (Italian, Cremona, second half 18th century–1789 Rome)

Design for a Marble Topped Table and a Low-backed Chair and a Stool, early 19th century, Ink and watercolor, sheet: 8 15/16 x 11 15/16 in. (22.7 x 30.3 cm), Anonymous, British, 19th century

Design for a Stage Set at the Opéra, Paris: Landscape Looking Toward Rome, 1830–90, Graphite, heightened with white, sheet: 12 5/16 x 19 1/8 in. (31.3 x 48.6 cm), Drawings, Eugène Cicéri…

The Concave Petitioner: The Taste of the Day, no. 33 (Le Solliciteur Concave: Le Goût du Jour, No. 33), 1817, Etching, hand-colored, Plate: 10 11/16 x 8 1/16 in. (27.2 x 20.5 cm), Prints,…

Abraham Entertaining the Three Angels (Genesis 18:1-15) (recto); A Couple Embracing, and Other (verso), 1710–80, Pen and brown ink, over black chalk (recto and verso), 13 7/8 x 8 7/8in. (35.3…

Architectural Fantasy: Figures on a Grand Staircase, 1712–93, Pen and brown ink, brush and brown wash. Framing lines in pen and brown ink, 10 1/2 x 6 1/4in. (26.6 x 15.9cm), Drawings,…

Bust of an Old Man with Flowing Beard: the Head Inclined Three-Quarters Right, 1630, Etching; New Holl.'s first state of two, Sheet: 4 1/16 × 3 5/16 in. (10.3 × 8.4 cm), Prints, Rembrandt…

The Suicide of Portia, 1612–16, Etching with stippling and engraving, Sheet (trimmed): 9 5/8 × 7 3/8 in. (24.4 × 18.8 cm), Prints, Jacques Bellange (French, Bassigny (?) ca. 1575–1616 Nancy)

Asie, 1644, Etching, state iii, Prints, Etched by Stefano della Bella (Italian, Florence 1610–1664 Florence), Designed by Jean Desmarets de Saint-Sorlin (French, 1595–1676)

Grotesque with a vase, birds and acanthus scrolls, ca. 1515–1600, Engraving, Sheet: 8 11/16 × 5 3/16 in. (22 × 13.2 cm), Prints, Anonymous, Italian, 16th to early 17th century, After Marco…

Ecce Homo, 15th century, Engraving, Prints, Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach)

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, brush and brown wash, and gouache, Irregular sheet: 1 1/2 x 5 1/2 in. (3.8 x 13.9 cm), Drawings, Eugène Cicéri (French,…

Design for a cup, 19th century, Pen and ink and watercolor, sheet (irregular): 3 1/4 x 3 15/16 in. (8.2 x 10 cm), Drawings, Anonymous, French, 19th century

The Descent of Christ Into Limbo, ca. 1561, Engraving; first state of two, sheet: 9 1/16 x 11 7/16 in. (23 x 29 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca.…

Sibylle Delphique, ca. 1635, Engraving (figure by Rosselet) and etching (background by Bosse), sheet: 14 1/8 x 8 3/8 in. (35.8 x 21.2 cm), Prints, Gilles Rousselet (French, Paris 1614–1686…

Sheet of Sketches: Sculpture for a Banquet Honoring Queen Christian of Sweden., early 17th–late 17th century, Pen and brown ink on ivory paper, sheet: 8 1/4 x 11 15/16 in. (21 x 30.4 cm),…

La Caffarella (ou Grotte d'Egerie), Etching, sheet: 7 1/4 x 9 13/16 in. (18.4 x 25 cm), Prints, Jean Morin (French, Paris ca. 1605–1650 Paris), After Cornelis van Poelenburch (Dutch, Utrecht…

The Last Supper, 1510, Woodcut, sheet: 11 3/4 x 8 3/4 in. (29.8 x 22.2 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Design for a Stage Set at the Opéra, Paris, 1830–90, Graphite, Irregular sheet: 7 x 2 15/16 in. (17.8 x 7.5 cm), Drawings, Eugène Cicéri (French, Paris 1813–1890 Fontainebleau)